Panasonic GH4 vs Panasonic L10
66 Imaging
52 Features
88 Overall
66


66 Imaging
44 Features
38 Overall
41
Panasonic GH4 vs Panasonic L10 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 560g - 133 x 93 x 84mm
- Introduced February 2014
- Succeeded the Panasonic GH3
- Refreshed by Panasonic GH5
(Full Review)
- 10MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 556g - 135 x 96 x 78mm
- Revealed December 2007

Panasonic GH4 vs Panasonic L10: A Tale of Two Generations in Mirrorless and DSLR Photography
In the rapidly evolving world of digital photography, it’s fascinating to chart the course from mid-2000s DSLRs to more recent mirrorless marvels. Today, I’m digging deep into a thorough comparison between two Panasonic cameras separated by more than half a decade - the Panasonic Lumix DMC-GH4, announced in early 2014, and the venerable Panasonic Lumix DMC-L10 from late 2007. One is a pro mirrorless powerhouse, and the other a pioneering advanced DSLR of its time.
My goal here is to provide photography enthusiasts and professionals considering either camera - or simply interested in how far camera tech has come - with honest, evidence-driven insights into the practical strengths, weaknesses, and use-case fit for each. We’ll cover everything from sensor tech to ergonomics and real-world performance across major photography genres.
Let’s begin with the very basic but still hugely important factor: handling and size.
Size, Ergonomics, and Build: Handling Evolution Over Time
At first glance, the Panasonic GH4 and L10 look like distant relatives. The L10 sports a traditional DSLR silhouette, complete with a pentamirror optical viewfinder hump, while the GH4 adopts a more modern SLR-style mirrorless body design.
Both are similar in weight - about 560g, more or less - but their physical dimensions hint at substantially different ergonomics. The GH4 measures 133×93×84 mm, whereas the L10 is a bit bulkier at 135×96×78 mm. Size-wise, these are both relatively compact compared to today’s oversized pro DSLRs, but the GH4’s body is thinner and feels lighter in hand due to the lack of a mirror box.
From my hands-on experience with both cameras, the GH4 feels markedly more balanced with lenses mounted, owing to refined grip shape and reduced bulk. The deep, contoured grip on the GH4 provides confident handling for extensive shoots without fatigue. Meanwhile, the L10’s grip, while solid, is more angular and less ergonomically refined by modern standards.
Notably, the GH4 incorporates weather sealing, an often underappreciated feature that gives the camera resilience in mist, grime, and light rain. The L10 lacks this - a consideration for professionals shooting in less predictable environments.
Moving to the top deck...
Control Layout and Top-View Design: Intuitiveness Meets Modern Workflow
Comparing the control layout from above tells an important story about the progression from DSLRs towards mirrorless ergonomics optimized for video as well as stills.
The GH4 impresses with clearly labeled dials for mode selection, exposure compensation, and dual control dials accessible near the index finger and thumb. This multi-control approach maximizes efficiency when adjusting aperture, shutter speed, ISO, or custom functions on the fly.
By contrast, the L10 employs a more classic DSLR control scheme with fewer dedicated buttons and single adjustment dials. This means you must enter menus more frequently or rely heavily on the four-way directional pad when making adjustments - slower in fast-paced shooting scenarios.
In practice, especially when shooting sports or wildlife, the GH4’s layout boosts speed and reduces frustration, especially under pressure. That said, the L10’s interface remains approachable for beginners or occasional users not needing rapid-fire changes.
Also worth noting: neither camera features illuminated buttons, a minor quibble for twilight or night photography sessions where quick adjustments might be necessary.
Sensor Technology and Image Quality: From Ten to Sixteen Megapixels, With a Leap in Dynamic Range
Both cameras sport a Four Thirds-type CMOS sensor of the same physical size: approximately 17.3×13 mm with an active area near 225 mm², offering a 2.1× focal length multiplier - one of the benefits of Micro Four Thirds mount compatibility.
However, the technological gulf between them is evident. The L10 has a 10-megapixel sensor, quite reasonable for its time but modest today. The GH4 advances to a 16-megapixel CMOS sensor without an anti-aliasing filter, granting subtle improvements in fine detail capture and resolution (4608×3456 max image size).
Testing both side-by-side in RAW format under controlled lighting conditions highlighted the GH4’s substantially fresher sensor design delivering a notably superior dynamic range - rated at 12.8 EV by DxOMark versus the L10’s 10.8 EV. This means the GH4 handles high-contrast scenes better, preserving shadow and highlight details that the L10 struggles with.
Color depth also improves from 21.3 bits to 23.2 bits, meaning more nuanced, lifelike skin tones and hues in portraits and landscape shots alike.
Low-light capability is where the GH4 really shines. With a max ISO of 25,600 versus only 1,600 native ISO on the L10, the GH4 produces cleaner, less noisy images at high sensitivities. Weak-light shooters – night or event photographers – will especially appreciate this edge.
Given the advances, the GH4 is an obvious choice for image quality purists or professionals. But the L10 is no slouch for casual use and excels with good lighting - perfect for daylight travel or studio portrait work on a budget.
LCD Screens and Viewfinders: Articulated OLED vs Fixed TFT - Thorough Evolution
The GH4’s 3-inch fully articulated OLED touchscreen with 1036k-dot resolution is a godsend for videographers and photographers alike. It allows flexible angles for waist-high or overhead shooting, touch focus and menu navigation, plus vibrant image review.
The L10, limited by a 2.5-inch fixed TFT display barely surpassing 200k dots, feels like looking through curtains in comparison. The lack of touch capability and articulation restricts flexibility, creating user fatigue in awkward shooting positions.
Viewfinder-wise, the L10 adheres to its DSLR roots with an optical pentamirror, offering a bright and lag-free look but only 95% frame coverage and moderate 0.47x magnification. The GH4, meanwhile, offers an electronic viewfinder (EVF) with a considerable boost: 100% coverage, sharp 2359k-dot OLED panel, and a larger 0.67x magnification ratio, yielding a vivid, precise preview that can display exposure simulations.
The difference becomes crucial in demanding scenarios - indoor events, landscape compositions, or macro work - where accurate framing and exposure assistance reduce wasted frames. The GH4’s EVF also shines during video recording, where optical viewfinders cannot assist.
Autofocus and Shooting Speed: A Marathon Winner Outpaces a Sprinter
When we look at autofocus (AF), we see a paradigm shift from the L10 to GH4.
The L10 employs a 3-point AF system with phase detection, respectable for its time but relatively rudimentary today. AF performance here is slow and sometimes unreliable in low contrast or light. It lacks face detection and live view AF capabilities, limiting flexibility for video or quick refocused stills.
The GH4 brings a 49-point contrast-detection AF system with face detection and continuous AF in live view. While contrast-detection generally trails phase detection on speed, the GH4 impresses with fluid tracking in video mode and decent responsiveness for stills too. Advanced users will appreciate AF customization and reliable AF tracking for moving subjects.
Shooting speed tells a similar story. The GH4 boasts 12 frames per second (fps) burst shooting - ideal for sports and wildlife - while the L10 maxes out at a modest 3 fps. In practice, this means the GH4 is vastly better equipped for capturing decisive moments on fast-moving subjects.
Sports photographers or wildlife shooters will feel the GH4’s speed and AF system let them catch fleeting expressions or actions that are missed on the L10.
Versatility Across Photography Genres: Which Camera Excels Where?
To better visualize how the GH4 and L10 stack up across core photography disciplines, let’s delve into specifics:
Portraits: The GH4’s greater resolution and dynamic range yield delicately rendered skin tones with pleasing color fidelity. Face detect AF helps ensure tack-sharp eyes while the fully articulating screen enables creative angles and easier composition. The L10 manages decent portraits but struggles in complex lighting or achieving smooth bokeh due to lens ecosystem limitations.
Landscapes: GH4’s superior dynamic range keeps details in bright skies and deep shadows; anti-aliasing filter removal enables more texture fidelity. Weather sealing on GH4 lends confidence for outdoor shooting in variable conditions. L10’s lower ISO ceiling and smaller screen limit its appeal here.
Wildlife and Sports: The GH4 outclasses the L10 with 12fps burst, robust AF tracking, and video capabilities aiding hybrid shooters. The L10 is simply outpaced, though still serviceable for casual wildlife observers.
Street Photography: The L10’s larger footprint and optical viewfinder offer advantages for some who prefer direct exposure visualization. However, the GH4’s compact design, silent shutter modes, and superior low-light capacity make it better suited for discreet shooting and varied lighting conditions.
Macro: GH4's sharp sensor and articulated screen aid close-up precision focusing. The L10 lacks live view AF support, hindering macro focus accuracy.
Night and Astro Photography: The GH4’s higher max ISO combined with longer shutter speeds enables cleaner night sky images, while the L10’s noise increases rapidly at ISO above 400, limiting astrophotography potential.
Video: Here, the GH4 is a clearly dominant storyteller, featuring 4K recording at multiple frame rates, full HDMI output, headphone and mic jacks, and advanced codec support - unmatched for its era and significantly beyond the L10's zero video capabilities.
Travel: Battery life of 500 shots in the GH4 combined with weather sealing and compact size makes it ideal for on-the-go use. The L10’s weaker battery offering and lack of weather resistance reduce stamina in travel scenarios.
Professional Use: Supporting RAW capture, nifty connectivity options including Wi-Fi, and broad lens compatibility at a high price-performance ratio, the GH4 remains a robust professional tool. The L10, while a venerable veteran, is limited in file formats and workflow efficiency.
Lens Ecosystem and Compatibility: Expanding Creative Horizons
Both cameras share the Micro Four Thirds mount with a 2.1x crop factor - fantastic for reaching long focal lengths without exorbitant lens sizes - but their lens compatibility and availability vary.
The GH4 benefits from Panasonic’s and Olympus’s extensive MFT lens line-ups, currently boasting over a hundred lenses covering everything from ultra-wide primes to telephoto zooms and specialized optics for video. The GH4’s advanced AF and stabilization synergy further enhance lens performance.
The L10, however, supported markedly fewer lenses (approximately 45 at launch) due to its early MFT adoption. Additionally, many newer lenses offer features like fast autofocus motors or optical stabilization unsupported on the L10.
In sum, GH4 users enjoy a current and diverse lens ecosystem ideal for multiple photography styles from macro to wildlife. L10 shooters may find lens choices more limited or dated.
Connectivity, Storage, and Battery Life: Staying Powered and Connected
The GH4 shines with built-in wireless connectivity, USB 2.0, an HDMI port, microphone and headphone jacks - integral for hybrid shooters recording video as well as stills. It boasts commendable battery life of around 500 shots per charge using the standardized DMW-BLF19 battery type.
By contrast, the L10 offers only USB 2.0 data transfer, no onboard wireless, no HDMI, and an unknown but generally less robust battery endurance than the GH4 - partly due to older battery chemistries and lack of power-saving firmware optimizations.
Both cameras accept SD card storage, but the GH4 supports higher capacity, faster UHS-I SDXC cards necessary for handling 4K video streams.
Value Proposition and Pricing: Balancing Budget and Capability
At current retail prices, the GH4 commands roughly $1500 new, while the L10 can often be found used for under $350. This stark price difference reflects the generational leap in performance and features more than anything else.
The GH4 is an investment for serious enthusiasts or pros demanding robust video and ample still photography capabilities, rugged build, and workflow efficiency.
The L10 serves well as an entry-level DSLR for beginners or collectors interested in an affordable system to learn the fundamentals of exposure and manual control.
I’d suggest weighing your priorities accordingly:
- If you value 4K video, fast autofocus, high burst rates, weather sealing, and modern ergonomics, the GH4 is clearly worth the premium.
- If you favor DSLR optical viewfinders, simple controls, and budget-oriented stills photography in well-lit conditions, the L10 remains a respectable choice.
Real-World Balanced Verdict: Picking the Right Tool for Your Vision
Evaluating sample image sets from both cameras side-by-side, I am struck by the GH4’s crispness, color fidelity, and dynamic nuance. In portrait and landscape shots alike, it produces files ripe for professional post-processing. In contrast, the L10 images are flatter with somewhat noisier shadows and less detail, but still aesthetically pleasing when exposed properly.
For everyday walk-around photography, the GH4’s flexible articulated screen and silent shutter modes add creative freedom and practicality. The L10’s optical viewfinder provides an old-school charm and immediacy some shooters swear by.
Ultimately, the GH4 feels like a well-rounded, forward-looking professional tool, while the L10 is an honorable, capable predecessor introducing users to digital photography basics.
Summary Performance Ratings: Numbers Don’t Lie
To quantify the comparison:
Feature | Panasonic GH4 | Panasonic L10 |
---|---|---|
Image Quality | 74 | 55 |
Color Depth | 23.2 bits | 21.3 bits |
Dynamic Range (EV) | 12.8 | 10.8 |
Low Light ISO | 791 | 429 |
Burst FPS | 12 | 3 |
Viewfinder Coverage | 100% | 95% |
Weight (g) | 560 | 556 |
Battery Life (Shots) | 500 | ~350* |
*Estimated based on age and technology.
Closing Thoughts for Diverse Users
-
Professional Videographers and Hybrid Shooters: The GH4 is unrivaled with 4K video, in-body articulation, and audio ports.
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Wildlife and Sports Photographers: The GH4’s burst speed and AF tracking outperform the L10 across the board.
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Portrait and Landscape Enthusiasts: GH4 offers greater color depth and dynamic range; however, budget-conscious portrait beginners may find the L10 a decent learning tool.
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Street Photographers and Travelers: GH4’s compact, weather-sealed design and silent shooting outperform the bulkier L10.
-
Collectors and Beginners: The L10 provides a solid entry DSLR experience at an accessible price.
The Panasonic GH4 and L10 offer an intriguing glimpse into mirrorless and DSLR evolution. From sensor and autofocus innovations to ergonomics and video prowess, the GH4 comfortably sits near the top of the 2010s category, while the L10 remains a nostalgic yet pragmatic stepping stone for less demanding shooters.
I’ve personally spent hundreds of hours testing both cameras across diverse scenarios and hope this comparison shines a clear light on their enduring strengths and suitable use cases. For those navigating a purchase decision, remember: the best camera is ultimately the one that inspires and enables your vision.
Happy shooting!
Panasonic GH4 vs Panasonic L10 Specifications
Panasonic Lumix DMC-GH4 | Panasonic Lumix DMC-L10 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-GH4 | Panasonic Lumix DMC-L10 |
Category | Pro Mirrorless | Advanced DSLR |
Introduced | 2014-02-07 | 2007-12-14 |
Body design | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Powered by | Venus Engine IX | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 16MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Max resolution | 4608 x 3456 | 3648 x 2736 |
Max native ISO | 25600 | 1600 |
Minimum native ISO | 200 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 49 | 3 |
Lens | ||
Lens mounting type | Micro Four Thirds | Micro Four Thirds |
Number of lenses | 107 | 45 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display size | 3" | 2.5" |
Resolution of display | 1,036 thousand dot | 207 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | OLED | - |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentamirror) |
Viewfinder resolution | 2,359 thousand dot | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.67x | 0.47x |
Features | ||
Minimum shutter speed | 60 seconds | 60 seconds |
Fastest shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shutter speed | 12.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 17.00 m (at ISO 200) | 11.00 m |
Flash modes | Auto, auto/redeye reduction, forced on, forced on/redeye reduction, slow sync, slow sync/redeye reduction, forced off | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | 1/250 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 4096 x 2160 (24p), 3840 x 2160 (24p, 25p, 30p), 1920 x 1080 (24p, 25p, 30p, 50p, 60p), 1280 x 720 (24p, 25p, 30p), 640 x 480 (25p, 30p) | - |
Max video resolution | 4096x2160 | None |
Video data format | MPEG-4, AVCHD | - |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 560 grams (1.23 lb) | 556 grams (1.23 lb) |
Dimensions | 133 x 93 x 84mm (5.2" x 3.7" x 3.3") | 135 x 96 x 78mm (5.3" x 3.8" x 3.1") |
DXO scores | ||
DXO Overall score | 74 | 55 |
DXO Color Depth score | 23.2 | 21.3 |
DXO Dynamic range score | 12.8 | 10.8 |
DXO Low light score | 791 | 429 |
Other | ||
Battery life | 500 images | - |
Style of battery | Battery Pack | - |
Battery model | DMW-BLF19 | - |
Self timer | Yes (2 or 10 secs (single or three-shot)) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/MMC/SDHC card |
Storage slots | 1 | 1 |
Pricing at release | $1,500 | $350 |