Panasonic GH3 vs Sony NEX-5T
66 Imaging
51 Features
80 Overall
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89 Imaging
57 Features
79 Overall
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Panasonic GH3 vs Sony NEX-5T Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 550g - 133 x 93 x 82mm
- Launched September 2012
- Previous Model is Panasonic GH2
- Renewed by Panasonic GH4
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 276g - 111 x 59 x 39mm
- Introduced August 2013
- Replaced the Sony NEX-5R

The Panasonic GH3 vs Sony NEX-5T: An Expert’s Deep Dive into Two Classic Mirrorless Cameras
Choosing between two well-established mirrorless cameras like the Panasonic Lumix GH3 and the Sony Alpha NEX-5T is an intriguing exercise in understanding how different design philosophies, sensor formats, and feature sets translate to real-world photographic performance. Having extensively tested both models over the years across varied genres - from intense sports action to quiet macro work - I’m confident this analysis will help you determine which camera suits your style, budget, and ambition best.
Both models occupy distinct niches in the mirrorless market of the early 2010s: the Panasonic GH3 as a robust advanced hybrid workhorse with cinema-style video chops, and the Sony NEX-5T as an approachable, compact entry-level shooter with strong image quality credentials. Throughout this article, I’ll draw not only on technical specs but also on firsthand hands-on testing in diverse scenarios.
Let’s jump in by orienting ourselves with the cameras’ physical designs and ergonomic footprints - after all, handling can make or break your photography experience.
Handling and Build: SLR-Style Durability Meets Compact Rangefinder Grace
One of the first things I noticed when switching between the Panasonic GH3 and the Sony NEX-5T is their fundamentally different body philosophies.
Size Matters - But So Does Comfort
The GH3 is an SLR-style mirrorless camera, fairly chunky and substantial in hand. Its dimensions of 133x93x82 mm and a weight of 550 grams give it a solid, confident presence - it feels like a serious camera built for demanding use. Conversely, the Sony NEX-5T is more diminutive, measuring 111x59x39 mm and weighing just 276 grams, emulating the compactness of classic rangefinder cameras aimed at travel and street shooters.
In my experience, the GH3’s deeper grip and weather-sealed, magnesium alloy body bolster confidence especially if you’re shooting outdoors in less-than-ideal conditions. The NEX-5T’s minimalist body appeals immensely for portability; it slips seamlessly into a jacket pocket, making it a great companion for sightseeing and urban exploration.
Control Layout and Usability
Looking at the cameras’ top view side-by-side reveals Panasonic’s emphasis on dedicated dials and buttons, providing tactile feedback and fast access to core settings - shutter speed, ISO, exposure compensation, and drive modes.
Sony’s NEX-5T opts for a more streamlined approach with fewer physical controls, relying more on touchscreen navigation and menus. I found this works well for casual shooters or those new to interchangeable-lens cameras, but power users or videographers might prefer the direct tactile access the GH3 offers, especially under dynamic shooting conditions where menus can feel sluggish.
Sensor Technology and Image Quality: Micro Four Thirds vs APS-C - Seeing Is Believing
Arguably the most defining specification is sensor size and its impact on image quality. The GH3 uses a 4/3-type Live MOS sensor measuring 17.3x13 mm, while the NEX-5T features a larger APS-C sensor measuring 23.4x15.6 mm. This difference has several practical implications.
Resolution and Light Sensitivity
Both cameras offer roughly 16 megapixels, sufficient for high-quality prints and detailed cropping. However, the Sony’s APS-C sensor, with an area of 365.04 mm², outperforms the GH3’s smaller sensor of 224.9 mm² in light gathering, which translates directly to better high ISO performance and dynamic range.
Measured DXO Mark scores reflect this: the NEX-5T scores an overall 78, with superior color depth (23.6 bits), a wider dynamic range (13.0 EV), and better low-light ISO performance (ISO 1015). The GH3, with an overall 71, still holds respectable ground but exhibits more noise and narrower tonal latitude especially above ISO 1600.
Practical Impact on Portraits and Landscapes
For portraits, the GH3’s smaller sensor means a deeper depth of field at the same aperture compared to the Sony. While this makes achieving creamy bokeh more challenging on the GH3, its Micro Four Thirds lens lineup includes many fast primes capable of attractive subject isolation, aided by Panasonic’s well-tuned face detection autofocus system.
Landscape shooters will appreciate the Sony’s extra dynamic range allowing nuanced detail recovery from shadows and highlights - ideal when shooting expansive vistas under challenging lighting conditions. Resolution advantage is minor, but the Sony’s pixel quality and raw file latitude provide extra flexibility in post-processing.
Autofocus and Live View Performance: Speed, Accuracy, and Intuition
Autofocus is critical, especially for action, wildlife, and spontaneous shooting. The GH3 and NEX-5T employ different AF technologies reflecting their design eras and target users.
Focus Systems: Contrast Detection vs Hybrid AF
The GH3 uses a contrast-detection AF system with 23 focus points and face detection. It performs well in good light but can slow down or hunt in dim conditions or for fast-moving subjects. Its continuous AF mode, while functional, is not best-in-class for rapid sports sequences.
Meanwhile, the Sony NEX-5T boasts a hybrid AF system with 99 phase-detection points complimented by 25 cross-type points, significantly improving tracking accuracy and speed. In my side-by-side tests shooting street performers or kids at play, the Sony locked focus more reliably and briskly, even in tricky backlit environments.
Touchscreen AF and Face Detection
Both cameras feature touchscreen focus selection which proved useful for precise focusing in live view. The Panasonic’s fully articulating OLED touchscreen felt more intuitive for video and macro work, whereas the Sony’s tilting LCD offered solid but less flexible framing options.
Face detection performed comparably, though Sony’s superior processing power yielded marginally better eye focus consistency.
Viewfinders and Display: Composing Your Shots, Your Way
Your experience of framing a scene and reviewing images is strongly influenced by the viewfinder and screen quality.
Electronic Viewfinder
The GH3 includes a built-in electronic viewfinder (EVF) with 1.74M dots and 100% coverage, delivering a bright, detailed view close to an optical experience. This proved invaluable in bright outdoor shooting where LCDs can be challenging to see.
The NEX-5T, positioned more as a compact hybrid, lacks a built-in EVF and requires an optional accessory for one. This may disappoint photographers used to composing through a viewfinder on sunny days.
Rear Screen: Articulated vs Tilting
The GH3’s 3-inch fully articulated OLED screen with 614k dot resolution is a clear winner for versatility. It’s ideal for overhead shots, low angles, and videography. Though the OLED is not as high resolution as the Sony’s 922k dot TFT LCD, the GH3’s OLED panel offers better contrast and color accuracy.
Sony’s NEX-5T screen tilts up 180° and down 50°, enabling selfies and vlogging-friendly framing. The higher resolution makes image review crisp, but the fixed tilt limits some creative angles.
Lens Ecosystem and Compatibility: Expanding Your Creative Horizon
Lenses often define a camera’s long-term usefulness. With both brands rooted in interchangeable lens mirrorless systems, understanding their mount options is key.
The GH3 uses Panasonic’s Micro Four Thirds mount, boasting over 100 native lenses including quality primes, macros, and fast telephotos from Panasonic, Olympus, and third parties. The entire ecosystem is mature, flexible, and often more affordable compared to DSLR counterparts.
The Sony NEX-5T’s Sony E-mount is equally impressive with 121 lenses available, from compact primes to professional glass. Sony and third-party manufacturers like Sigma and Tamron provide excellent APS-C glass optimizing optical performance.
An important note: Panasonic's 2.1x crop factor means wider lenses are harder to find or more expensive for expansive landscapes compared to Sony’s 1.5x APS-C crop. Telephoto reach also differs accordingly, which could influence wildlife and sports shooting preferences.
Burst Shooting, Video Capabilities, and Stability: Capturing Motion in All Conditions
Burst Rate and Continuous Shooting
The GH3 boasts a class-leading continuous shooting speed of up to 20 fps in burst mode, appealing to sports and wildlife photographers requiring rapid frame capture. However, shutter lag and buffer depth may limit practical performance.
The NEX-5T manages a respectable 10 fps burst, sufficient for most casual sports or street shooting scenarios but behind the Panasonic in outright speed.
Video Recording
The GH3 shines for hybrid shooters, offering 1080p up to 60 fps, with AVCHD and H.264 recording, external microphone input, and headphone jack for professional audio monitoring - features rarely seen in this segment at the time. Panasonic’s Venus Engine processor yields smooth, clean video optimal for creative video projects.
In contrast, the Sony NEX-5T supports 1080p video at 60p and 24p, but lacks microphone and headphone jacks restricting audio control. This makes it less ideal for serious videography but perfectly fine for casual filmmakers.
Image Stabilization
Neither camera boasts in-body image stabilization, relying instead on lens-based stabilization if available. This is a notable consideration if shooting handheld in low light or capturing motion.
Battery Life and Wireless Connectivity: Powering Photography on the Go
The GH3 offers an impressive 540-shot battery life rating compared to the NEX-5T’s 330 shots per charge. In my travel testing, the Panasonic reliably lasted full day shoots without hasty battery swaps, while the Sony often required carrying spares or conservation measures.
Wireless connectivity is baked into both cameras, but the GH3 lacks Bluetooth and NFC, having only Wi-Fi, whereas the NEX-5T adds NFC for effortless pairing with compatible devices - handy for rapid sharing.
A Practical Exploration Across Photography Genres
Given the detailed specs and features, how do these cameras perform in real-world photographic applications? I methodically shot both across ten distinct disciplines with identical lenses where possible - from portraits to astrophotography - to distill their practical strengths and weaknesses.
Portrait Photography
The Sony’s APS-C sensor advantage reveals itself in richer skin tone gradation, better noise control at higher ISO, and effortless subject-background separation thanks to its wider apertures. Eye detection autofocus is swift and reliable. The GH3’s articulated screen helps with off-axis framing, and its robust body feels substantial during longer sessions.
Landscape Photography
Sony’s extended dynamic range and higher native ISO flexibility make it easier to capture detailed highlights and shadows under dynamic skies. Panasonic’s weather sealing adds protection during inclement conditions, a boon for outdoor adventurers.
Wildlife Photography
The GH3’s blazing 20 fps burst and tactile controls lend confidence when tracking erratic animal movement, though autofocus can sometimes lag in dim environments. The Sony trades burst speed for sharper autofocus tracking but requires more deliberate shooting pace.
Sports Photography
While the GH3’s speed is appealing, its contrast-detection AF struggles to keep up with fast-moving athletes compared to Sony’s hybrid phase-detect assisted AF driving superior focus acquisition.
Street Photography
The NEX-5T excels thanks to its compactness and discretion, allowing candid shots without drawing attention. Lower weight means less fatigue over extended outings.
Macro Photography
Both house similar focusing limits but the GH3’s articulating OLED screen - complemented by precise touchscreen AF - empowers creative close-ups and focus stacking workflows.
Night and Astro Photography
Sony’s superior high ISO capability and extended exposure range deliver cleaner starscapes with lower noise; however, Panasonic’s robust build can better resist moisture in challenging environments.
Video Capabilities
The GH3 dominates this category with advanced recording options and professional audio input/output, making it a reliable B-camera or informal cinema camera. The NEX-5T covers basic HD video well enough for casual storytelling.
Travel Photography
For all-day carry, the NEX-5T’s light, compact build and NFC sharing make it inviting for travellers prioritizing convenience. However, Panasonic’s weather sealing and battery stamina favor longer expeditions.
Professional Workflows
The GH3’s larger raw files, robust body, and connectivity fit better into demanding professional pipelines. Sony may require additional accessories to fill some gaps.
Technical Scores and Genre-Specific Ratings
To ground this experiential feedback, here is a summary of DXO Mark scores and genre-specific performance analyses based on my extended use:
These ratings confirm the NEX-5T’s optical and sensor excellence, particularly in still photography demanding high image fidelity, while the GH3 reflects strength in video, controls, and ruggedness.
Final Thoughts: Which Mirrorless Camera Deserves Your Investment?
From my extensive hands-on testing and comparison, here’s how I would boil down the decision for prospective buyers:
-
Choose the Panasonic GH3 if:
- You want a robust, all-weather camera with professional-grade controls.
- Video recording is a significant part of your workflow.
- Burst shooting speed and tactile shooting experience matter to you.
- You plan to shoot in challenging outdoor environments frequently.
-
Pick the Sony NEX-5T if:
- You prioritize superior still image quality and dynamic range.
- Portability for travel or street photography is essential.
- You prefer a more beginner-friendly, touchscreen-driven interface.
- Budget constraints and availability lower the barrier of entry.
This comparison reveals two cameras each excelling in their own right. The GH3 is a durable, video-savvy hybrid champion, while the NEX-5T is a brilliant APS-C sensor shooter balancing compactness and image excellence.
If budget permits, I also encourage considering more recent models that build on these foundations, but if either of these is available at good value second-hand, they remain capable tools for diverse photographic pursuits.
Happy shooting!
Disclosure: I have no financial ties to Panasonic or Sony used in this review. Results stem from my independent, comprehensive testing methodology developed over 15+ years of evaluating cameras.
Article Images Gallery Credits: Author’s test shots.
Panasonic GH3 vs Sony NEX-5T Specifications
Panasonic Lumix DMC-GH3 | Sony Alpha NEX-5T | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model | Panasonic Lumix DMC-GH3 | Sony Alpha NEX-5T |
Type | Advanced Mirrorless | Entry-Level Mirrorless |
Launched | 2012-09-17 | 2013-08-27 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | Venus Engine VII FHD | Bionz |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.4 x 15.6mm |
Sensor area | 224.9mm² | 365.0mm² |
Sensor resolution | 16MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4912 x 3264 |
Highest native ISO | 12800 | 25600 |
Minimum native ISO | 200 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 23 | 99 |
Cross focus points | - | 25 |
Lens | ||
Lens mount | Micro Four Thirds | Sony E |
Number of lenses | 107 | 121 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Tilting |
Display size | 3 inch | 3 inch |
Display resolution | 614k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | OLED Monitor with static touch control | Tilt Up 180° Down 50° TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic (optional) |
Viewfinder resolution | 1,744k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.67x | - |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shooting speed | 20.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 12.00 m | 7.00 m (ISO100) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/160 seconds | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 30, 25 24 fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1920 x1080 (60p/60i/24p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD, H.264 | MPEG-4, AVCHD, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 550 grams (1.21 lb) | 276 grams (0.61 lb) |
Dimensions | 133 x 93 x 82mm (5.2" x 3.7" x 3.2") | 111 x 59 x 39mm (4.4" x 2.3" x 1.5") |
DXO scores | ||
DXO All around score | 71 | 78 |
DXO Color Depth score | 22.7 | 23.6 |
DXO Dynamic range score | 12.4 | 13.0 |
DXO Low light score | 812 | 1015 |
Other | ||
Battery life | 540 pictures | 330 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery model | - | NPFW50 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes ((10/2 sec. delay), Self-timer (Cont.) (with 10 sec. delay; 3/5 exposures)) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | One | One |
Price at launch | $799 | $400 |