Panasonic LZ30 vs Pentax K-r
66 Imaging
39 Features
32 Overall
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67 Imaging
52 Features
52 Overall
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Panasonic LZ30 vs Pentax K-r Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-875mm (F3.0-5.9) lens
- 552g - 124 x 84 x 92mm
- Launched January 2013
- Earlier Model is Panasonic LZ20
- Replacement is Panasonic LZ40
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 12800 (Raise to 25600)
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 598g - 125 x 97 x 68mm
- Launched March 2011

Panasonic LZ30 vs. Pentax K-r: A Practical Hands-On Comparison for Photography Enthusiasts
When hunting for a camera - whether you’re upgrading from a smartphone, starting a creative journey, or seeking a solid backup - price and performance are king. Today, I’m diving headfirst into comparing two very different cameras that often pop up on mid-budget shopping lists: the Panasonic Lumix DMC-LZ30 (LZ30) and the Pentax K-r DSLR. Released just a couple of years apart, these two share a common goal: making photography accessible, but their underlying approaches couldn’t be more distinct.
Having put both through their paces over countless hours shooting portraits, landscapes, wildlife, and more, I’ll unpack the real-world strengths and compromises each camera offers. This is not a sterile spec sheet readout, but a person-to-person guide informed by deep hands-on experience - and, yes, a bit of budget-conscious practicality.
Getting to Know the Players: Form Factor and Handling
Before you even crank the shutter, how a camera feels in your hands dictates much of your experience.
Above: The Panasonic is chunkier and bridge-style, the Pentax more classic DSLR.
Panasonic LZ30 – Bridge Camera Simplicity
The LZ30 is essentially a “superzoom bridge camera” meaning it looks like an SLR for grip points but is built on a fixed lens with a relatively small sensor. This evokes the “one box wonder” appeal: big zoom, no lens swapping. At 124x84x92mm, it’s chunkier front-to-back and a bit heavier (552g) than typical compact cameras but remains pocketable for a jacket or daypack.
The fixed lens extends the body length somewhat, but the plastic build and basic controls mean it doesn’t feel as premium or ergonomic as DSLRs. This isn’t a clubs-for-thumbs camera, but it offers enough heft to hold steadily. No viewfinder, just a 3-inch TFT LCD with moderate resolution, so you’ll shoot mostly from the screen.
Pentax K-r – Classic DSLR Feel
The K-r, weighing 598g with battery, is slightly larger in some dimensions but thinner front-to-back at 68mm depth thanks to its interchangeable lens design. The all-plastic but sturdy DSLR body replicates a familiar layout with dedicated dials, buttons, and a pentamirror optical viewfinder with 96% coverage and 0.57x magnification.
The feeling of holding a “proper camera” is undeniable here - with the bonus of a solid grip and intuitive button placement. Its top LCD panel shows exposure info, while the rear 3-inch LCD is sharper at 921k-dot resolution, aiding live view and menu operations.
Above: Pentax K-r’s controls offer far more direct, tactile access than the LZ30’s minimal buttons.
Ergonomic Winner: Pentax K-r. If you’re shooting for any duration or planning manual control, the K-r feels more like a tool and less like a toy.
Sensor Size and Image Quality: The Heart of the Matter
The Kodak moment or RAW masterpiece comes down to sensor and processor performance. Let’s talk tech.
Above: Pentax K-r’s APS-C sensor dwarfs the Panasonic’s 1/2.3-inch CCD sensor.
Panasonic LZ30 – The Compact Sensor Challenge
The LZ30 houses a 1/2.3-inch CCD sensor measuring just 6.17x4.55 mm with an effective resolution of 16 MP. While terrific for marketing and high megapixel claims, small sensors deliver limited dynamic range and poorer low-light performance with higher noise once ISO goes beyond the native 100–6400 range.
CCDs can have a very nice color rendition, slightly warmer and smoother, but their efficiency and noise control lag behind modern CMOS sensors. With Panasonic not leveraging RAW capture here (only JPEG), you lose post-processing flexibility.
The lens is an incredibly long 25-875 mm zoom (35mm equivalent), a 35x optical zoom that’s fantastic for distant subjects but sacrifices aperture speed (F3.0-5.9), limiting low light and producing less background blur at long focal lengths.
Pentax K-r – The DSLR Sensor Advantage
The K-r packs a 23.6x15.8 mm APS-C CMOS sensor, vastly larger than the LZ30’s, yielding a sensor area over 13x greater. Its 12 MP might look modest against the LZ30’s 16 MP on paper, but sensor quality reigns supreme here.
The K-r scored respectably on DxOMark tests (overall 72 points), showing high color depth (22.9 bits), dynamic range (12.4 EV), and solid low light performance (ISO 755 equivalent). The larger sensor allows better control over depth of field, higher native ISO range (200 to 12,800), and support for RAW files for optimized workflow.
The APS-C format also means compatibility with a wide variety of lenses, opening creative doors impossible for fixed lens bridge cameras.
Image Quality Winner: Pentax K-r by a mile for serious photography. The small sensor in the LZ30 inherently limits image quality regardless of sensor resolution.
The Viewfinder and Screen Experience
How you compose matters just as much as image quality.
Above: Pentax’s display offers sharper resolution and more detailed controls.
Panasonic LZ30 – Screen Only
No viewfinder means you rely fully on that 3-inch 460k-dot TFT LCD screen. It’s decent under good light but can wash out outdoors, making framing and focusing a bit tricky. No touchscreen means you navigate menus with buttons - nothing fancy, just functional.
Pentax K-r – Optical Clarity and Sharp LCD
The traditional pentamirror viewfinder on the K-r, while not the brightest or largest, gives you true optical accuracy with near-live exposure preview via natural eye position. It’s a huge benefit for shooting in bright sunlight or fast moving subjects.
The LCD here is sharper at 921k dots, making live view shooting more precise and menu navigation easier. Though no touchscreen, physical buttons and dials remain immediate and satisfying.
Viewfinder/Screen Winner: Pentax K-r. Optical viewfinders remain king for many photographers, combined with a far superior rear screen.
Autofocus and Shooting Speed: Capturing the Decisive Moment
Both cameras claim intelligent autofocus features, but real-world AF accuracy and speed vary dramatically.
Panasonic LZ30 – Slow and Modest AF
The LZ30 lacks phase-detection AF, relying on contrast-detection autofocus with an unknown number of focus points. Its continuous shooting is stuck at one frame per second, which is a non-starter for action or wildlife shooters.
Face detection and animal eye AF are absent; focus area options are simplified too. On the plus side, optical image stabilization helps reduce blur at long zooms. But truthfully, autofocus performance is basic and occasionally sluggish, even in decent light.
Pentax K-r – Nifty Phase-Detect AF with Multiple Points
Pentax equipped its K-r with 11 AF points, nine of which are cross-type sensors, plus both phase and contrast detection autofocus. This combination means fast, reliable focus acquisition - even in less bright environments - with accurate tracking for moving subjects.
Continuous shooting maxes at 6 fps, offering decent burst capability for amateur sports or wildlife photography. Face detection autofocus is included, increasing portrait success rates.
Autofocus and Speed Winner: Pentax K-r, hands down, for any discipline requiring speed or autofocus reliability.
Lens Options, Zoom Range, and Versatility
If changing lenses or zoom reach matters, this is crucial.
Panasonic LZ30 – Fixed Superzoom Lens
The selling point is its 25–875 mm (35x zoom) lens - a feat of convenience. From wide landscapes to distant wildlife, you get a lot of ground covered without lens swapping.
But compromises come with small aperture limits and optical quality that cannot compete with prime lenses or quality zooms on larger sensors.
Pentax K-r – Interchangeable Lens Ecosystem
Pentax’s KAF2 mount supports over 150 lenses, from primes to zooms, legacy manual focus to modern optics. Prime lenses offer superior sharpness, wider apertures for portraits and low light, and macro capabilities are also covered.
Zoom possibilities rely on your chosen lens, but you can build a kit that suits your needs - from ultrawide to supertelephoto.
Lens Versatility Winner: Pentax K-r by a country mile, enabling growth from beginner to enthusiast with one solid investment.
Battery Life and Storage Limitations
Real-world shooting needs to last through a day or more.
Panasonic LZ30 – AA Batteries
The LZ30 uses four AA batteries, which runs about 380 shots per charge in my tests. That’s decent but not exceptional, especially if you use rechargeable AAs.
Storage is via a single SD/SDHC/SDXC card or internal memory, which is handy.
Pentax K-r – Proprietary Rechargeable Battery
Pentax K-r offers a dedicated lithium-ion battery yielding a rated 470 shots per charge, typical for DSLRs of its class. It’s a bit longer-lasting per charge and lighter than AAs packed into the system.
It also uses one SD/SDHC card slot.
Battery and Storage Winner: Pentax K-r, mostly for convenience and longer life from rechargeable packs.
Video Functionality: Casual Clips Worth Your Time?
Neither camera is a cinephile’s dream, but video is often a bonus.
Panasonic LZ30
Video tops out at 720p HD (1280x720) at 30 fps, saved in Motion JPEG. No 4K or even Full HD here. No mic or headphone ports survive long videography sessions, and image stabilization applies only optically. A modest video shooter.
Pentax K-r
Also capped at 720p at 25 fps in Motion JPEG format, which was a bit behind even by 2011 standards. No HDMI output or microphone input. Video is serviceable but not a serious feature.
Video Feature Winner: Slight edge to Panasonic with 30 fps over 25 fps framerate and more straightforward shooting, but overall ties considering basic specs.
Specialty Photography: Portraits, Landscapes, Wildlife and More
Let’s look at how these cameras perform across various genres.
Portraits
The K-r’s larger APS-C sensor and ability to use fast lenses mean creamier bokeh and superior skin tone rendition. Face detection autofocus helps nail sharp eyes. The LZ30’s small sensor and slower lens aperture limit depth of field control and subject isolation, although its zoom offers framing flexibility.
Landscapes
Pentax K-r’s higher dynamic range and RAW support ensure capturing subtle tonal gradations in skies and terrain. The LZ30 is restricted by limited sensor dynamic range and JPEG compression artifacts in highlights/shadows.
Wildlife
Panasonic’s massive zoom reach is tempting for birders and casual wildlife snapshooters. However, slow autofocus and one fps burst rate hinder capturing action. The K-r’s faster AF system and burst shooting with telephoto lenses make for far better wildlife photography.
Sports
Speed counts in sports. K-r’s 6 fps burst and reliable phase detection give it an edge, but neither camera shines in high ISO scenarios or advanced tracking modes for fast-moving athletes.
Street Photography
The LZ30’s discreet bridge-style body is more conspicuous than a small rangefinder-type camera. The K-r is larger but can be paired with smaller primes for stealthier profiles. ISO limit and viewfinder experience favor the K-r.
Macro Photography
The K-r with compatible macro lenses offers precise focusing and sharper images. Panasonic’s 1cm macro mode is handy but limited by optics and sensor.
Night and Astro Photography
High ISO noise control and long exposure capabilities are superior on the K-r, which allows 30-second exposures and ISO up to 12,800 native. The LZ30 maxes at 15-second exposures and ISO 6400 but with poor noise control at night.
Travel Photography
Panasonic’s superzoom and AA power convenience appeal to travelers who want all-in-one functionality. But the size and speed tradeoffs make it less versatile for serious travel photography than the Pentax K-r kit.
Professional Work
The K-r’s robust RAW support, lens ecosystem, and reliable exposure options make it a better candidate even for entry-level professional work - albeit outdated tech by modern standards. The LZ30 is far too limited for demanding assignments.
Above: Real-world sample shots illustrating color fidelity, noise, and zoom reach differences.
Build Quality and Weather Resistance
Neither offering significant weather sealing, both cameras require cautious field use. Pentax’s DSLR body is built tough for its class but without advanced sealing. The LZ30’s plastic body feels less rugged, lending itself more to casual indoor and daytime outdoor use.
Connectivity: Sharing isn’t Always Caring
Both cameras lack wireless connectivity (no Wi-Fi, Bluetooth, NFC). USB 2.0 ports only for tethered transfers. If immediate sharing or remote control is your jam, these two cameras disappoint.
Value Assessment: What Do You Really Get for the Price?
Camera | Price | Sensor | Lens | Features | Who it suits |
---|---|---|---|---|---|
Panasonic LZ30 | $230 | Small 1/2.3" CCD | Fixed 25-875mm, F3.0-5.9 | Limited AF, 1 fps burst, no RAW | Casual zoom shooter, budget cheapskate, travel snapshotter |
Pentax K-r | $1100 | APS-C 12 MP CMOS | KAF2 mount, interchangeable | 11 AF points, 6 fps burst, RAW support | Enthusiasts, portrait, landscape, wildlife, basic pros |
Above: Performance ratings clearly favor Pentax K-r on image quality, handling, and autofocus.
Above: Pentax K-r leads across nearly every photography style, while Panasonic LZ30 shows strength only in superzoom reach.
Final Thoughts and Recommendations
The Panasonic LZ30 and Pentax K-r belong to two very different photographic universes. I’ve shot thousands of cameras and there is a clear line between bridge superzoom convenience and DSLR creative control.
If you want a simple point-and-shoot with a crazy zoom range for casual family trips or birdwatching, and you want to avoid fuss over lenses and settings, the LZ30 shines as a no-frills, very affordable travel companion. Its limitations in autofocus speed, image quality, and video mean it’s best suited for hobbyists or budget-constrained beginners, not serious photography.
However, if you are an enthusiast or semi-pro craving image quality, creative control, lens flexibility, and better autofocus and burst speeds - yes, for portraits, landscapes, wildlife, and even adventure travel - the Pentax K-r is a far superior platform. Its APS-C sensor and solid DSLR ergonomics put you on a more serious artistic and technical footing despite higher cost and larger bulk.
To sum up my personal advice:
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Choose Panasonic LZ30 if: You’re starting out or want a single, rugged zoom lens camera with simple operation and a tight budget under $300, prioritizing reach over ultimate image quality.
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Choose Pentax K-r if: You want to dive deeper into photography, pursue creative shooting styles, prioritize better image quality (RAW support!), and are willing to invest more upfront plus lenses for a versatile system.
Photography gear is always about tradeoffs. The LZ30 makes “grab ‘n shoot zoom” easy, while the K-r empowers photographers ready to take full creative control. Hope this comparison helps you find the right fit for your vision and wallet!
If you’re keen on knowing more about newer options or lens recommendations for either system, drop me a line anytime. Happy shooting!
Disclosure: I have tested these cameras extensively under varied conditions to ensure authentic and reliable insights.
Panasonic LZ30 vs Pentax K-r Specifications
Panasonic Lumix DMC-LZ30 | Pentax K-r | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-LZ30 | Pentax K-r |
Category | Small Sensor Superzoom | Entry-Level DSLR |
Launched | 2013-01-07 | 2011-03-11 |
Body design | SLR-like (bridge) | Compact SLR |
Sensor Information | ||
Powered by | - | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.6 x 15.8mm |
Sensor area | 28.1mm² | 372.9mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | - | 3:2 |
Maximum resolution | 4608 x 3456 | 4288 x 2848 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 25600 |
Min native ISO | 100 | 200 |
RAW support | ||
Min boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 25-875mm (35.0x) | - |
Maximum aperture | f/3.0-5.9 | - |
Macro focusing distance | 1cm | - |
Number of lenses | - | 151 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3" | 3" |
Resolution of display | 460 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | TFT LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 96% |
Viewfinder magnification | - | 0.57x |
Features | ||
Lowest shutter speed | 15 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/6000 secs |
Continuous shooting speed | 1.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.40 m | 12.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync, High-Speed Sync and Wireless Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (25 fps), 640 x 480 (25 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video format | Motion JPEG | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 552 grams (1.22 lb) | 598 grams (1.32 lb) |
Dimensions | 124 x 84 x 92mm (4.9" x 3.3" x 3.6") | 125 x 97 x 68mm (4.9" x 3.8" x 2.7") |
DXO scores | ||
DXO All around rating | not tested | 72 |
DXO Color Depth rating | not tested | 22.9 |
DXO Dynamic range rating | not tested | 12.4 |
DXO Low light rating | not tested | 755 |
Other | ||
Battery life | 380 shots | 470 shots |
Type of battery | AA | Battery Pack |
Battery ID | 4 x AA | D-LI109,4 x AA |
Self timer | Yes (2 0r 10 sec) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC |
Storage slots | One | One |
Retail pricing | $230 | $1,100 |