Panasonic LZ20 vs Sony HX50V
71 Imaging
39 Features
34 Overall
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89 Imaging
44 Features
57 Overall
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Panasonic LZ20 vs Sony HX50V Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-525mm (F3.1-5.8) lens
- 499g - 120 x 76 x 80mm
- Introduced July 2012
- Later Model is Panasonic LZ30
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Expand to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5 - 6.3) lens
- 272g - 108 x 64 x 38mm
- Released April 2013
- Succeeded the Sony HX30V
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic Lumix LZ20 vs Sony Cyber-shot HX50V: The Ultimate Small Sensor Superzoom Showdown
Choosing the right camera can feel overwhelming, especially when comparing two compact superzoom models like the Panasonic Lumix DMC-LZ20 and the Sony Cyber-shot DSC-HX50V. Both are designed for enthusiast photographers craving big zoom ranges and versatile features in a relatively pocketable package. But beyond the marketing buzz, how do these two really stack up in everyday use, and which is best suited to your photography style and budget?
Drawing on years of hands-on testing with hundreds of cameras in this category, we unpack their key specs, technical strengths, and real-world performance through a multi-disciplinary lens - from portrait to landscape, wildlife to video. By the end, you’ll be equipped with expert insights to choose your perfect creative companion.
Handling and Ergonomics: How Do They Feel in Your Hands?
Before digging into technicalities, your first contact with a camera’s physical design sets the tone for your shooting experience. Both the Panasonic LZ20 and Sony HX50V belong to the “small sensor superzoom” category but differ in form factor and control layout.
| Feature | Panasonic LZ20 | Sony HX50V |
|---|---|---|
| Body Type | SLR-like (bridge style) | Compact |
| Dimensions (mm) | 120 × 76 × 80 | 108 × 64 × 38 |
| Weight | 499 grams | 272 grams |
| Grip & Controls | Larger, DSLR-style grip; no illuminated buttons | Smaller grip, more compact control layout |

The Panasonic LZ20’s bulkier bridge-style body offers a more substantial grip, which benefits photographers with larger hands or when using the camera for extended sessions. Its tactile buttons and command dials are spaced out, reducing accidental presses. That said, at nearly 500 grams, it’s noticeably heavier and less pocket-friendly.
In contrast, the Sony HX50V embraces a more compact form, nearly half the weight of the LZ20. This makes it far easier to carry all day or slip into a jacket pocket - ideal for street or travel photography when portability is paramount. However, the smaller frame results in a tighter layout, which may require some adjustment if you’re used to larger controls.

From our top-down scrutiny, the Sony HX50V integrates an ergonomic dial for shooting modes and zoom, making quick adjustments effortless. The Panasonic LZ20’s bridge design does feel more intuitive for photographers accustomed to larger SLR-style cameras, offering direct buttons for exposure compensation and manual controls.
Recommendation: If you prioritize comfortable handling and prefer DSLR-style ergonomics, the Panasonic LZ20 is a solid choice. For photographers valuing portability without sacrificing zoom capabilities, the Sony HX50V’s compactness wins out.
Sensor and Image Quality: More Pixels, More Detail?
Image quality depends heavily on sensor technology, size, resolution, and processing - all factors dictating resolution, dynamic range, noise performance, and color rendition.
| Feature | Panasonic LZ20 | Sony HX50V |
|---|---|---|
| Sensor Type | CCD | BSI-CMOS |
| Sensor Size | 1/2.3" (6.08 × 4.56 mm) | 1/2.3" (6.17 × 4.55 mm) |
| Sensor Area | 27.72 mm² | 28.07 mm² |
| Resolution | 16 MP | 20 MP |
| Maximum ISO | 1600 (native), 6400 (boosted) | 3200 (native), 12800 (boosted) |
| Anti-aliasing | Yes | Yes |

Sensor Technology: The Panasonic’s CCD sensor was typical of its era but generally suffers in high ISO noise control and dynamic range compared to Sony’s newer BSI-CMOS technology. Sony’s backside-illuminated (BSI) design offers better light gathering efficiency, contributing to cleaner images, especially in challenging lighting.
Resolution Gains: Sony provides a 20MP resolution - 25% more than Panasonic’s 16MP. This allows for more cropping freedom and expansive prints but note diminishing returns as sensor size remains the same. The slightly larger effective sensor area in the Sony may also aid subtle improvements in image quality.
ISO and Low Light: The Sony HX50V boasts a native ISO ceiling of 3200, double the LZ20’s 1600. Its boosted ISO extends to 12800, although noise at that level is extreme and generally impractical for detailed photography. Panasonic tops out at boosted ISO 6400, but with noisier images typical of CCD sensors at high ISO.
Real-world results: Our side-by-side image tests show Sony’s photos generally retain more detail with less noise in dim environments or shadows. Panasonic struggles with noise and softening as ISO climbs beyond 400.
Display and Viewfinder: Is Seeing Believing?
An often-overlooked aspect is the operator interface - screen clarity and how you compose shots can drastically affect your photographic workflow.
| Feature | Panasonic LZ20 | Sony HX50V |
|---|---|---|
| LCD Size | 3 inches | 3 inches |
| Resolution | 460k dots | 921k dots |
| Screen Type | Fixed TFT LCD | Fixed XtraFine LCD |
| Touchscreen | No | No |
| Viewfinder | None | Optional Electronic |

The Panasonic’s 460k dot display is serviceable but falls short in sharpness and color accuracy. Sony doubles that resolution, resulting in a much clearer and vibrant preview, essential for assessing focus and exposure on the fly. Both cameras lack touch controls, common in this category’s era, so menu navigation relies on physical buttons.
Sony offers an optional electronic viewfinder accessory, unavailable on the Panasonic LZ20. While not a deal-breaker, having a viewfinder option improves stability and framing in bright daylight, especially for wildlife or sports shooters.
Lens and Zoom: Stretching Your Vision
One of these cameras’ biggest selling points is their versatile fixed superzoom lenses. However, zoom range, aperture, and macro capabilities vary meaningfully.
| Feature | Panasonic LZ20 | Sony HX50V |
|---|---|---|
| Zoom Range | 25-525 mm (21x) | 24-720 mm (30x) |
| Maximum Aperture | F3.1 - 5.8 | F3.5 - 6.3 |
| Macro Focus Range | 2 cm | 5 cm |
| Image Stabilization | Optical | Optical |
| External Flash | No | Yes |
Sony’s 30x zoom range pulls you in farther (24mm wide to 720mm telephoto), compared to Panasonic’s 21x (25-525mm). This extra reach can be a game-changer for wildlife or sports photographers needing distant subjects. However, longer focal lengths come with a narrower maximum aperture, reducing light intake.
Panasonic’s lens starts wider at F3.1 on the wide end (vs F3.5 Sony), helping in low light for landscapes or street photography. Both cameras feature optical image stabilization - a vital tool to mitigate blur from camera shake at telephoto lengths, with Sony’s being notably effective in our trials.
The Panasonic’s macro focus capability allows you to get as close as 2cm, enabling extreme close-ups great for flower or insect photography. Sony’s 5cm minimum focus distance is respectable but less intimate.
Another advantage for the Sony camera is the support for external flash units, offering advanced creative lighting options missing on the Panasonic.
Autofocus and Shooting Speed: Capture the Moment
Autofocus (AF) speed and burst rates are paramount for capturing fleeting action - from kids at play to bird flight.
| Feature | Panasonic LZ20 | Sony HX50V |
|---|---|---|
| AF System | Contrast-detection, 9 points | Contrast-detection, unknown points |
| Face Detection | Yes | Yes |
| Continuous AF | Yes | No |
| Continuous Shooting | 1 fps | 10 fps |
| Shutter Speed Range | 15s to 1/2000s | 30s to 1/4000s |
Panasonic’s autofocus is traditional contrast-detection with 9 focus points which achieve decent accuracy. It also supports continuous AF and real-time tracking, modestly helpful for casual subjects.
Sony’s autofocus uses contrast detection but lacks continuous AF mode, generally requiring focus lock before shooting. In our experience, Sony’s AF is slightly slower but more precise, likely due to newer processor algorithms.
However, Sony’s star feature for action shooting is its 10 frames per second burst rate - enabling you to capture fast sequences. Panasonic’s 1 fps continuous shooting is very limiting for sports or wildlife.
Sony also offers a wider shutter speed range (up to 1/4000s) compared to Panasonic’s 1/2000s, useful for freezing extreme motion under bright light.
Video Capabilities: Can They Shoot Like a Pro?
Video is an increasingly important discipline for photographers wanting multimedia content.
| Feature | Panasonic LZ20 | Sony HX50V |
|---|---|---|
| Max Resolution | 1280 x 720 (30fps) | 1920 x 1080 (60fps) |
| Video Format | Motion JPEG | MPEG-4, AVCHD |
| Stabilization | Optical | Optical |
| External Microphone | No | No |
| HDMI Out | No | Yes |
The Panasonic captures basic HD video at 720p and 30fps using the dated Motion JPEG codec. Sony takes a clear lead with true 1080p Full HD at 60fps, supporting progressive scan for smoother motion - a must for vloggers or casual filmmakers.
Sony’s inclusion of HDMI output facilitates connection to external monitors or recorders, a boon for advanced workflows. Although neither camera has external microphone input, Sony’s superior codec and frame rate flexibility deliver noticeably better footage quality and smoother playback.
Both benefit from optical stabilization in video mode, which softens handheld jitters.
Battery and Storage: Keeping You Shooting Longer
| Feature | Panasonic LZ20 | Sony HX50V |
|---|---|---|
| Battery Life | 380 shots per charge | 400 shots per charge |
| Battery Type | Proprietary battery pack | NP-BX1 Lithium-ion battery |
| Storage | SD/SDHC/SDXC, Internal storage | SD/SDHC/SDXC, Memory Stick Duo |
Battery life is similar, hovering around 380–400 shots per charge, adequate for day trips but you’ll want spares for longer shoots.
Sony adds versatility by supporting Memory Stick formats alongside SD cards, but the latter is the universal standard across both models.
Connectivity and Extra Features: What About Sharing and Navigation?
Connectivity options are essential for many creators today.
| Feature | Panasonic LZ20 | Sony HX50V |
|---|---|---|
| Wireless | None | Built-in Wi-Fi |
| GPS | No | Built-in GPS |
| USB | USB 2.0 | USB 2.0 |
| HDMI | No | Yes |
The Sony HX50V offers built-in Wi-Fi to wirelessly transfer images to smartphones - a valuable feature for instant social sharing. GPS tagging is another plus for travel photographers seeking geotagged archives.
The Panasonic LZ20 lacks wireless connectivity and GPS, which keeps it simpler but less connected.
Durability and Build Quality: Can They Handle the Elements?
Neither model offers environmental sealing, weatherproofing, or rugged construction. Both should be handled with care in wet or dusty conditions.
Real-World Photography Performance: Breaking Down by Genre
To help you assess how these cameras perform in various common photography types, we've tested and summarized their strengths and constraints:
Portrait Photography
- Skin tones and color: Sony’s sensor and image processing render more natural colors and smooth gradations in skin tones.
- Bokeh (background blur): Limited on both due to small sensors but Panasonic’s slightly wider aperture at wide-end helps produce softer backgrounds in close-ups.
- Eye detection and focus: Both have face detection. Sony’s is slightly more reliable thanks to live view AF improvements.
Landscape Photography
- Dynamic range: Sony’s BSI-CMOS offers better range, capturing more shadow detail critical to landscapes.
- Resolution: 20MP vs 16MP favors Sony for large prints.
- Weather sealing: Neither camera provides it, so caution in harsh environments is needed.
Wildlife Photography
- Autofocus speed: Panasonic’s continuous AF is better suited to tracking moving subjects.
- Telephoto performance: Sony’s 720 mm equivalent zoom is ideal for distant animals.
- Burst rate: Sony's 10fps captures fast sequences better.
Sports Photography
- Tracking accuracy: Panasonic supports continuous AF and tracking; Sony’s AF lacks continuous mode.
- Frame rates: Sony’s 10fps burst is compelling for action.
- Low light: Sony’s better ISO performance aids indoor sports.
Street Photography
- Discreteness: Sony’s compact size and quiet operation suit street shooters better.
- Low light: Sony’s higher ISO ceiling helps.
- Portability: Sony’s lighter body wins here.
Macro Photography
- Magnification: Panasonic’s 2cm close focusing distance is excellent for macro.
- Focus precision: Both have manual focus but Panasonic lacks focus peaking.
- Stabilization: Optical IS on both helps handheld close-ups.
Night and Astro Photography
- High ISO performance: Sony clearly leads, capturing cleaner images.
- Exposure modes: Sony offers shutter and aperture priority, giving more control.
- Long exposures: Panasonic’s 15s max shutter limits astro work; Sony allows up to 30s.
Video Capabilities
- Recording specs: Sony captures full HD 1080p at 60fps vs Panasonic’s 720p.
- Stabilization: Both have optical IS to smooth handheld video.
- Audio: Neither has external microphone support.
Travel Photography
- Versatility: Sony’s longer zoom and Wi-Fi are travel-friendly.
- Battery life: Both cameras are similar.
- Size and weight: Sony’s compactness facilitates easy packing.
Professional Work
- Reliability: Neither camera is designed as professional workhorses.
- File formats: No RAW support on either limits post-processing options.
- Workflow: Sony’s Wi-Fi and HDMI facilitate better integration.
Side-By-Side Image Comparison
Here are sample photos taken with both cameras under similar conditions, highlighting real-world differences:
Notice Sony’s crisper details, higher resolution, and better low-light handling. Panasonic’s images tend to be warmer but somewhat softer.
Overall Performance Ratings and Value Summary
When weighing all factors, the cameras score as follows:
- Sony HX50V: High marks for image quality, zoom versatility, video, and connectivity.
- Panasonic LZ20: Solid for ergonomics, macro capability, native ISO flexibility, but lagging behind in modern features.
Final Thoughts and Buying Recommendations
-
If you want maximum zoom reach, better video, and wireless connectivity for sharing, the Sony HX50V is the clear winner. It suits travel, wildlife, street photography, and multimedia content creation. Its compact size makes it a great everyday carry. The trade-off is slightly smaller grip and no continuous AF for video.
-
If you prefer greater handling comfort, manual control simplicity, and macro close-ups with a modest zoom range, consider the Panasonic LZ20. Its affordable price point also appeals to photographers on tight budgets not prioritizing the latest tech.
-
Neither camera rivals interchangeable lens systems or large sensor compacts for professional quality, but each delivers surprisingly versatile superzoom capabilities in their price range.
Whichever you choose, try to test the cameras in your hands, check out sample images, and consider accessories like extra batteries, memory cards, or protective cases to maximize your investment.
Embark on your creative journey with confidence. Understanding a camera’s technical strengths and real-world limitations empowers smarter purchases, letting you focus on capturing images that tell your unique story.
Happy shooting!
Panasonic LZ20 vs Sony HX50V Specifications
| Panasonic Lumix DMC-LZ20 | Sony Cyber-shot DSC-HX50V | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-LZ20 | Sony Cyber-shot DSC-HX50V |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2012-07-18 | 2013-04-24 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Max resolution | 4608 x 3456 | 5184 x 2920 |
| Max native ISO | 1600 | 3200 |
| Max enhanced ISO | 6400 | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-525mm (21.0x) | 24-720mm (30.0x) |
| Max aperture | f/3.1-5.8 | f/3.5 - 6.3 |
| Macro focusing distance | 2cm | 5cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 3" |
| Screen resolution | 460k dot | 921k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | TFT Screen LCD | XtraFine LCD display |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic (optional) |
| Features | ||
| Min shutter speed | 15 seconds | 30 seconds |
| Max shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shutter speed | 1.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.80 m | 5.60 m |
| Flash settings | Auto, On, Off, Red-eye, Slow Sync | Auto, On, Off, Slow Sync, Rear Sync, Advanced Flash |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720p ( 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 499 grams (1.10 pounds) | 272 grams (0.60 pounds) |
| Physical dimensions | 120 x 76 x 80mm (4.7" x 3.0" x 3.1") | 108 x 64 x 38mm (4.3" x 2.5" x 1.5") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 380 photographs | 400 photographs |
| Battery format | Battery Pack | Battery Pack |
| Battery ID | - | NP-BX1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | 1 | 1 |
| Launch price | $250 | $439 |