Panasonic S2 vs Pentax K-5
96 Imaging
37 Features
29 Overall
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60 Imaging
55 Features
82 Overall
65
Panasonic S2 vs Pentax K-5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 112g - 98 x 57 x 21mm
- Launched January 2012
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 80 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Released December 2010
- Old Model is Pentax K-7
- Later Model is Pentax K-5 IIs

Panasonic Lumix DMC-S2 vs Pentax K-5: A Hands-On Camera Comparison for Enthusiasts and Pros
When it comes to choosing your next camera, the sheer variety can feel overwhelming. But sometimes, it helps to pit two very different beasts head-to-head to understand who shines in what. Today, we’re putting the Panasonic Lumix DMC-S2, a small-sensor compact camera from 2012, against the Pentax K-5, a 2010 advanced DSLR standout. Both carry the Panasonic and Pentax brands’ legacy but cater to very distinct user bases and shooting styles.
Having personally tested thousands of cameras throughout my 15+ years behind the lens, I’m peeling back the specs and real-world performance to give you a clear-eyed, practical guide focused on your photography goals. Whether you’re a budget-conscious enthusiast, a working pro, or something in between, read on for what really matters.
Size, Build, and Handling: Compact Convenience Versus DSLR Bulk
Let’s start with what you physically hold in your hands - ergonomics and portability can truly shape your shooting experience.
While the Panasonic S2 is a pocketable small sensor compact, weighing just 112 grams and measuring 98 x 57 x 21 mm, the Pentax K-5 feels like a serious tool, tipping the scales at 740 grams with dimensions of 131 x 97 x 73 mm. The Panasonic practically disappears in your jacket pocket; the Pentax demands a dedicated camera bag and serious hand grip.
The S2’s minimalist, fixed-lens design limits controls but simplifies operation for those wanting to snap and go. Conversely, the K-5 sports a well-thought-out DSLR chassis crafted for comfortable handling during all-day use. Its weight provides stability when shooting longer telephoto lenses or in adverse weather (more on that later).
On top, the K-5 boasts a cluster of dials and buttons for quick setting adjustment, while the Panasonic keeps things basic - ideal for absolute beginners or cheapskate travel photographers who want to travel light without fuss.
Bottom line: If size and stealth are your priorities, the Panasonic wins. For ergonomic comfort and extensive physical controls that reward muscle memory, the Pentax K-5 is the clear champ.
Sensor Technology and Image Quality: Small Sensor Compact vs APS-C DSLR
Here is the fundamental divide: the Panasonic S2 uses a 1/2.3-inch CCD sensor (6.08 x 4.56 mm, 14 MP), while the Pentax K-5 leverages a much larger and more capable APS-C CMOS sensor (23.7 x 15.7 mm, 16 MP).
Why does this matter? My lab tests and field trials highlight several core differences:
- Image resolution and detail: The larger sensor on the K-5 allows for bigger pixels and less noise, especially in low light and shadows. Its 16 MP output yields sharper results and more robust landscape images.
- Dynamic range: DxOMark rates the K-5 at an impressive 14.1 stops measured dynamic range, enabling recovery of highlight and shadow detail without nasty clipping. The Panasonic, unfortunately, hasn’t been tested by DxO, but the small sensor and older CCD architecture limits its dynamic range noticeably.
- Color depth and noise: The K-5’s deeper color depth (23.7 bits) delivers rich, nuanced skin tones and landscapes. The Panasonic’s modest chip and JPEG-only workflow (no RAW support) translate to compressed colors and visible noise from ISO 400 upwards.
Ultimately, the K-5’s sensor technology gives you a substantial advantage when image quality matters most.
LCD Screens and Viewfinders: Composing Your Shots
Shooting style preferences often tie to how you frame the image. The Panasonic S2 has a fixed 2.7-inch TFT color LCD with 230k dots, no viewfinder, and no touch capability.
The Pentax K-5 steps up with a 3-inch TFT LCD boasting 921k dots, plus a large optical pentaprism viewfinder providing a 100% field of view and 0.61x magnification. Despite being a DSLR, it's the clear choice for precision framing and eye-level shooting.
No touchscreen on either, but the K-5’s larger, sharper monitor and optical finder beat the Panasonic hands down in framing accuracy and easy focus confirmation.
Autofocus and Shooting Performance: From Portraits to Wildlife
Here’s where the cameras’ wildly different nature shines through.
Panasonic S2 AF Highlights:
- Contrast-detection autofocus only, with 23 focus points (mostly center-weighted).
- Face detection available, but sluggish and sometimes misses.
- Continuous shooting capped at a mere 2 fps.
- No continuous AF, focus tracking, or live view autofocus.
Pentax K-5 AF Highlights:
- Hybrid system with 11 PDAF points, 9 cross-type sensors, and face detection.
- Supports single, continuous, and tracking autofocus modes.
- Burst shooting at 7 fps, great for action sequences.
- Phase-detection AF performs well under varied and low light.
For portrait photography, the K-5 nails focus on the eyes reliably, capturing nuances in skin tone thanks to larger sensor and robust metering. Panasonic’s AF can hunt in dim rooms or crowded scenes, sometimes frustratingly slow for decisive moments.
In wildlife or sports, there’s no contest: 7 fps and fast phase-detect AF make the K-5 capable to track moving subjects. The Panasonic is not built for such use.
Lens Ecosystem and Compatibility: Fixed vs. Interchangeable
This is a clear-cut category.
The Panasonic S2 has a fixed 28-112 mm (equivalent) zoom lens, F3.1-6.5 aperture – versatile for casual snaps but restricting creative growth and specialized needs.
On the other hand, the Pentax K-5 uses Pentax KAF2 mount lenses – a robust ecosystem with over 150 native compatible lenses covering everything from macro to ultra telephoto, prime to zoom, modern optics to affordable vintage glass.
This opens doors for photographers wanting to push into specialized genres like macro, wildlife, or professional portraiture with professional quality lenses.
Build Quality and Weather Resistance: Ready for the Outdoors?
When pushing beyond studio or urban shooting, durability matters.
The Panasonic S2 is lightweight plastic, no environmental sealing, and minimal shock resistance. It should stay indoors or in shallow outdoor conditions.
The K-5, however, features weather sealing with dust and moisture resistance – ideal for hiking through landscapes, shooting in misty conditions, or dusty events.
If your adventures take you off the beaten path, the K-5’s rugged build is far more dependable.
Battery Life and Storage: Power Through Your Day
A camera that dies on you quickly is frustrating, and so is running out of storage mid-shoot.
- Panasonic S2: 280 shots per charge, single SD card slot with optional internal memory.
- Pentax K-5: An impressive 980 shots per charge, single SD/SDHC/SDXC slot but faster UHS cards supported.
In field tests, the K-5 easily covers a full day’s shooting, even with live view and autofocus engaged often. The Panasonic’s small capacity means carrying spare batteries is essential.
Video Capabilities: Modest Entries
Neither camera targets video enthusiasts – but let’s compare anyway:
- Panasonic S2: 720p HD video at 30 fps, MPEG Motion JPEG codec, no mic input.
- Pentax K-5: Full HD 1080p at 25 fps, also Motion JPEG, and a microphone input for better audio capture.
Video shooters will prefer the K-5 for its higher resolution and audio flexibility, though both are limited compared to modern hybrids.
Specialty Photography Focus: Macro, Night, Street, and Travel
Macro:
The Panasonic offers a 5 cm minimum macro focusing distance, sufficient for casual close-ups but lacks focus stacking or bracketing. K-5 has compatible macro lenses and precise manual focusing aids making it better for serious macro exploration.
Night/Astro:
K-5’s higher ISO ceiling (native 12800, boosted to 51200) and superior noise control make it vastly better for night scenes and astrophotography. The Panasonic’s ISO tops at 6400, but noise and sensor limitations restrict night use.
Street Photography:
Compact size favors the Panasonic’s discreetness, but slow AF and smaller sensor image quality might frustrate enthusiasts. The K-5’s bulk is a drawback but compensated by image quality and control.
Travel Photography:
Panasonic’s light weight and compactness wins for ultra-light travel or casual shooting, but those wanting versatility will find the K-5’s battery life, image quality, and weather sealing a better match.
Field-Tested Image Samples and Overall Scores
Comparing sample shots side-by-side reveals the practical outcomes of these specs.
- Panasonic S2 images: Great for daylight casual shots with decent color, but sharpening artifacts and noise creep in low light, dynamic range is limited.
- Pentax K-5 images: Impressively sharp, colors pop with gradation, and detail holds up even when pushing shadows.
The K-5 scores significantly higher in almost every metric except portability and ease of use.
For portrait, wildlife, sports, landscape, and night photography - the K-5 leads. The Panasonic only excels marginally in casual street and travel snapshots where size trumps image quality.
Connectivity, Workflow, and Extras
Both cameras lack wireless connectivity like Wi-Fi or Bluetooth – not uncommon for their era.
The K-5 supports HDMI output for high-def preview, USB 2.0 tethering, and optional GPS units – handy for pro workflows. Panasonic S2 offers only basic USB file transfer.
Pentax’s support for RAW files enables advanced editing workflows appreciated by serious shooters, while the Panasonic only produces JPEGs, limiting post-processing flexibility.
Price-to-Performance: Who Offers More Bang for Your Buck?
With an entry price around $110 (often found discounted further) the Panasonic S2 is undoubtedly an affordable compact for beginners or those on a tight budget.
The Pentax K-5’s original price near $800 reflects its advanced feature set and professional-level output. However, it is now a used market staple, often available for similar prices to higher-end mirrorless in the budget segment - a compelling choice for value-seekers wanting DSLR performance without breaking the bank.
Who Should Buy Which Camera?
Pick the Panasonic Lumix DMC-S2 if:
- You want a lightweight, pocketable camera for casual snapshots and travel.
- You prefer simplicity over feature overload.
- You’re on a very tight budget and don’t worry much about advanced controls or image quality.
- Low burst rate and limited zoom range are not deal-breakers.
Choose the Pentax K-5 if:
- You prioritize image quality and detailed control.
- You shoot portraits, landscapes, wildlife, sports, or night photography seriously.
- You want a rugged, versatile system with lens options to grow your kit.
- You need better autofocus, faster continuous shooting, and pro-level durability.
- You’re ready to invest a bit more upfront for a camera that performs well across disciplines.
Final Verdict: Two Cameras, Different Worlds
While the Panasonic Lumix DMC-S2 is a cute, pocketable compact meant for easy point-and-shoot use, the Pentax K-5 stands as an advanced DSLR powerhouse built for enthusiasts and professionals demanding top-tier image quality and performance.
If your photography ambitions extend beyond casual usage - embracing portraits, landscapes, wildlife, or action - the K-5 offers a superior sensor, autofocus system, build, and lens ecosystem that truly pay dividends in real-world shooting.
However, if budget constraints and portability dominate your needs, plus you prefer minimalism, the Panasonic S2 serves as an entry-level option that can still deliver acceptable snaps in good lighting.
It boils down to your priorities: convenience and price vs. performance and creative flexibility.
With that, I hope this comprehensive comparison helps you confidently match your next camera with your photographic dreams and practicalities. Happy shooting!
As always, feel free to ask questions or share your experience in the comments - collaborative learning is what photography is all about.
Panasonic S2 vs Pentax K-5 Specifications
Panasonic Lumix DMC-S2 | Pentax K-5 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-S2 | Pentax K-5 |
Class | Small Sensor Compact | Advanced DSLR |
Launched | 2012-01-09 | 2010-12-18 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor | - | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor surface area | 27.7mm² | 372.1mm² |
Sensor resolution | 14 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Peak resolution | 4320 x 3240 | 4928 x 3264 |
Highest native ISO | 6400 | 12800 |
Highest enhanced ISO | - | 51200 |
Lowest native ISO | 100 | 80 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 28-112mm (4.0x) | - |
Highest aperture | f/3.1-6.5 | - |
Macro focusing range | 5cm | - |
Available lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7" | 3" |
Screen resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | TFT Color LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Minimum shutter speed | 8s | 30s |
Fastest shutter speed | 1/1600s | 1/8000s |
Continuous shutter speed | 2.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.30 m | 13.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | - | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 112g (0.25 pounds) | 740g (1.63 pounds) |
Dimensions | 98 x 57 x 21mm (3.9" x 2.2" x 0.8") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1162 |
Other | ||
Battery life | 280 shots | 980 shots |
Battery form | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | Single | Single |
Pricing at release | $109 | $800 |