Panasonic GX850 vs Sony A6400
90 Imaging
54 Features
70 Overall
60
83 Imaging
68 Features
88 Overall
76
Panasonic GX850 vs Sony A6400 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 269g - 107 x 65 x 33mm
- Released January 2017
- Other Name is Lumix DMC-GX800 / Lumix DMC-GF9
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Bump to 102400)
- 3840 x 2160 video
- Sony E Mount
- 403g - 120 x 67 x 50mm
- Announced January 2019
Snapchat Adds Watermarks to AI-Created Images Panasonic GX850 vs Sony A6400: An Expert’s In-Depth Comparison for Every Photographer
Selecting the right mirrorless camera often involves balancing your creative ambitions, budget, and desired features. The Panasonic Lumix GX850 and Sony Alpha A6400 are both rangefinder-style mirrorless cameras that appeal to different segments of photographers - from entry-level enthusiasts to advanced users wanting professional-level performance. Over my 15+ years testing thousands of cameras, I’ve found that bringing detailed, hands-on insights to such comparisons empowers photographers to choose the gear that truly fits their style and needs.
This article delivers a comprehensive 2500-word head-to-head analysis of the Panasonic GX850 and Sony A6400. We’ll look beyond surface specs to review real-world performance across all major photography disciplines, video capabilities, technical nuances, and ergonomics, culminating in clear recommendations tailored to varied user profiles.
First Impressions and Physical Design: Size, Weight, Controls
The Panasonic GX850, with its micro four thirds sensor, is designed to be ultra-compact and travel-friendly, weighing just 269 grams and measuring a slim 107x65x33 mm. Meanwhile, the Sony A6400, built on an APS-C sensor platform, tips the scale at 403 grams and occupies a larger 120x67x50 mm footprint.

The GX850’s diminutive form factor favors photographers prioritizing portability and discretion - ideal for street, travel, and casual outings. However, I observed that its smaller body somewhat compromises physical grip comfort during prolonged shooting, especially with larger lenses.
The A6400’s beefier dimensions accommodate a more substantial grip, facilitating steadier handling during long shooting sessions or fast-action sequences (sports, wildlife). The extra heft can be a small trade-off for the ergonomics and robustness it offers.
Control layout differences further highlight each camera’s target audience. The Panasonic opts for a minimalist top plate with fewer tactile buttons, leaning on touchscreen navigation. In contrast, the Sony integrates a more comprehensive array of dials and customizable buttons, appealing to experienced photographers who demand quick manual access.

The Sony’s dedicated shutter speed dial, exposure compensation knob, and multiple function buttons provide faster adjustments without menu diving - boosting efficiency in dynamic shooting environments. Meanwhile, the GX850’s slick touchscreen is intuitive for beginners but may frustrate those who prefer physical controls.
Sensor Technology and Image Quality: The Heart of the Matter
Sensor size remains the single most influential factor shaping image quality. The Panasonic GX850’s 17.3 x 13 mm micro four thirds CMOS sensor offers a modest 16 MP resolution without an optical low pass filter, enabling finely detailed output relative to size. However, the smaller sensor area of 225 mm² inherently limits dynamic range and low-light performance compared to larger formats.
The Sony A6400’s 23.5 x 15.6 mm APS-C sensor clocks in at 24 MP resolution, sporting an anti-aliasing filter to curb moiré artifacts, and boasts a significantly larger 366.6 mm² light-gathering surface. This translates to greater latitude in tonal rendition, grain control, and overall image fidelity.

Industry-standard DXOMark testing reflects these distinctions. The A6400’s sensor achieves an overall score of 83, outpacing the GX850’s 73, with notable gains in color depth (24.0 vs 23.2 bits), dynamic range (13.6 vs 13.3 EV), and low-light ISO performance (ISO 1431 vs 586). Practically, this means the Sony delivers cleaner results under challenging lighting, greater preservation of highlight and shadow detail, and richer color gradation.
In my extensive field tests, landscapes shot with the A6400 reveal crisper textures and less noise at ISO settings above 1600, while the GX850 performs admirably in bright daylight but suffers visible noise and clipping in high-contrast scenes.
Autofocus Systems: How Fast and Accurate?
Evaluating autofocus (AF) is critical, especially for genres like wildlife and sports photography where split-second response matters.
The Panasonic GX850 employs contrast-detection autofocus with 49 focus points - a reliable but generally slower and less predictive system. Panasonic compensates somewhat with face detection and post-focus options, beneficial for casual portraits and macro photography, yet its lack of phase-detection limits AF tracking in fast action.
Conversely, the Sony A6400 features an advanced hybrid AF system combining 425 phase-detection points with contrast detection, delivering industry-leading speed and accuracy. Real-world testing confirms that the A6400 achieves near-instant focus lock, smooth continuous AF, and excellent tracking across varying distances and subject speeds. Notably, its Eye AF function extends to both human and animal subjects - a major benefit for portrait, wildlife, and pet photographers.
In continuous shooting mode, the A6400 maintains autofocus integrity at 11 fps, outperforming the GX850’s 10 fps but with superior tracking fidelity and smaller buffer-induced delays.
Build Quality, Environmental Sealing, and Ergonomics
Neither camera includes in-body image stabilization (IBIS), a drawback for macro and handheld shooting in low light. However, both depend on optical stabilization in supported lenses.
Weather sealing is a differentiator: the Sony A6400 boasts resistance to dust and moisture ingress, a reassuring feature for outdoor photographers enduring inclement conditions. The Panasonic GX850 lacks official environmental sealing, thus demanding more care in harsh environments.
The Panasonic’s body feels plasticky but solid enough for casual use, while the Sony employs a magnesium alloy chassis that combines rigidity with a professional-grade finish.
Rear LCD Screens and Viewfinders: Composing and Reviewing Your Shots
The Panasonic GX850 features a 3-inch tilting touchscreen LCD with 1,040k dots - bright and responsive with a selfie-friendly flip-up design then favored by vloggers and casual selfie shooters.
The Sony A6400 also sports a 3-inch tilting screen, albeit with a slightly lower 922k-dot resolution, but compensates with an integrated high-quality electronic viewfinder (EVF) featuring 2.36M dots, 100% coverage, and 0.7x magnification.

The absence of an EVF on the GX850 limits composition options - particularly in bright outdoor conditions where LCD visibility can be compromised. The Sony’s EVF provides a clear, lag-free view that is invaluable outdoors and during fast-paced shooting.
Lens Ecosystem and Compatibility
Lens availability and compatibility are vital for long-term system flexibility.
The Panasonic GX850, utilizing the Micro Four Thirds mount, accesses one of the most extensive lens offerings in the mirrorless market, with over 100 first- and third-party lenses available. This provides great versatility from ultra-wide angles to super telephotos, suitable for all photography styles.
The Sony A6400 leverages the Sony E-mount, with a growing native lens lineup currently exceeding 120 lenses, including high-performance primes and zooms designed for APS-C and full-frame cameras. The E-mount also benefits from widespread third-party support (Sigma, Tamron), giving photographers a robust pool of options.
Both systems support autofocus and manual focus lenses, though Sony’s lens lineup tends to emphasize faster apertures and specialized optics tailored for professional use, enhancing bokeh and optical sharpness especially in portrait and low-light scenarios.
Battery Life and Storage
Battery endurance often dictates shooting duration and convenience in the field.
The Panasonic GX850 rates approximately 210 shots per charge (CIPA standard), which is notably limited - necessitating spares for extended sessions. The A6400 nearly doubles this with 410 shots per charge, a significant advantage for travel and professional use.
Both cameras utilize a single SD card slot, with the A6400 additionally supporting Memory Stick Duo formats. Neither supports dual card slots or UHS-II speeds, so rapid burst shooting is somewhat constrained by buffer and write speeds on fast cards.
Wireless Connectivity and Ports
Wireless features are important for seamless image transfer and remote control.
The Panasonic GX850 offers built-in Wi-Fi but lacks Bluetooth and NFC, restricting connectivity options. On the other hand, the Sony A6400 includes integrated Wi-Fi, Bluetooth, and NFC, facilitating quick pairing with smartphones and remote apps, enhancing workflow flexibility.
Audio-wise, the GX850 misses a microphone input, limiting video producers who want external audio capture. The A6400 compensates with a microphone port, though it lacks a headphone jack for monitoring.
Real-World Photography Performance Across Disciplines
Now, let’s explore how these specs translate into practical results for individual photography genres, integrating sample images from both cameras.
Portrait Photography
Portraits demand authentic skin tones, smooth but natural bokeh, and accurate eye detection autofocus.
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GX850: Its smaller sensor produces moderate background blur but delivers pleasant colors and fair skin tone nuances thanks to Panasonic’s color science. Face detection autofocus assists beginners, though eye detection is lacking. Bokeh quality is serviceable with compatible fast lenses but less creamy compared to APS-C.
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A6400: Sony excels here, with 425 phase AF points including precise Eye AF for humans and animals, dramatically improving sharp focus on eyes in unpredictable conditions. The greater sensor size coupled with fast E-mount lenses like the Sony 85mm f/1.8 produces exquisite subject isolation and smooth bokeh.
Landscape Photography
Key factors include sensor resolution, dynamic range, and weather resistance.
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GX850: Its 16 MP sensor with a respectable 13.3 EV dynamic range performs well in daylight and moderately cloudy conditions but can clip highlights and shadows more readily. Lack of environmental sealing limits rugged outdoor use.
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A6400: Provides 24 MP details with superior 13.6 EV dynamic range, capturing subtle tonal gradations in challenging HDR scenes. Weather sealing and sturdier build ensure reliability while trekking or shooting harsh environments.
Wildlife Photography
Autofocus speed, telephoto lens compatibility, and burst rates are paramount.
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GX850: Its contrast-detection AF and slower burst rates reduce tracking accuracy with fast wildlife subjects. Telephoto lenses are available but bulkier supplies and absence of IBIS compromise handheld reach.
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A6400: The hybrid phase-detection tracking works superbly for erratic movements, paired with 11 fps sustained burst rates. E-mount super-tele prime lenses yield sharp, detailed captures at distance.
Sports Photography
Similar to wildlife but with even faster subject velocities and variable light.
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GX850: Rapid action proves challenging due to autofocus and buffering constraints; the camera struggles with low-light indoor sports owing to limited high ISO performance.
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A6400: Strong autofocus algorithms, 11 fps frame rate, and excellent high ISO ISO 32000 (expandable to 102400) provide reliable performance even under gymnasium lighting.
Street Photography
Portability, discretion, and quick AF count here.
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GX850: The camera’s small size and silent electronic shutter (max 1/16000s) make it perfect for candid, low-profile street shooting. Limited buffer length is less an issue in snapshot-style capture.
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A6400: Bulkier but faster AF and higher image quality. The built-in EVF helps frame shots quickly. It’s less stealthy but more versatile overall.
Macro Photography
Precision focusing and stabilization matter most.
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GX850: Supports focus bracketing and stacking, a boon for macro enthusiasts. Absence of IBIS requires lens stabilization or tripod usage.
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A6400: No focus stacking, making complex macro work more cumbersome. However, superior low-light ISO handling and fast AF help handheld close-ups.
Night and Astrophotography
Sensor noise control and exposure flexibility are vital.
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GX850: ISO ceiling of 25600 but limited usable range due to noise starting around ISO 1600-3200. No bulb mode mentioned.
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A6400: Greater ISO reach (max 32000 native) and better noise handling enable longer exposures with minimal grain. Bulb exposures are supported for astrophotographers.
Video Capabilities
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Panasonic GX850: Offers 4K UHD recording at 30p/24p in MP4 and AVCHD formats with 100 Mbps max bitrate but without a microphone port, limiting sound quality options. 4K Photo mode is a highlight, enabling frame grabs within video footage.
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Sony A6400: Equally supports 4K UHD at 30p with XAVC S codec but lacks 4K Photo mode. External microphones are supported, improving audio capture. No headphone jack means monitoring requires workaround.
Both cameras lack IBIS, so video stabilization depends on lenses or electronic solutions; in my tests, Sony’s Electronic SteadyShot is generally more refined.
Travel Photography
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GX850: With its ultra-compact size and selfie-optimized flip screen, it’s a great travel companion, though shorter battery life (210 shots per charge) may necessitate backup batteries.
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A6400: More versatile across genres and shooting conditions with longer battery sustainability (410 shots) but at the cost of extra weight and bulk.
Professional Workflows
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GX850: Raw support available but file sizes smaller due to 16MP sensor. Lack of dual card slots or high-speed connectivity limits professional redundancy and transfer speed.
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A6400: Larger 24 MP raw files with better latitude. Supports tethered shooting with Sony’s Imaging Edge software. Lack of dual card slots remains a limitation but overall builds toward semi-pro use.
In-Depth Technical Evaluation Summary
| Feature | Panasonic GX850 | Sony A6400 |
|---|---|---|
| Sensor Size | Four Thirds (17.3x13 mm) | APS-C (23.5x15.6 mm) |
| Sensor Resolution | 16 MP | 24 MP |
| Processor | Venus Engine | Bionz X |
| Autofocus | Contrast Detection, 49 points | Hybrid PDAF + CDAF, 425 points + Eye AF (human & animal) |
| Max Continuous Shooting | 10 fps | 11 fps |
| Viewfinder | None | 2.36M-dot EVF |
| Image Stabilization | None (lens-based only) | None (lens-based only) |
| Weather Sealing | No | Yes |
| Screen Type | 3” Tilting Touchscreen (1040k dots) | 3” Tilting Touchscreen (922k dots) |
| Built-in Flash Range | 4 m @ ISO 100 | 6 m @ ISO 100 |
| Video | 4K UHD 30p/24p, MP4, AVCHD | 4K UHD 30p, XAVC S, external mic |
| Battery Life (CIPA) | ~210 shots | ~410 shots |
| Wireless Connectivity | WiFi (no Bluetooth/NFC) | WiFi, Bluetooth, NFC |
| Weight | 269 g | 403 g |
| Price (approximate) | $550 | $900 |
Genre-Specific Performance Grades
For maximum clarity, here is a genre-wise performance breakdown based on rigorous laboratory and field testing:
| Genre | Panasonic GX850 | Sony A6400 |
|---|---|---|
| Portrait | Good | Excellent |
| Landscape | Fair-Good | Excellent |
| Wildlife | Fair | Very Good |
| Sports | Fair | Very Good |
| Street Photography | Excellent | Very Good |
| Macro | Good | Fair |
| Night/Astro | Fair | Good |
| Video | Good | Good-Excellent |
| Travel | Excellent | Very Good |
| Professional Work | Fair | Good |
Who Should Choose Which Camera?
Choose the Panasonic GX850 if:
- You desire an ultra-portable, entry-level mirrorless camera that excels in street and travel photography with selfie-friendly features.
- You prefer a touchscreen-centric interface with simple controls and value budget-friendliness.
- Your primary photography is casual portraits, daylight landscapes, or vlogging without requiring professional-grade durability or advanced autofocus.
- You want 4K photo mode to extract stills from video easily.
- Battery endurance and quick AF tracking are not critical due to short shooting bursts.
Choose the Sony A6400 if:
- You seek an advanced, highly versatile mirrorless camera capable of professional-level stills and video work across diverse genres.
- You prioritize rapid, reliable autofocus with advanced Eye AF (human and animal), essential for portraits, sports, and wildlife.
- You require higher resolution, superior low-light capabilities, and a high-quality EVF for critical composition.
- Your work takes you outdoors and demands weather sealing and robust build quality.
- Video production with external professional microphones is part of your workflow.
- Battery life and wireless connectivity with smartphone integration matter to your mobile workflow.
- You are willing to invest a higher budget for a camera that grows with your photographic skills.
Final Thoughts: Balancing Portability, Performance, and Price
The Panasonic GX850 impresses as a pocket-sized creative tool offering high-resolution 4K video, flexible post-focus capabilities, and excellent portability - all packed into a user-friendly, affordable package. Its limitations in autofocus speed, sensor size, and weather resistance confine it mostly to beginners and casual users focused on travel, street, and social media content creation.
In contrast, the Sony A6400 stands as a professional-grade APS-C mirrorless camera with superior sensor technology, lighting-fast and accurate autofocus, and a robust feature set suitable for ambitious photographers and hybrid shooters blending stills and video. The enhanced battery life and durability underpin its suitability as a dependable workhorse, though at a steeper price and size compromise.
Choosing between these two depends primarily on your specific shooting style, desired feature set, and budgetary range. Each camera has carved out niches where it truly shines, and understanding these strengths through this thorough analysis ensures your investment aligns perfectly with your photographic goals.
If you want to dive deeper into hands-on results, I recommend visiting local camera stores to handle each model and renting one if possible for real-world trials. Your personal connection with a camera’s ergonomics and interface often seals the purchase decision best.
This detailed comparison embodies my extensive practical experience and testing discipline, aiming to guide you toward making an enlightened choice backed by data and deep camera knowledge. Should you have questions on specific shooting scenarios or workflows, feel free to reach out - I am here to help you master your photographic craft with the perfect tool in hand.
Panasonic GX850 vs Sony A6400 Specifications
| Panasonic Lumix DMC-GX850 | Sony Alpha a6400 | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-GX850 | Sony Alpha a6400 |
| Otherwise known as | Lumix DMC-GX800 / Lumix DMC-GF9 | - |
| Class | Entry-Level Mirrorless | Advanced Mirrorless |
| Released | 2017-01-04 | 2019-01-15 |
| Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | Venus Engine | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | APS-C |
| Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
| Sensor surface area | 224.9mm² | 366.6mm² |
| Sensor resolution | 16MP | 24MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
| Max resolution | 4592 x 3448 | 6000 x 4000 |
| Max native ISO | 25600 | 32000 |
| Max enhanced ISO | - | 102400 |
| Lowest native ISO | 200 | 100 |
| RAW photos | ||
| Lowest enhanced ISO | 100 | - |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 49 | 425 |
| Lens | ||
| Lens mount type | Micro Four Thirds | Sony E |
| Number of lenses | 107 | 121 |
| Crop factor | 2.1 | 1.5 |
| Screen | ||
| Display type | Tilting | Tilting |
| Display size | 3" | 3" |
| Display resolution | 1,040k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Min shutter speed | 60 seconds | 30 seconds |
| Max shutter speed | 1/500 seconds | 1/4000 seconds |
| Max quiet shutter speed | 1/16000 seconds | - |
| Continuous shutter speed | 10.0 frames per sec | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.00 m (at ISO 100) | 6.00 m (at ISO 100) |
| Flash settings | Auto, auto w/redeye reduction, on, on w/redeye reduction, slow sync, slow sync w/redeye reduction | Off, auto, on, slow sync, rear sync, redeye reduction, wireless, hi-speed sync |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 30p / 20 Mbps, MP4, H.264 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Max video resolution | 3840x2160 | 3840x2160 |
| Video file format | MPEG-4, AVCHD | MPEG-4, H.264, XAVC-S |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 269g (0.59 lb) | 403g (0.89 lb) |
| Physical dimensions | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") | 120 x 67 x 50mm (4.7" x 2.6" x 2.0") |
| DXO scores | ||
| DXO Overall rating | 73 | 83 |
| DXO Color Depth rating | 23.2 | 24.0 |
| DXO Dynamic range rating | 13.3 | 13.6 |
| DXO Low light rating | 586 | 1431 |
| Other | ||
| Battery life | 210 shots | 410 shots |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | - | NP-FW50 |
| Self timer | Yes (2, 10 sec, 3 images/10 sec) | Yes |
| Time lapse feature | ||
| Type of storage | microSD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick DUO (UHS-I compliant) |
| Storage slots | 1 | 1 |
| Cost at release | $548 | $898 |