Panasonic SZ1 vs Pentax KP
95 Imaging
39 Features
34 Overall
37


61 Imaging
67 Features
76 Overall
70
Panasonic SZ1 vs Pentax KP Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 131g - 99 x 59 x 21mm
- Revealed January 2012
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 703g - 132 x 101 x 76mm
- Launched January 2017

Panasonic Lumix DMC-SZ1 vs Pentax KP: An Expert Comparison to Guide Your Next Camera Purchase
Choosing between cameras from vastly different categories can feel like an apples-to-oranges dilemma. But it’s precisely this contrast - the compact, pocketable Panasonic Lumix DMC-SZ1 versus the rugged, feature-rich advanced DSLR Pentax KP - that reveals the range of what's possible in photographic tools. Drawing upon my 15+ years testing hundreds of cameras across genres and real-world conditions, I bring you a meticulous, hands-on comparison designed to uncover practical differences that impact your photography - from landscapes to portraits, wildlife to video.
Let’s start by sizing these two up - literally.
Pocketable Convenience Meets DSLR Ambition: Physical Design and Ergonomics
If you prize portability and seamless everyday carry, the Panasonic SZ1’s tiny footprint is a winning argument. Measuring only 99x59x21 mm and weighing a mere 131 grams, this compact camera fits in your palm or pocket without fuss. By contrast, the Pentax KP - at 132x101x76 mm and 703 grams - is a serious mid-size DSLR presence. Its sturdy grip and weather-sealed chassis demand some investment in bulk but grant exceptional durability and confidence in challenging environments.
The SZ1 boasts a fixed lens and simple, no-frills body, while the KP’s robust magnesium alloy frame supports full weather sealing. Photographers who work outdoors in rain, dust, or cold will appreciate the KP’s engineering. Ergonomically, the Pentax KP features a thoughtfully placed array of manual controls, with deep dials and buttons tailored for quick adjustments on the fly.
The Panasonic’s minimalist control layout and absence of a viewfinder (relying solely on its 3-inch, fixed TFT LCD) keep operations simple but invite compromises in customization and handling finesse.
Control and Interface: Navigating Your Camera With Confidence
Speaking of controls, let’s examine the user interface and operational experience.
The Pentax KP’s top plate reveals an intuitive control scheme - dedicated modes for shutter priority, aperture priority, manual exposure, and a customizable function button make it ideal for users who want direct override of camera settings. Its tilting 3-inch LCD with 921k-dot resolution improves framing flexibility, especially when shooting at unconventional angles.
In contrast, the Panasonic SZ1 opts for simplicity. There are no manual exposure modes, no shutter or aperture priority - just preset scene modes and automatic exposure. This design suits beginners or casual snapshot takers who want quick results but leaves advanced photographers wanting more control.
Neither camera has a touchscreen, but the KP’s more sophisticated layout promotes a confident, physical feel - no hunting through menus during time-critical shoots.
Image Quality: Sensor and Processing Foundations
Beneath the body designs lies the heart of any camera: the sensor. Here is where hardware differences become most stark.
The Panasonic SZ1 uses a small 1/2.3-inch CCD sensor with a resolution of 16 megapixels. This sensor size - typical for many compact cameras - faces inherent limitations in dynamic range, noise performance, and color depth. While sufficient for casual prints and web sharing, it is prone to image degradation in low light or demanding tonal scenarios.
By contrast, the Pentax KP sports a sizable APS-C CMOS sensor measuring 23.5x15.6 mm with 24 megapixels. This larger sensor not only yields superior image quality across the board - greater dynamic range, cleaner high ISO, and richer color reproduction - but also offers the creative depth of interchangeable lenses.
I ran both cameras through standardized real-world image tests: the KP’s files handle highlights and shadows gracefully, with excellent detail retention in both bright and dark areas. The SZ1’s output shows more clipping, notably in high-contrast scenes.
Lens and Zoom Capabilities: Versatility or Craft?
Lens systems define photographic possibilities. The Panasonic SZ1 features a built-in 25–250 mm equivalent zoom with maximum apertures ranging from f/3.1 to f/5.9 - a versatile all-in-one for travel or walk-around shooting but limited in creative scope.
The Pentax KP’s KAF2 mount supports over 150 prime and zoom lenses, from ultra-wide angles to super-telephotos and specialist optics. This range empowers photographers to tailor optics to their genre - from macro to wildlife, portraits to astrophotography.
If lens variety and optical performance matter to you, the KP is a long-term investment. The SZ1’s fixed lens is fine for basic snapshots but can’t compete on image quality or specialized tasks.
Autofocus and Shooting Speed: Tracking What Matters
Autofocus (AF) systems are critical, especially for dynamic subjects like sports or wildlife.
The SZ1 employs contrast-detection AF with 23 focus points and face detection. It offers continuous AF and basic tracking but performs best in good light and moderate speeds. With a maximum continuous shooting rate of 1 frame per second, it’s undeniably limited for action photography or capturing fleeting moments.
The Pentax KP, meanwhile, employs a hybrid AF with 27 focus points including 25 cross-type sensors - offering high precision. Though it lacks traditional phase-detection AF on sensor, it uses on-sensor PDAF for live view. Its continuous shooting speed of 7 fps is excellent for a DSLR in this class, supporting tracking moving subjects effectively.
In my field tests, the KP demonstrated much more reliable AF tracking in low light and quick response times critical for sports and wildlife. The SZ1's AF can struggle when light dims or the subject moves rapidly.
Image Stabilization: Keeping Shots Steady
Both cameras include optical (sensor-based in KP’s case) image stabilization, an essential feature to combat handshake - especially in telephoto or low-light shots.
The Panasonic SZ1 uses optical image stabilization tied to its lens assembly. While effective for casual use, its limited sensor size and lens aperture restrict stabilization benefit beyond moderate zooms.
The Pentax KP incorporates 5-axis sensor-shift stabilization, compatible with all mounted lenses - including manual focus primes - making it exceptionally versatile for handheld shooting at slower shutter speeds. This built-in stabilization rivals higher-end competition and is a significant boon for macro, video, and low-light photographers.
Display and Viewfinder: Composing Your Frame
Composing and reviewing images is fundamental.
The SZ1 only offers a fixed, low-resolution TFT LCD (3 inches, 230k dots). Its brightness and viewing angles can be challenging in bright sunlight, and no viewfinder means dependence on the screen for all framing.
The KP provides both a sharp 3-inch tilting LCD (921k dots) and a bright, pentaprism optical viewfinder with 100% coverage and 0.63x magnification. This optical viewfinder offers a clear, natural image and eliminates lag or glare problems when composing under strong light.
I found during outdoor shoots that the KP’s viewing system greatly enhances framing precision and user comfort, especially during fast-moving scenes or critical focus situations.
Battery Life and Storage: Endurance in the Field
For long shooting sessions or travel, battery life is a practical concern.
The Panasonic SZ1’s compact battery delivers approximately 250 shots per charge - adequate for casual use but limiting for extended outings without spares or charging opportunities.
The Pentax KP offers around 390 shots per charge, respectable for a DSLR with an APS-C sensor and power-hungry stabilization system. It also supports SD/SDHC/SDXC cards with UHS-I speeds, ample for handling large RAW files and continuous video recording.
Connectivity and Video Features: Modern Needs
Neither camera boasts cutting-edge wireless technology - though the KP includes built-in Wi-Fi for remote control and image transfer, a real convenience missing from the SZ1.
Regarding video, the SZ1 shoots HD video at 1280x720 at 30 fps (MPEG-4 format), sufficient for casual clips but lacking high frame rate or 4K options.
The KP provides Full HD 1080p at 60i or 30p, recording in MPEG-4 or H.264 formats. It supports external microphones - a crucial feature for serious videographers - but lacks headphone monitoring. Neither camera offers 4K or advanced video features found in newer models, so video enthusiasts should temper expectations.
Hands-On Performance Across Photography Types: Real-World Application
Now to the heart of your decision - how do these cameras perform for various photographic disciplines?
Portrait Photography
Skin tones rendered by the Pentax KP's larger APS-C sensor are naturally richer and more flattering, with smoother tonal gradations and good color accuracy. Its support for fast prime lenses allows for shallow depth-of-field and pleasing bokeh, emphasizing subjects effectively.
By contrast, the SZ1, limited by a small sensor and slower lens aperture, cannot produce the same level of subject-background separation or detail. Its facial detection aids casual portraits but lacks the precision eye autofocus more recent high-end cameras offer.
Landscape Photography
Resolution and dynamic range put the KP ahead here. Its 24MP sensor captures exquisite detail, while extensive exposure controls and exposure compensation enable nuanced handling of complex lighting.
The SZ1’s lens can cover wide angles but small sensor size produces less detail, and limited dynamic range often results in clipped highlights or murky shadows. Also, the SZ1 has no weather sealing, making it vulnerable in damp or dusty conditions. The KP's rugged build is a better companion on long landscape trips.
Wildlife and Sports Photography
With 7 fps burst rates and reliable autofocus tracking, the KP has the upper hand for capturing fast-moving subjects. Its interchangeable telephoto lenses deliver reach and control essential for wildlife.
The SZ1’s slow continuous shooting speed and modest zoom optically limit its capacity for these genres. Its AF system can hunt in complex scenes, leading to missed shots.
Street Photography
Surprisingly, the SZ1’s compact size and light weight make it ideal for discreet street shooting - no intimidating DSLR presence. However, the lack of manual controls and low-light AF challenges reduce its usefulness to casual snapshots.
The KP, though bulky, offers quick manual exposure adjustments and better ISO performance for nighttime street scenes. If inconspicuousness is a priority, the SZ1 is friendlier; if image quality and control matter, the KP is preferable.
Macro Photography
The Panasonic SZ1 allows focusing as close as 4 cm, helpful for casual macro, but limited zoom and lack of focusing aids restrict precision.
The Pentax KP offers focus bracketing and sensor-shift stabilization, facilitating high detail macro work when paired with macro lenses. This, combined with superior resolution and RAW formats, grants the KP a professional macro advantage.
Night and Astrophotography
High ISO capability and sensor size give the KP a clear edge. With an ISO ceiling up to 819,200 (boosted), the KP can capture dim night skies with less noise and greater star detail.
The SZ1 maxes out at ISO 6400, and its small sensor creates significant noise at these settings. Additionally, the KP’s manual exposure modes and bulb shutter allow for long exposures essential to astrophotography - features missing on the SZ1.
Video Recording
Neither camera targets video professionals. The SZ1’s 720p limit is entry-level, suitable for candid clips only. The KP’s Full HD video, external mic input, and sensor-shift steadiness offer more versatility but no 4K or advanced codecs.
Videographers needing sophisticated video should look elsewhere, but for occasional video, KP delivers a serviceable option.
Travel Photography
Portability is key here. The SZ1’s tiny size and 10× optical zoom make it a travel-friendly all-in-one. Battery life may be a limiting factor on long trips.
The KP, heavier but weather-sealed, excels in durability and adaptability across situations - landscapes, portraits, street scenes - especially when paired with travel-friendly lenses. Its higher battery capacity supports extended shooting days.
Technical Pros and Cons Summary
Feature | Panasonic SZ1 | Pentax KP |
---|---|---|
Sensor | 1/2.3" CCD, 16MP | APS-C CMOS, 24MP |
Lens | Fixed 25–250mm (f/3.1–5.9) | Interchangeable KAF2 mount |
AF System | Contrast detection, 23 points | Hybrid AF with 27 points |
Max Continuous Shooting | 1 fps | 7 fps |
Image Stabilization | Optical | 5-axis sensor-shift |
Viewfinder | None | Optical pentaprism, 100% coverage |
Screen | Fixed TFT LCD, 3", 230k dots | Tilting LCD, 3", 921k dots |
Video | 720p/30fps, MPEG-4 | 1080p/60i & 30p, MPEG-4/H.264 |
Connectivity | None | Built-in Wi-Fi |
Weather Sealing | No | Yes |
Battery Life | ~250 shots | ~390 shots |
Weight | 131 g | 703 g |
Price (approximate) | $179 | $747 |
The image above highlights the LCD interfaces: the SZ1’s basic panel versus KP’s higher-resolution, articulating screen, reinforcing the KP’s advanced usability advantages.
Value Assessment: Pricing and Who Should Buy Which?
At $179, the Panasonic SZ1 is a budget-friendly step-up from smartphone cameras. Its simplicity suits absolute beginners and casual shooters prioritizing ease and portability over image quality. It’s a solid “grab-and-go” pocket camera with acceptable performance for vacation snapshots and everyday moments.
The Pentax KP, priced at approximately $747, is clearly aimed at serious enthusiasts and semi-professionals seeking a versatile DSLR platform with high image quality, ruggedness, and creative control. It demands investment in lenses and accessories but rewards with longevity and superior results across genres.
Overall Performance Scores
Integrating hands-on testing data and expert evaluation, the following chart summarizes overall performance:
The KP leads decisively in core photographic capabilities, sensor performance, and versatility while the SZ1 scores modestly - reflecting its compact status.
How They Stack Across Photography Genres
Here’s a breakdown of each camera’s suitability across main photography disciplines:
While the SZ1 offers casual convenience, the KP outperforms handsomely in demanding disciplines like landscapes, wildlife, macro, and low-light photography.
Sample Images: Real-World Results
Lastly, a side-by-side gallery showcasing photos captured with each:
Notice the sharpened detail, color fidelity, and noise control of the KP images, compared to softer, more compressed images from the SZ1.
Summary: Picking Your Perfect Match
Choose the Panasonic Lumix DMC-SZ1 if:
- You want an ultra-compact camera that fits in your pocket.
- You are a beginner or casual user who prioritizes simplicity.
- Your photography is mostly daylight snapshots, travel records, or social media sharing.
- Budget constraints require a very affordable, all-in-one camera.
Choose the Pentax KP if:
- You demand advanced control over exposure, focus, and lenses.
- You photograph in varied, challenging environments requiring weather sealing.
- You shoot portraits, landscapes, wildlife, sports, or macro needing image quality and autofocus precision.
- You want a rugged DSLR body with extended battery life and robust connectivity.
- You plan to grow your skills, invest in lenses and accessories, and need a versatile creative tool.
Final Thoughts From the Field
As someone who’s evaluated gear from entry-level compacts to professional DSLRs, I observe that these cameras serve very different needs and users. Panasonic SZ1 is a modest, affordable camera ideal for convenience and casual use but limited in long-term creative potential. Pentax KP is a serious tool offering professional-level image quality and flexibility, though at higher cost, weight, and user complexity.
Understanding your priorities - portability vs. control, budget vs. quality, casual snapshots vs. serious photography - will guide your choice decisively.
Whether snapping quick family moments or tackling demanding photographic projects, both cameras have their place - armed now with this comprehensive comparison, you can select the one that truly fits your photographic journey.
Happy shooting!
Panasonic SZ1 vs Pentax KP Specifications
Panasonic Lumix DMC-SZ1 | Pentax KP | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-SZ1 | Pentax KP |
Type | Small Sensor Compact | Advanced DSLR |
Revealed | 2012-01-09 | 2017-01-26 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor | - | PRIME IV |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 16MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4608 x 3456 | 6016 x 4000 |
Maximum native ISO | 6400 | 819200 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 23 | 27 |
Cross type focus points | - | 25 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 25-250mm (10.0x) | - |
Maximal aperture | f/3.1-5.9 | - |
Macro focusing distance | 4cm | - |
Available lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display sizing | 3 inches | 3 inches |
Display resolution | 230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.63x |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/1600 secs | 1/6000 secs |
Maximum quiet shutter speed | - | 1/24000 secs |
Continuous shooting rate | 1.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.60 m | 6.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye reduction | Auto, auto w/redeye reduction, flash on w/redeye reduction, slow sync, trailing curtain sync, manual, wireless |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 30p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | MPEG-4 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 131g (0.29 lb) | 703g (1.55 lb) |
Physical dimensions | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") | 132 x 101 x 76mm (5.2" x 4.0" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 250 shots | 390 shots |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI109 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 secs) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC (UHS-I supported) |
Card slots | 1 | 1 |
Price at launch | $179 | $747 |