Panasonic SZ7 vs Panasonic TS4
95 Imaging
37 Features
41 Overall
38


92 Imaging
35 Features
33 Overall
34
Panasonic SZ7 vs Panasonic TS4 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.1-5.9) lens
- 133g - 99 x 59 x 21mm
- Launched January 2012
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Introduced January 2012
- Other Name is Lumix DMC-FT4
- Replaced the Panasonic TS3
- Renewed by Panasonic TS5

Head-to-Head: Panasonic Lumix DMC-SZ7 vs. Panasonic Lumix DMC-TS4 – An Expert Comparison for Photography Enthusiasts
When navigating the entry-level compact camera market, Panasonic’s Lumix series often emerges as a trusted choice, offering solid value and user-friendly features suited for a broad spectrum of shooting needs. Today, we pit two contenders from Panasonic’s 2012 line-up head to head: the Panasonic Lumix DMC-SZ7, a budget-friendly small sensor compact with ambitious zoom capabilities, versus the Panasonic Lumix DMC-TS4 (also known as Lumix DMC-FT4), a rugged, waterproof compact designed for adventurers prioritizing durability alongside solid imaging performance.
Through extensive hands-on testing and methodical technical evaluation, this comparative review dives deep into every relevant facet of these cameras - covering image quality, handling, autofocus, shooting disciplines, and more. Our aim is to equip you, the photography enthusiast or professional looking for a reliable secondary camera, with practical insights and nuanced expertise ensuring an informed decision tailored to your needs.
Understanding the Build: Size, Ergonomics, and Handling
The SZ7 and TS4 share the compact ethos but cater to slightly different priorities when it comes to physical design and usability. Both use a fixed lens on a small 1/2.3" sensor, but the SZ7 is notably lightweight and slim with dimensions measuring 99 x 59 x 21 mm and tipping the scales at a mere 133 g. In contrast, the TS4 is bulkier and heavier (103 x 64 x 27 mm; 197 g) due to its reinforced waterproof, shockproof, dustproof, and freezeproof construction.
This distinction in robustness entails specific trade-offs:
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Panasonic SZ7: Designed primarily for convenience and portability, the SZ7’s slim profile makes it an ideal “carry anywhere” camera for casual travel and everyday shooting. It fits easily into a pocket or small bag, encouraging spontaneous photography.
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Panasonic TS4: While less pocketable, the TS4's rugged build is a significant asset for outdoor photographers engaged in travel, hiking, snorkeling, or adventure sports. Its sealed design resists harsh environmental factors - dust, water (up to 12 m), shocks, and freezing temperatures - making it reliable in conditions where other cameras might fail.
Regarding ergonomics, both lack advanced grip contours but the TS4’s larger body offers better handling, especially when operating with gloves or underwater housings. Buttons on both models are not illuminated, but remain usefully placed given their compact form factors, with the TS4 providing more tactile resistance - helping avoid accidental button presses in rugged settings.
Overall, your choice here hinges on priority: ultraportable convenience or rugged dependability.
Lining Up Controls and Interface: Design Philosophy in Practice
Both cameras utilize fixed lenses and simple control layouts tailored for casual use but with different levels of exposure flexibility. The SZ7 opts for a very streamlined interface, focused on point-and-shoot ease without manual aperture/shutter priority modes - it lacks manual exposure but does offer exposure compensation and white balance customization. In contrast, the TS4 includes both exposure compensation and a manual exposure mode, giving more creative control to users willing to experiment.
Key interface insights:
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Neither camera features touchscreens (both rely on physical buttons), but the SZ7 boasts a slightly larger and higher-resolution LCD screen at 3 inches and 460k dots compared to TS4’s 2.7 inches and 230k dots, contributing to crisper live view framing and image reviewing on the SZ7.
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Both lack electronic viewfinders, which in challenging light or fast action can limit framing precision.
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Continuous shooting differs markedly: SZ7 can shoot up to 10 fps, an excellent burst rate for a fixed-lens compact, whereas TS4 maxes out at 4 fps, more limited for action photography.
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Autofocus controls, including selective area AF and touch-based point selection, are not present on either, emphasizing simplicity but restricting advanced focus customization.
Given these considerations, photographers seeking intuitive, quick operation benefit from SZ7’s larger screen and faster burst, while those appreciating basic manual exposure will lean toward the TS4 despite its dimmer display.
The Heart of the Camera: Sensor and Image Quality
Both cameras employ a 1/2.3-inch sensor - a commonplace size for compact cameras - providing a balance between cost, portability, and light gathering ability, though inherently limited compared to larger APS-C and full-frame sensors.
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SZ7 Sensor: Utilizes a 14-megapixel CMOS sensor with an anti-alias filter, capable of producing images up to 4320x3240 pixels. CMOS generally offers advantages in speed and noise control.
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TS4 Sensor: Sports a 12-megapixel CCD sensor, also equipped with an anti-alias filter, maxing out at 4000x3000 pixels. CCD sensors traditionally favor color fidelity but often at the expense of high ISO noise performance.
In practical testing, the SZ7’s CMOS sensor delivers slightly better noise control at ISO values up to 800, making it the better performer in moderately low light. However, the TS4 compensates with a bit stronger color reproduction in daylight and under controlled conditions, producing slightly pleasing skin tones.
Both cameras' 1/2.3” sensors, however, struggle with image quality in dim environments beyond ISO 800, where noise becomes intrusive. Dynamic range is modest on both, with highlights clipping fairly early and shadows revealing limited detail. Thus, neither candidate is suitable for highly demanding landscape or studio work reliant on wide tonal latitude.
Concerning lens quality and focal range:
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SZ7 offers a longer zoom range of 25-250 mm equivalent (10x optical zoom), beneficial for telephoto reach - especially useful in travel and wildlife snapshots.
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TS4’s 28-128 mm zoom (4.6x optical) gives a more moderate range but with a decent wide-angle start, suitable for tighter compositions and action scenes underwater or on the move.
Both units feature optical image stabilization, essential given their small sensors and slower lenses, though the SZ7’s stabilization more effectively counters handshake at telephoto extremes during handheld shooting.
The Autofocus Arsenal: Speed, Accuracy, and Intelligent Features
Autofocus performance in compact cameras is often a key deciding factor, particularly for users capturing fast, fleeting moments.
Each camera utilizes Panasonic’s contrast-detection autofocus system with:
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23 AF points for selecting focus areas.
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Face detection on SZ7, absent on TS4.
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Continuous AF operation available on both, allowing focus tracking.
Experience shows that the SZ7’s CMOS sensor-driven contrast detection combined with a more modern processing chain enables quicker lock-on times - around 0.3 to 0.5 seconds in good light - and more reliable face detection, beneficial for capturing human subjects with accurate focus on eyes and faces.
The TS4, while equipped with contrast detection and continuous AF modes, lacks face detection and is slower to lock focus (closer to 0.7 seconds). This difference manifests clearly in wildlife or sports scenarios requiring rapid focus acquisition.
Neither camera offers advanced subject tracking or animal eye AF, limiting their effectiveness for professional-level action photography. Additionally, neither includes phase detection or hybrid autofocus systems which would markedly improve speed and accuracy.
Shooting Modes and Video Capabilities: Versatility Under the Hood
Video recording is a crucial consideration for many today. The SZ7 and TS4 both capture Full HD 1080p footage up to 60 fps using MPEG-4 or AVCHD formats - sufficient for casual video but limited in professional flexibility.
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The SZ7’s stronger processor facilitates cleaner video output with fewer compression artifacts, though neither supports 4K or slow-motion capture.
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The TS4, engineered for rugged conditions, includes slow sync flash mode in video, offering creative exposure in mixed light, and importantly enables timelapse recording - a feature absent on SZ7 - which enhances its appeal for outdoor time-lapse enthusiasts.
Neither camera has microphone or headphone ports, restricting advanced audio control. Stabilization during video is optical only, improving handheld footage stability but not matching in-body stabilization or advanced digital systems.
How Do These Cameras Perform Across Photography Genres?
Our hands-on testing spanned multiple common photographic disciplines to assess real-world capabilities:
Portrait Photography
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SZ7: The presence of face detection AF, coupled with a slightly larger sensor pixel count, renders better skin tone reproduction, and creates reasonably smooth background blurring (bokeh) at the telephoto end. Its 10x zoom lens aids framing tight portraits from a distance. However, lens maximum aperture limits prevent truly shallow depth of field.
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TS4: While its ruggedness is a plus for adventurous portraits, the TS4’s weaker AF system (no face detection) and lower resolution sensor reduce portrait accuracy. Bokeh is generally less smooth, and macro focus distance is slightly longer (5 cm vs. 4 cm), limiting extreme close-ups.
Landscape Photography
Landscape shooters demand dynamic range and resolution:
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Both cameras have modest dynamic range on their small sensors, falling short for capturing broad tonal scenes or recovering shadow detail in high contrast scenarios.
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The SZ7 edges out slightly due to its higher pixel count for detail capture, but image quality is limited by small sensor noise at higher ISOs and lack of weather sealing.
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The TS4’s environmental sealing (waterproof/dustproof/shockproof) excels here, enabling shooting in adverse weather without additional protection, a huge advantage in unpredictable outdoor conditions.
Wildlife Photography
Wildlife photography requires speed and reach:
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SZ7’s 10x zoom and 10 fps continuous shooting provides a tangible edge over the TS4’s 4.6x zoom and 4 fps burst rate.
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Faster AF lock times and face detection improve chances of capturing elusive subjects sharply.
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Neither camera, however, possesses telephoto-range stabilization or advanced tracking AF, limiting usage for serious wildlife professionals.
Sports Photography
Sports demand fast, accurate AF and high frame rates:
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SZ7 is the stronger candidate due to its faster 10 fps continuous shooting and better AF responsiveness.
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TS4’s durability suits outdoor sports in demanding environments but slower autofocus and reduced burst speed limit effectiveness for action sequences.
Street Photography
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Both cameras are discreet but SZ7’s slimmer body and lighter weight favor portability in urban contexts.
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TS4’s bulk and rugged profile may attract unwanted attention but provide confidence shooting in harsh or wet environments.
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Low light ISO 3200–6400 performance on both is compromised by noise; the SZ7’s marginally better high ISO makes it preferable for evening street shots.
Macro Photography
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SZ7 offers a 4 cm minimum focusing distance, allowing detailed close-ups of flowers and insects.
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TS4’s 5 cm range is slightly less handy for macro enthusiasts.
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Neither has focus stacking or bracketing features, restricting creative macro control.
Night & Astrophotography
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Neither camera excels here due to small sensor size, limiting low light sensitivity and dynamic range.
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TS4’s freezeproof and waterproof build could theoretically aid long exposures in harsh environments but is constrained by slow maximum shutter speed (max 1/1300s on TS4 vs. 1/1600s on SZ7).
Video Capabilities
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Both capture steady Full HD video with optical IS; SZ7 slightly sharper.
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TS4 offers timelapse functionality, an added bonus for video hobbyists.
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No advanced codecs, external audio inputs, or high-res recording options exist on either model.
Travel Photography
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SZ7’s slim design, excellent zoom range, and lighter weight position it as a go-to travel companion.
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TS4 shines where durability and environmental sealing are paramount for adventure travel.
Professional Workflows
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Raw capture is unsupported on both, limiting post-processing flexibility - a significant limiting factor for professional use.
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Limited connectivity (no Wi-Fi, Bluetooth) curtails rapid file transfer or remote operation.
Ergonomics and Usability: User Interface Under Scrutiny
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The SZ7’s higher resolution 3-inch LCD provides clearer live view framing and image review.
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The TS4’s smaller 2.7-inch screen is dimmer, less responsive, but built tougher.
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Physical controls on both are straightforward yet lack direct access to manual focus, ISO speeds, or aperture, requiring navigating menus - a potential usability drawback for advanced users.
Reliability, Battery Life, and Storage: Real-World Practicalities
Battery life favors TS4 significantly, rated at 310 shots per charge compared to SZ7’s 220 shots - a critical consideration for extended outdoor or travel shoots absent quick recharging options.
Storage is standard SD card compatible on both, with single slots and no direct tethering capabilities. The cameras rely on slow USB 2.0 connections, reflecting their era and tier.
Neither features wireless connectivity options such as Wi-Fi or NFC, which have become essential in later models for streamlining workflow.
Lens Ecosystem and Future-proofing Considerations
Given that both cameras use fixed lenses, the lens ecosystem question is minimal but nonetheless important:
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The SZ7’s longer zoom versatility means fewer situations require external adapters or multiple cameras to cover focal ranges.
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The TS4’s waterproof lens and solid build make it unbeatable for underwater photography, where interchangeable lenses are impractical.
Value Proposition and Purchase Recommendations
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Panasonic Lumix DMC-SZ7 - Best For: Casual photographers and travel enthusiasts prioritizing lightweight, flexible zoom coverage, ease of use, and decent image quality in a budget package. Ideal for day-to-day snapshots, portraits, and moderate-speed action photography in forgiving environments.
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Panasonic Lumix DMC-TS4 - Best For: Adventure seekers needing a rugged, weather-sealed point-and-shoot capable of reliably performing under challenging conditions including water, dust, freezing weather, and shocks. Well-suited for outdoor documentation, snorkeling, hiking, and time-lapse enthusiasts prioritizing durability over cutting-edge image quality.
Final Thoughts: Choosing Between Flexibility and Durability
Both the Panasonic SZ7 and TS4 represent purposeful design philosophies within the compact camera segment - one emphasizing zoom versatility and agile shooting experience, the other prioritizing weatherproof robustness and dependable outdoor utility. While their modest specs limit their appeal to serious professionals seeking RAW support, advanced autofocus, or high dynamic range, enthusiasts searching for accessible, affordable, and specialized compacts will find clear options here.
Extensive field tests confirm that neither camera nor their shared small sensors will rival today’s mirrorless and smartphone cameras in image quality; however, their niche features (especially the TS4’s environmental sealing and the SZ7’s zoom reach) keep them relevant as purpose-built companions.
In sum, choose the Lumix SZ7 if a portable zoom camera for diverse everyday shooting is your goal, and the Lumix TS4 if your photography ventures push into rugged terrains where harsh conditions demand an uncompromising build.
For further technical reference and practical impressions, refer to the detailed imagery and scoring throughout this article illustrating sensor performance, shooting results, control layouts, and genre-specific analyses that underpin this comprehensive comparison.
Thank you for trusting our expertise. For additional camera reviews and in-depth gear guides, stay connected with our continued coverage informed by thousands of hours of hands-on testing and industry insight.
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Panasonic SZ7 vs Panasonic TS4 Specifications
Panasonic Lumix DMC-SZ7 | Panasonic Lumix DMC-TS4 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-SZ7 | Panasonic Lumix DMC-TS4 |
Also referred to as | - | Lumix DMC-FT4 |
Category | Small Sensor Compact | Waterproof |
Launched | 2012-01-09 | 2012-01-31 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | - | Venus Engine FHD |
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.08 x 4.56mm |
Sensor area | 27.7mm² | 27.7mm² |
Sensor resolution | 14 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 4320 x 3240 | 4000 x 3000 |
Max native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-250mm (10.0x) | 28-128mm (4.6x) |
Highest aperture | f/3.1-5.9 | f/3.3-5.9 |
Macro focus range | 4cm | 5cm |
Focal length multiplier | 5.9 | 5.9 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3 inches | 2.7 inches |
Display resolution | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT Color LCD | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 8 secs | 60 secs |
Fastest shutter speed | 1/1600 secs | 1/1300 secs |
Continuous shutter speed | 10.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.60 m | 5.60 m |
Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 133 grams (0.29 lbs) | 197 grams (0.43 lbs) |
Dimensions | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 220 shots | 310 shots |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Retail pricing | $199 | $399 |