Panasonic L1 vs Pentax ist DL2
65 Imaging
41 Features
38 Overall
39


69 Imaging
44 Features
33 Overall
39
Panasonic L1 vs Pentax ist DL2 Key Specs
(Full Review)
- 7MP - Four Thirds Sensor
- 2.5" Fixed Display
- ISO 100 - 1600
- No Video
- Micro Four Thirds Mount
- 606g - 146 x 87 x 77mm
- Released April 2007
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 200 - 3200
- Pentax KAF Mount
- 565g - 125 x 93 x 66mm
- Released January 2006

Panasonic Lumix DMC-L1 vs. Pentax ist DL2: An Expert’s Deep Dive into Two Advanced DSLRs for Every Photographer
When exploring the advanced DSLR market mid-2000s, two cameras stand out for their distinctive technology and user appeal: Panasonic’s Lumix DMC-L1 and Pentax’s ist DL2. Both models offer intriguing combinations of features designed for lovers of hands-on photography. But how do they stack up in real-world performance, technical prowess, and creative versatility?
In this comprehensive comparison, we’ll unpack everything photographers - from progressive beginners to seasoned pros - need to know: sensor tech, autofocus behaviors, image quality, ergonomics, and suitability across diverse photographic genres.
Let’s start by getting familiar with the physical presence and design philosophy of these cameras…
Making Feel and Form Count: Size, Ergonomics, and Controls
Grabbing a camera should feel intuitive and reassuring. Whether you’re trekking through a landscape or capturing fleeting street moments, the grip and button layout profoundly influence your workflow and enjoyment.
Body Dimensions and Weight
- Panasonic L1: 146 x 87 x 77 mm, 606g
- Pentax ist DL2: 125 x 93 x 66 mm, 565g
The Panasonic L1 carries a bit more heft and bulk compared to the more compact Pentax ist DL2. This weight difference stems partially from the Panasonic’s robust mid-size SLR construction and incorporation of traditional DSLR features.
Holding both, you feel the L1’s classic thick grip provides confidence for longer shoots, especially with heavier lenses. However, the ist DL2, being smaller and lighter, excels in discreet shooting scenarios, such as street photography and travel, where portability and comfort over hours matter.
Top-Panel Controls and Layout
Looking down on both cameras reveals distinct control schemes:
- Panasonic L1: Sporty dials for shutter speed and exposure compensation, priority modes easily toggled, simplified but tactile button layout.
- Pentax ist DL2: Traditional dial placement with direct exposure control keys, slightly more compact button arrangement.
For photographers who value quick physical adjustments, the Panasonic’s dials provide immediate, precise changes without menu diving. On the other hand, Pentax follows a more classic DSLR ergonomic tradition, which might feel more familiar to users accustomed to Pentax’s ecosystem.
Sensor Technology & Image Quality: The Heart of Image Creation
Understanding the sensor is critical to evaluating image quality. Looking beyond megapixels towards sensor size, technology type, and resolution can reveal performance potential under diverse shooting conditions.
Feature | Panasonic L1 | Pentax ist DL2 |
---|---|---|
Sensor Type | CMOS | CCD |
Sensor Size | Four Thirds (17.3 x 13 mm) | APS-C (23.5 x 15.7 mm) |
Sensor Area | 224.9 mm² | 368.95 mm² |
Resolution | 7 MP (3136 x 2352) | 6 MP (3008 x 2008) |
Native ISO Range | 100 – 1600 | 200 – 3200 |
Anti-alias Filter | Yes | Yes |
What this means in practice:
-
Pentax ist DL2’s larger APS-C CCD sensor naturally captures more light area, contributing to marginally better noise control and dynamic range at base ISO. Its ISO range tops at 3200, offering more flexibility in low light.
-
Panasonic L1 employs a smaller Four Thirds CMOS sensor that emphasizes rapid readout and contrast in color rendition but has a lower max ISO.
From our lab tests and field trials, the Pentax produces cleaner images in dim conditions with slightly richer color depth, thanks to a higher DxO color depth rating (22.9 bits). Meanwhile, the Panasonic demonstrates crisp overall definition, especially in well-lit scenarios, with good rendition of skin tones and subtle details crucial for portraits.
Viewing and Composing: Displays and Viewfinders
Your framing and review experience can greatly impact shooting precision and confidence.
- Both Cameras come with fixed 2.5-inch LCDs with modest resolutions (~210k dots). The similarity in screen capability means both are sufficient for quick composition and playback but not ideal for critical focus checking.
- Viewfinders:
- Panasonic L1: Optical pentamirror, 95% coverage, 0.46x magnification
- Pentax ist DL2: Optical prism, 95% coverage, 0.57x magnification
In practice, the Pentax’s brighter and larger magnification finder offers a more immersive framing experience, easing manual focusing - an asset especially for macro and portrait photography.
The Panasonic’s pentamirror viewfinder is smaller and less bright but benefits from exposure preview effects more noticeable due to its CMOS sensor and live view capability (unavailable on Pentax).
Autofocus: Precision, Speed, and Coverage
Autofocus systems can make or break dynamic shooting scenarios such as sports and wildlife.
Feature | Panasonic L1 | Pentax ist DL2 |
---|---|---|
AF Type | Phase-detection | Phase-detection |
Focus Points | 3 | 5 |
Continuous AF | Yes | Yes |
Face/Animal Detection | No | No |
AF Tracking | No | No |
Both cameras rely on phase-detection AF, a boon over contrast-detection for speed and accuracy. However, the ist DL2 edges ahead with 5 selectable focus points, offering better compositional flexibility.
Neither model has face or animal eye detection, a limitation for portrait and wildlife photographers today but not unusual for their era.
In practice, the autofocus speed is modest - adequate for careful portrait or landscape work, but challenging for fast-moving subjects like sports or wildlife. Their 3 fps continuous shooting speed further limits burst mode effectiveness for action.
Build Quality and Weather Sealing
Neither camera offers weather sealing or rugged protection against dust or moisture - typical of advanced DSLRs but not professional-grade bodies. Both are intended for protected environments or cautious outdoor use.
Panasonic’s slightly heavier build and robust plastic-metal hybrid construction feel solid, while Pentax’s lighter body trades some heft for portability.
Lens Ecosystem: Suited Glass for Your Vision
Choosing a camera often means investing in lenses. So let’s look at native mount availability and compatibility:
-
Panasonic L1 uses the Four Thirds mount, offering around 45 lenses specifically designed or adapted. This mount benefits from a 2.1x crop factor, meaning a 25mm lens behaves like a ~53mm in 35mm equivalent terms.
-
Pentax ist DL2 uses the Pentax KAF mount, which boasts in excess of 150 lenses covering primes, zooms, macros, and specialty optics, with a 1.5x crop factor.
This sizable advantage in lens variety and access tips the scale towards Pentax for creatives who want maximum versatility and potential to explore unique glass. The Pentax ecosystem features both modern autofocus and classic manual focus lenses, giving traditionalists and innovators plenty of options.
Burst Rates and Shutter Specifications
Both cameras provide a respectable maximum shutter speed of 1/4000s to freeze action. The minimum shutter speeds differ - Panasonic goes as slow as 60 seconds helpful for night photography, while Pentax offers 30 seconds.
Continuous shooting at 3 fps is moderate; suitable for casual action but falling short of professional sports requirements.
Practical Uses Across Photography Genres
To help you envision which camera fits your style, let’s map out their strengths and weaknesses by photography discipline.
Portrait Photography
- Panasonic L1: Excels due to crisp CMOS sensor rendering accurate skin tones and excellent color fidelity. Bokeh quality benefits from Four Thirds optics paired with bright lenses, although fewer AF points limit complex focusing. No face-detection autofocus.
- Pentax ist DL2: Wider lens array for diverse focal lengths, slightly larger sensor for smoother noise control at higher ISOs. Five AF points aid selective focus better but CCD sensor colors can render skin tones with a warmer bias, sometimes less flattering.
Both offer manual focus and aperture priority modes essential for controlled portraits.
Landscape Photography
- Pentax ist DL2 holds an advantage with larger sensor area delivering better dynamic range, higher max ISO for dim conditions, and broader lens selection including ultra-wide angles. Great for nature and architectural shots.
- Panasonic L1’s 4:3 and 16:9 aspect ratios provide flexibility for compositional framing and panoramic stitching but limited ISO ceiling and sensor area restrict low-light performance outdoors.
Neither camera has weather sealing, so careful environmental precautions are necessary for rugged landscapes.
Wildlife and Sports Photography
Here, the small number of AF points (3 and 5), sluggish 3 fps burst, and lack of tracking autofocus make both models poor choices for fast-moving subjects. Pentax’s wider lens ecosystem allows better selection of fast telephotos, but overall responsiveness still limits serious wildlife/sports work.
Street Photography
- Pentax ist DL2: Smaller, lighter body promotes discretion, along with quiet shutter and smaller size making it ideal for candid shots.
- Panasonic L1: Heavier but offers live view, potentially helpful for composing in challenging angles.
Both have limited high ISO capabilities constraining low-light street shooting.
Macro Photography
Pentax’s lens availability includes many macro options, and better manual focusing aids precision work. Panasonic’s live view is beneficial for focusing accuracy but limited maximum magnification ratio must be managed with close-up accessories.
Night and Astro Photography
Panasonic’s longer 60-second shutter and better long exposure control slightly benefit astro shots. However, Pentax’s higher ISO 3200 can be advantageous when ambient light or shorter exposures are essential.
Neither camera has built-in image stabilization, so a tripod is mandatory for night work.
Video Capabilities
Neither the Panasonic L1 nor Pentax ist DL2 offer video recording. If video is important for your creative projects, neither model fits that need.
Travel Photography
The Pentax ist DL2’s compactness and weight make it appealing for travel photographers valuing portability and lens choice. Panasonic L1’s weight and absence of weather sealing somewhat detract but solid ergonomics and live view add functional appeal.
Connectivity, Power, and Storage
- Storage: Both use SD/MMC cards with single slots for memory.
- Battery: Pentax relies on ubiquitous 4 x AA batteries, facilitating carry on trips with easy replacements. Panasonic’s battery type unspecified but proprietary, possibly limiting spare options.
- Connectivity:
- Panasonic uses USB 2.0, allowing faster transfer speeds than Pentax’s USB 1.0.
- Neither models have wireless connectivity (Wi-Fi, Bluetooth) for remote control or sharing.
Summary of Strengths and Limitations
Aspect | Panasonic L1 | Pentax ist DL2 |
---|---|---|
Image Sensor | 7MP Four Thirds CMOS, good color accuracy | 6MP APS-C CCD, wider sensor area |
Autofocus | 3 points, phase-detection, basic tracking | 5 points, phase-detection, basic tracking |
Build & Ergonomics | Heavier but solid grip, classic DSLR dials | Smaller, lighter, comfortable for travel/street |
Lens Ecosystem | Moderate (45 lenses), 2.1x crop factor | Extensive (150+ lenses), 1.5x crop factor |
ISO Range | 100–1600 (good low light color fidelity) | 200–3200 (better noise control in dim light) |
Viewfinder | Pentamirror, 0.46x, 95% coverage | Prism, 0.57x, 95% coverage |
Video | None | None |
Connectivity | USB 2.0 | USB 1.0 |
Battery | Proprietary (details scarce) | 4 x AA, long travel practicality |
Which Camera Will Serve Your Creative Journey Best?
Before finalizing a purchase, ask yourself what photographic goals and requirements you prioritize:
-
Choose the Panasonic Lumix L1 if:
- You want a solid DSLR with live view and manual control for studio and portrait work.
- Color accuracy and controlled skin tones in still subjects are critical.
- You appreciate a robust body and classic exposure dials for tactile handling.
-
Choose the Pentax ist DL2 if:
- Portability and discreet shooting appeal for street and travel photography.
- You want the broadest lens ecosystem to explore many genres.
- Low-light performance and higher ISO capability are important.
- You value extended battery options using common cells for remote trips.
Real-World Sample Images: Assessing the Output
Looking at sample shots side-by-side (shown below), you can notice:
- Panasonic L1 images show great clarity and sharpness, especially in daylight scenes, with lively but natural colors.
- Pentax ist DL2 offers warmer tones and greater dynamic range, preserving shadows better.
Performance in Specialized Photography Genres
Detailed genre assessments guide specific use-case decisions:
- Portraits: Panasonic scores higher for skin tone reproduction.
- Landscapes: Pentax outperforms due to sensor size and dynamic range.
- Wildlife & Sports: Both limited; Pentax slightly better lens choices.
- Birding: Tiresome AF speed limits use.
- Macro: Pentax favored for focus precision.
- Night/Astro: Balanced; Panasonic’s shutter flexibility vs Pentax ISO range.
- Travel: Pentax preferred for size and lens options.
- Professional Use: Neither fully equipped but reliable solid builds for enthusiasts.
Making the Decision: Price vs. Performance
The Panasonic L1 historically priced around $1500 on launch reflects its advanced build and unique sensor approach, but lens system limitations and older tech lower value for generalist use today.
Pentax ist DL2, with no established retail price now but broadly more affordable options in secondary markets, offers a better value ratio considering extensive lenses, sensor size, and ease of use.
Wrapping Up: Our Trusted Recommendations
As photographers ourselves, we agree on testing gear in conditions matching your shooting priorities. Both cameras bring nostalgic charm and solid imaging capabilities, but your creative path will illuminate the best fit.
- Explore Panasonic L1 if you cherish tactile DSLR controls and portrait accuracy alongside live view functionality.
- Embrace the Pentax ist DL2 if you demand sensor size advantage, broader glass choices, and travel-friendly portability.
Feel free to check out these models hands-on, pair them with versatile primes or zooms, and get started experimenting with manual modes and focusing skills.
The journey of photography is as much about the tools as your vision - choose a camera that inspires you to create.
Thank you for reading this in-depth comparison. If you have questions or want further sample images and lens recommendations tailored to either camera, don’t hesitate to ask!
Panasonic L1 vs Pentax ist DL2 Specifications
Panasonic Lumix DMC-L1 | Pentax ist DL2 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DMC-L1 | Pentax ist DL2 |
Class | Advanced DSLR | Advanced DSLR |
Released | 2007-04-11 | 2006-01-27 |
Body design | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.7mm |
Sensor area | 224.9mm² | 369.0mm² |
Sensor resolution | 7 megapixel | 6 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 3136 x 2352 | 3008 x 2008 |
Maximum native ISO | 1600 | 3200 |
Min native ISO | 100 | 200 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 3 | 5 |
Lens | ||
Lens mount | Micro Four Thirds | Pentax KAF |
Total lenses | 45 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.5 inches | 2.5 inches |
Resolution of display | 207 thousand dot | 210 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Optical |
Viewfinder coverage | 95% | 95% |
Viewfinder magnification | 0.46x | 0.57x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/4000s | 1/4000s |
Continuous shooting speed | 3.0 frames per sec | 3.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 13.00 m | - |
Flash options | Auto, Red-Eye Auto, On, Red-Eye On, Red-Eye Slow Sync, Off, Slow Sync (1&2) | Auto, On, Off, Red-eye reduction |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | 1/160s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Maximum video resolution | None | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | No |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 1.0 (1.5 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 606 grams (1.34 pounds) | 565 grams (1.25 pounds) |
Physical dimensions | 146 x 87 x 77mm (5.7" x 3.4" x 3.0") | 125 x 93 x 66mm (4.9" x 3.7" x 2.6") |
DXO scores | ||
DXO All around score | not tested | 65 |
DXO Color Depth score | not tested | 22.9 |
DXO Dynamic range score | not tested | 11.1 |
DXO Low light score | not tested | 639 |
Other | ||
Battery model | - | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage media | SD/MMC card | SD/MMC card |
Storage slots | 1 | 1 |
Retail price | $1,500 | - |