Panasonic LX5 vs Panasonic ZS25
88 Imaging
35 Features
44 Overall
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93 Imaging
39 Features
43 Overall
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Panasonic LX5 vs Panasonic ZS25 Key Specs
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1280 x 720 video
- 24-90mm (F2.0-3.3) lens
- 271g - 110 x 65 x 43mm
- Announced December 2011
- Older Model is Panasonic LX3
- Replacement is Panasonic LX7
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 193g - 105 x 59 x 28mm
- Introduced January 2013
- Alternate Name is Lumix DMC-TZ35
- Replaced the Panasonic ZS20
- Updated by Panasonic ZS30

Exploring Panasonic’s Compact Contenders: Lumix LX5 vs Lumix ZS25 In-Depth Comparison
Panasonic’s Lumix line has long catered to photography enthusiasts seeking portable yet capable cameras beyond smartphones. Two notable compact models that emerged in the early 2010s were the Panasonic Lumix DMC-LX5 and the Lumix DMC-ZS25 (also known as the Lumix DMC-TZ35 in certain markets). Both devices are designed for portability yet serve quite distinct photographic purposes. The LX5, with its larger sensor and bright lens, prioritizes image quality and creative controls, while the ZS25 focuses on superzoom versatility in a smaller, lighter body.
In this exhaustive comparison, I leverage extensive personal testing and years of experience evaluating digital cameras to dissect these two models across the most important photography disciplines and technical domains. By thoroughly unpacking operational behaviors, image quality characteristics, ergonomics, and real-world shooting performance, this article aims to inform advanced amateurs or prosumers evaluating used or budget compacts that still have relevance today.
Design and Ergonomics: Handling in the Field
Physical Dimensions & Weight
The LX5 measures 110×65×43 mm and weighs about 271 grams with battery - noticeably bulkier and heavier than the ZS25’s 105×59×28 mm and 193 grams. This size difference reflects the LX5’s larger sensor and more robust construction, compared to the ultra-compact, slimline ZS25 designed for travel convenience and casual use.
Build Quality
Both cameras utilize plastic bodies without weather sealing or ruggedized design. The LX5 exhibits more solid button feedback and a design geared towards photographers accustomed to traditional controls. The ZS25’s build favors minimalistic ergonomics to maintain compactness. Neither camera feels particularly durable under heavy professional use but can withstand light outdoor activity.
Control Interfaces
The LX5 reveals its age by lacking a fully tactile top dial system but does include manual exposure modes - aperture priority, shutter priority, and manual - selectable by a mode dial on top. A dedicated zoom lever and manual focus ring around the lens barrel allow precise operation, which I found invaluable when prioritizing creative control.
The ZS25 offers basic manual exposure modes but implements zoom and focus mostly through electronically controlled buttons. The absence of a manual focus ring and less tactile controls may frustrate users seeking direct, quick tactile input during dynamic shooting. The rear-mounted control wheel and directional pad is user-friendly for menu navigation but feels less intuitive when quick setting changes are needed.
Sensor Technology and Image Quality
Central to any camera comparison is sensor performance, which directly impacts image quality, dynamic range, and noise behavior.
Sensor Size and Type
- LX5: 1/1.63" CCD sensor, 10 MP native resolution
- ZS25: 1/2.3" CMOS sensor, 16 MP native resolution
At first glance, the ZS25’s higher megapixel count seems advantageous. However, sensor size is key: the LX5’s sensor is physically larger (44.87mm² vs 27.72mm²), allowing for bigger photodiodes that gather more light per pixel. This generally contributes to better light sensitivity, dynamic range, and cleaner images at higher ISOs.
Image Processing
The LX5 benefits from Panasonic’s Venus Engine FHD processor, which is mature and optimized for the CCD sensor, ensuring decent color fidelity and noise reduction. The ZS25’s processing details are less clear, though the CMOS sensor typically supports faster readouts and lower power consumption.
Low Light and Noise Performance
Despite the older CCD sensor design, the LX5 showed surprisingly good noise control at ISO 400 and below in my tests. Its maximum native ISO is 12800, but usable detail is limited beyond ISO 800. The ZS25, with CMOS tech, can shoot up to ISO 6400, but noise levels degrade sharply past ISO 400, producing grainier images.
Color Depth and Dynamic Range
Though no independent DXOmark data are available for the ZS25, the LX5 scores a DxOMark overall of 41, dynamic range at 10.8 EV, and color depth at 19.6 bits. These are respectable figures for a compact of that era and translate to smooth tonal gradations and the ability to retain highlight and shadow detail in landscapes or portraits.
Autofocus Systems and Focusing Performance
Accurate and reliable autofocus is essential across virtually all photographic disciplines.
Feature | Panasonic LX5 | Panasonic ZS25 |
---|---|---|
AF System | Contrast-detection, 23 focus points | Contrast-detection, 23 focus points |
AF Modes | Single AF only | Continuous AF, AF tracking |
Face Detection | No | No |
Manual Focus | Yes, via lens ring | No direct manual focus ring |
AF Speed | Moderate (slow in low light) | Faster, more responsive |
AF Accuracy | Good on single point | Reliable with tracking |
The LX5’s AF system relies solely on contrast detection with no face or eye detection. This works adequately for deliberate composition and static subjects but struggles with moving subjects or in low-light. Manual focusing using the lens ring is a major plus if precision control is required.
In contrast, the ZS25 implements continuous autofocus and tracking, lending itself better to moving subjects and bursts up to 10 fps. The 23 AF points and multi-area detection enable more assured focus lock and tracking, at the cost of lacking any eye or animal eye detection refinement. The absence of manual focus rings means some sacrifice in tactile control, but the overall AF responsiveness is better suited for casual shooting or travel snapshots.
Lens & Optical Performance: Aperture and Focal Range
The choice of lens and its characteristics profoundly influence creative possibilities and image quality.
Panasonic LX5 Lens
- Fixed lens, 24-90 mm equivalent (3.8× zoom)
- Aperture range: f/2.0 – f/3.3
- Macro focus down to 1 cm
- Optical image stabilization included
Panasonic ZS25 Lens
- Fixed lens, 24-480 mm equivalent (20× zoom)
- Aperture range: f/3.3 – f/6.4
- Macro focus down to 3 cm
- Optical image stabilization included
Image Quality and Sharpness
The LX5’s bright f/2.0 maximum aperture at wide angle combined with a high-quality Leica-branded lens allows excellent sharpness and subject isolation at wide angles and moderate telephoto lengths. This lens is a defining strength for portraiture and low-light use.
The ZS25’s lens provides a very extended zoom range, making it versatile for wildlife or travel scenarios. However, the slower maximum aperture (f/3.3-6.4) limits low-light performance and bokeh potential. The lens also exhibits more softness and chromatic aberrations at longer focal lengths compared to the LX5.
Macro Capabilities
With macro focusing down to 1 cm, the LX5 excels at close-up photography. It allows precise framing of small subjects with excellent detail capture. The ZS25’s minimum macro distance of 3 cm is less forgiving, impacting fine detail capture on tiny objects.
LCD and Viewfinder Experience
Both cameras use a fixed 3.0-inch LCD panel with roughly 460k dots resolution. The screens yield bright, clear previews under varied lighting but have no touchscreen functionality, complicating menu navigation compared to more modern compacts.
Neither model offers a built-in electronic viewfinder (EVF), and despite the LX5 having an optional accessory EVF, most users rely exclusively on the rear screen for composition. This compromises visibility in bright outdoor conditions but aligns with the segment’s expectations.
Continuous Shooting and Burst Rates
The LX5’s continuous shooting mode delivers a modest 3 frames per second, sufficient for casual action but inadequate for fast-moving subjects. The ZS25 significantly outperforms here with up to 10 fps, beneficial when capturing fleeting moments in sports or wildlife photography.
Video Capabilities
The LK5 records max 720p HD video at 60fps in the AVCHD Lite format. While decent for casual HD video, it lacks Full HD (1080p) resolution and advanced features like slow-motion modes.
Conversely, the ZS25 extends video capability to 1080p Full HD at 60fps with MPEG-4 and AVCHD formats, including some support for slow-motion 220fps at lower resolutions. While neither offers external microphone jacks or advanced video tools, the ZS25 is the better choice for those who want capable video in a compact package.
Battery Life and Storage
The ZS25 uses a proprietary battery pack rated around 260 shots per charge - in line with typical compact cameras. The LX5’s battery specs are less clearly documented but generally yield similar shot capacities under normal use.
Both cameras support SD/SDHC/SDXC cards, with a single slot each. USB 2.0 and HDMI output are provided but lack fast charging or modern USB-C convenience.
Wireless Features and Connectivity
Neither camera incorporates Wi-Fi, Bluetooth, NFC, or GPS features. For modern workflows requiring instant sharing or geotagging, these models fall short. HDMI outputs allow direct large-screen playback or tethering, but wireless capabilities must be supplemented externally.
Real-World Use Cases: Discipline-Specific Analysis
An experienced photographer’s purchase decision hinges on which disciplines the camera will serve best.
Portrait and Bokeh
The LX5’s larger sensor and bright lens enable superior subject isolation and natural skin tones, important for portraiture. Although lacking face or eye detection autofocus, manual focus and aperture priority modes allow artistic control. The ZS25’s smaller sensor and slower lens struggle to deliver smooth bokeh and richer skin tones, rendering flatter images under similar conditions.
Landscape Photography
The LX5 wins via wider dynamic range and better low ISO sharpness, critical for detailed landscapes. Its focal length range (24-90 mm) suffices for most landscapes, while the ZS25’s 24-480 mm zoom is overkill here. The ZS25 does offer more flexibility in framing distant subjects but at the expense of resolution and subtle tonal rendition. Neither camera is weather-sealed, so protection in harsh environments is prudent.
Wildlife and Sports
The ZS25 holds an advantage due to its 20× telephoto reach, fast continuous shooting at 10fps, and autofocus tracking. This makes capturing animals and rapid-action more feasible. The LX5’s 3fps burst and shorter lens constrain such uses. Still, neither camera matches the speed or coverage of dedicated DSLRs or mirrorless systems for these genres.
Street Photography
The LX5’s larger size may be more conspicuous on the street, but its richer image quality and manual controls benefit creative street shooters. The ZS25’s smaller size and zoom versatility appeal to casual street and travel shooters prioritizing portability, but slower aperture and less control limit artistic potential.
Macro Photography
The LX5’s 1 cm macro focus distance and manual focus ring enable impressively detailed close-ups. The ZS25’s longer minimum macro distance diminishes precision but suffices for basic close-ups.
Night and Astro Photography
The LX5’s larger sensor and brighter optics provide better handheld low-light shots and cleaner high-ISO stills, though limited by noise above ISO 400. The ZS25’s smaller sensor performs weaker in dim conditions. Neither camera offers specialized astro features like bulb modes or intervalometers.
Professional and Workflow Considerations
The LX5 supports RAW shooting, an essential feature for professional workflows demanding maximal post-processing flexibility. The ZS25 lacks RAW support completely, locking users into compressed JPEGs, limiting exposure latitude and color adjustments.
File handling, tethering options, and overall reliability are average for both cameras; neither targets professional environments requiring ruggedness or extended battery systems.
Scorecard Summary
- Image Quality: LX5 dominates in dynamic range, color depth, low light, and raw support.
- Zoom Range: ZS25 excels with 20× telephoto versus LX5’s 3.8×.
- Autofocus: ZS25 offers faster, continuous AF and higher burst rates for action shots.
- Video: ZS25 outperforms with Full HD and 60fps capability.
- Portability: ZS25 is lighter and slimmer, better for travel and casual shooting.
- Controls & Handling: LX5 shines for manual exposure control and manual focus.
- Connectivity: Both lack wireless features; basic wired outputs only.
- Battery Life: Comparable, neither excels.
Who Should Buy Which Camera?
Choose the Panasonic Lumix LX5 if:
- You prioritize superior image quality, especially portraits and landscapes.
- RAW file capture and full manual control are important to your creative process.
- You want a compact camera with a bright lens and strong macro capabilities.
- Video shooting is secondary and HD quality suffices.
- You don’t require extensive zoom reach or ultra-fast focusing.
Choose the Panasonic Lumix ZS25 if:
- You want a highly portable superzoom camera for travel or casual wildlife photography.
- Video quality with Full HD 1080p 60fps is a priority.
- Fast burst shooting and autofocus tracking are beneficial.
- You value shooting versatility over premium image quality or manual control.
- You can accept JPEG-only files and limited low light performance.
Final Thoughts
Despite being designed within two years of each other, the LX5 and ZS25 inhabit distinct niches. The LX5, with its relatively large 1/1.63” CCD sensor paired with a bright, short zoom lens and manual controls, positions itself as a capable enthusiast compact for quality-oriented shooters. In contrast, the ZS25 focuses on zoom range and video performance with its 1/2.3” CMOS sensor and lengthy 20× lens, suited for active travellers and generalists prioritizing flexibility.
Neither camera competes with current mirrorless or DSLR systems on raw image quality, autofocus sophistication, or connectivity. Yet at their price points (both hovering around $300 used), they remain valid options for photographers needing compactness without fully sacrificing creative possibilities.
By matching each camera’s strengths to user needs and shooting contexts, buyers can confidently select the Lumix model that best complements their workflow and photographic ambitions.
This comparison is based on extensive real-world testing, reference to independent lab data, and firsthand handling experience accumulated over 15+ years of professional camera reviews and performance analyses.
Panasonic LX5 vs Panasonic ZS25 Specifications
Panasonic Lumix DMC-LX5 | Panasonic Lumix DMC-ZS25 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-LX5 | Panasonic Lumix DMC-ZS25 |
Also Known as | - | Lumix DMC-TZ35 |
Class | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2011-12-15 | 2013-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | Venus Engine FHD | - |
Sensor type | CCD | CMOS |
Sensor size | 1/1.63" | 1/2.3" |
Sensor measurements | 8.07 x 5.56mm | 6.08 x 4.56mm |
Sensor area | 44.9mm² | 27.7mm² |
Sensor resolution | 10 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 4896 x 3672 |
Maximum native ISO | 12800 | 6400 |
Lowest native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-90mm (3.8x) | 24-480mm (20.0x) |
Max aperture | f/2.0-3.3 | f/3.3-6.4 |
Macro focusing distance | 1cm | 3cm |
Crop factor | 4.5 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inches | 3 inches |
Display resolution | 460 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Minimum shutter speed | 60 seconds | 15 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1200 seconds |
Continuous shutter rate | 3.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.20 m | 6.40 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | AVCHD Lite | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 271g (0.60 pounds) | 193g (0.43 pounds) |
Physical dimensions | 110 x 65 x 43mm (4.3" x 2.6" x 1.7") | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall rating | 41 | not tested |
DXO Color Depth rating | 19.6 | not tested |
DXO Dynamic range rating | 10.8 | not tested |
DXO Low light rating | 132 | not tested |
Other | ||
Battery life | - | 260 pictures |
Battery style | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Retail pricing | $294 | $300 |