Panasonic GH5 vs Pentax K-30
59 Imaging
59 Features
89 Overall
71


63 Imaging
57 Features
66 Overall
60
Panasonic GH5 vs Pentax K-30 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3.2" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 725g - 139 x 98 x 87mm
- Revealed January 2017
- Superseded the Panasonic GH4
- Newer Model is Panasonic GH5 II
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Released October 2012
- Renewed by Pentax K-50

Panasonic GH5 vs Pentax K-30: A Hands-On Comparison for Enthusiasts and Pros
Choosing the right camera is a journey of matching your photographic ambitions with a tool that empowers, rather than constrains. Today, I’m diving deep into a comparison between two distinctly different yet esteemed cameras: the Panasonic GH5 - a professional-grade mirrorless powerhouse from 2017, and the Pentax K-30 - a rugged mid-size DSLR released in 2012 with a loyal following among advanced amateurs. Both cameras have their strengths and quirks, and I’m pulling from hours of side-by-side testing, technical specs, and real-world shooting experience to help you decide which one fits your style and budget.
Form Factor and Ergonomics: Mirrorless Elegance Meets DSLR Traditionalism
At first glance - and feel - you notice the GH5’s mirrorless, SLR-styled body versus the K-30’s more traditional DSLR construction. The GH5 measures 139x98x87mm and weighs 725g, while the K-30 is slightly smaller and lighter at 130x97x71mm and 650g. Although the GH5 is heavier, its magnesium alloy build feels exceptionally solid and professional. The robust grip and well-placed controls give it the assurance you’d want for demanding workflows.
The K-30 holds charm with its comfortable DSLR ergonomics and weather-sealed body - something both cameras share, offering peace of mind in challenging environments. The K-30’s control cluster feels a bit dated compared to the GH5’s refined layout. The mirrorless design of the GH5 allows better front-to-back optimization, making the camera easier to hold for longer sessions, especially with heavier lenses.
The top view comparison highlights an important ergonomic advantage for Panasonic’s GH5: the illuminated buttons and high-resolution OLED screen on the top plate allow quick adjustments without breaking your workflow. The K-30 has standard DSLR-mode dials, tactile but lacking illumination and modern feedback. In low light, this can slow down operation - a minor but noticeable bottleneck.
Overall, the GH5 places user experience at the forefront with thoughtful refinement, while the K-30’s design reflects a rugged, straightforward approach befitting its price point and era.
Sensor Technology and Image Quality: Four Thirds Meets APS-C
One of the most fundamental differences between these two cameras lies in sensor size and design. The Panasonic GH5 features a 20MP Four Thirds sensor (17.3x13mm) without an anti-aliasing filter, whereas the Pentax K-30 sports a 16MP APS-C sensor (23.7x15.7mm) with an anti-aliasing filter.
From a technical standpoint, sensor size directly impacts image quality characteristics. The larger APS-C sensor on the K-30 has about 65% more surface area than the GH5’s Four Thirds sensor, which generally translates to better noise performance and dynamic range at equivalent megapixel counts. The lack of an anti-aliasing filter on the GH5 allows it to eke out marginally sharper images at base ISO, especially with high-quality lenses.
The DxO Mark scores reinforce these realities - both cameras have identical dynamic range of 13 stops, but the K-30 edges out slightly in low-light sensitivity (ISO 1129 vs 807) and overall score (79 vs 77). Color depth is essentially equivalent.
Real-world shooting confirms the GH5 produces impressively sharp, clean images, particularly beneficial for video-friendly hybrid shooters. The K-30, with its bigger sensor, excels in nuanced color gradations and cleaner performance at elevated ISOs - valuable for still photography demanding high image quality.
Image Resolution and ISO Range
- GH5: 20MP, ISO 200–25600 native, no anti-aliasing filter.
- K-30: 16MP, ISO 100–12800 native (extended to 25600), with anti-aliasing filter.
While megapixels are often overrated, the GH5's higher resolution offers more cropping flexibility and finer detail reproduction under controlled conditions. The K-30’s lower pixel density on a bigger sensor yields a forgiving highlight rolloff and cleaner shadows.
LCD and Viewfinder: Electronic Clarity vs Optical Tradition
Both cameras provide a 3-inch LCD screen but with markedly different capabilities. The GH5 boasts a 3.2-inch fully articulating touchscreen with 1620k dot resolution - the articulation lend incredible versatility for vlogging, low-angle, and overhead shooting. The touchscreen responsiveness is top-tier, allowing quick menu navigation and focus point selection.
Conversely, the K-30’s fixed 3-inch TFT LCD has 921k dots, lacks touchscreen, and offers limited flexibility. It’s sufficient for composing images but feels cramped for reviewing detailed shots or menus.
Regarding viewfinders, the GH5’s electronic viewfinder (EVF) features a spectacular 3.68M-dot resolution covering 100% with 0.76x magnification, rendering an almost-pristine preview with real-time information overlays. This EVF excels in low-light visibility and gives you confidence with exposure and live histogram feedback unseen in any optical system.
The K-30’s optical pentaprism is bright and natural, with 100% coverage and 0.61x magnification, excellent for those who prefer a clear optical window and zero lag. However, it lacks the additional data displays and preview benefits of an EVF.
For photographers who value framing precision and quick exposure feedback, the GH5’s EVF and articulating screen are a substantial advantage. But traditionalists who enjoy the tangible nature of an optical viewfinder and prefer a simpler rear screen might gravitate toward the K-30.
Autofocus Systems: Precision and Speed for Moving Subjects
Autofocus configurations show the gulf these cameras span in technological era and intended usage. The GH5 offers a 225-point contrast-detection AF system with touch focus, face detection, tracking, and multi-area modes but no phase detection AF on-sensor. The K-30 employs an 11-point phase-detection system with 9 cross-type points.
Having worked extensively with both, I can attest that the GH5’s contrast-detection AF is surprisingly nippy and reliable - largely thanks to improved processing power (Venus Engine). It tracks moving subjects competently in video and stills. However, for action-packed shooting like sports or wildlife, phase-detection tends to outperform contrast-only systems in speed and predictive tracking.
The K-30’s 11-point AF is decent for a midrange DSLR but is no match in speed or sophistication compared to recent phase-detect systems. It performs admirably for portraits, landscapes, and slow-moving subjects but struggles with fast autofocus tracking and low-light autofocus precision.
Feature | Panasonic GH5 | Pentax K-30 |
---|---|---|
AF Points | 225 (Contrast-Detection) | 11 (Phase-Detection) |
Face/Eye Detection | Yes (Face only, no eye AF) | Yes (Face only) |
Tracking Autofocus | Yes | Yes (Basic tracking) |
Touch AF | Yes | No |
While autofocus strategies differ, the GH5’s hybrid system - though contrast-based - benefits from modern algorithms and touch focal control, ideal for video and still shooters seeking flexible focusing options. The K-30’s phase-detection remains solid for photographers invested in DSLR handling but expects modest autofocus performance in dynamic scenarios.
Burst Shooting and Buffer Depth: Capturing the Decisive Moment
Speed and buffer depth in continuous shooting bear heavily on sports, wildlife, and action photography. The GH5 shoots at a blazing 12 FPS mechanical shutter rate with an impressive silent electronic shutter option up to 1/16000s. The K-30 manages up to 6 FPS, a solid pace for its class but half the GH5’s output.
In practical terms, the GH5’s buffer handles over 100 RAW images uninterrupted at max speed, allowing extended bursts without slowing down - a critical advantage for pro action shooters.
The K-30’s buffer is comparatively shallow, which means you’ll hit a buffer full after approximately 20-30 RAW shots at 6 FPS before the frame rate drops.
Lens Ecosystems and Compatibility: Breadth and Specialty
The GH5’s Micro Four Thirds mount offers a vast and rapidly expanding lens lineup of over 100 models, including many from Panasonic, Olympus, and third-party manufacturers. This opens doors for a wealth of fast primes, high-quality zooms, and specialized optics optimized for video and stills alike.
The K-30’s Pentax KAF2 mount enjoys even wider legacy support with over 150 lenses, including an extensive range of manual and screw-mount lenses via adapters. Pentax’s commitment to maintaining backward compatibility adds rare value to vintage lens collectors and creative photographers.
Consider that the GH5’s 2.0x crop factor (equivalent) makes telephoto lenses effectively tighter in field of view than the K-30’s APS-C 1.5x factor.
Build Quality and Weather Sealing: Ready for Adventure
Both cameras advertise robust environmental sealing - but the GH5’s newer magnesium alloy chassis provides superior durability, including splash and dust resistance, plus functional sealing on lens mounts and doors. This design focus supports professional outdoor, adventure, and travel shooting demands.
The K-30 also offers dust and weather sealing in a tough polycarbonate and aluminum shell, certainly rugged for its time and class, but minor details such as less substantial sealing on ports and controls lower its rating in extremely harsh conditions.
Video Capabilities: GH5’s Industry-Leading Hybrid Strengths
If video matters to you, the GH5 is the unequivocal winner. Offering:
- True 4K (4096×2160) recording up to 24p, and UHD 4K up to 60p
- 10-bit internal recording, advanced codecs (H.264, AVCHD)
- 4K and 6K photo modes for extracting high-res stills from video frames
- Full-size microphone and headphone jacks for professional audio monitoring
- In-body 5-axis image stabilization optimizing handheld shooting
The K-30 provides full HD (1920×1080) video up to 30p, with limited codec options and no external audio connections, reflecting its heritage as a stills-focused camera.
In my on-field testing, the GH5’s video output is crisp and clean, with superb manual controls and creative flexibility, setting the bar in hybrid shooting. The K-30’s video remains serviceable for casual clips but falls short for professional-grade filmmaking.
Battery Life and Storage: Endurance in the Field
Both cameras use battery packs with comparable rated lifespans - approximately 410 shots per charge under CIPA standards. However, real-world usage will vary depending on screen use, continuous shooting, and video recording intensity.
The GH5’s dual SD card slots (both UHS-II compatible) afford significant reliability and flexibility through redundancy or overflow workflows. The K-30 offers a single SD card slot, limiting backup options in extended shoots.
Connectivity and Modern Conveniences: Staying Wired and Wireless
Connectivity reflects the technological chasm between these models:
- GH5 includes Wi-Fi and Bluetooth for wireless image transfers, remote control, and firmware updates.
- The K-30 has no built-in wireless features; GPS is optional but not standard.
- Both support USB data transfer, though the GH5’s USB 3.1 Gen 1 port is markedly faster than the K-30’s USB 2.0.
The HDMI port on the GH5 supports live video output for external recorders, great for videographers. The K-30 lacks HDMI connectivity altogether.
Comprehensive Shooter Profiles and Use Cases
To get a better sense of practical suitability, let’s consider how each camera performs across a spectrum of photography disciplines:
Genre | Panasonic GH5 | Pentax K-30 |
---|---|---|
Portrait | Superb bokeh control via lenses, fast AF tracking, excellent skin tones | Solid skin tone rendering, good color depth, slower AF |
Landscape | High resolution, excellent DR, tilting screen for composition, full weather sealing | Larger sensor benefits shadow detail, rugged and weather-sealed |
Wildlife | Fast burst, effective tracking, great stabilization for telephoto lenses | Decent burst, but slower AF tracking limits utility |
Sports | Strong continuous AF, up to 12 FPS, good ergonomics | Limited to 6 FPS, AF slower; less suited for fast action |
Street | Compact mirrorless body, silent shutter option | Bulkier DSLR, optical viewfinder preferred by some street photographers |
Macro | Effective sensor-based stabilization and focus stacking | Manual focus and stabilization present but limited |
Night / Astro | Excellent high ISO capability, silent shutter useful for quiet exposures | Better low-light ISO ceiling but more noise at pixel level |
Video | Industry-leading 4K specs, professional audio ports | Basic Full HD only, no advanced video options |
Travel | Lightweight, articulating screen, weather sealed | Rugged, compactish DSLR with solid battery life |
Professional Work | Excellent workflow integration, dual cards, raw support | Good RAW, fewer workflow enhancements |
Strengths and Weaknesses at a Glance
Panasonic GH5 Pros:
- Industry-leading 4K video with advanced codec options
- Fast continuous shooting (12 FPS) with deep buffer
- High-res EVF and fully articulating touchscreen
- Robust weather sealing and magnesium alloy body
- Extensive Micro Four Thirds lens ecosystem
- Dual UHS-II SD card slots for professional workflows
- In-body 5-axis image stabilization
Panasonic GH5 Cons:
- Smaller Four Thirds sensor with less inherent low-light advantage
- No phase-detection AF, limiting some autofocus scenarios
- Heavier and larger than some mirrorless competitors (though still compact vs DSLR)
- Premium price point (~$1300 body only at launch)
Pentax K-30 Pros:
- Larger APS-C sensor with slight edge in high-ISO noise performance
- Traditional DSLR ergonomics and bright optical viewfinder
- Excellent weather sealing for outdoor shooting
- Wide Pentax K lens compatibility
- Affordable price (~$525 body used)
- Good still image quality especially in daylight
Pentax K-30 Cons:
- Older, less sophisticated autofocus system with fewer focus points
- Limited video capabilities (No 4K, no external audio)
- Single SD card slot limits professional flexibility
- Fixed LCD lacks articulation and touch
- No built-in wireless connectivity; optional GPS only
- Moderate burst rate (6 FPS) with limited buffer
Overall Performance Ratings and Scoring
Drawing on extensive testing and benchmark evaluations, here is how these cameras stack up:
The GH5’s cutting-edge hybrid performance practically guarantees its appeal to professionals and serious enthusiasts alike, particularly those invested in video creation alongside stills. The K-30 remains a well-loved workhorse for the value-conscious enthusiast wanting durability and respectable APS-C image quality in a DSLR form.
Which Camera Should You Buy?
If you prioritize:
- Hybrid still and 4K video with professional controls
- Advanced autofocus and rapid burst shooting
- Modern connectivity and professional workflow features
- Compact but solid build with articulating screen
…then the Panasonic GH5 is undoubtedly the better choice. It excels in demanding professional roles and creative video work, with a price to match.
If you want:
- A rugged, reliable DSLR with a larger APS-C sensor
- Traditional handling and optical viewfinder
- Strong still image quality for portraits, landscapes, and casual wildlife
- Robust build and weather sealing at a budget price
…the Pentax K-30 remains a compelling choice, especially for still photographers less concerned with video or cutting-edge AF.
Final Thoughts: Experience Matters
Having shot intensively with both cameras over hundreds of sessions, I can testify both reward in distinct ways. The GH5’s leap in technology truly feels like a bridge between traditional stills cameras and the modern hybrid shooter’s dream tool. The K-30, emblematic of early-2010s DSLR design, stands as a testament to durability and dependable image quality, especially when paired with Pentax’s celebrated lenses.
The decision ultimately hinges on your workflow priorities, types of photography, and budget. No camera is perfect, but choosing one that suits your needs and shoots seamlessly makes all the difference.
Happy shooting, and remember - the best camera is the one that inspires you to create.
This article is based on hands-on testing with review units, data from DxOMark, and real-world photographic experience conducted by the author across diverse conditions and photography styles.
Panasonic GH5 vs Pentax K-30 Specifications
Panasonic Lumix DMC-GH5 | Pentax K-30 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GH5 | Pentax K-30 |
Class | Pro Mirrorless | Advanced DSLR |
Revealed | 2017-01-04 | 2012-10-29 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor | Venus Engine | Prime M |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.7 x 15.7mm |
Sensor surface area | 224.9mm² | 372.1mm² |
Sensor resolution | 20 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 5184 x 3888 | 4928 x 3264 |
Max native ISO | 25600 | 12800 |
Max boosted ISO | - | 25600 |
Lowest native ISO | 200 | 100 |
RAW format | ||
Lowest boosted ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 225 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | Micro Four Thirds | Pentax KAF2 |
Available lenses | 107 | 151 |
Crop factor | 2.1 | 1.5 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display sizing | 3.2 inches | 3 inches |
Resolution of display | 1,620 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | - | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 3,680 thousand dots | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.61x |
Features | ||
Lowest shutter speed | 60 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/6000 secs |
Highest quiet shutter speed | 1/16000 secs | - |
Continuous shooting rate | 12.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 12.00 m (at ISO 100) |
Flash settings | Auto, Auto/Redeye Reduction, Forced On, Forced On w/Redeye Reduction, Slow Sync, Slow Sync w/Redeye Reduction, Forced Off | Auto, On, Off, Red-eye,Slow Sync, Slow Sync+ Redeye, Trailing Curtain Sync, Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4096 x 2160 (24p), 3840 x 2160 (60p, 50p, 30p, 25p, 24p), 1920 x 1080 (60p, 50p, 30p, 25p, 24p) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Max video resolution | 4096x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD, H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.1 Gen 1(5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 725 gr (1.60 pounds) | 650 gr (1.43 pounds) |
Dimensions | 139 x 98 x 87mm (5.5" x 3.9" x 3.4") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO All around rating | 77 | 79 |
DXO Color Depth rating | 23.9 | 23.7 |
DXO Dynamic range rating | 13.0 | 13.0 |
DXO Low light rating | 807 | 1129 |
Other | ||
Battery life | 410 shots | 410 shots |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | D-LI109,4 x AA |
Self timer | Yes (2 or 10 secs; 10 secs w/3 shots) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC (UHS-II compatible) | SD/SDHC/SDXC |
Card slots | Two | Single |
Cost at launch | $1,298 | $525 |