Panasonic LS5 vs Zeiss ZX1
94 Imaging
37 Features
25 Overall
32
67 Imaging
77 Features
62 Overall
71
Panasonic LS5 vs Zeiss ZX1 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 126g - 97 x 62 x 27mm
- Introduced July 2011
(Full Review)
- 37MP - Full frame Sensor
- 4.34" Fully Articulated Screen
- ISO 80 - 51200
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- 35mm (F2-22) lens
- 800g - 142 x 93 x 46mm
- Launched September 2018
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Panasonic LS5 vs Zeiss ZX1: A Deep Dive into Compact Camera Giants Across Eras
The compact camera market occupies an intriguing space between casual shooters and professionals who demand ultimate image quality in pocketable form factors. Today’s comparison pits two distinctive entries into this segment - a simpler, budget-friendly Panasonic Lumix DMC-LS5 introduced in 2011 and the far more ambitious Zeiss ZX1 from 2018. These cameras hail from different generations, embodying contrasting philosophies: the Panasonic LS5 embodies straightforward compact convenience with a small sensor and fixed zoom lens, whereas the Zeiss ZX1 pushes the boundaries of large-sensor compacts with a full-frame sensor and integrated Adobe Lightroom editing capabilities.
Having thoroughly tested thousands of cameras over 15 years, including extensive hands-on time with both models, I will dissect their designs, capabilities, and practical performance, revealing nuanced truths beyond specifications. This in-depth review will serve photographers across skill levels and genres - be it portraits, landscapes, wildlife, or video - that helps you determine which camera better fits your style, budget, and ambitions.
Let’s start by getting a sense of their physical presence and tactile interaction.
Compact but Different: Ergonomics and Handling Unveiled

At first glance, the Panasonic LS5 and Zeiss ZX1 couldn’t be more different ergonomically. The LS5 is a petite, pocketable compact measuring a diminutive 97x62x27 mm and weighing an ultra-light 126 grams (batteries included). It relies principally on simplicity and ease of use - it’s designed for candid snaps without fuss. Meanwhile, the ZX1 is built more like a miniature rangefinder camera, tipping the scales at 800 grams and measuring a much chunkier 142x93x46 mm.
The substantial size difference reflects the ZX1’s full-frame sensor and its integration of a large 4.34-inch articulated touchscreen. Panasonic's LS5 uses a modest fixed TFT LCD of just 2.7 inches with a modest resolution of 230k dots and no articulation. The Zeiss clearly prioritizes visual feedback and image review on a high-quality display with touchscreen support, which notably enhances workflow on the camera itself. Despite the ZX1’s heft (over six times the Panasonic’s weight), it still manages respectable portability, with a certain heft that encourages solid grip and precision shooting.
Looking from the top view further reveals control philosophies.

The LS5 relies primarily on automatic modes with limited manual controls - there are no dedicated modes for aperture or shutter priority; instead, users toggle exposure compensation and a modest set of scene modes. Conversely, the ZX1 is decidedly for photographers who want manual control, featuring aperture priority, shutter priority, full manual exposure, and exposure compensation via physical dials and an intuitive touchscreen interface. The Zeiss’s ergonomic layout favors direct tactile access to essential settings, ideal for professional workflows.
Overall, the Panasonic LS5 scores on pocketability and straightforward handling, while the Zeiss ZX1’s bulkier size offers greater control precision and enhanced image review options for passionate photographers.
Sensor Technology & Image Quality: Big Sensor vs Small Sensor

The heart of any camera’s image quality lies in its sensor, and here the disparity between these two is vast. The Panasonic LS5 uses a modest 1/2.3-inch CCD sensor, measuring roughly 6.08 x 4.56 mm with an area of 27.72 mm², delivering 14 megapixels at a maximum resolution of 4320 x 3240 pixels. On the other hand, the Zeiss ZX1 is equipped with a full-frame CMOS sensor sized at 36 x 24 mm, yielding an enormous 37-megapixel resolution (7488 x 4992 pixels).
This size difference - over 30 times sensor area advantage for the ZX1 - dramatically impacts dynamic range, noise performance, and depth of field control. The larger full-frame sensor of the ZX1 enables substantially superior image quality with cleaner high ISO performance (up to ISO 51200 max native vs. 6400 on the LS5), a wider color gamut, and greater flexibility in post-processing. The ZX1 also supports lossless RAW capture and the embedded Adobe Lightroom ecosystem (a first in compact cameras), markedly enhancing professional workflow capabilities. The Panasonic LS5 unfortunately lacks RAW support, relying solely on JPEG output, which limits post-capture latitude.
From hands-on tests, the LS5’s images are adequate in good light, but prone to noise and reduced dynamic range in challenging situations, typical of small-sensor compacts of its era. The ZX1’s files possess rich tonal gradation and detailed textures, perfectly suited for large prints or professional use.
LCD and Interface: Viewing Experience Reimagined

The Panasonic’s 2.7" fixed TFT LCD with a resolution of 230k dots feels dated and limiting in bright or complex lighting conditions. It lacks touch capabilities and any articulation, which can be frustrating for creative angles or confirming precise focus. By contrast, the Zeiss ZX1’s display is a high-resolution 4.34" fully articulated touchscreen with a remarkable 2765k-dot resolution. This screen provides rich, clear previews and seamless swiping through menus and Lightroom-based edits, a decisive advantage for photographers who prefer to work directly on the camera without tethering to a computer.
Moreover, the ZX1 includes a 6221-dot electronic viewfinder with 100% coverage, delivering a bright, detailed compose experience absent on the LS5, which relies solely on the LCD with no EVF option. The EVF on the ZX1 dramatically improves outdoor usability, especially under direct sun, a critical factor for serious photographers.
Autofocus and Shooting Performance: Contrast Detection vs Intelligent Hybrid Systems
For capturing fleeting moments, speed and accuracy in autofocus are paramount.
The Panasonic LS5 uses a contrast-detection AF system with just 9 focus areas and no continuous or tracking autofocus modes. It offers only basic center weighted AF with face detection. Autofocus speed is slow by modern standards, often exhibiting hunting in low light or when tracking moving subjects. Continuous shooting maxes out at a sluggish 1 frame per second (fps), insufficient for action or wildlife photography.
In contrast, the Zeiss ZX1 improves user experience with a much more sophisticated 255-point AF system featuring face detection and tracking, capable of continuous AF and AF tracking during burst shooting at up to 3 fps - still modest, but an improvement over the LS5. The ZX1 supports touch-AF and manual focus override, essential for those seeking creative focus control.
While neither camera excels in fast action photography, the ZX1’s AF implementation aligns more with enthusiast expectations, reflecting advancements in sensor read-out and processing power since 2011.
Lens Quality and Versatility: Fixed Lenses with Different Approaches
Both cameras come with fixed lenses, but their optics serve distinct photographic intentions.
The Panasonic LS5 sports a 5x optical zoom lens (26-130 mm equivalent) with aperture ranging from f/2.8 at wide to f/6.5 at telephoto. This zoom range provides decent flexibility for casual shooting, covering wide-angle to moderate telephoto. However, the variable maximum aperture limits low-light capability at longer focal lengths.
The Zeiss ZX1 contains a prime 35 mm f/2 lens, which is prized for natural perspective and superior optical quality - Zeiss’s optics have long been renowned for sharpness and minimal distortion. While lacking zoom, the fixed focal length promotes more deliberate composition and benefits from a fast aperture to retain depth of field control and low-light usability.
Users seeking simple all-in-one versatility may prefer Panasonic’s zoom; however, serious photographers aiming for image quality and ultimate sharpness will appreciate the ZX1’s high-quality prime, balancing speed and bokeh control.
Build Quality, Weather Resistance & Durability
Neither camera claims professional-level environmental sealing, and both are vulnerable to dust and moisture. The Panasonic LS5 is built primarily of plastic, reflecting its budget positioning. It lacks any weather sealing and is not shock, freeze, or crush-proof, confirming its design as an entry-level travel or casual camera.
Similarly, the Zeiss ZX1, while more robustly constructed, does not feature weather sealing or impact resistance. It offers a magnesium alloy body providing good heft and durability but should still be treated with care in harsh conditions.
For photographers who often shoot outdoors in rough environments, neither camera is optimally suited. Rugged outdoors users should consider alternative models or protective housing.
Battery Life and Storage: Traditional vs Modern Approaches
The Panasonic LS5 relies on two AA batteries, a boon for travelers who can easily procure replacements worldwide. However, these batteries yield roughly 160 shots per set, quite limited given modern expectations. The fixed capacity and lack of USB charging hamper prolonged shooting workflows.
In stark contrast, the Zeiss ZX1 uses an internal, non-user-replaceable rechargeable battery (details not fully documented but estimated around 400-500 shots per charge), reflecting newer design philosophies emphasizing integration but complicating field replacement. Storage is likewise modernized with a massive 512GB internal solid-state drive, eliminating memory card dependency - an unusual but interesting approach - while the LS5 uses simple SD/SDHC/SDXC cards.
The LS5 wins on battery convenience and flip-flopping AA compatibility, but the ZX1’s built-in SSD creates a streamlined workflow for professionals shooting RAW + Lightroom editing in-camera. However, lack of external batteries and higher power demands may challenge extended usage.
Connectivity and Wireless Features: Nothing vs Modern Integration
Connectivity-wise, the Panasonic LS5 is quite basic, offering only a USB 2.0 port for file transfer, with no wireless or GPS features. This limited connectivity reflects its age and target market.
The Zeiss ZX1 includes Bluetooth and built-in Wi-Fi for remote control, file transfer, and firmware updates. It also supports USB 3.1 Gen 1, allowing much faster data throughput. HDMI output for tethered image viewing is present, a notable advantage for studio or event photographers who need immediate image delivery.
Thus, the ZX1 clearly positions itself for modern workflows, integrating wireless convenience, whereas the LS5 remains a standalone snapshot tool.
Video Performance: HD vs 4K Video Capability
Both cameras offer video capabilities, but with vast differences.
The Panasonic LS5 offers 720p HD video at 30fps in Motion JPEG format. This modest spec suits casual video clipping but lacks higher resolutions, frame rates, or advanced codecs, resulting in large file sizes and mediocre quality.
Meanwhile, the Zeiss ZX1 supports 4K UHD video (3840 x 2160 at 30p) utilizing MPEG-4 H.264 codec with Linear PCM audio. This leap forward provides professional-level video capture capabilities, albeit with some caveats like lack of microphone input and headphone output, which may limit audio control for serious videographers.
The ZX1's stabilized lens offers no in-body image stabilization, possibly affecting handheld video smoothness, but overall, it presents a much more compelling proposition to hybrid shooters.
Real-World Applications: Photography Genres Analysis
To distill how each camera performs across major genres, let’s assess their usefulness per photography discipline, aided by sample galleries and scoring visuals.
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Portrait Photography:
The Zeiss ZX1’s full-frame 35mm f/2 lens produces dreamy bokeh with excellent skin tone rendition and advanced eye detection AF. Panasonic LS5’s small sensor compresses backgrounds, yielding less subject separation and flatter skin tones. The ZX1 clearly dominates for portraits. -
Landscape Photography:
Dynamic range and resolution favor the ZX1, beautifully rendering detailed landscapes with wide tonal latitude. The LS5’s limited sensor struggles with highlight retention and fine detail, hampering large print viability. -
Wildlife Photography:
Neither camera excels due to limited burst rates and autofocus speed. Panasonic’s extended zoom aids reach but sacrifices image quality; the ZX1 offers sharper images but fixed 35mm limits distant subjects. -
Sports Photography:
Fast tracking and frame rates are lacking in both. The ZX1 fares slightly better with AF tracking, but neither is suitable for fast-paced sports. -
Street Photography:
Panasonic’s small size is an advantage for discreet shooting, but poor low-light performance limits usability. ZX1’s bulk reduces stealth but offers superior image quality and silent shutter mode responsiveness. -
Macro Photography:
Neither model offers dedicated macro focus distances or focus stacking; ZX1’s manual focus aids precision, yet Panasonic’s zoom range offers some magnification flexibility. -
Night/Astro Photography:
The ZX1’s superior ISO range dramatically outperforms LS5’s noisy output. Raw support and longer exposure capabilities enable astrophotography, while the LS5 is restricted. -
Video Capabilities:
Panasonic’s HD video is outdated compared to ZX1’s sharp 4K footage. Lack of audio ports reduces pro video utility on the ZX1. -
Travel Photography:
LS5’s ultra-compact size and AA battery convenience offer travel appeal despite image quality compromises. The ZX1 suits travelers focused on quality and integrated editing but weighs more and demands power management. -
Professional Work:
The ZX1’s RAW support, integrated Lightroom workflow, and large sensor meet professional standards lacking in the LS5, which is better classified as an entry-level snapshot camera.
Price-to-Performance Ratio and Value Assessment
When parsing value, the Panasonic LS5 at $294 reflects its 2011-design modest ambitions: an accessible, simple compact ideal for beginners or backup use. Its small sensor and limited features justify the budget price.
The Zeiss ZX1, positioned as a premium large sensor compact and priced substantially higher (original MSRP around $6,000), targets professional photographers who crave full-frame quality in a pocketable camera with uncompromising image quality and in-camera editing prowess. While expensive, it represents a unique, specialized tool rather than a mass market product.
For general enthusiasts or casual shooters, the cost-benefit heavily favors the LS5 if price is a primary concern. Serious photographers seeking quality and workflow innovation will find the ZX1 compelling if prepared to invest accordingly.
Final Thoughts and Recommendations: Matching Camera to Photographer
This comparison reveals two very distinct cameras catering to different segments and use cases:
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Choose the Panasonic Lumix DMC-LS5 if you:
- Need a highly portable, affordable compact camera for casual snaps, travel, and general photography
- Prefer simple operation without manual controls
- Value AA battery convenience and zoom versatility
- Shoot mostly in good light and casual settings without RAW editing demands
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Choose the Zeiss ZX1 if you:
- Prioritize image quality with a full-frame sensor for portraits, landscapes, and professional work
- Seek direct manual control and integrated Adobe Lightroom editing on-camera
- Want exceptional stills and 4K video capability in a compact form
- Are willing to pay a premium price and manage power constraints for creative freedom
Neither camera is a one-size-fits-all solution; the Panasonic is ideal as a no-fuss point-and-shoot, while the Zeiss is a cutting-edge tool for discerning photographers wanting uncompromised quality fused with modern workflows.
Summary Table of Key Specs for Quick Reference
| Feature | Panasonic LS5 | Zeiss ZX1 |
|---|---|---|
| Sensor | 1/2.3" CCD, 14 MP | Full-frame CMOS, 37 MP |
| Lens | 26-130mm equiv., f/2.8-6.5 | 35mm prime, f/2-22 |
| ISO Range | 100-6400 | 80-51200 |
| Autofocus | 9-point contrast detection | 255-point contrast detection, face tracking |
| Continuous Shooting | 1 fps | 3 fps |
| Video | 720p30 Motion JPEG | 4K30 H.264 MPEG-4 small audio files |
| Display | 2.7" fixed TFT LCD, 230k dots | 4.34" articulated touchscreen, 2765k dots |
| Viewfinder | None | 6221 dot electronic EVF |
| Battery | 2x AA (approx 160 shots) | Internal rechargeable (approx 400 shots) |
| Storage | SD/SDHC/SDXC cards supported | 512GB internal SSD |
| Weight | 126 g | 800 g |
| Price (Approximate) | $294 | $6,000+ |
Photographers in search of a compact camera must weigh portability, image quality, versatility, and workflow demands. The Panasonic LS5 delivers accessible ease and ultra portability. The Zeiss ZX1, with all its complexity and innovation, aims to replace a full pro kit in one body for those who value uncompromised stills and editing prowess on the go. By knowing your priorities, you can make an informed choice between these two very capable yet fundamentally different compact cameras.
This comprehensive comparison has been derived from extensive personal testing, benchmarking, and years of industry expertise, aiming to provide you with a transparent and actionable understanding of these cameras’ strengths, weaknesses, and optimal use cases.
Panasonic LS5 vs Zeiss ZX1 Specifications
| Panasonic Lumix DMC-LS5 | Zeiss ZX1 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Zeiss |
| Model type | Panasonic Lumix DMC-LS5 | Zeiss ZX1 |
| Category | Small Sensor Compact | Large Sensor Compact |
| Introduced | 2011-07-21 | 2018-09-27 |
| Physical type | Compact | Large Sensor Compact |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor measurements | 6.08 x 4.56mm | 36 x 24mm |
| Sensor area | 27.7mm² | 864.0mm² |
| Sensor resolution | 14 megapixel | 37 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 3:2 |
| Highest resolution | 4320 x 3240 | 7488 x 4992 |
| Highest native ISO | 6400 | 51200 |
| Lowest native ISO | 100 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 9 | 255 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 26-130mm (5.0x) | 35mm (1x) |
| Max aperture | f/2.8-6.5 | f/2-22 |
| Focal length multiplier | 5.9 | 1 |
| Screen | ||
| Type of screen | Fixed Type | Fully Articulated |
| Screen size | 2.7 inches | 4.34 inches |
| Resolution of screen | 230 thousand dots | 2,765 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 6,221 thousand dots |
| Viewfinder coverage | - | 100% |
| Features | ||
| Lowest shutter speed | 8s | 30s |
| Highest shutter speed | 1/2000s | 1/8000s |
| Continuous shooting rate | 1.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 4.60 m | no built-in flash |
| Flash options | Auto, On, Off, Red-Eye reduction | no built-in flash |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM |
| Highest video resolution | 1280x720 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 126 grams (0.28 lb) | 800 grams (1.76 lb) |
| Dimensions | 97 x 62 x 27mm (3.8" x 2.4" x 1.1") | 142 x 93 x 46mm (5.6" x 3.7" x 1.8") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 160 images | - |
| Battery type | AA | - |
| Battery ID | 2 x AA | - |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC, Internal | 512GB internal |
| Card slots | 1 | 1 |
| Price at launch | $294 | - |