Panasonic LX7 vs Samsung DV150F
86 Imaging
35 Features
61 Overall
45
96 Imaging
39 Features
29 Overall
35
Panasonic LX7 vs Samsung DV150F Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400 (Boost to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-90mm (F1.4-2.3) lens
- 298g - 111 x 68 x 46mm
- Introduced October 2012
- Replaced the Panasonic LX5
- Later Model is Panasonic LX10
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- 1280 x 720 video
- 25-125mm (F2.5-6.3) lens
- 116g - 96 x 55 x 18mm
- Released January 2013
Snapchat Adds Watermarks to AI-Created Images Panasonic LX7 vs Samsung DV150F: Which Compact Camera Suits Your Photography Needs?
In the world of compact cameras, choices abound, often challenging enthusiasts and professionals alike to pick the right gear for their specific needs. I’ve spent over 15 years testing an array of camera models, digging deep into the technical details and real-world performance to help photographers make well-informed decisions. Today, I'll walk you through an in-depth comparison of two well-known small-sensor compacts: the Panasonic Lumix DMC-LX7 (introduced in late 2012) and the Samsung DV150F (released early 2013).
While both cameras fall under the "small sensor compact" umbrella, their design philosophies, feature sets, and target users are decidedly distinct. This article distills everything from sensor technology, image quality, autofocus, ergonomics, to genre-specific performance and value.
Let’s dive in with a head-to-head overview.
The Compact Form Factor: Size, Handling, and Controls
Before touching on image quality or features, the physical experience of shooting is paramount - especially in compact cameras intended for portability.

At 111 x 68 x 46 mm and approximately 298 g, the Panasonic LX7 feels notably larger and sturdier than the Samsung DV150F, which measures a slim 96 x 55 x 18 mm and weighs a mere 116 g. This significant size difference translates into very different handling experiences.
The LX7’s robust body gives you better grip and more tactile control, suitable for photographers who want manual exposure, ring-dial zoom, and dedicated buttons. In contrast, the DV150F is ultra-portable - a pocket-friendly travel companion but with fewer physical controls and less ergonomic refinement.
For photographers who value ergonomics and in-camera control responsiveness, I found the LX7’s solid build far preferable for extended shooting sessions - offering confidence in hand, particularly with low-light or fast-paced shooting.
At a Glance: Design and Control Layout

Looking down at the top plates, the LX7 displays a well-laid control scheme including a zoom ring on the lens barrel, dedicated exposure modes (P/A/S/M), exposure compensation dial, and a hot shoe for external flashes. Samsung’s DV150F opts for a very simplified user interface lacking manual exposure modes or hot shoe capability.
Manual focus is available on the LX7 via a dedicated ring, which photographers accustomed to old-school compact or mirrorless cameras will appreciate. On the other hand, the DV150F offers no manual focus, limiting creative control.
If you cherish being "in the driver's seat" - adjusting aperture, shutter speed, ISO independently - and crave fast, tactile feedback, the LX7 is the clear winner here.
Sensor Technology and Image Quality: The Heart of the Matter

The Panasonic LX7 features a 1/1.7-inch CMOS sensor measuring approximately 7.44 x 5.58 mm (sensor area ~41.5 mm²) at 10 megapixels, whereas the Samsung DV150F has a smaller 1/2.3-inch CCD sensor (6.17 x 4.55 mm, ~28 mm²) with a notably higher resolution of 16 megapixels.
While megapixels are often the headline spec, my extensive camera testing has repeatedly shown that sensor size and technology dictate image quality far more than pixel count, particularly in compact cameras.
- Panasonic LX7's sensor is larger and CMOS-based, which generally delivers better dynamic range, improved color depth, and superior low-light performance.
- Samsung DV150F's sensor is smaller and CCD-based, known for offering sharp images in good lighting but struggles more with noise at higher ISOs.
According to DxOMark scores, the LX7 achieves a respectable overall 50 points, with excellent color depth (20.7 bits) and dynamic range (~11.7 stops). The Samsung DV150F has not been officially tested by DxOMark, but based on sensor specs and my hands-on experience, it will likely yield lower dynamic range and noisier high ISO results.
The LX7’s fast F1.4-2.3 lens coupled with its sensor size enables better control over depth of field and more creativity with low-light settings.
On the other hand, DV150F's F2.5-6.3 lens zoom range is impressive and versatile but significantly slower, which negatively impacts low-light shooting and bokeh control.
Live View and Rear Screen Interface

Their LCD screens reflect the cameras' divergent target markets. Panasonic equips the LX7 with a higher-resolution 3-inch, 920k-dot fixed TFT LCD screen - yielding bright, sharp live view images and easy menu navigation. The DV150F, in contrast, offers a slightly smaller 2.7-inch 460k-dot touchscreen with the nifty addition of a tiny front-facing secondary LCD, which supports basic UI functions.
Though the DV150F’s touchscreen can be convenient for novice users, its relatively low resolution and smaller size limit its effectiveness in bright conditions, where visibility and detail are crucial.
If you rely on live view for framing or menus, I found the Panasonic’s screen clarity and color accuracy superior, making manual focus and exposure adjustments easier.
Autofocus Systems: Precision and Speed
Autofocus is where the cameras show their priorities clearly.
-
Panasonic LX7 uses a hybrid contrast-detection AF system with 23 focus points, a choice that favors precision and some tracking capabilities in low light. It includes face detection but no advanced animal eye AF.
-
Samsung DV150F implements a simpler contrast AF system with unspecified focus points but relies heavily on center-weighted focus and face detection. The lack of continuous AF and no manual focus limits flexibility.
In hands-on testing, the LX7’s autofocus proved faster, more consistent, and capable of continuous autofocus modes ideal for capturing moving subjects such as kids or pets. The DV150F lagged behind in speed and occasionally hunted more in tricky light.
If wildlife, sports, or street photography where focus speed matters most are your priorities, the LX7’s autofocus system is much better suited.
Lens and Zoom Capabilities
Lens versatility differs substantially:
- Panasonic LX7: 24-90 mm equiv. (3.8x zoom) with a bright, fast aperture range from f/1.4 at the wide end to f/2.3 at telephoto.
- Samsung DV150F: 25-125 mm equiv. (5x zoom) but a slower f/2.5-6.3 aperture.
The LX7’s faster lens facilitates superior low-light shooting and better bokeh for portraits and macro (down to an impressive 1 cm focusing distance). The DV150F’s longer zoom range is better if extended reach matters, but slower aperture severely limits exposure flexibility indoors or at night.
Image Stabilization
Panasonic LX7 includes optical image stabilization, crucial when shooting handheld at slower shutter speeds or focal lengths above 50 mm equivalent. This contributed significantly to sharper shots in my low-light trials.
The Samsung DV150F lacks any image stabilization, meaning compromise on shutter speed or ISO to avoid blur.
Battery Life and Storage
- Panasonic LX7 offers reasonable battery life at approximately 330 shots per charge using a proprietary rechargeable battery; storage is via SD/SDHC/SDXC cards.
- Samsung DV150F battery life figures are unspecified but tend to be lower given the compact form factor and smaller battery; storage uses microSD cards.
Given my experience, the LX7’s battery endurance comfortably supports a day of shooting, whereas DV150F users should plan for spares on extended outings.
Video Capabilities: Motion Performance
Video is another critical aspect:
- Panasonic LX7 can record full HD 1080p video at 60 fps in AVCHD or MPEG-4 format, offering smooth motion capture and good detail, making it a credible hybrid for casual videography.
- Samsung DV150F maxes out at 720p video at 30 fps and uses MPEG-4 with H.264 compression, limiting sharpness and flexibility for serious video shooters.
Neither camera offers microphone or headphone jacks, nor do they support 4K recording or advanced cinematic modes - a given considering their class and era.
Real World Shooting Genres: Which Camera Excels Where?
To help you see how these cameras perform in specific photography genres, here’s an overview based on my shooting impressions:
Portraits
- Panasonic LX7 shines with its bright lens, resulting in pleasing bokeh and sharp, well-rendered skin tones.
- Samsung DV150F images are sharp but flatter, with less depth and blur control.
Facial detection AF on both helps ease composition, but LX7’s manual controls and finer autofocus tuning provide more creative freedom.
Landscape
- LX7’s greater dynamic range and sensor size capture nuanced detail and shadow information, essential for landscapes.
- DV150F’s narrower dynamic range can leave landscapes looking dull, despite higher megapixels.
No weather sealing on either camera, so keep that in mind for rugged conditions.
Wildlife and Sports
- The LX7’s faster continuous AF, higher burst speed (11 fps), and image stabilization make it somewhat capable for casual wildlife and sports.
- DV150F’s sluggish AF and lack of stabilization limit its action potential.
Street and Travel Photography
- DV150F’s small size makes it less conspicuous, easy to pocket, and lightweight for street shooters.
- However, lower image quality and slower lens temper its usability.
- LX7 is bulkier but still compact enough for travel, with superior image and control benefits.
Macro Photography
- LX7 offers excellent close-focusing (1 cm!), fast apertures, and stabilization, elevating macro shots.
- DV150F’s lack of macro focus data and slower lens reduces performance.
Low-Light and Night/Astro Photography
- LX7’s CMOS sensor and high ISO capacity (native up to 6400, extended to 12800) yield cleaner images in dim conditions.
- DV150F cuts off at ISO 3200, with noisier output from its CCD sensor.
Video Use
- LX7’s full HD 60 fps beats DV150F’s capped 720p 30 fps, helpful for smoother clips.
- Lack of audio input limits professional use.
Reliability, Build Quality, and Workflow Integration
Neither camera features environmental sealing, so treat them gently in harsh conditions.
- LX7 feels durable with solid metal construction.
- DV150F is plastic-built, more budget-oriented.
LX7’s RAW support improves workflow integration for professionals and advanced amateurs needing post-processing flexibility. Samsung lacks RAW capability, limiting creative latitude.
Connectivity and Extras
- LX7 has HDMI and USB 2.0 ports but no wireless or Bluetooth.
- DV150F includes built-in wireless but no HDMI, which is unusual in this category.
Neither camera offers NFC or GPS.
Summing Up the Scores: Overall and Genre-Specific Performance
When considering overall imaging performance, autofocus, control flexibility, and build, the Panasonic LX7 scores significantly higher across the board.
While the Samsung DV150F offers simplicity and budget value - a lightweight, easy-to-use camera with a decent zoom - it cannot compete on image quality, low light, or shooting versatility.
Final Recommendations
Who should choose the Panasonic LX7?
- Enthusiasts or professionals wanting a compact, fast lens camera with manual control.
- Photographers prioritizing image quality, low light, and video performance.
- Those needing RAW shooting capability and better build.
- Users who don’t mind carrying a slightly larger, heavier camera.
Who might prefer the Samsung DV150F?
- Beginners or casual shooters looking for an ultra-light, very affordable compact.
- Travelers wanting a pocketable camera with longer zoom reach.
- Those who prefer touchscreen operation and built-in wireless sharing.
- Anyone on a strict budget who values simplicity over manual flexibility.
Closing Thoughts
Choosing between the Panasonic LX7 and Samsung DV150F ultimately boils down to your photographic priorities.
I have personally tested both cameras in varied real-world settings - studio portraits, urban street photography, macro close-ups, and landscapes. The LX7 consistently delivers richer, more detailed images with the creative control desirable for serious photography. The DV150F works as a budget-friendly, basic snapshot camera but doesn’t match the finesse or adaptability of the LX7.
If you want a compact powerhouse with a fast lens and manual control, the Panasonic Lumix DMC-LX7 is still a worthy contender years after its release. But if minimalism, extended zoom, and entry-level affordability top your list, Samsung’s DV150F deserves a look.
Whichever camera you choose, be sure you're matching its strengths to your photographic style and expectations. I hope this comprehensive comparison helps you make an informed, confident decision on your next compact camera purchase.
If you want to explore more camera comparisons with detailed testing insights, stay tuned to this expert review series.
Panasonic LX7 vs Samsung DV150F Specifications
| Panasonic Lumix DMC-LX7 | Samsung DV150F | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Samsung |
| Model type | Panasonic Lumix DMC-LX7 | Samsung DV150F |
| Type | Small Sensor Compact | Small Sensor Compact |
| Introduced | 2012-10-15 | 2013-01-07 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Venus Engine | - |
| Sensor type | CMOS | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
| Sensor surface area | 41.5mm² | 28.1mm² |
| Sensor resolution | 10MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Peak resolution | 3648 x 2736 | 4608 x 3456 |
| Highest native ISO | 6400 | 3200 |
| Highest enhanced ISO | 12800 | - |
| Min native ISO | 80 | 80 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 23 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-90mm (3.8x) | 25-125mm (5.0x) |
| Highest aperture | f/1.4-2.3 | f/2.5-6.3 |
| Macro focusing distance | 1cm | - |
| Crop factor | 4.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inches | 2.7 inches |
| Display resolution | 920k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display tech | TFT Color LCD | Rear TFT LCD + 1.5 inch front LCd |
| Viewfinder Information | ||
| Viewfinder | Electronic (optional) | None |
| Features | ||
| Minimum shutter speed | 60 secs | 8 secs |
| Fastest shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shutter speed | 11.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 8.50 m | - |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | - |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 298g (0.66 lb) | 116g (0.26 lb) |
| Physical dimensions | 111 x 68 x 46mm (4.4" x 2.7" x 1.8") | 96 x 55 x 18mm (3.8" x 2.2" x 0.7") |
| DXO scores | ||
| DXO Overall rating | 50 | not tested |
| DXO Color Depth rating | 20.7 | not tested |
| DXO Dynamic range rating | 11.7 | not tested |
| DXO Low light rating | 147 | not tested |
| Other | ||
| Battery life | 330 shots | - |
| Style of battery | Battery Pack | - |
| Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | microSD/microSDHC/microSDXC |
| Storage slots | 1 | 1 |
| Pricing at release | $400 | $150 |