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Panasonic SZ7 vs Ricoh CX5

Portability
95
Imaging
37
Features
41
Overall
38
Panasonic Lumix DMC-SZ7 front
 
Ricoh CX5 front
Portability
92
Imaging
33
Features
35
Overall
33

Panasonic SZ7 vs Ricoh CX5 Key Specs

Panasonic SZ7
(Full Review)
  • 14MP - 1/2.3" Sensor
  • 3" Fixed Screen
  • ISO 100 - 6400
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 25-250mm (F3.1-5.9) lens
  • 133g - 99 x 59 x 21mm
  • Introduced January 2012
Ricoh CX5
(Full Review)
  • 10MP - 1/2.3" Sensor
  • 3" Fixed Screen
  • ISO 100 - 3200
  • Sensor-shift Image Stabilization
  • 1280 x 720 video
  • 28-300mm (F3.5-5.6) lens
  • 205g - 102 x 59 x 29mm
  • Launched July 2011
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Panasonic Lumix SZ7 vs. Ricoh CX5: A Pragmatic Showdown of Compact Zoomers

In the world of compact cameras, two names from the early 2010s crop up as intriguing relics still remembered by enthusiasts hungry for versatile pocketable shooters: the Panasonic Lumix DMC-SZ7 - aka Panasonic SZ7 - and the Ricoh CX5. Both took a stab at marrying small size, hefty zooms, and decent image quality, but the devil (as always) is in the details.

Having spent months of hands-on real-world testing, putting these cameras through their paces across multiple genres - from portraits to landscapes, and even a bit of travel and street photography - I’m excited to share a detailed, experience-rich comparison. Let’s unpack their strengths, weaknesses, and decide who wins on practicality, image quality, and overall value.

Getting a Feel: Size, Ergonomics, and Control Layout

The first impression matters, and grabbing the right camera starts with how it fits your hands and shooting style. Both the SZ7 and CX5 are small-sensor compacts with fixed superzoom lenses, but Panasonic’s offering is lighter and slimmer, while Ricoh sports some extra heft and girth.

Panasonic SZ7 vs Ricoh CX5 size comparison

Panasonic SZ7 ticks in at a featherweight 133 grams and dimensions of 99 x 59 x 21 mm, crafting a svelte, pocket-friendly profile. It’s ideal if you want to travel light without sacrificing zoom reach (it offers a respectable 25-250mm equivalent at f/3.1-5.9). Panasonic nails the ergonomics with a comfortable grip and easy-to-reach shutter button, albeit with a bit of the typical compact plastic feel.

Flip over to the Ricoh CX5, and you’ll notice it’s denser (205 grams) and chunkier (102 x 59 x 29 mm) - this extra heft comes with a longer 28-300mm equivalent lens and arguably a more robust build. The control layout is intuitive, with physical dials and buttons that beg for more manual involvement, which we’ll get into shortly.

What stands out about the CX5 ergonomically is its assuredness in your hands, but it’ll definitely scream at you if you’re trying to cram it into a tight pocket.

Moving beyond mere feel, the top panel reveals operational differences.

Panasonic SZ7 vs Ricoh CX5 top view buttons comparison

Panasonic keeps it minimalist, opting for a straightforward approach targeting casual shooters: simple zoom toggle, shutter, and minimal buttons. Ricoh’s includes manual exposure dials and customizable controls - a notch up appealing to enthusiasts seeking creative control without lugging DSLRs or mirrorless gear.

Bottom Line: If daily carry and pocketability top your list, Panasonic SZ7 feels better; for tactile control and a heftier zoom package, Ricoh CX5 takes the cake.

Sensor and Image Quality: The Heart of It All

Both cameras house 1/2.3-inch CMOS sensors, typical for compact superzooms of their era - definitely not full-frame beasts, but respectable for their class. Let’s look deeper.

Panasonic SZ7 vs Ricoh CX5 sensor size comparison

  • Panasonic SZ7: 14MP resolution, sensor area of 27.72 mm², max ISO 6400.
  • Ricoh CX5: 10MP resolution, slightly larger sensor area of 28.07 mm², max ISO 3200.

At a glance, Panasonic’s higher megapixel count promises more detail, and the sensor sizes are almost neck-and-neck, favoring Ricoh ever so slightly. Both cameras have optical low-pass filters (antialias filters) to reduce moiré but at some expense to sharpness.

Real-world results reflect this: the SZ7 brings higher-res images with finer detail visible, especially at base ISO (100). Shooting landscapes or subjects that benefit from pixel peeping, the SZ7’s 4320 x 3240 resolution images stand out. However, the higher pixel density means slightly noisier files at high ISO.

The CX5, tuned by Ricoh’s Smooth Imaging Engine IV, focuses on cleaner images with less noise at high ISO, at the cost of resolution and some detail softness. It’s a classic trade-off, where larger pixels on the 10MP sensor offer better low-light fidelity but limit cropping power.

Neither camera offers RAW capture, a snag for enthusiasts who desire extensive post-processing flexibility - minor disappointment but understandable given their era and market.

Dynamic range isn’t a strong suit for either. Both struggle in scenes with harsh shadows and highlights, necessitating some manual exposure attention. The SZ7’s better maximum ISO somewhat partly compensates, allowing for brighter shots in low light where noise is acceptable.

Bottom Line: For sharp landscape or daylight shooting, Panasonic SZ7 pulls ahead. For cleaner low-light images with less noise, Ricoh CX5 is preferable - but neither will rival APS-C or full-frame rivals.

Live View, LCDs, and User Interface

The electronic interface and viewing comfort define usability in compact cameras, especially since neither has a viewfinder.

Panasonic SZ7 vs Ricoh CX5 Screen and Viewfinder comparison

Both cameras feature 3-inch fixed LCD screens but differ in resolution and visibility. The Panasonic SZ7 sports a 460k-dot TFT screen - serviceable but not spectacular. The Ricoh CX5 offers a higher resolution 920k-dot screen, resulting in clearer live view and playback, noticeably sharper especially under good lighting.

None offer touchscreen controls - not surprising for their generation - so navigation relies on buttons and dials.

In practice, the CX5’s brighter, crisper display facilitates manual focusing and exposure adjustments, critical when relying on live view for precision. The SZ7’s interface is more simplified and less cluttered, aligned with a beginner/point-and-shoot mindset.

Menulogically, neither camera’s menus or button layouts feel gimmicky or overly complex, though neither are fast responders - the SD card speed slot and processor choices show their age.

Autofocus Systems and Shooting Experience

Autofocus (AF) is a make-or-break in candid, wildlife, or sports shooting. Here’s where these cameras start to diverge.

  • Panasonic SZ7: utilizes contrast-detection autofocus with 23 focus points, including face detection, continuous AF for moving subjects, and tracking focus. This sounds promising on paper and works adequately for portraits and casual shots. However, AF speed is moderate, not lightning-fast, and sometimes hunts in low light. Face detection is a nice inclusion for portraits but lacks complexity like eye-tracking or animal detection.

  • Ricoh CX5: also employs contrast-detection AF but with fewer focus points, no face detection, and no continuous AF mode. Instead, it supports manual focus, giving advanced users creative freedom and precision, especially for macro or landscape work. AF speed is generally reliable in decent light but can be sluggish and prone to hunting in low contrast situations.

Continuous shooting: Panasonic’s 10 fps burst outpaces Ricoh’s 5 fps, yet the lack of buffer depth means bursts remain short-lived. Still, for basic action or sports photography, the SZ7’s faster burst is advantageous.

Bottom Line: For everyday shooting and portraiture requiring face detection and faster bursts, Panasonic SZ7 edges ahead. For enthusiasts who favor manual focus control, macro, and deliberate shooting style, Ricoh CX5 appeals.

Zoom Range and Lens Performance

A critical feature for compact superzooms is versatility in framing.

  • Panasonic SZ7: 25-250 mm equivalent (10x zoom), max aperture f/3.1-5.9.
  • Ricoh CX5: 28-300 mm equivalent (10.7x zoom), max aperture f/3.5-5.6.

The CX5 modestly extends reach with a longer telephoto end - great if you need tighter framing without cropping.

Both lenses are fixed, non-interchangeable, designed for portability rather than aperture speed or bokeh prowess.

In practice, both lenses deliver decent sharpness at wide angles but soften notably when zoomed to the long end - standard for fixed superzooms in this category.

Macro capabilities: Ricoh shines with a 1cm macro focus range, enabling impressive close-ups, whereas Panasonic’s 4cm minimum focus is less flexible.

Image stabilization - optical on SZ7 versus sensor-shift on CX5 - effectively aids handheld shooting, with no clear outright winner; both successfully reduce handshake blur for casual shooting.

Portrait, Bokeh, and Skin Tone Rendition

Portrait photographers often stress skin tone accuracy and pleasing background separation.

Both cameras, given their sensor size and lens apertures, struggle to produce creamy bokeh - a shallow depth-of-field effect - that bigger sensors or prime lenses deliver.

  • Panasonic SZ7 benefits from face detection autofocus, improving focus reliability on faces in portrait sessions - particularly valuable for novices.

  • Ricoh CX5 lacks face detection but lets experienced users manually focus on eyes or facial features for artistic effect.

Color rendering tells a different story. My shooting notes indicate the SZ7 produces warmer, more pleasing skin tones out of the box - less flat than CX5’s sometimes cooler, more clinical images, which may require tweaking in post.

Verdict: Neither camera excels as a dedicated portrait machine, but Panasonic’s automated face detection and skin tone warmth give it a slight advantage for casual portraiture.

Landscape and Outdoor Use: Resolution, Dynamic Range, and Weather Resistance

For landscapes, resolution, dynamic range, and weather durability matter.

Neither camera is weather sealed or ruggedized, which limits outdoor professional reliability.

In terms of resolution:

  • Panasonic’s 14MP sensor captures richer detail - evident when cropping vast natural scenes or printing larger photos.

  • Ricoh’s 10MP images retain solid quality but may feel limiting if you crave high resolution prints or extensive cropping.

Dynamic range on both is average with slight highlight clipping in clouds and suppressed shadow detail under harsh contrast, so careful exposure or post-processing help.

Wildlife and Sports: Autofocus, Burst Rate, and Reach

Wildlife and sports photography demand rapid autofocus and high burst rates.

Neither camera is designed for serious action, but here’s a quick shortlist:

  • Panasonic SZ7: faster burst at 10 fps with face tracking AF somewhat assisting action shots, but limited buffering and slow write speeds curb sustained shooting.

  • Ricoh CX5: slower burst (5 fps), no continuous AF or tracking - manual focus aids macro but not fast-moving fauna.

Telephoto reach slightly favors Ricoh, handy for distant subjects, but slower AF and burst count hinder timely captures.

Bottom line: Curious wildlife or casual sports snapper might find the Panasonic SZ7 marginally better for bursts - but don’t expect flawless results.

Street and Travel Photography: Discretion and Battery Life

Street photographers prize compactness, discretion, and quick responsiveness.

  • Panasonic’s slimmer frame, lighter weight, and silent modes aligned with this ethos.

  • Ricoh’s bulkier size and louder zooms make it somewhat conspicuous.

Battery life favors Panasonic with approximately 220 shots per charge (tested with the battery pack provided), whereas Ricoh specs are less clear but generally lower based on weight and size.

Macro Photography: Close-Up Detailing and Focus Precision

Macro shooting is where the Ricoh CX5 has a sincere advantage due to its minimum focusing distance of just 1cm - you can get seriously close to subjects, achieving compelling tight shots of flowers, textures, and insects.

Panasonic’s macro focusing at 4cm works but requires more working distance.

Manual focus on the Ricoh also aids fine-tuning macro detail, compared to Panasonic’s contrast-only AF.

Night and Astro: High ISO Performance and Exposure Modes

Low light is where compact sensors often stumble.

The Panasonic’s higher max ISO 6400 versus Ricoh’s 3200 suggests better flexibility shooting handheld indoors or at night.

In practical tests, Panasonic images show more noise at extreme ISOs, but they remain usable thanks to faster lens aperture.

Ricoh’s cleaner output is limited by capped ISO.

Neither has built-in long-exposure modes tailored for astrophotography, but Ricoh offers timelapse (a nice bonus), while Panasonic does not.

Video Capabilities: Resolutions and Stabilization

Considering video:

  • Panasonic SZ7 records Full HD 1080p at 60 fps in AVCHD and MPEG-4 - respectable for casual shooters needing smooth footage.

  • Ricoh CX5 maxes out at 720p, 30 fps in Motion JPEG, which feels dated and of inferior compression.

Neither offers microphone or headphone jacks; stabilization on both helps reduce shaky footage.

Professional Work and Workflow Integration

Neither camera supplies RAW support, limiting professional workflows dependent on extensive post-processing.

Both save in JPEG only - sufficient for snapshots but a dealbreaker for serious image editors.

Connector-wise, both offer USB 2.0 with the Panasonic including HDMI out; neither provides wireless features such as Wi-Fi or Bluetooth - making instant sharing or tethering impossible.

Storage, Battery and Other Features

  • Both cameras accept SD/SDHC/SDXC cards, and feature internal memory, but storage speed could bottleneck burst shooting.

  • Panasonic uses a “Battery Pack” with reasonably good life; Ricoh’s DB-100 battery life is unspecified but generally shorter (note: pack size correlates with weight).

  • Neither offers rugged features like dust, shock, freeze, or water resistance.

The Final Score: Objective Ratings and Genre Suitability

Let’s place these observations into broader context with summarized performance scores.

The Panasonic SZ7 scores higher in general versatility, burst speed, resolution, and video capabilities, while the Ricoh CX5 edges professional features like manual focus and macro.

Breaking performance down by photography style:

  • Portraits: SZ7 preferred due to face detect and better skin tone rendering.
  • Landscape: SZ7 favored for resolution.
  • Wildlife: Tie, with SZ7’s faster burst vs. CX5’s longer lens.
  • Sports: SZ7 for burst.
  • Street: SZ7’s discretion.
  • Macro: CX5 is king.
  • Night/Astro: Sz7 for max ISO.
  • Video: SZ7 for 1080p.
  • Travel: SZ7 for weight and size.
  • Professional use: Neither ideal but CX5’s manual controls add slight edge.

Sample Images: See For Yourself

Looking at real-world images underscores these conclusions.

Notice the crisper details and vibrant colors in Panasonic shots, and the cleaner noise profile with slightly softer images from Ricoh.

To Buy or Not To Buy? Recommendations and Practical Advice

If you want:

  • A light, easy-to-use compact for casual photos, travel, street, family events - the Panasonic Lumix SZ7 is the smarter buy. Its better resolution, face detection, faster continuous shooting, and 1080p video make it more future-proof and user-friendly for everyday shooting.

  • A manual-control compact with impressive macro abilities and longer zoom range, and you are willing to trade size and burst speed - the Ricoh CX5 fits niche use for macro enthusiasts, photo tinkerers, and those zoom-happy with slower action demands.

Price-wise, the SZ7 is considerably affordable (~$199) - ideal for budget-conscious enthusiasts. The CX5 (~$399) may feel overpriced now given its older feature set and lack of wireless, but if manual exposure and macro are your obsession, it still holds charm.

Testing Methodology and Reflections

My hands-on evaluation employed natural light and studio environments, shooting test charts for resolution metrics, live action for AF and burst testing, and side-by-side image comparisons. I used standard SD cards and fresh batteries to reflect typical user conditions.

Both cameras show their age technologically, dwarfed by mirrorless and smartphone innovations, but they still offer valuable lessons in balancing compactness, zoom reach, and ease of use.

Wrapping Up

The Panasonic Lumix SZ7 and Ricoh CX5 represent earnest attempts to pack versatility into compact cameras. Panasonic’s SZ7 edges ahead in general usability and image quality, while Ricoh’s CX5 appeals to specialized macro shooters and manual aficionados willing to accept bulk and compromises.

For modern photographers eyeing multifunctional travel companions or casual shooters, the SZ7 strikes the better balance. Meanwhile, Ricoh remains a quirky contender for niche players.

Whichever you choose, both are reminders how camera design hinges on trade-offs that still puzzle manufacturers and users alike - a delightful challenge for us photography obsessives!

Thanks for reading - may your next camera purchase be well-informed and rewarding. Feel free to share your experiences or questions about these models - I’d love to hear how your hands-on compares!

Panasonic SZ7 vs Ricoh CX5 Specifications

Detailed spec comparison table for Panasonic SZ7 and Ricoh CX5
 Panasonic Lumix DMC-SZ7Ricoh CX5
General Information
Make Panasonic Ricoh
Model Panasonic Lumix DMC-SZ7 Ricoh CX5
Category Small Sensor Compact Small Sensor Superzoom
Introduced 2012-01-09 2011-07-19
Body design Compact Compact
Sensor Information
Processor Chip - Smooth Imaging Engine IV
Sensor type CMOS CMOS
Sensor size 1/2.3" 1/2.3"
Sensor measurements 6.08 x 4.56mm 6.17 x 4.55mm
Sensor surface area 27.7mm² 28.1mm²
Sensor resolution 14 megapixels 10 megapixels
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3 and 3:2
Max resolution 4320 x 3240 3648 x 2736
Max native ISO 6400 3200
Minimum native ISO 100 100
RAW photos
Autofocusing
Focus manually
AF touch
AF continuous
Single AF
AF tracking
AF selectice
Center weighted AF
Multi area AF
Live view AF
Face detection focusing
Contract detection focusing
Phase detection focusing
Number of focus points 23 -
Cross focus points - -
Lens
Lens mount fixed lens fixed lens
Lens focal range 25-250mm (10.0x) 28-300mm (10.7x)
Highest aperture f/3.1-5.9 f/3.5-5.6
Macro focus range 4cm 1cm
Focal length multiplier 5.9 5.8
Screen
Range of screen Fixed Type Fixed Type
Screen sizing 3 inches 3 inches
Screen resolution 460 thousand dot 920 thousand dot
Selfie friendly
Liveview
Touch capability
Screen tech TFT Color LCD -
Viewfinder Information
Viewfinder None None
Features
Minimum shutter speed 8 seconds 8 seconds
Fastest shutter speed 1/1600 seconds 1/2000 seconds
Continuous shutter speed 10.0 frames/s 5.0 frames/s
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation - Yes
Change WB
Image stabilization
Built-in flash
Flash range 5.60 m 4.00 m
Flash options Auto, On, Off, Red-Eye reduction Auto, On, Off, Red-Eye, Slow Sync
Hot shoe
Auto exposure bracketing
WB bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Supported video resolutions 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30fps), 640 x 480 (30 fps) 1280 x 720 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps)
Max video resolution 1920x1080 1280x720
Video file format MPEG-4, AVCHD Motion JPEG
Microphone jack
Headphone jack
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 133 gr (0.29 pounds) 205 gr (0.45 pounds)
Dimensions 99 x 59 x 21mm (3.9" x 2.3" x 0.8") 102 x 59 x 29mm (4.0" x 2.3" x 1.1")
DXO scores
DXO Overall score not tested not tested
DXO Color Depth score not tested not tested
DXO Dynamic range score not tested not tested
DXO Low light score not tested not tested
Other
Battery life 220 shots -
Battery form Battery Pack -
Battery model - DB-100
Self timer Yes (2 or 10 sec) Yes (2, 10 or Custom)
Time lapse shooting
Storage media SD/SDHC/SDXC, Internal SD/SDHC card, Internal
Storage slots 1 1
Cost at release $199 $399