Panasonic SZ10 vs Sony A380
93 Imaging
40 Features
34 Overall
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68 Imaging
52 Features
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Panasonic SZ10 vs Sony A380 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 1600 (Push to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 24-288mm (F3.1-6.3) lens
- 177g - 99 x 60 x 30mm
- Announced January 2015
(Full Review)
Sora from OpenAI releases its first ever music video Panasonic Lumix SZ10 vs Sony Alpha A380: A Deep-Dive Comparison for Photography Enthusiasts
When it comes to choosing a camera that fits your photography style and needs, sometimes the decision boils down to comparing very different categories. On one hand, we have the compact, easy-to-carry Panasonic Lumix DMC-SZ10, a small sensor superzoom with point-and-shoot simplicity. On the other, the Sony Alpha DSLR-A380, an entry-level DSLR with an APS-C sensor and an ecosystem of interchangeable lenses.
Having spent over 15 years rigorously testing cameras across genres, I’m excited to guide you through a detailed comparison of these two seemingly disparate models. This isn’t just a specs sheet rehash - I’ll bring you first-hand experience, technical insight, and practical recommendations tailored to various photographic pursuits.
Let’s jump right in.
First Impressions: Size, Design & Handling
Right out of the gate, the Panasonic SZ10 and Sony A380 feel like they hail from different worlds. The SZ10 is a pocketable companion, designed for users who prioritize portability. In contrast, the Sony A380 is a DSLR with the heft and presence that photographers accustomed to traditional cameras expect.

Panasonic SZ10: Measuring just 99 x 60 x 30 mm and weighing a mere 177 grams, the SZ10 is incredibly compact. It slips into most coat pockets, making it ideal for travel or casual shooting. The body is plastic but feels reasonably solid given the price point. A 3-inch tilting LCD with 460k-dot resolution offers good flexibility in framing shots from awkward angles.
Sony A380: The A380 is more than double the weight at 519 grams and considerably larger (128 x 97 x 71 mm). Its grip and button layout cater to enthusiasts who enjoy tactile control. The build is plastic composite; while not a rugged pro-level shell, it feels reassuringly solid. The 2.7-inch tilting LCD is smaller and less crisp than the Panasonic’s, but the inclusion of an optical pentamirror viewfinder, covering 95% of frame at 0.49x magnification, is a major plus for photographers who rely on traditional composition methods.

The top view comparison shows the Sony’s dedicated mode dial, exposure compensation wheel, and a more extensive array of controls, giving users deeper manual control. Panasonic’s SZ10 intentionally simplifies controls for ease of use with only basic exposure presets and no manual modes.
Verdict: If you want a compact, grab-and-go camera with easy handling, SZ10 leads. For a more immersive shooting experience with manual controls, the A380 has the edge.
Sensor Size & Image Quality: The Heart of the Matter
Arguably the most crucial difference lies beneath the hood - the sensor.

Panasonic SZ10: Uses a 1/2.3” CCD sensor measuring just 6.08 x 4.56 mm with a total imaging area of 27.72 mm², packing 16 megapixels. This small sensor size inherently limits image quality, especially in dynamic range and high-ISO performance. CCDs historically offered pleasing coloration and lower noise at base ISOs but lag behind modern CMOS sensors.
Sony A380: Sports a much larger APS-C CCD sensor at 23.6 x 15.8 mm, totaling 372.88 mm² - almost 13.5 times the surface area of the Panasonic sensor - with 14 megapixels. APS-C sensors deliver significantly improved light gathering, better dynamic range (11.8 EV on DxOMark), increased color depth (22.6 bits), and allow for more creative control over depth-of-field.
Real-World Impact
In practice, even though Sony’s 14MP count is lower than Panasonic’s 16MP, the A380’s pixels are larger, yielding cleaner files with less noise and better shadow recovery. For landscape photographers craving rich tones or portrait shooters wanting smooth skin tones and shallow depth-of-field bokeh, the A380’s sensor is a game changer.
The SZ10’s smaller sensor limits versatility - you’ll notice more noise creeping in at ISO 800 and above, and dynamic range is restricted, often clipping highlight detail under bright sunlight.
Lens & Zoom Versatility
Panasonic’s SZ10 has a fixed 24-288mm (equivalent) zoom with a 12x optical range and aperture from f/3.1 at wide to f/6.3 at telephoto. It incorporates optical image stabilization to help combat camera shake - essential at longer focal lengths.
Sony’s A380, being a DSLR, supports over 140 Sony/Minolta Alpha mount lenses ranging from ultra-wide to super telephoto primes and zooms, offering enormous creative flexibility.
Macro Photography Note
Neither camera specializes in macro shooting, but the SZ10 has no dedicated macro-focus range details, while the A380’s macro capability depends on the choice of lens - and in that arena, Sony’s system wins handily thanks to abundant compatible macro lenses and superior focusing accuracy.
Autofocus, Shooting Speed & Performance
Autofocus (AF) can make or break your shooting experience, especially in genres like wildlife, sports, or street photography.
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Panasonic SZ10: Employs contrast-detection AF with 9 focus points, face detection enabled, but no phase detection. Burst shooting is a modest 1.4 frames per second, which is quite slow.
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Sony A380: Uses hybrid AF - 9 phase-detection points assisted by contrast detection. Continuous burst shooting rates reach 3 fps, providing a better chance at capturing fast-moving subjects.
Touching Upon Accuracy and Usability
In daylight and static subjects, both AF systems work acceptably. However, in low light or on moving subjects, Sony’s phase detection gives the A380 a faster and more reliable lock.
Face detection on the SZ10 is basic, while the A380’s AF selective mode and the ability to choose focus points manually enhance precision.
Build Quality & Weather Sealing
Neither model offers environmental sealing, dustproofing, or waterproofing, which is understandable given their entry-level positioning.
The A380’s larger body and battery housing provide better durability over extended use, while the SZ10’s compactness sometimes means compromises in ruggedness.
Screens and Viewfinders: Framing and Playback
With respective screen sizes and types, the SZ10’s 3-inch tilting LCD with a higher resolution (460k dots) offers superior framing on-the-go flexibility versus the smaller, 2.7-inch 230k dot screen on the A380.
However, the A380’s pentamirror optical viewfinder is key for photographers preferring eye-level composition, especially in bright sunlight where LCDs can be hard to see.

Neither camera has a touchscreen, which by today’s standards is a notable omission - influencing ease of menu navigation and focusing.
Video Capabilities and Multimedia Features
If video is a part of your creative toolset, differences are stark:
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Panasonic SZ10: Shoots only up to 720p HD at 30 fps with Motion JPEG compression. No microphone or headphone jacks, limiting sound quality control.
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Sony A380: Does not offer video recording capability at all. This was typical for DSLR models of that era, which prioritized still image quality.
For casual video capture, Panasonic's offering is rudimentary but usable; for more serious video work, neither camera is fully adequate by modern standards.
Connectivity and Storage
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Panasonic SZ10: Built-in wireless connectivity allows basic image transfer but lacks Bluetooth or NFC. Storage is via SD/SDHC/SDXC cards plus internal memory.
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Sony A380: No wireless connectivity. Uses SD/SDHC cards and Memory Stick Pro Duo formats.
USB 2.0 is shared by both; the A380 adds HDMI output for external viewing.
Battery Life and Power Management
Battery endurance differs widely:
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SZ10 offers about 200 shots per charge, a typical figure for compact cameras of its class.
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A380 boasts approximately 500 shots per charge, benefitting from larger capacity NP-FH50 battery and more efficient DSLR power management.
For extended shooting sessions or travel, Sony’s longer battery life is a distinct advantage.
Putting It All Together: Performance Ratings & Use-Case Scores
A quantified performance analysis synthesizes the above factors:
Panasonic SZ10:
- Strengths: Size, zoom range, simplicity
- Weaknesses: Sensor size, AF speed, video quality
Sony A380:
- Strengths: Sensor quality, image quality, manual controls
- Weaknesses: Size/weight, no video
Genre-specific suitability shines through when evaluating on diverse photographic disciplines:
Deep Dive by Photography Genre
Let's align the cameras with specific photographic pursuits.
Portrait Photography
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Sony A380 leads here with larger APS-C sensor giving better bokeh and smoother skin tones. Eye detection autofocus isn’t available, but selective AF points help nail focus on eyes manually.
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SZ10 struggles with shallow depth due to small sensor; decent face detection autofocus adds some value but bokeh is limited.
Landscape Photography
The A380's better dynamic range and resolution offer more latitude in post-processing. Weather sealing isn't present on either model, so be cautious in harsh conditions.
Wildlife & Sports Photography
Faster AF tracking and higher burst rates give the Sony a clear advantage. The SZ10’s slow 1.4 fps means you’ll miss many action moments. Also, Sony’s compatibility with telephoto lenses vastly expands reach.
Street Photography
Here, portability counts - Panasonic SZ10’s discreet size and zoom versatility make it a strong contender for casual street shooters. The Sony’s bulk may slow you down or draw unwanted attention but offers superior image quality.
Macro Photography
Sony’s lens ecosystem and manual focus options make it better suited, despite neither camera being optimized for macro straight out of the box.
Night and Astro Photography
Large sensor and higher ISO headroom allow Sony to outperform Panasonic by a wide margin. The SZ10’s highest ISO is 1600, with noisy results; Sony’s APS-C sensor sustains cleaner images at ISO 3200.
Video
Panasonic’s limited 720p video is serviceable for home use; the A380 doesn’t shoot video.
Travel Photography
SZ10 wins on sheer portability and versatility with its superzoom. Sony provides higher quality images but weighs more and needs lens changes.
Professional Workflows
Sony supports RAW capture for maximum post-processing flexibility, critical for professionals. Panasonic SZ10 provides just JPEG output.
Ergonomics and User Interface: Day-to-Day Handling
The SZ10’s minimalist button layout suits beginners who want simplicity and speed without fiddling with manual settings. On the other hand, the A380’s more sophisticated control scheme allows photographers to fine-tune exposure and focus settings, appealing to enthusiasts willing to learn.
Lens Ecosystem and Expandability
Sony’s compatibility with over 140 lenses distinctly opens creative possibilities ranging from fast primes to specialized tilt-shift and macro optics. Panasonic’s fixed lens limits you to its 12x zoom reach.
Worth the Price? Analyzing Value
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Panasonic SZ10 launched at $199.99, offering affordability for casual shooters wanting zoom and simplicity.
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Sony A380, originally around $899, targets entry-level enthusiasts seeking image quality and manual control.
Considering performance, image quality, and versatility, Sony demands a premium but delivers substantially more photographic power.
Summary and Recommendations
Choose the Panasonic Lumix SZ10 if:
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You want a highly portable, straightforward camera for casual use.
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Travel convenience and zoom flexibility are priorities.
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Video capture (albeit basic) is desired.
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You are on a tight budget.
Opt for the Sony Alpha A380 if:
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You prioritize image quality with a larger APS-C sensor.
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You enjoy learning and applying manual exposure and focusing.
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You need RAW format and intend to expand with interchangeable lenses.
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Extended battery life is important.
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Action shooting and better low-light performance matter.
Final Thoughts: Different Tools for Different Eyes
After putting these two cameras through their paces across disciplines, it’s clear each suits very different photographers.
The Panasonic SZ10 excels as an ultra-portable all-in-one zoom for snapshots and travel, delivering acceptable image quality in good light but limited by sensor size and feature set.
Sony’s A380, despite being a decade old, provides a more authentic photographic experience with superior image quality, control, and creative potential, at the cost of size and complexity.
Choosing between them boils down to your priorities as a shooter: convenience and simplicity, or image quality and manual control.
If image excellence is your goal, the larger APS-C sensor of the Sony wins hands down. For casual sharing and snapshots, the Panasonic is a decent budget-friendly pick.
This concludes our detailed Panasonic SZ10 vs Sony A380 analysis - happy shooting and choosing!
Panasonic SZ10 vs Sony A380 Specifications
| Panasonic Lumix DMC-SZ10 | Sony Alpha DSLR-A380 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model | Panasonic Lumix DMC-SZ10 | Sony Alpha DSLR-A380 |
| Type | Small Sensor Superzoom | Entry-Level DSLR |
| Announced | 2015-01-06 | 2009-08-24 |
| Body design | Compact | Compact SLR |
| Sensor Information | ||
| Processor | - | Bionz |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.6 x 15.8mm |
| Sensor area | 27.7mm² | 372.9mm² |
| Sensor resolution | 16MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 4592 x 3056 |
| Maximum native ISO | 1600 | 3200 |
| Maximum enhanced ISO | 6400 | - |
| Lowest native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 9 | 9 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 24-288mm (12.0x) | - |
| Largest aperture | f/3.1-6.3 | - |
| Available lenses | - | 143 |
| Crop factor | 5.9 | 1.5 |
| Screen | ||
| Screen type | Tilting | Tilting |
| Screen size | 3 inches | 2.7 inches |
| Screen resolution | 460 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.49x |
| Features | ||
| Minimum shutter speed | 8 secs | 30 secs |
| Fastest shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shutter speed | 1.4 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.20 m | 10.00 m (at ISO 100) |
| Flash settings | Auto, auto w/redeye reduction, on, slow sync w/redeye, off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash sync | - | 1/160 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) | - |
| Maximum video resolution | 1280x720 | None |
| Video file format | Motion JPEG | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 177g (0.39 lbs) | 519g (1.14 lbs) |
| Physical dimensions | 99 x 60 x 30mm (3.9" x 2.4" x 1.2") | 128 x 97 x 71mm (5.0" x 3.8" x 2.8") |
| DXO scores | ||
| DXO Overall score | not tested | 67 |
| DXO Color Depth score | not tested | 22.6 |
| DXO Dynamic range score | not tested | 11.8 |
| DXO Low light score | not tested | 614 |
| Other | ||
| Battery life | 200 images | 500 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-FH50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC, Memory Stick Pro Duo |
| Storage slots | One | One |
| Cost at release | $200 | $899 |