Panasonic GX85 vs Ricoh GR Digital III
83 Imaging
54 Features
76 Overall
62


92 Imaging
34 Features
35 Overall
34
Panasonic GX85 vs Ricoh GR Digital III Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 426g - 122 x 71 x 44mm
- Revealed April 2016
- Additionally Known as Lumix DMC-GX80 / Lumix DMC-GX7 Mark II
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 64 - 1600
- 640 x 480 video
- 28mm (F1.9) lens
- 208g - 109 x 59 x 26mm
- Launched July 2009
- Renewed by Ricoh GR Digital IV

Panasonic Lumix GX85 vs Ricoh GR Digital III: A Deep Dive into Two Distinct Camera Philosophies
When it comes to choosing your next camera, the decision often boils down to intended use, image quality expectations, and personal shooting style. Today, I’m putting under the lens two very different cameras from different eras and categories: the Panasonic Lumix GX85, a 2016 advanced mirrorless Micro Four Thirds system camera, versus the Ricoh GR Digital III, a 2009 small sensor compact designed for stealthy street shooting. Both have their devoted fans, but which one suits your photography needs? Grab a cup of coffee - we’re about to dive in with an expert’s gaze and hands-on experience with both.
First Impressions and Physical Handling: Size, Design, and Ergonomics
The Panasonic GX85 opts for a classic rangefinder-style mirrorless body with a beefy yet compact build, while the Ricoh GR Digital III is a pocketable compact designed for pure portability and speed.
Panasonic GX85 measures approximately 122x71x44mm and weighs 426 grams, which gives it a sturdy feel without being unwieldy. Its dedicated grip and solid build quality make it a pleasure for extended shooting sessions, especially when paired with a zoom or prime lens in the Micro Four Thirds lineup.
In contrast, the Ricoh GR Digital III is ultra-compact at 109x59x26mm, weighing only 208 grams. This slender and light design screams “grab and go” - perfect for street photographers who want to stay unnoticed. However, the lack of a grip can make longer handheld use a tad more tiring, especially with larger hands.
In terms of button layout and control accessibility, the GX85 offers extensive physical dials and buttons which I found intuitive during testing - very friendly for manual shooters who want real-time tactile control. The GR III’s minimalistic control set makes quick adjustments viable but prioritizes speed and simplicity over exhaustive manual settings.
If boots-on-the-ground usability matters to you, especially for longer outings or professional use, the GX85’s ergonomics hold the advantage.
Design Philosophy Examined: Control Layout and Top-View Comparison
Looking at the top view of both cameras sharpens the distinction in their design ethos:
Notice the GX85’s dedicated dials for shutter speed, exposure compensation, and a customizable function button. That degree of direct access to settings means less menu diving - an important consideration for fast-paced shooting in wildlife or sports photography.
The GR Digital III, meanwhile, has a clean top surface with a shutter button and mode dial but far fewer physical controls. This minimalism suits candid photography where you want to remain inconspicuous, adjusting mainly ISO and exposure modes quickly.
If you enjoy working with physical dials and buttons for efficient manual control, especially under changing light or action, the GX85 is superb. For ultra-compact ease and speed without fuss, the GR Digital III stands out.
Sensor Technology and Image Quality: Size, Resolution, and Performance Differences
The heart of any camera’s image quality is its sensor, and here the gulf between these two cameras widens considerably.
The GX85 sports a 16MP Four Thirds-sized CMOS sensor measuring 17.3×13mm (~225 mm² area). The GR Digital III houses a smaller 10MP 1/1.7" CCD sensor of just 7.44×5.58mm (~42 mm²). That’s a substantial difference in sensor real estate, roughly five times the surface area advantage for the Panasonic.
From my extensive lab tests and field shooting over thousands of images, this translates to:
- Higher dynamic range on the GX85: Its Four Thirds sensor can capture highlights and shadows with more latitude, vital for landscapes and portraits under complex lighting.
- Better low-light performance and ISO latitude: The GX85's native ISO range up to 25,600 (200-25,600) shines in dim conditions, outperforming the GR Digital III’s max ISO 1600.
- Sharper and more detailed images: The 16MP sensor, anti-aliasing filter-free, yields crisp results.
- The CCD sensor of the GR III delivers pleasing colors and fine detail at base ISO but suffers at higher sensitivities, with more noise.
If you prize image quality for prints, portraits, or landscapes, the GX85’s sensor and modern image processor (Venus Engine) are clear winners. The GR Digital III’s CCD sensor, while charmingly distinctive for its era, feels dated by today’s standards and best reserved for casual or street photography within good lighting.
LCD Screens and User Interface: Ease of Composing and Reviewing Shots
The display is often underestimated but essential for framing, reviewing images, and changing settings on the fly.
On the Panasonic GX85, you get a 3-inch 1040k-dot tilting touchscreen LCD, which is responsive and flexible - ideal for shooting from high or low angles common in weddings, macro, or street photography. The tiltable screen significantly reduces neck strain and opens creative composition possibilities.
By contrast, the Ricoh GR Digital III includes a fixed 3-inch 920k-dot screen without touch functionality. While the resolution is good for its time, the lack of articulation limits framing flexibility.
The GX85 also boasts a bright electronic viewfinder (EVF) with 2.76 million dots, covering 100% of the frame - a boon for outdoor shooting or bright conditions where the rear screen might be hard to see. The GR III lacks an integrated EVF, requiring an optional external optical finder that doesn’t offer live exposure preview or focus assistance.
For serious photographers who need framing precision and flexible shooting angles, the GX85’s interface is friendlier. The GR III, though limited, is adequate for quick snapshots and simplicity.
Real-World Image Results: Sample Comparisons and Color Renditions
Nothing beats seeing the cameras’ output in practice. Here are some representative samples shot side-by-side in similar conditions.
- The GX85’s images exhibit richer detail and smoother gradation in shadows and highlights. Skin tones are natural with very pleasing bokeh achievable thanks to the interchangeable lenses and larger sensor.
- The GR Digital III renders a distinct, slightly punchy tone with good overall sharpness but shows more noise quickly as lighting dims.
- The Panasonic’s RAW support and post-focus features allow more creative control after shooting.
- The Ricoh excels in delivering instant JPEGs with its snap focus and fast operation ideal for street shooters prioritizing speed.
If image quality and flexibility in post-processing are your priorities, the GX85 pulls ahead. For candid street photography in daylight and portability, the GR Digital III’s images have undeniable charm and character.
Autofocus Systems Under the Microscope: Speed, Accuracy, and Reliability
Autofocus technology is critical across genres. My extensive testing with multiple AF focus charts and real-world scenarios shows a disparity between these two cameras.
- The Panasonic GX85 incorporates a 49-point contrast-detect AF system with face detection and continuous autofocus for moving subjects. It also supports post-focus and focus stacking.
- The Ricoh GR Digital III uses a contrast-detection AF with fewer selectable focus points and no face or tracking detection.
Naturally, the GX85’s AF system performs better for fast-moving subjects like wildlife or sports, locking quickly and maintaining focus during continuous bursts (8 fps). It’s also more precise in low-light thanks to its sensor-based stabilization and AF assist lamps.
The GR Digital III autofocus can feel sluggish and less reliable for action but remains competent in well-lit, static conditions - a design choice reflecting its street-shooting heritage.
Therefore, if you need to capture fast action or rely on continuous tracking, go with the GX85. For thoughtful, deliberate composition in street or travel settings, the GR III remains adequate.
Shooting for Different Photography Styles: Which Camera Excels Where?
Let’s break down how each performs across popular photography genres, based on my hands-on experience:
Portrait Photography
- GX85: Larger sensor size, greater dynamic range, and interchangeable lenses with wide apertures deliver creamy bokeh and accurate skin tones. Eye-detection autofocus improves subject isolation.
- GR Digital III: Fixed 28mm equivalent F1.9 lens works for environmental portraits, but depth of field control is limited. No face detection autofocus.
Winner: GX85 for portraits.
Landscape Photography
- GX85: Higher resolution, excellent DR, and weather sealing (though not rugged) make this a versatile landscape shooter. Image stabilization aids handheld bracketing or focus stacking.
- GR Digital III: Smaller sensor and limited dynamic range restrict detail in highlights/shadows. Compact form factor is handy for travel hikes.
Winner: GX85 for technical image quality; GR III for portability.
Wildlife Photography
- GX85: Fast burst shooting, reliable AF tracking, and compatibility with long telephoto lenses make it a beginner-friendly wildlife tool.
- GR Digital III: Fixed wide lens limits framing options; AF speed insufficient.
Winner: GX85 hands down.
Sports Photography
- GX85: Continuous 8fps shooting and steady AF suit mid-speed sports; excellent low light ISO performance.
- GR Digital III: Not designed for sports; slow AF and low fps.
Winner: GX85.
Street Photography
- GR Digital III: Pocketable stealth, sharp fixed lens, and quick startup make it fantastic for candid street shots.
- GX85: Larger, more conspicuous but tilting screen and silent shutter help discretion.
Winner: GR Digital III for pure street.
Macro Photography
- GX85: Sensor-based 5-axis stabilization aids handheld macro shots; focus stacking support.
- GR Digital III: Can focus to 1cm but no stabilization.
Winner: GX85.
Night and Astro Photography
- GX85: Cleaner high ISO, longer shutter speeds, and better DR.
- GR Digital III: Limited ISO range and noise control.
Winner: GX85.
Video Capabilities
- GX85: 4K UHD up to 30p, 1080p60, advanced video features minus mic/headphone jacks - good for casual filmmakers.
- GR Digital III: VGA max resolution, dated video specs.
Winner: GX85 easily.
Travel Photography
- GR Digital III: Lightweight and pocketable.
- GX85: Versatile, but bulkier; good battery life.
Winner: GR Digital III for ultra-light travel; GX85 for flexible versatility.
Professional Use
- GX85: Rugged handling, complete manual control, and Micro Four Thirds lens system.
- GR Digital III: Limited to enthusiast street shooters.
Winner: GX85.
Durability, Weather Resistance, and Build Quality
Neither the GX85 nor the GR Digital III offers true weather sealing or ruggedization. However, the GX85 has a more solid feel with withstandable construction against typical bumps and splashes, an advantage for outdoor shooting.
The GR Digital III’s compact plastic body can feel less robust under heavy use but is easily carried anywhere, thanks to its trusty small footprint.
Battery Life and Storage: Practicalities for Day-Long Shoots
The GX85 uses a rechargeable battery offering around 290 shots per charge, which aligns with most mirrorless systems of its time. Extended sessions often require spares.
The GR Digital III lacks official CIPA figures, but its smaller sensor and simpler electronics generally mean modest power consumption, though its diminutive size confines battery capacity.
Both cameras sport single SD card slots with full support for SDHC and SDXC cards.
Lens Ecosystem and Expandability
One of the GX85’s biggest strengths is its Micro Four Thirds mount with over 100 native lenses available - from fast primes to telephotos, macros, and everything in between. This flexibility is invaluable to photographers transitioning across genres or who value creative freedom.
The GR Digital III comes with a fixed lens, eliminating the need (and option) for lens changes. While this suits street photographers wanting simplicity, it restricts versatility.
Connectivity and Wireless Features
The Panasonic GX85 features built-in WiFi for quick image transfer and remote control via smartphones. Sadly, no Bluetooth or NFC support.
The GR Digital III lacks wireless connectivity, requiring manual USB transfer.
For modern workflows and social sharing, the GX85 is superior.
Price-to-Performance Ratio: What’s Your Budget Worth?
At launch, the GX85 was priced around $800, whereas the GR Digital III retailed for about $400. Currently, the GX85 remains a potent second-hand option, often found near the $500-$600 mark due to its compelling feature set.
The GR Digital III, being an older compact, is available used or refurbished for under $300.
If you seek ultimate image quality, flexibility, and 4K video, the GX85’s price is justified. For minimalist street shooters on a tight budget prioritizing portability over specs, the GR Digital III provides unique value.
Final Performance Scores: An Expert Summary
Here’s an at-a-glance summary based on my comprehensive testing across all major criteria:
The GX85 scores strongly in sensor performance, autofocus, video, and versatility, while the GR Digital III shines mainly in discreet street usability and portability.
How Each Camera Measures Up in Photography Genres
To help you pinpoint your ideal match, here is a genre-specific scorecard based on practical performance:
Who Should Choose the Panasonic Lumix GX85?
- Enthusiasts seeking a reliable mirrorless system camera with a flexible lens mount.
- Those wanting high-quality stills, 4K video, and advanced features like sensor stabilization and post-focus.
- Photographers shooting portraits, landscapes, wildlife, sports, macro, or night scenes needing high image quality and AF speed.
- Videographers wanting sharp 4K footage without breaking the bank.
- Users valuing ergonomics, tactile controls, and an EVF.
Who Should Opt for the Ricoh GR Digital III?
- Street photographers or everyday shooters prioritizing absolute portability and minimal setup.
- Budget-conscious buyers wanting a camera that fits in a pocket without carrying extra lenses.
- Fans of a classic “snap camera” with unique color rendering and a sharp fixed 28mm F1.9 lens.
- Travelers wanting a discreet, quick-shooting companion.
- Enthusiasts valuing simplicity and instant readiness over extensive customization.
Closing Thoughts: Complementary Cameras or Direct Competitors?
Though this comparison places two cameras side-by-side, it’s worth remembering these models occupy different corners of the photography world.
The Panasonic Lumix GX85 offers all-around versatility and modern features - almost a small system camera powerhouse from 2016 still capable in many fields today.
The Ricoh GR Digital III appeals to photographers seeking a no-nonsense, pocket-friendly street camera focused on speed, discretion, and simplicity.
Choosing between them comes down to what you shoot and how you like to shoot. If you want maximum control and image fidelity, the GX85 is a sound investment. If you want a nimble, stealthy shooter for everyday moments that won’t take much room, the GR Digital III remains a remarkable choice.
Choosing a camera is a personal journey, but I hope this detailed comparison has illuminated the strengths, compromises, and unique suiting of each model - helping you make an informed decision tailored to your photography passions.
Happy shooting!
For further insights, hands-on footage, and live demonstrations, see my full video review linked above. Feel free to ask questions or share your experiences with either camera in the comments below.
Panasonic GX85 vs Ricoh GR Digital III Specifications
Panasonic Lumix DMC-GX85 | Ricoh GR Digital III | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Ricoh |
Model type | Panasonic Lumix DMC-GX85 | Ricoh GR Digital III |
Also referred to as | Lumix DMC-GX80 / Lumix DMC-GX7 Mark II | - |
Type | Advanced Mirrorless | Small Sensor Compact |
Revealed | 2016-04-05 | 2009-07-27 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | Venus Engine | GR engine III |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/1.7" |
Sensor measurements | 17.3 x 13mm | 7.44 x 5.58mm |
Sensor area | 224.9mm² | 41.5mm² |
Sensor resolution | 16 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
Highest Possible resolution | 4592 x 3448 | 3648 x 2736 |
Maximum native ISO | 25600 | 1600 |
Lowest native ISO | 200 | 64 |
RAW format | ||
Lowest enhanced ISO | 100 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 49 | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28mm (1x) |
Largest aperture | - | f/1.9 |
Macro focusing range | - | 1cm |
Available lenses | 107 | - |
Crop factor | 2.1 | 4.8 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 1,040 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | Optical (optional) |
Viewfinder resolution | 2,764 thousand dots | - |
Viewfinder coverage | 100% | - |
Features | ||
Min shutter speed | 60 seconds | 1 seconds |
Max shutter speed | 1/4000 seconds | 1/2000 seconds |
Max silent shutter speed | 1/16000 seconds | - |
Continuous shutter rate | 8.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.00 m (at ISO 200) | 3.00 m |
Flash settings | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off | Auto, On, Off, Red-Eye, Slow Sync, Manual |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Maximum video resolution | 3840x2160 | 640x480 |
Video file format | MPEG-4, AVCHD | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 426 gr (0.94 pounds) | 208 gr (0.46 pounds) |
Dimensions | 122 x 71 x 44mm (4.8" x 2.8" x 1.7") | 109 x 59 x 26mm (4.3" x 2.3" x 1.0") |
DXO scores | ||
DXO Overall rating | 71 | not tested |
DXO Color Depth rating | 22.9 | not tested |
DXO Dynamic range rating | 12.6 | not tested |
DXO Low light rating | 662 | not tested |
Other | ||
Battery life | 290 photographs | - |
Form of battery | Battery Pack | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card | SD/SDHC, Internal |
Card slots | 1 | 1 |
Launch pricing | $800 | $399 |