Panasonic L1 vs Pentax K-1
65 Imaging
41 Features
38 Overall
39


55 Imaging
75 Features
82 Overall
77
Panasonic L1 vs Pentax K-1 Key Specs
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 606g - 146 x 87 x 77mm
- Launched April 2007
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Released February 2016
- New Model is Pentax K-1 II

Panasonic L1 vs. Pentax K-1: A Technical and Practical Comparison for Discerning Photographers
Understanding which camera best suits your needs requires more than a list of specifications; it demands an expert evaluation of real-world performance, technological strengths, and ergonomic nuances across diverse photographic disciplines. In this comprehensive comparison, we put the Panasonic Lumix DMC-L1 (hereafter "Panasonic L1") against the Pentax K-1 - a flagship DSLR designed nearly a decade later - in a methodical head-to-head analysis. Both represent significant milestones in DSLR technology of their respective eras, each with attributes tailored to distinctive user requirements.
Design Philosophy and Ergonomics: Evolution Across Generations
Starting with physicality, the Panasonic L1 (released in 2007) was notable for introducing the Micro Four Thirds lens mount in an advanced DSLR body. Its relatively compact mid-size SLR form factors at 146 x 87 x 77 mm and 606 grams make it somewhat lighter and slimmer than the Pentax K-1 (announced in 2016) which measures 137 x 110 x 86 mm and weighs a considerable 1010 grams. The Panasonic prioritizes portability, but the Pentax reflects a mature engineering approach with a bulkier, sturdier chassis.
Control layout analysis reveals that while the Panasonic L1 features basic traditional DSLR controls without illuminated buttons or extensive customizability, the Pentax K-1 boasts a top LCD panel, numerous programmable buttons, and a multifunctional dial system. The K-1’s layout strongly favors professional workflows with tactile, logical ergonomics suitable for prolonged use under challenging conditions.
The more generous dimensions of the K-1 afford a substantial handgrip, better weight distribution, and integrated environmental sealing - qualities absent in the Panasonic. This points toward the K-1’s suitability for outdoor and demanding professional environments, while the L1 offers a lighter, simpler handling model better aligned with casual or emerging enthusiasts.
Sensor Technology and Imaging Performance: Two Eras Contrasted
Sensor specification and performance lie at the heart of any camera comparison. The Panasonic L1 houses a Four Thirds sized CMOS sensor measuring 17.3 x 13 mm with 7 megapixels of resolution. Conversely, the Pentax K-1 employs a full-frame CMOS sensor at 35.9 x 24 mm size and an imposing 36 megapixels resolution.
Resolution and Detail Rendering
Raw pixel counts demonstrate a staggering disparity: the K-1 provides over five times the resolution, enabling larger prints, significant cropping latitude, and finer detail capture. Veteran photographers recognize that higher resolution sensors, when paired with sharp optics and proper technique, deliver tangible benefits for landscape and studio work - domains where detail fidelity is paramount.
Dynamic Range and ISO Performance
Pentax’s DXOMark sensor testing assigns the K-1 an exceptional score of 96 overall, with a dynamic range of 14.6 stops and excellent color depth at 25.4 bits. This translates to the ability to preserve highlight and shadow detail in challenging lighting. The L1, unfortunately, was never subjected to DXOMark evaluation, but given its age and sensor size, it is reasonable to infer comparatively modest dynamic range and color depth.
Regarding ISO sensitivity, the L1’s maximum native ISO is 1600 - a limit that confines it to well-lit or moderately dim situations without excessive noise. The K-1’s sensor extends to a remarkable ISO 204800 (max native), though practical use tends to peak well below this. Still, the K-1 yields significantly cleaner high-ISO images, crucial for low-light, wildlife, and event photography.
Optical Low Pass Filter (Anti-Aliasing Filter)
The Pentax K-1 notably omits an anti-aliasing filter, capitalizing on the high-resolution sensor to deliver sharper images, albeit with a minor risk of moiré in some scenarios. The L1 contains such a filter, standard for its time, thereby slightly reducing perceived sharpness in exchange for artifact reduction.
Autofocus Systems: The Core of Responsive Shooting
Reliable autofocus (AF) performance defines effectiveness in fast-paced shooting contexts such as wildlife and sports, while accuracy and precision are vital for portraits and macro.
Feature | Panasonic L1 | Pentax K-1 |
---|---|---|
Focus Type | Phase Detection | Hybrid Phase + Contrast |
Number of AF Points | 3 (basic) | 33 (advanced) |
Cross-Type Points | Unknown | 25 |
AF Tracking | No | Yes |
Face Detection | No | Yes |
Animal Eye AF | No | No |
AF Continuous | Yes | Yes |
Selective AF | Yes | Yes |
The Panasonic L1’s three-point, phase-detection autofocus system is rudimentary by modern standards. Its lack of face detection, tracking, or advanced predictive capabilities means it will lag significantly behind in capturing action or moving subjects reliably. It performs adequately for static subjects and manual confirmation.
The Pentax K-1 advances autofocus substantially with 33 points distributed across the frame, 25 of which are cross-type for superior accuracy and sensitivity. It also supports face detection and continuous AF tracking in live view and optical viewfinder modes - indispensable for wildlife and sports photography. This AF system reflects nearly a decade of technological progression, delivering faster and more dependable focus acquisition.
Build Quality and Weather Resistance: Handling the Elements
The Panasonic L1 does not feature any environmental sealing; it is neither dust-proof nor splash-resistant. It is primarily built for controlled studio or casual outdoor conditions.
Conversely, the Pentax K-1 boasts comprehensive weather sealing. Although not waterproof, its construction resists dust and moisture intrusion effectively. This durability is of paramount importance for professionals shooting landscapes, outdoor events, or wildlife in unpredictable environments.
User Interface and Display Technologies
Screen size and capabilities improve dramatically from the Panasonic to Pentax. The L1 incorporates a fixed 2.5-inch LCD with modest 207k-dot resolution and no touchscreen functionality. This limits on-the-fly review precision and hampers menu navigation speed, especially for novice users.
The K-1 upgrades to a fully articulating 3.2-inch LCD with 1037k-dot resolution, greatly improving live view usability, composition from challenging angles, and manual focusing aid. Although lacking touchscreen, the interface benefits from an intuitive layout and responsive controls.
The Pentax also includes a top LCD panel for quick status checks during shooting, a convenience absent in the Panasonic.
Lens Ecosystem and Compatibility: Optical Diversity and Quality
Panasonic’s adoption of the Micro Four Thirds mount with 7-megapixel Four Thirds sensor, while innovative for the time, means that the L1 uses lenses optimized for a smaller sensor and a 2.1x crop factor - effectively multiplying any lens focal length by 2.1. Panasonic offers a selection of 45 compatible lenses, including primes and zooms suited for beginner to advanced amateur use.
The Pentax K-1 employs the venerable KAF2 mount with no crop, allowing full usage of the large full-frame sensor and maintaining native focal lengths. Pentax supports over 151 lenses for this mount, spanning a diversity of primes, zooms, and specialty optics, renowned for high optical quality. This extensive ecosystem benefits users seeking versatility from wide-angle landscapes to super-telephoto wildlife or macro lenses.
Burst Rates and Shutter Capabilities: Capturing Decisive Moments
Parameter | Panasonic L1 | Pentax K-1 |
---|---|---|
Continuous Shooting Speed | 3 fps | 4.4 fps |
Max Shutter Speed | 1/4000 s | 1/8000 s |
Min Shutter Speed | 60 s | 30 s |
Maximum Flash Sync | 1/160 s | 1/200 s |
While neither camera is aimed at ultra-high-speed burst shooting, the K-1’s faster 4.4 fps is a meaningful advantage when photographing sports or wildlife. The L1’s limitation to 3 fps aligns more with leisurely shooting styles.
The K-1’s shutter speed range extends further into both high-speed and long exposure territory, allowing greater creative flexibility.
Image Stabilization and Flash Options
The Panasonic L1 lacks any form of in-body image stabilization (IBIS), relying on lens stabilization when available or supporting tripods for stabilized shooting.
Pentax offers a full sensor-based 5-axis IBIS system in the K-1, which effectively reduces shake for handheld shooting across a wide variety of lenses, including legacy glass. This is particularly beneficial for macro, night, and telephoto work.
The L1 includes a built-in flash with multiple modes and external flash support. In contrast, the K-1 omits a built-in flash but supports advanced external flash capabilities, including wireless high-speed sync and various sync modes conducive to professional studio or event lighting setups.
Video Capabilities: An Uneven Playing Field
The Panasonic L1 does not support video recording, reflecting its release prior to the ubiquity of video-enabled DSLRs.
The Pentax K-1 offers Full HD 1080p video recording at multiple framerates (24p, 25p, 30p, plus interlaced 50i/60i), but lacks 4K support. Though its video features are modest compared to contemporary mirrorless competitors, it does provide microphone and headphone jacks for audio monitoring, appealing to videographers with audio needs.
Storage, Battery Life, and Connectivity
The Panasonic L1 supports a single SD or MMC card slot and offers no wireless connectivity.
The Pentax K-1 advances considerably with dual SD card slots supporting UHS-I speeds, affording redundancy and extended shooting capacity preferred by professionals. It integrates built-in GPS for geotagging, as well as wireless features for remote control and image transfer (though limited to Pentax protocols; no Bluetooth or NFC). The K-1’s dedicated D-LI90 battery yields excellent longevity, reported at approximately 760 shots per charge, far exceeding typical mirrorless cameras.
Practical Use Cases Across Photography Disciplines
To translate specifications and features into actionable advice, consider how each camera performs across photography genres:
Portrait Photography
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Panasonic L1: With only three AF points and no face detection, precise eye-focused portraits are challenging. The reduced sensor size limits shallow depth of field and bokeh quality. Moderate resolution and color fidelity do not confer professional portrait standards.
-
Pentax K-1: High-resolution 36 MP sensor paired with extensive AF coverage and face detection allow finely detailed portraits with strong subject separation. Sensor-based stabilization aids handheld portrait work. The K-1 is well-suited for discerning portrait photographers.
Landscape Photography
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Panasonic L1: Smaller sensor and moderate dynamic range restrict highlight and shadow retention, limiting the ability to capture high-contrast scenes with depth.
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Pentax K-1: Exceptional sensor dynamic range and full-frame coverage produce images with tremendous tonal richness. Weather sealing and stability make it a formidable choice for demanding outdoor situations.
Wildlife Photography
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Panasonic L1: Limited AF points and slow burst make it unwieldy for fast action or erratic subject movement.
-
Pentax K-1: Improved AF tracking, more points, and faster frame rate provide competent performance, although not industry-leading among rivals specialized in wildlife.
Sports Photography
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Panasonic L1: The 3 fps frame rate hinders capturing peak action sequences.
-
Pentax K-1: Slightly better continuous shooting speed and AF tracking improve chances, but still not optimized for fast-paced sports compared to newer models.
Street Photography
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Panasonic L1: Compact size and lighter weight favor portability and discretion.
-
Pentax K-1: Larger, heavier camera less discreet; however, integration of a quiet shutter mode can be beneficial indoors.
Macro Photography
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Panasonic L1: No image stabilization and limited focusing aids degrade macro usability.
-
Pentax K-1: Sensor-shift stabilization and accurate AF points improve macro shooting precision.
Night and Astrophotography
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Panasonic L1: Limited high ISO hampers performance in extreme low light.
-
Pentax K-1: Outstanding ISO characteristics and long exposure options make it well suited for astrophotography pursuits.
Video Capabilities
-
Panasonic L1: Not available.
-
Pentax K-1: Basic Full HD video suitable for casual use, with meaningful audio support.
Travel Photography
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Panasonic L1: Lightweight and compact, ideal for extended trips.
-
Pentax K-1: Heavier but offers wider flexibility and durability, worth carrying for serious travel photographers.
Professional Workflow
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Panasonic L1: Limited raw files and older file formats may complicate modern post-processing pipelines.
-
Pentax K-1: Robust raw files, dual card slots, and extensive lens options enable reliable professional workflows.
Value and Price-to-Performance Assessment
Both cameras share a similar list price point near $1500, but contextually this is misleading given their generational disparity.
The Panasonic L1 is now a legacy model; its feature set is outdated, and it lacks video, modern AF, and sensor performance by today’s standards. It may appeal to users on a strict budget or those dedicated to photography fundamentals without digital distractions.
The Pentax K-1 commands strong value relative to its sensor size, environmental resilience, and professional-grade features. For photographers seeking ultimate image quality and rigorous performance without moving to mirrorless systems, the K-1 remains a compelling choice.
Concluding Recommendations: Matching Cameras to Photographers’ Needs
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For Beginners and Casual Photographers Interested in DSLR Form Factor: The Panasonic L1’s moderate weight, simple controls, and Micro Four Thirds mount may provide an accessible introduction. However, its limitations will quickly become apparent as skills progress.
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For Landscape, Portrait, and Studio Professionals Seeking Maximum Image Quality: The Pentax K-1’s full-frame sensor resolution and dynamic range, combined with weather sealing and IBIS, offer significant advantages for image quality and durability.
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For Wildlife and Sports Photographers Needing Speed and Tracking: Neither camera is optimized for high-speed shooting; however, the Pentax K-1's advanced AF system and burst rate outperform the Panasonic L1 and may suffice for moderate action capture.
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For Astrophotographers and Night Shooters: The Pentax K-1’s sensor characteristics and long exposure capabilities are markedly superior.
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For Those Prioritizing Compactness and Portability: The Panasonic L1 offers a more lightweight and smaller body but at compromise of modern features.
In sum, the Pentax K-1’s substantial technological and ergonomic advancements make it the more versatile and future-proof option across nearly all photographic disciplines. The Panasonic L1 remains an intriguing relic from DSLR evolution, suitable primarily for niche applications or collectors.
This detailed, hands-on comparative analysis aims to equip photographers with an authoritative examination of these two distinct DSLRs, illuminating where each excels or falters in real-world scenarios. Selecting the appropriate camera hinges ultimately on individual priorities around image quality, handling, and shooting style; we trust this evaluation clarifies that decision landscape with depth and precision.
Panasonic L1 vs Pentax K-1 Specifications
Panasonic Lumix DMC-L1 | Pentax K-1 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-L1 | Pentax K-1 |
Type | Advanced DSLR | Advanced DSLR |
Launched | 2007-04-11 | 2016-02-17 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Full frame |
Sensor measurements | 17.3 x 13mm | 35.9 x 24mm |
Sensor surface area | 224.9mm² | 861.6mm² |
Sensor resolution | 7 megapixels | 36 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 3136 x 2352 | 7360 x 4912 |
Maximum native ISO | 1600 | 204800 |
Minimum native ISO | 100 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 3 | 33 |
Cross type focus points | - | 25 |
Lens | ||
Lens support | Micro Four Thirds | Pentax KAF2 |
Available lenses | 45 | 151 |
Focal length multiplier | 2.1 | 1 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen diagonal | 2.5 inches | 3.2 inches |
Screen resolution | 207k dot | 1,037k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.46x | 0.7x |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/8000 seconds |
Continuous shutter speed | 3.0 frames/s | 4.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 13.00 m | no built-in flash |
Flash settings | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/160 seconds | 1/200 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Maximum video resolution | None | 1920x1080 |
Video data format | - | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Built-in |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 606 gr (1.34 pounds) | 1010 gr (2.23 pounds) |
Dimensions | 146 x 87 x 77mm (5.7" x 3.4" x 3.0") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO Overall rating | not tested | 96 |
DXO Color Depth rating | not tested | 25.4 |
DXO Dynamic range rating | not tested | 14.6 |
DXO Low light rating | not tested | 3280 |
Other | ||
Battery life | - | 760 photos |
Battery format | - | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec, custom) |
Time lapse recording | ||
Storage media | SD/MMC card | Dual SD/SDHC/SDXC (UHS-I) |
Storage slots | 1 | Two |
Launch cost | $1,500 | $1,499 |