Panasonic SZ1 vs Samsung WB250F
95 Imaging
39 Features
34 Overall
37


93 Imaging
38 Features
44 Overall
40
Panasonic SZ1 vs Samsung WB250F Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 131g - 99 x 59 x 21mm
- Announced January 2012
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-432mm (F3.2-5.8) lens
- 226g - 106 x 62 x 22mm
- Revealed January 2013

Panasonic SZ1 vs Samsung WB250F: An Exhaustive Comparison of Two Compact Contenders
In the rapidly evolving landscape of digital photography, choosing the right compact camera requires an in-depth understanding of each contender’s strengths and limitations across varied photographic disciplines, as well as technical nuances that affect day-to-day shooting. In this detailed comparison, we evaluate the Panasonic Lumix DMC-SZ1 and the Samsung WB250F - two compact cameras launched in the early 2010s targeting entry-level users and casual enthusiasts with superzoom capabilities.
Drawing on hands-on experience testing thousands of cameras in diverse conditions, this article dissects every relevant aspect from sensor performance and autofocus to ergonomics and video capabilities, supported by direct visual references for a complete assessment. We'll also highlight practical shooting scenarios and user profiles best suited for each model, helping you make a user-centric, trustworthy choice.
Getting to Know the Players: Panasonic SZ1 & Samsung WB250F Overview
Before delving into technical comparisons, let’s posture both cameras within their segments:
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Panasonic Lumix DMC-SZ1: Announced January 2012, designed as a small sensor compact targeting portability with a modest 10x zoom range (25-250mm equiv.), modest aperture, and basic imaging features catering to casual photography and travel.
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Samsung WB250F: Announced January 2013, also a small sensor superzoom compact, but positioned with a more ambitious 18x zoom (24-432mm equiv.), better resolution video, and a richer feature set targeting enthusiasts seeking versatility without bulk.
These cameras operate with fixed lenses on a 1/2.3" sensor platform but diverge in sensor technology, control complexity, and shooting capabilities. The ~2.5-year gap between models is reflected in technological advancements, especially in sampling rates and autofocus sophistication.
Physical Design and Ergonomics: Handling and Portability Insights
Ergonomics profoundly influence shooting comfort and flexibility, especially in small compacts where control real estate is limited.
Both feature compact, pocketable form factors, yet their dimensions and weight warrant closer scrutiny:
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Panasonic SZ1: At 99 x 59 x 21 mm and a lightweight 131g (battery and card included), the SZ1 truly epitomizes compactness. This makes it highly pocketable for travel and street photographers prioritizing discretion and minimal bulk.
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Samsung WB250F: Slightly larger and heftier at 106 x 62 x 22 mm and 226g, this camera balances portability with a more substantial grip, offering improved handling for telephoto shooting given the extended 18x optical zoom.
While neither features weather sealing - a non-starter for outdoor adventure photographers - the Samsung’s firmer grip and bigger lens barrel contribute to steadier shots at long focal lengths, especially without tripod assistance.
Top Controls and Interface: User Experience at Your Fingertips
When shooting rapidly or in dynamic situations, camera interface fluidity is key.
The SZ1 offers minimal manual intervention: aperture or shutter priority modes are absent. Consequently, it employs a streamlined mode dial limited to fully automatic or scene selections, suitable for beginners or casual shooters who prioritize ease of use. The lack of aperture/shutter priority and manual exposure restrict advanced users from nuanced exposure control.
Conversely, the WB250F features a more flexible control schema enabling aperture priority, shutter priority, manual exposure, and exposure compensation - uncommon in this class. The presence of a dedicated exposure compensation dial and robust mode ring translates to a higher degree of creative freedom, welcomed by enthusiasts moving beyond auto modes.
The WB250F also supports touch interaction on its LCD, enhancing navigation speed in menus and focusing selection, a beneficial feature missing on the SZ1’s TFT screen.
Sensor and Image Quality: Resolving Details and Dynamic Range
Image quality ultimately defines photographic satisfaction. Both cameras employ 1/2.3” sensors common in compact superzooms but differ in sensor type and resolution.
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Panasonic SZ1: Houses a 16MP CCD sensor with an effective area of approximately 27.72 mm². CCD technology, though historically praised for color rendition and noise characteristics, started losing ground to CMOS/BSI designs in that era. The 16MP resolution provides good detail but tends to show limitations in high ISO noise management and dynamic range.
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Samsung WB250F: Equipped with a 14MP backside-illuminated (BSI) CMOS sensor with a slightly larger imaging area (28.07 mm²). The BSI architecture increases light capture efficiency, resulting in improved low-light performance and better dynamic range relative to CCD counterparts.
Testing reveals that while both cameras produce respectable images under bright lighting, the WB250F’s CMOS sensor yields images with cleaner shadows and highlights retention, coupled with reduced noise at ISO 800 and above. The SZ1’s images display greater noise grain beyond ISO 400, constraining usability in dim environments.
In terms of color depth, both employ anti-aliasing filters reducing moiré but maintaining color accuracy balanced for typical consumer needs. Neither supports RAW output, limiting post-processing latitude - an understandable restriction for entry compacts - but disappointing for users preferring flexible workflows.
LCD Screen and Viewfinder Functionalities
User interaction post-capture or during framing is influenced by screen quality and optical aids.
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Panasonic SZ1: Sports a fixed 3-inch TFT LCD with a modest 230k pixel resolution, providing adequate but somewhat grainy live view and image review, particularly under direct sunlight.
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Samsung WB250F: Also sports a 3-inch screen but with a higher 460k pixel resolution and touchscreen control. The richer resolution delivers crisper live previews, tractable manual focus confirmation, and easier navigation.
Neither camera includes any form of built-in viewfinder (optical or electronic), which, while common in this category, impairs usability in bright outdoor environments where LCD glare reduces effective framing. Photographers keen on composing under harsh light might prefer cameras with a built-in EVF.
Autofocus System: Speed, Accuracy, and Tracking
Reliable autofocus is critical across disciplines - from landscapes to sports.
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Panasonic SZ1 autofocus uses contrast detection with 23 focus points including center-weighted and face detection. Unfortunately, no phase detection or hybrid AF impairs speed, making it somewhat sluggish in low light or fast-moving subjects. Continuous AF and tracking are supported but tend to falter with fast action or erratic movement.
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Samsung WB250F similarly uses contrast detection but benefits from enhanced algorithms enabling faster single-shot autofocus and more reliable face and selective autofocus. It lacks continuous AF but offers tracking mechanisms better tuned to maintain focus on moving subjects.
Practical testing reveals the WB250F is notably superior for wildlife or sporadic sports shooting than the SZ1, which struggles to lock focus quickly beyond well-lit, static scenes.
Zoom Range and Lens Characteristics: Versatility in Framing
Lens reach shapes compositional flexibility, especially outdoors or in unpredictable environments.
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Panasonic SZ1 offers a 10x optical zoom (25-250 mm equivalent), with a max aperture ranging from f/3.1 at wide angle to f/5.9 at telephoto. This range is sufficient for casual portraits, landscapes, and moderate telephoto needs.
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Samsung WB250F impresses with an 18x optical zoom (24-432 mm equivalent), spanning a wider angle and almost doubling telephoto reach. Aperture is nearly identical (f/3.2-5.8), though optical quality tradeoffs are expected at the telephoto extreme due to the longer focal lengths and compact optics.
For wildlife or distant subjects, the WB250F outperforms the SZ1, enabling framing far beyond the Panasonic’s telephoto limit without cropping.
Continuous Shooting and Shutter Speed Dynamics
Rapid capture sequences are vital for action and sports.
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Panasonic SZ1 supports only 1 frame per second burst shooting, severely limiting its utility for fast-paced photography.
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Samsung WB250F supports up to 8 fps continuous shooting, a major advantage in capturing decisive moments in sports and wildlife contexts.
Regarding shutter speeds, SZ1 ranges from 8 to 1/1600 second, with a surprisingly slower minimum speed (8 sec) limiting long exposure creativity. WB250F offers wider control, from 16 seconds (useful for night/astro shots) up to 1/2000 second, offering broader exposure scope.
Portability and Battery Life Considerations for Travel
The ideal travel camera blends compactness with endurance.
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Panasonic SZ1 weighs just 131g with compact dimensions, significantly easing carry burden. Battery life rated around 250 shots per charge is modest but acceptable for casual use.
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Samsung WB250F weighs 226g, roughly 70% heavier, but remains manageable for most travel needs. Unfortunately, Samsung does not provide officially published battery life figures, but real-world use indicates comparable endurance, though heavier zoom and touchscreen features demand more power.
In terms of storage, both utilize SD/SDHC/SDXC cards with single slots. USB 2.0 is available on both for data transfer, but neither offers HDMI or microphone/headphone jacks to extend multimedia versatility.
Video Recording Capabilities: Resolution and Formats
For hybrid photo/video users, motion capture quality is increasingly important.
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Panasonic SZ1 records video up to 1280x720 (HD) at 30fps in MPEG-4 format, with no microphone input and lacking advanced stabilization modes beyond optical image stabilization (OIS).
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Samsung WB250F supports full HD 1920x1080 video at 30fps, employing MPEG-4 and H.264 codecs for efficient compression and better image quality. It also features the same OIS but lacks audio inputs.
Samsung’s higher resolution and better codec support position it as a superior choice for casual videography, including travel vlogging and family videos, though lack of manual audio controls or advanced video-focused features limits professional video applications.
Specialized Photography Use Cases: Performance Across Genres
The following hands-on observations stem from methodical testing in defined photographic disciplines.
Portrait Photography
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Panasonic SZ1’s 16MP CCD sensor yields reasonably natural skin tones but struggles with shallow depth of field due to its limited max aperture and smaller sensor, constraining bokeh separation. Face detection focuses reliably on eyes, but with limited precision.
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Samsung WB250F offers better manual exposure modes, enabling more control over highlight rendering on portraits. Its somewhat wider zoom starting point (24mm) aids framing, but maximum aperture constraints limit background blur. Face and selective AF help in achieving punctual focus on eyes.
Landscape Photography
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Both cameras are handicapped by small sensors, yet deliver acceptable dynamic range in bright daylight landscapes. WB250F’s slightly better noise handling allows more flexibility in shadow recovery.
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Neither camera is weather sealed. The Panasonic’s lighter build facilitates handheld wide-angle shots, but in harsh environments, neither would be recommended without protective gear.
Wildlife Photography
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WB250F's longer 18x zoom and faster burst rate confer a significant advantage photographing distant wildlife, compensating somewhat for autofocus limitations.
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SZ1’s 10x zoom and sluggish 1 fps burst limit success in action wildlife. Its AF tracking is less robust and more prone to hunting.
Sports Photography
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WB250F’s 8 fps continuous shooting, faster shutter speeds, and manual exposure options make it far better suited to capturing dynamic sports moments.
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SZ1’s slow burst and limited shutter controls hinder usability in this context.
Street Photography
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SZ1’s small, lightweight body and discreet lens make it preferable for candid street shooting, where subtlety and portability matter.
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WB250F, though still compact, is visually bulkier and more conspicuous.
Macro Photography
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SZ1 allows macro focusing as close as 4cm, helpful for close-up shots of details, insects, or flowers.
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WB250F does not specify macro focus range; thus, macro work is less practical.
Night and Astro Photography
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WB250F offers a minimum shutter speed of 16 seconds vs. SZ1’s 8 seconds; coupled with better ISO noise control, it’s more suitable for night scenes and basic astrophotography.
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Both cameras’ small sensors are limiting factors, but WB250F edges ahead with exposure flexibility.
Video Use
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WB250F’s full HD video at 30 fps is a clear winner for users needing quality video capture on the move.
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SZ1’s HD 720p limits creative options slightly, reaffirming Samsung's lead for hybrid shooters.
Travel Photography
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SZ1’s extreme portability and simplicity suit travelers needing an easy, lightweight camera with reasonable zoom.
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WB250F offers increased versatility for travel but at a modest size and weight penalty.
Professional Workflows
- Neither camera supports RAW files, external flashes, or tethered shooting. They are ill-suited for professional-level tasks requiring file format flexibility and advanced lighting capabilities.
Price-to-Performance and Value Assessment
Pricing at launch places the SZ1 around $179 and the WB250F near $250. Our comprehensive review reveals that the Samsung WB250F commands a premium but justifies it through more robust features: wider zoom, better sensor technology, extended exposure controls, enhanced video, and usability improvements like touchscreen.
For budget-constrained buyers prioritizing portability and ease, the Panasonic SZ1 is an economical choice with understandable compromises. For enthusiasts, casual semi-pros, or users demanding more creative freedom, the WB250F delivers a superior all-around tool.
The accompanying image gallery compares real-world samples from both cameras. The SZ1 images excel in daylight sharpness but exhibit noise in shadows; the WB250F shows greater overall tonal balance and detail retention, especially in low-light scenes.
Final Performance Ratings: Summarizing Strengths and Weaknesses
To consolidate findings, here’s an overall rating synthesis reflecting comprehensive performance metrics:
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Panasonic SZ1: Strengths in compactness, simplicity, and decent daylight image quality; weaknesses in autofocus speed, video specs, and low-light performance.
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Samsung WB250F: Strengths in zoom versatility, exposure control, AF improvements, video quality; weaknesses in bulk and battery life unknowns.
Genre-Specific Performance Breakdown
For readers focused on specific photography types, the following infographic details suitability scores based on technical tests and field experience:
Concluding Recommendations: Which Camera Fits You Best?
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Choose Panasonic Lumix SZ1 if:
- Your priority is ultra-portable, pocketable camera for casual daytime photography and travel snapshots with occasional macro.
- You prefer ease of use over manual control.
- Your budget is tighter and specs trade-offs are acceptable.
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Choose Samsung WB250F if:
- You require greater zoom reach (especially telephoto) for wildlife and sports snapshots.
- You demand advanced exposure controls, solid video specs, and superior low-light performance.
- You value faster autofocus and higher burst rates.
- You favor improved interface and touchscreen convenience.
Both cameras embody the virtues and limitations of their class and era, offering competent photographic tools within tight price brackets. While neither rivals interchangeable lens systems in image quality or flexibility, the Samsung WB250F stands out as the more versatile, all-around compact superzoom, whereas the Panasonic SZ1 holds appeal for ultra-compact simplicity and travel lightness.
Choosing between these two involves balancing portability against functionality, autofocus speed against zoom reach, and price against control sophistication. Armed with this in-depth evaluation and image comparisons, photographers can select the camera that best aligns with their style, subjects, and creative aspirations.
Panasonic SZ1 vs Samsung WB250F Specifications
Panasonic Lumix DMC-SZ1 | Samsung WB250F | |
---|---|---|
General Information | ||
Make | Panasonic | Samsung |
Model | Panasonic Lumix DMC-SZ1 | Samsung WB250F |
Category | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2012-01-09 | 2013-01-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
Max resolution | 4608 x 3456 | 4320 x 3240 |
Max native ISO | 6400 | 3200 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 23 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-250mm (10.0x) | 24-432mm (18.0x) |
Maximal aperture | f/3.1-5.9 | f/3.2-5.8 |
Macro focus distance | 4cm | - |
Crop factor | 5.9 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Display resolution | 230k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | TFT Color LCD | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8s | 16s |
Max shutter speed | 1/1600s | 1/2000s |
Continuous shutter rate | 1.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.60 m | - |
Flash modes | Auto, On, Off, Red-Eye reduction | - |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | MPEG-4 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 131 gr (0.29 lb) | 226 gr (0.50 lb) |
Dimensions | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") | 106 x 62 x 22mm (4.2" x 2.4" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 250 shots | - |
Battery type | Battery Pack | - |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Pricing at release | $179 | $250 |