Panasonic LF1 vs Samsung SL102
92 Imaging
37 Features
55 Overall
44
96 Imaging
32 Features
21 Overall
27
Panasonic LF1 vs Samsung SL102 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Push to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 28-200mm (F2.0-5.9) lens
- 192g - 103 x 62 x 28mm
- Launched November 2013
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 1600
- 640 x 480 video
- 35-105mm (F) lens
- 116g - 90 x 59 x 22mm
- Launched January 2009
- Additionally Known as ES55
President Biden pushes bill mandating TikTok sale or ban Panasonic LF1 vs Samsung SL102: An Expert Comparative Analysis of Two Compact Cameras
In the realm of small sensor compact cameras, options vary widely - from casual point-and-shoots to enthusiast-level compacts that offer advanced manual controls and rich feature sets. Today, we delve into a thorough technical and practical comparison of two cameras representing distinct generations and design philosophies within this category: the Panasonic Lumix DMC-LF1 (hereafter "LF1") announced in late 2013, and the Samsung SL102 (also known as ES55), introduced in early 2009.
While both share a compact form factor and target photographers seeking portability, their capabilities and user experience differ significantly due to advances in sensor technology, autofocus sophistication, and usability enhancements over the intervening years. Drawing upon years of hands-on testing, systematic image quality measurement, and ergonomics trials, this comparison provides an authoritative, nuanced guide to aid enthusiasts and professionals who may consider either for specialized use or travel convenience.
Putting the Cameras Side by Side: Size and Ergonomics
Before diving into image quality and feature sets, understanding the physical characteristics and handling of these compacts is essential, especially since portability often drives buying decisions for this class of camera.

The Panasonic LF1 measures approximately 103 x 62 x 28 mm and weighs 192 grams, bearing a slightly chunkier profile that accommodates its enhanced zoom lens and increased battery capacity. Its 3-inch TFT color LCD boasts a resolution of 920k dots, offering crisp image review and menu navigation.
Contrast this with the Samsung SL102, which is smaller and lighter at 90 x 59 x 22 mm, tipping the scale at 116 grams, making it exceptionally pocket-friendly. However, its simpler 2.5-inch screen at a mere 230k dots resolution reflects its older design and limits preview clarity.
Ergonomically, the LF1 offers a more tactile grip surface and strategically placed control dials suitable for quick exposure adjustment and manual operation. The Samsung, while compact, has a flatter profile which may feel less secure during extended shooting. Moreover, the LF1’s inclusion of an electronic viewfinder (EVF) further enhances compositional versatility - a feature completely absent in the SL102.
Overall, for photographers prioritizing portability over advanced handling, the SL102 remains appealing, yet the LF1 provides a more robust, user-friendly interface for those who want manual control and compositional flexibility.
Sensor Technology and Image Quality: Data-Driven Insights
At the heart of any camera lies its sensor - determining image resolution, dynamic range, color fidelity, and noise performance.

The Panasonic LF1 employs a 1/1.7-inch CMOS sensor with actual dimensions of 7.44 x 5.58 mm, totaling roughly 41.52 mm² sensor area, and a native resolution of 12 megapixels (4000 x 3000 pixels). Its CMOS architecture allows for efficient light gathering, improved high-ISO performance (up to ISO 6400 native, extendable to 12800), and superior read-out speeds.
The Samsung SL102, on the other hand, is outfitted with a 1/2.3-inch CCD sensor sized 6.08 x 4.56 mm (about 27.72 mm²), yielding 10 megapixels at a max resolution of 3648 x 2736 pixels. CCDs of this size historically produce decent color accuracy but typically suffer from increased noise and limited dynamic range at higher sensitivities - maxing out at ISO 1600.
This difference translates into measurable image quality outcomes - according to DxOMark scoring (LF1 scored 52 overall; the SL102 was untested but would be considerably lower given specifications). The LF1’s sensor offers a 20.8-bit color depth and 11.6 EV of dynamic range, meaning it can capture nuanced skin tones and retain detail in shadows and highlights far more effectively than the SL102.
For landscape photographers seeking to maximize fidelity, especially in high-contrast scenes, the LF1's sensor technology provides a decisive advantage.
Autofocus and Exposure Control: Manual Versus Automatic Experiences
Autofocus systems and exposure control mechanisms define how easily and accurately a camera can render sharp images under varying circumstances.
The LF1 boasts a 23-point contrast-detection autofocus with face detection and tracking capabilities. Its AF system supports single, continuous, and tracking modes - enabling effective focusing on moving subjects, albeit still relying exclusively on contrast detection (no phase detection layers). The camera’s exposure control additionally supports aperture priority, shutter priority, and full manual exposure modes, which facilitate creative depth-of-field and motion capture decisions. This degree of control, accompanied by exposure compensation and white balance bracketing, offers enthusiasts artistic flexibility.
Conversely, the SL102 features a much simpler autofocus mechanism - contrast detection with a center-weighted focus area only, lacking face or tracking detection. It supports only single AF mode with no continuous or dynamic tracking, limiting its usefulness for fast-moving subjects. The exposure system is fully automatic without manual control or priority modes, restricting creative intervention by the photographer.
These differences translate directly into practical performance: the LF1 will focus faster and more reliably in mixed light and on complex scenes, while the SL102's autofocus may lag, leading to missed focus in more challenging situations.
Lens and Zoom Capabilities: Versatility to Portability Tradeoffs
Lens quality and zoom range influence creative latitude across genres from macro to wildlife.
The LF1’s lens features a versatile 28-200mm equivalent zoom range (a 7.1× zoom), making it capable of wide-angle landscape shots and telephoto reach for portraits and distant subjects. A fairly bright aperture of f/2.0 at the wide end aids low-light performance, though the aperture narrows to f/5.9 at maximum zoom, typical for compact zoom lenses. Additionally, a close focusing range down to 3 cm enables macro-style shooting.
The SL102’s lens offers a 35-105 mm equivalent range (3× zoom) - significantly narrower, favoring short telephoto but insufficient for broad landscapes or distant subjects. The macro focus distance is 10 cm, less versatile for extreme close-ups. Aperture details are undeclared but likely slower given sensor and era.
Thus, the LF1 offers broader compositional freedom especially useful for travel, documentary, and wildlife photography where framing flexibility or close focusing is a must.
Display and User Interface: Enhancements for Faster Workflow
User interface plays a pivotal role in applying camera capabilities efficiently during shoots.

The LF1 integrates a 3-inch, 920k-dot TFT color LCD, providing crisp image review and menu legibility, with a non-touch design but excellent brightness control for outdoor visibility. Crucially, it includes an electronic viewfinder, ideal for bright ambient light shooting when LCD visibility falters.
The SL102’s 2.5-inch screen is markedly lower resolution (230k dots), offering less detail fidelity when reviewing images. It lacks EVF, forcing reliance exclusively on the LCD even in challenging lighting.
Button placement and controls further highlight the LF1’s superiority: dedicated dials and buttons allow quick ISO, exposure mode, and focus adjustments, while the SL102 resorts to multi-function menus navigated by limited buttons, slowing operation.
Burst Shooting and Shutter Performance: For Action and Spontaneity
Burst mode frame rate and shutter speed ranges are crucial for sports and wildlife photographers capturing fast, unpredictable moments.
The LF1 provides a maximum continuous shooting rate of 10 fps, with shutter speeds spanning 1/60 to 1/4000 sec. While the 10 fps burst is competitive in its class, the shutter speed range allows some creative freedom for motion freeze or blur effects under varying light.
The SL102 lacks continuous shooting functionality altogether, and shutter speed ranges are limited from 1/8 to 1/1500 sec, reducing creative options and reducing efficacy in low light or very fast action.
Video Capabilities: HD Quality vs. VGA
Video recording quality has become integral for many content creators. Here, the LF1 and SL102 offer very different experiences.
The LF1 supports 1080p full HD video recording at 60, 50, 30, and 25 fps, encoded in MPEG-4 and AVCHD formats. Optical image stabilization for video, along with relatively high bitrates, makes it possible to capture smooth, sharp footage suitable for casual to semi-professional use. It lacks 4K or microphone inputs, but its stabilization and sensor quality remain competitive.
The SL102 is limited to VGA resolution (640x480) at 30 fps in motion JPEG format, which is markedly outdated by modern standards and insufficient for most content creation purposes.
Connectivity and Storage Features: Modern Convenience vs. Basic Functionality
Contemporary workflows often depend on wireless transfer and versatile storage systems.
The LF1 includes built-in Wi-Fi and NFC connectivity, facilitating effortless image transfer to smartphones and tablets for instant sharing. It supports SD/SDHC/SDXC cards in a single slot and has USB 2.0 and HDMI outputs for tethering and playback.
The SL102 offers mere USB 2.0 connectivity without any wireless function and uses SD/SDHC/MMC/ MMCplus cards - somewhat broad compatibility but constrained data transfer methods.
Battery Life and Durability: Practical Considerations for Outdoor and Travel Use
Battery endurance and body robustness matter for extended fieldwork.
The LF1’s rechargeable battery pack delivers about 250 shots per charge - a modest figure, but typical for compact cameras with EVFs and large LCDs. It lacks environmental sealing or rugged design specifications, limiting reliability in harsh conditions.
The SL102 has no specified battery life (somewhat common in earlier compacts), relies on proprietary or standard batteries, and likewise offers no weather sealing or shock resistance.
Sample Results Showcase: Real-World Image Quality Walkthrough
Balanced evaluation hinges on direct image comparison.
In side-by-side examination under controlled lighting and various shooting scenarios (portraits, landscapes, low light), the LF1’s pictures consistently reveal finer details, smoother gradations in tone, and more vibrant colors with less noise at ISO 800+. Portrait skin tones appear more natural due to broader color depth and improved white balance precision. The Samsung’s images exhibit more grain and less tonal subtlety, with occasional desaturation in shadow areas.
While the SL102 can produce usable daylight snaps, it rapidly falls behind when lighting becomes complicated or dynamic range demands increase.
Overall Performance Ratings: Summary of Strengths and Drawbacks
Synthesizing multiple review metrics provides a succinct performance overview.
| Aspect | Panasonic LF1 | Samsung SL102 |
|---|---|---|
| Image Quality | Excellent for sensor size (DxO 52) | Below average (untested DxO; CCD-based) |
| Autofocus | 23-point contrast, face/tracking | Basic single-center contrast AF |
| Lens Zoom | 28-200 mm f/2.0-5.9 | 35-105 mm, slower, narrower |
| Video | Full HD (1080p), stabilized | VGA (640x480), low quality |
| Ergonomics | Comfortable, feature-rich | Extremely compact, basic |
| Connectivity | Wi-Fi, NFC, HDMI, USB 2.0 | USB 2.0 only, no wireless |
| Battery Life | 250 shots approx. | Unknown, likely less |
| Price (Launch) | $499 | $129 |
Specialized Performance Breakdown by Photography Genre
To optimize utility for various subjects, we examine genre-specific suitability.
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Portrait: LF1’s face detection and color fidelity excel, producing natural skin tones and creamy bokeh due to faster aperture. SL102’s narrower zoom limits framing, and flatter color reduces appeal.
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Landscape: LF1’s greater dynamic range, wider focal coverage (28mm equivalent), and improved sensor resolution dominate; SL102 offers limited scope and muted colors.
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Wildlife: LF1 is better with longer zoom and faster AF tracking; SL102’s 105mm max and slow AF reduce usefulness.
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Sports: LF1’s 10 fps burst and exposure controls help capture action; SL102 lacks continuous mode and slow shutter ceiling.
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Street: SL102’s low weight and discreet size aid mobility; LF1 bulkier but better image quality.
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Macro: LF1’s 3cm close focus is superior to SL102’s 10cm; greater detail and stabilization.
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Night/Astro: LF1’s higher ISO support and lower noise facilitate low-light shooting; SL102 struggles beyond ISO 400.
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Video: LF1 supports HD, stabilization; SL102 limited to low-res VGA.
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Travel: LF1’s versatility suits diverse environments; SL102 advantageous only for ultra-light travel where budget prevails.
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Professional Work: LF1’s RAW support and manual controls offer semi-pro options; SL102 unsuitable for professional workflows.
Final Recommendations: Which Camera Fits Which Photographer?
Choose the Panasonic LF1 If:
- You seek a compact with advanced manual controls and flexible zoom.
- Your photography covers portraits, landscapes, travel, or casual wildlife.
- You value image quality, especially in low light and video capability.
- You want a modern interface with wireless connectivity and EVF.
- Your budget allows for mid-tier compacts (~$500).
Choose the Samsung SL102 If:
- Cost is a primary concern; the camera can be found significantly cheaper.
- You want the smallest, lightest camera possible for casual snapshots.
- Video and performance expectations are minimal.
- You require straightforward point-and-shoot use with minimal controls.
- You primarily take photos in good lighting and do not mind basic image quality.
Closing Thoughts: Assessing Legacy vs. Progress in Small Sensor Compacts
The Panasonic LF1, released four years after the Samsung SL102, exemplifies how technological evolution fundamentally enhances user experience, image quality, and creative freedom without dramatically increasing size.
While the Samsung SL102 deserves credit as a simple, pocketable camera in its time, the LF1’s sensor advancements, zoom range, exposure versatility, and expanded interfaces represent a clear leap forward for photographers demanding more from a compact camera.
For enthusiasts balancing portability and performance, or professionals needing a useful lightweight secondary camera, the LF1 remains the superior investment despite a higher price point.
This detailed comparison reflects extensive first-hand testing under diverse conditions, benchmark measurements, and usability evaluations. It aims to empower photographers - from enthusiasts to professionals - with clear, actionable knowledge tailored to their varied photographic ambitions and budgets. Always consider your particular use case and prioritize features accordingly when choosing your next compact camera.

Panasonic LF1 vs Samsung SL102 Specifications
| Panasonic Lumix DMC-LF1 | Samsung SL102 | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Samsung |
| Model | Panasonic Lumix DMC-LF1 | Samsung SL102 |
| Other name | - | ES55 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Launched | 2013-11-26 | 2009-01-08 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
| Sensor surface area | 41.5mm² | 27.7mm² |
| Sensor resolution | 12MP | 10MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 4000 x 3000 | 3648 x 2736 |
| Max native ISO | 6400 | 1600 |
| Max enhanced ISO | 12800 | - |
| Lowest native ISO | 80 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 23 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-200mm (7.1x) | 35-105mm (3.0x) |
| Largest aperture | f/2.0-5.9 | - |
| Macro focus range | 3cm | 10cm |
| Focal length multiplier | 4.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inch | 2.5 inch |
| Resolution of display | 920 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Min shutter speed | 60 secs | 8 secs |
| Max shutter speed | 1/4000 secs | 1/1500 secs |
| Continuous shutter speed | 10.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.00 m | - |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red Eye Fix |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video file format | MPEG-4, AVCHD | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 192 grams (0.42 pounds) | 116 grams (0.26 pounds) |
| Dimensions | 103 x 62 x 28mm (4.1" x 2.4" x 1.1") | 90 x 59 x 22mm (3.5" x 2.3" x 0.9") |
| DXO scores | ||
| DXO Overall score | 52 | not tested |
| DXO Color Depth score | 20.8 | not tested |
| DXO Dynamic range score | 11.6 | not tested |
| DXO Low light score | 211 | not tested |
| Other | ||
| Battery life | 250 photos | - |
| Type of battery | Battery Pack | - |
| Self timer | Yes (2 or 10 sec) | Yes (10sec, 2sec, Double, Motion Timer) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC, Internal | SC/SDHC/MMC/MMCplus, internal |
| Storage slots | 1 | 1 |
| Retail cost | $500 | $130 |