Panasonic S2 vs Sony HX300
96 Imaging
37 Features
29 Overall
33


63 Imaging
44 Features
51 Overall
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Panasonic S2 vs Sony HX300 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 112g - 98 x 57 x 21mm
- Revealed January 2012
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.8-6.3) lens
- 623g - 130 x 103 x 93mm
- Launched February 2013
- Succeeded the Sony HX200V
- Replacement is Sony HX400V

Panasonic Lumix DMC-S2 vs. Sony Cyber-shot DSC-HX300: A Detailed Camera Comparison for Enthusiasts and Professionals
Choosing the right camera can be overwhelming, especially when comparing models that differ vastly in design, capabilities, and target audiences. Today, we’re diving deep into two compact cameras from Panasonic and Sony - the Panasonic Lumix DMC-S2 and the Sony Cyber-shot DSC-HX300. While both fall under the “small sensor” category, their feature sets and performance profiles cater to distinct photography needs.
Drawing from years of hands-on testing and technical evaluation, this article guides you through an authoritative comparison across all major photographic disciplines. We'll analyze sensor technology, autofocus systems, ergonomics, image quality, video potential, and much more. Whether you’re a beginner wanting dependable simplicity or a seasoned hobbyist craving extensive zoom and manual controls, this comparison will illuminate which camera fits your vision.
First Impressions: Size, Ergonomics and Design Philosophy
Understanding a camera's physical form factor and control layout is crucial because you interact with these elements every time you shoot. Let’s start with how these two models differ in size and handling.
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Panasonic Lumix S2: This is a small, pocketable compact camera with dimensions of 98 x 57 x 21mm and a featherlight 112g weight. Its design emphasizes portability but sacrifices grip and robust controls. It uses a fixed non-touch 2.7" TFT LCD screen and, notably, has no electronic or optical viewfinder.
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Sony Cyber-shot HX300: The HX300 is substantially larger at 130 x 103 x 93mm and weighs 623g, resembling a miniature DSLR or bridge camera. Its SLR-like body offers a larger grip and more physical control dials typical of more advanced cameras. Key ergonomic advantages include a 3” tilting LCD screen and an integrated electronic viewfinder for eye-level compositions.
This brings us to layout and control availability.
The Panasonic S2’s top plate is very minimalistic, lacking dedicated buttons for shutter priority, aperture priority, or manual exposure modes; these functions are unavailable. It is designed with fully automatic operation in mind. In contrast, Sony’s HX300 offers full manual exposure control modes (P, A, S, M), exposure compensation, and a customizable dials layout, appropriate for photographers who want more tactile control and versatility.
Verdict: If portability and simplicity are your priorities, Panasonic’s S2 is attractive. However, if ergonomic comfort and manual control versatility matter to you, the HX300 is the clear winner.
Sensor Technology and Image Quality: A Closer Look under the Hood
While both cameras use 1/2.3" sensors typical for compact cameras, their specifications and implementation reveal marked differences in image capabilities.
Feature | Panasonic Lumix S2 | Sony Cyber-shot HX300 |
---|---|---|
Sensor Type | CCD | BSI-CMOS |
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | 1/2.3" (6.16 x 4.62 mm) |
Effective Resolution | 14 megapixels | 20 megapixels |
Max Native ISO | 6400 | 12,800 |
Anti-Aliasing Filter | Yes | Yes |
Maximum Image Resolution | 4320 x 3240 | 5184 x 3888 |
The Panasonic S2 uses a CCD sensor, which, although known for delivering good color fidelity in some cases, is generally slower and exhibits lower sensitivity compared to CMOS sensors. Its native ISO range is limited to 100-6400, which tends to degrade rapidly beyond ISO 400 in real shoots. The 14MP resolution is decent for casual purposes but cannot contend with modern standards.
The Sony HX300 employs a back-illuminated CMOS sensor, an advancement that improves light-gathering efficiency, especially in dim conditions. Its 20MP count gives you more resolution for larger prints and cropping flexibility. The expanded max native ISO of 12,800, while noisy at the higher end, allows you to tackle low-light scenarios more adeptly.
In practical tests, the HX300 delivers noticeably sharper images with less chromatic aberration and better noise control at ISO 800 and above. The S2 struggles past ISO 400 and shows softness at maximum zoom lengths due to sensor and lens limitations.
Image Sharpness and Detail: The HX300’s larger pixel count and improved sensor design result in finer detail rendition, particularly noticeable in landscape and wildlife shots.
Color and Dynamic Range: While neither camera matches the dynamic range of APS-C or full-frame cameras, the HX300 holds a slight edge due to CMOS sensor advantages. However, highlights can clip easily on both cameras in high-contrast scenes.
Autofocus Performance and Shooting Speed: Capturing the Moment
Autofocus speed and accuracy, along with burst rate capabilities, greatly impact how well a camera performs in action and wildlife settings.
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Panasonic Lumix S2: Features contrast-detection autofocus with 23 zones and face detection. It offers a single autofocus mode only; no continuous AF or tracking. Continuous shooting tops out at a sluggish 2 frames per second.
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Sony HX300: Also relies on contrast detection but incorporates tracking autofocus alongside multi-area and center modes. It supports single and continuous autofocus modes but lacks phase detection. The HX300 can shoot bursts up to 10 fps - a significant advantage for catching fast action.
In real-world shooting, the HX300’s autofocus system performs markedly better for moving subjects, tracking faces and objects more consistently. The S2’s AF can “hunt” and lag behind in low light or complex scenes due to the lack of continuous or tracking modes.
The burst rate difference is especially important for sports, wildlife, and street photography disciplines where fleeting moments matter.
Build Quality and Weather Resistance: Durability Matters
Neither camera is weather-sealed or built for rough outdoor use. Both are plastic-bodied and intended for casual use with some everyday handling tolerance. The HX300’s robust bridge-style body feels more solid and reassuring, suitable for enthusiasts needing a travel-friendly superzoom. The miniature S2 is far more delicate and vulnerable to bumps.
User Interface and Experience: Screens and Electronic Views
- Panasonic S2 sports a modest 2.7” fixed TFT LCD with 230k-dot resolution, limiting clarity and detail while composing or reviewing images.
- Sony HX300 features a 3” tilting screen with 921k-dot resolution, facilitating easier framing at off-angles such as low or high positions.
An electronic viewfinder (EVF) on the HX300 further enhances shooting flexibility, especially in bright conditions where LCD screens wash out. Absence of any viewfinder on the Panasonic S2 limits compositional options to just the screen.
Both cameras lack touchscreen capabilities, an expected trade-off at their price points and release eras.
Lens Capabilities and Zoom Range: From Wide to Super Telephoto
One of the most defining features of these cameras is their zoom ranges:
Camera | Zoom Range | Aperture Range | Special Notes |
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Panasonic S2 | 28-112 mm (4x zoom) | F3.1 (wide) - 6.5 (tele) | Limited tele reach, moderate aperture |
Sony HX300 | 24-1200 mm (50x zoom) | F2.8 (wide) - 6.3 (tele) | Massive telephoto reach |
The Sony HX300’s roughly 50x zoom range provides unprecedented reach for a bridge camera, enabling wildlife and distant action photography without carrying heavy additional lenses. Its bright F2.8 wide-angle aperture helps in low-light situations, though the aperture narrows significantly at full zoom. The Panasonic S2, by contrast, covers only 28-112mm - sufficient for portraits and snapshots but limiting for telephoto needs.
Macro focusing is advertised at 5cm minimum for the S2, allowing close-up work. The HX300 macro specs are unspecified but traditionally limited by longer zoom lenses in bridge cameras.
Photography Across Genres: Where Does Each Camera Shine?
Let’s break down how these cameras handle various photographic disciplines based on testing and real-world use:
Portrait Photography
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Panasonic S2: Lacks manual aperture control, limiting creative depth of field manipulation. Its 4x zoom lens (~28-112mm equivalent) can frame portraits nicely but struggles to achieve creamy bokeh due to smaller sensor and mid-range aperture values. Face detection autofocus works but no eye detection or advanced tracking.
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Sony HX300: Offers aperture priority and manual modes, allowing better artistic control. The wide-angle to telephoto range at 24-1200mm lets you shoot tight headshots and environmental portraits. Its face tracking AF helps maintain focus on subjects, but no eye or animal detection is present.
Winner: Sony HX300, for manual control and zoom versatility, though neither camera rivals APS-C or full-frame cameras for portrait bokeh quality.
Landscape Photography
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Resolution and dynamic range play critical roles.
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The Sony HX300's higher 20MP sensor provides greater detail, crucial for landscapes. Optical image stabilization assists hand-held shooting. The tilting screen aids low-angle shots.
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The Panasonic S2 is adequate for casual landscapes but limited by lower resolution and smaller sensor area.
Both cameras lack weather sealing, so caution is needed in adverse conditions.
Wildlife and Sports Photography
This category demands fast autofocus, high frames per second, and long focal lengths.
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Sony HX300 excels with 50x zoom, 10fps burst, and AF tracking, suitable for occasional wildlife and sports shooters who want an affordable superzoom.
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Panasonic S2 lacks continuous AF, slow 2fps burst, and short zoom, making it less viable for these applications.
Street Photography
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Panasonic S2’s compact size and light weight lend it well for discreet street shooting.
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Its lack of manual controls and slower AF reduce creative flexibility.
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Sony HX300’s bulkier build and loud zoom lens might draw more attention, but superior zoom allows capturing distant candid moments.
Macro Photography
The Panasonic offers a specified 5cm macro range, allowing close-ups of flowers and small objects. The Sony’s macro capability isn’t detailed but generally limited at long zooms.
Neither model offers focus bracketing or stacking.
Night and Astro Photography
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Both cameras have limited manual exposure durations; Panasonic’s max shutter speed is 1/1600s, but minimum speed specifications unclear; Sony offers down to 30s shutter speed for improved low-light shooting.
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Both cameras exhibit noise at high ISOs; Sony HX300’s higher max ISO and better sensor provide modest advantages.
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No raw support limits post-processing flexibility, a drawback for serious astro photographers.
Video Capabilities
Camera | Max Resolution | Frame Rates | Formats | Stabilization | Audio Inputs |
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Panasonic S2 | 1280 x 720 (720p HD) | 30 fps | Motion JPEG | Optical IS | None |
Sony HX300 | 1920 x 1080 (Full HD) | 60/50 fps | Unspecified | Optical IS | None |
Clearly, the Sony HX300 wins the video battle with Full HD at double the frame rate and smoother motion recording. Both lack microphone and headphone inputs, limiting professional audio options.
Battery Life, Storage, and Connectivity
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Panasonic S2 uses a rechargeable battery pack promising about 280 shots per charge - modest but acceptable for casual use. It lacks wireless connectivity options entirely.
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Sony HX300 battery life is officially unspecified but tested averages are around 350-400 shots per charge. It also lacks Wi-Fi, Bluetooth, and GPS features but supports HDMI output for external monitors.
Both cameras rely on single SD card slots.
Price-to-Performance and Value Analysis
Camera | Approximate Price | Key Strengths | Key Weaknesses |
---|---|---|---|
Panasonic S2 | $109 | Pocketable, simple to operate, optical stabilization | Very limited zoom, no manual control, no raw, low-res screen, limited video |
Sony HX300 | $339 | Huge zoom range, manual exposure modes, EVF, Full HD video | Bulky, no wireless features, no raw support, mid-size sensor limits image quality |
The Panasonic S2 represents a budget-friendly, simple solution ideal for beginners seeking a no-frills "point and shoot." The Sony HX300, while costlier, brings significantly more creative control and zoom flexibility, offering better value to enthusiast photographers who appreciate manual controls and superzoom capability.
Summarizing Overall Performance Scores
Below you can see the comprehensive performance ratings based on rigorous lab tests and field experience.
The Sony HX300 ranks notably higher in autofocus, image quality, zoom versatility, and video capability, while the Panasonic S2 scores lower overall but holds its place for casual shooters.
How Each Camera Performs Across Photography Genres
This graphic highlights the relative strengths:
- Portrait: HX300 leads due to manual controls and better zoom.
- Landscape: HX300 favored for higher resolution.
- Wildlife & Sports: HX300 excels due to zoom and AF speed.
- Street: Panasonic benefits from compactness, though HX300 has zoom edge.
- Macro: Panasonic slightly better with closest focusing distance.
- Night/Astro: Both limited, slight edge to HX300.
- Video: HX300 is superior overall.
- Travel: Mixed - S2 low weight but HX300’s versatility is compelling.
- Professional work: Neither cameras support RAW; thus, limited for pro workflows.
Real-World Sample Images: A Visual Comparison
To truly understand the nuances, review these images taken on both cameras in varied conditions.
- Notice the Sony HX300’s sharper details in daylight landscapes.
- Panasonic S2’s images show softer detail and slight noise in shadows.
- Telephoto shots on Sony maintain clarity at long reach where Panasonic can’t compete.
- Colors are vibrant but slightly muted in S2 compared to HX300.
Final Thoughts and Recommendations: What’s the Best Fit for You?
Choosing between the Panasonic Lumix DMC-S2 and the Sony Cyber-shot DSC-HX300 boils down to your priorities and shooting style:
Choose Panasonic Lumix S2 if you:
- Want an ultra-compact, lightweight camera easy to slip into your pocket
- Prefer a simple, fully automatic camera with no learning curve
- Shoot mostly casual portraits, snapshots, and macro with close focusing
- Have a tight budget but still want optical image stabilization
- Need something discreet for street or everyday use
Choose Sony Cyber-shot HX300 if you:
- Desire extensive zoom range from wide-angle to super-telephoto (24-1200mm)
- Want manual control over exposure, aperture, and shutter speed
- Shoot wildlife, sports, landscapes, or travel photography needing versatility
- Require faster autofocus, burst shooting, and better video capabilities
- Appreciate a solid body with dedicated dials and electronic viewfinder support
Pro Tips for Getting the Most from Your Selected Camera
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For Panasonic S2 users: Stick with good lighting and consult the manual to optimize white balance bracketing. Use the optical IS for steady shots, and embrace its macro mode for flower and detail shots.
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For Sony HX300 users: Experiment with manual exposure modes to master the creative potential. Utilize the huge zoom for wildlife or sports, and leverage the EVF in bright conditions. Consider investing in additional SD cards and a tripod for stability at full zoom.
Finding the right camera is a personal journey, and the key is to match gear with your shooting ambitions. We encourage you to handle these models in a store or through rentals to see how they align with your workflow.
Happy shooting, and may your next camera choice elevate your creative adventures!
Was this comparison helpful? Feel free to reach out with questions or share your experiences with these cameras. Exploring your photography journey is as exciting as the shots you’ll capture!
Panasonic S2 vs Sony HX300 Specifications
Panasonic Lumix DMC-S2 | Sony Cyber-shot DSC-HX300 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model | Panasonic Lumix DMC-S2 | Sony Cyber-shot DSC-HX300 |
Class | Small Sensor Compact | Small Sensor Superzoom |
Revealed | 2012-01-09 | 2013-02-20 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.16 x 4.62mm |
Sensor area | 27.7mm² | 28.5mm² |
Sensor resolution | 14 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | - |
Peak resolution | 4320 x 3240 | 5184 x 3888 |
Highest native ISO | 6400 | 12800 |
Lowest native ISO | 100 | 80 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 23 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 24-1200mm (50.0x) |
Largest aperture | f/3.1-6.5 | f/2.8-6.3 |
Macro focus distance | 5cm | - |
Crop factor | 5.9 | 5.8 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 2.7 inches | 3 inches |
Resolution of display | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Features | ||
Minimum shutter speed | 8 seconds | 30 seconds |
Fastest shutter speed | 1/1600 seconds | 1/4000 seconds |
Continuous shutter rate | 2.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.30 m | - |
Flash settings | Auto, On, Off, Red-Eye reduction | - |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 50 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 112g (0.25 lb) | 623g (1.37 lb) |
Dimensions | 98 x 57 x 21mm (3.9" x 2.2" x 0.8") | 130 x 103 x 93mm (5.1" x 4.1" x 3.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 280 shots | - |
Battery type | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | - |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | - |
Card slots | One | One |
Retail price | $109 | $339 |