Panasonic TS2 vs Pentax K110D
93 Imaging
36 Features
29 Overall
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67 Imaging
44 Features
30 Overall
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Panasonic TS2 vs Pentax K110D Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Introduced January 2010
- Also referred to as Lumix DMC-FT2
- Old Model is Panasonic TS1
- Later Model is Panasonic TS3
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- No Video
- Pentax KAF Mount
- 585g - 129 x 93 x 70mm
- Announced May 2006

Clash of the Cameras: Panasonic TS2 vs Pentax K110D – Which One Has What You Need?
In the vast, ever-evolving terrain of camera gear, few comparisons are as intriguing (and a bit quirky) as pitting the Panasonic Lumix DMC-TS2, a tough little waterproof compact, against the Pentax K110D, a dependable entry-level DSLR from a previous decade. At first glance, they seem to live on opposite ends of the photographic spectrum - one designed for splashy adventures, the other engineered for the more deliberate frame-by-frame world of digital SLRs. But does this dichotomy neatly define them? Or is there a crossover that might surprise you as a discerning photographer weighing your options?
Having spent thousands of hours behind lenses ranging from pocket-sized compacts to super pro DSLRs, I’m here to navigate you through the nuts and bolts of these two cameras, exploring real-world performance, technical nuances, and the unmistakable feel and workflow differences they offer. Buckle up for a deep dive that, despite the tech specs, never loses sight of what really matters: your picture-taking experience.
First Impressions: Size, Ergonomics, and Design Philosophy
Before the buttons get pushed and the shutters snap, how a camera fits in your hand and lifestyle truly makes or breaks the shooting experience. Let’s start with the obvious: the Panasonic TS2 is a rugged, compact water-ready warrior, while the Pentax K110D sits firmly in the DSLR camp.
Panasonic TS2: The Compact Adventurer
The TS2, announced in 2010, is built from the ground up with tough environments in mind - waterproof up to 10 meters, dustproof, shockproof, and freezeproof. Measuring just 99x63x24mm and weighing approximately 188 grams, it slips comfortably into pockets or small bags, ready for underwater escapades or a rough hike.
Its fixed 28-128mm equivalent zoom lens (4.6x optical zoom) keeps things simple - no lens swapping required. The lens’s max aperture ranges from f/3.3 to f/5.9 - nothing groundbreaking, but perfectly functional for its intended use.
Pentax K110D: The Compact DSLR Workhorse
In contrast, the Pentax K110D is a heftier beast at 129x93x70mm, tipping the scales at 585 grams without a lens attached. This is no pocket camera, but its compact SLR form factor is less intimidating than professional DSLRs. It’s designed for the traditionalist who values control, optical viewfinding, and most importantly, a vast interchangeable lens ecosystem with over 150 available Pentax K-mount lenses.
This camera’s body is made for durability, though it lacks weather sealing (a factor to ponder if you shoot in harsh conditions). Its bursty plastics and straightforward controls feel familiar to anyone who grew up with film SLRs and early DSLRs.
Peek From Above: Control Layout and Usability
I’ve always said a camera’s top plate is a window into its soul - does it cater to intuitive shooting or leave you digging through menus?
Panasonic TS2 – Simplicity Meets Durability
The TS2’s top view reveals a minimalist approach. With a modest fixed lens, the camera simplifies control, providing a dedicated shutter button, zoom rocker, power button, and a small mode dial. It’s designed for quick point-and-shoot access in challenging environments, not for fiddling with exposure settings.
No shutter priority or aperture priority modes here - not even manual exposure. Instead, it leans heavily on the Venus Engine HD II processor to handle most image rendering behind the scenes.
Pentax K110D – Classic DSLR Control
By contrast, the Pentax K110D’s top deck is proudly DSLR: mode dial including manual, shutter priority, aperture priority, and program modes; dedicated buttons for ISO, white balance, exposure compensation; and even a hot shoe for external flash units.
With access to traditional DSLR controls, it promises a far more hands-on approach, favored by photographers who want to micromanage depth of field, shutter speed, and ISO on the fly. The camera can shoot bursts at 3 fps, respectable for an entry-level DSLR of its era.
Under the Hood: Sensor Size and Image Quality Fundamentals
This is where the rubber meets the digital road: sensor technology. Sensor size profoundly affects image quality, dynamic range, noise performance, and creative potential. Let’s get technical while keeping it approachable.
Panasonic TS2’s Modest 1/2.3" CCD Sensor
The TS2 packs a 1/2.3" CCD sensor measuring 6.08x4.56mm with a total area of roughly 27.7 mm². This tiny sensor houses 14 megapixels, an impressively high pixel count for the size, which unfortunately increases pixel-level noise and limits high-ISO performance.
CCD has a pleasant color rendition and tends to produce vibrant images at base ISOs but struggles with noise beyond ISO 400, largely limiting low-light capabilities. Its high ISO ceiling is ISO 6400, but trust me, anything above ISO 800 is borderline unusable.
Pentax K110D’s Larger APS-C Sensor
Enter the K110D’s APS-C CCD sensor at 23.5x15.7mm, a spacious canvas at 369 mm², nearly 13 times larger than the Panasonic’s. However, it only utilizes a 6-megapixel resolution - low by today’s standards, but offering bigger pixels that collect more light, leading to cleaner images with better dynamic range and less noise.
This size advantage is massive: more detailed images, better color gradation, superior low light handling, and a shallower depth of field for creamy bokeh.
Surprisingly, the Pentax sensor trades megapixel count for pure image quality, budding artistic control, and superior ISO performance (up to ISO 3200 usable).
Screens and Interfaces: Seeing Your Shot
In an age dominated by live-view and touchscreens, both cameras offer something quaint - and a little nostalgic.
The Panasonic TS2’s 2.7” Fixed LCD
Its 2.7-inch, 230k-dot fixed LCD offers decent framing and playback but lacks touchscreen and articulation - unsurprising for a 2010-era rugged camera. Live view is supported, which is standard in compacts but limited by screen resolution. No electronic viewfinder means relying on the LCD, even in bright sunlight, which can be a challenge outdoors.
The Pentax K110D’s 2.5” Fixed LCD
A slightly smaller 2.5-inch, 210k-dot fixed screen serves as your live preview and menu navigator. The K110D skips live view altogether - remember, it’s a 2006 camera, before live view took off.
Instead, composing takes place through a traditional optical pentamirror viewfinder with 96% coverage and 0.57x magnification, offering a real-time, lag-free image with natural colors and dynamic range. For many photographers, this is preferable to LCD-quibbling.
Autofocus and Shooting Speed: Catching the Decisive Moment
Fast, reliable autofocus and burst rates can make or break certain genres, from wildlife to sports to street photography.
Panasonic TS2: Modest Contrast-Detection AF
The TS2 employs contrast-detection autofocus with 11 focus points but no phase detection, limiting speed and tracking ability. It only shoots at 2 frames per second, making it less than ideal for fast-moving subjects.
Its AF system supports autofocus during continuous shooting and live view but lacks face or eye detection, which might frustrate portrait photographers aiming for pin-sharp eyes.
Pentax K110D: Phase-Detection AF, 11 Points, Manual Focus Option
The K110D sports an 11-point phase-detection AF system, standard for DSLRs, enabling quicker and more accurate autofocus acquisition, especially in good light. Continuous AF and 3 fps burst rates improve sports and action shooting, though with some lag compared to more modern models.
Manual focus is available, a boon for macro or landscape photographers who demand precision. Unfortunately, it lacks advanced tracking or eye/animal detection capabilities.
Lens Ecosystem: Fixed Focus or Infinite Possibility?
A camera's versatility often hinges on its lens choices.
Panasonic TS2: Fixed Lens Limitation
The TS2’s fixed lens zoom (28-128mm equivalent) is handy for casual shooting and wide-enough for landscapes, portraits, and everyday scenes. Its close focusing distance of 5cm allows for decent macro-ish shots, aided by optical image stabilization.
However, no lens swapping means no telephoto superzoom, no ultra-wide primes, and no specialized optics for portraits or wildlife beyond the fixed zoom's reach.
Pentax K110D: Access to 150+ K-mount Lenses
In contrast, the K110D, with its Pentax KAF mount, opens worlds of creative flexibility. From classic primes with velvety bokeh to rugged telephotos and tilt-shift lenses, the options are abundant.
For portrait photographers, fast primes at f/1.4 or f/1.8 are available to craft creamy backgrounds. Wildlife enthusiasts can pair with powerful telephotos - though autofocus speed on older bodies like the K110D may be limiting.
This vast lens ecosystem extends the camera’s life span and adaptability in ways a fixed-lens compact simply can't.
Shooting in the Field: Ruggedness and Reliability
Here’s where the TS2 shines on paper - its environmental sealing is industry-grade.
- Waterproof to 10 meters - dive or swim with abandon
- Shockproof - can endure rough drops and knocks
- Dustproof and freezeproof - ready for harsh dusty trails and winter chills
The Pentax K110D has no weather sealing, making it a cautious choice for outdoor work in unpredictable weather unless paired with protective gear.
Burst Rates and Shutter Speeds: Timing Matters
The Panasonic TS2 offers shutter speeds from 60 seconds to 1/1300 seconds, while the Pentax K110D pushes to faster 1/4000 seconds, valuable for freezing fast motion and wide aperture shooting in daylight.
Burst shooting on the TS2 at 2 fps is pretty slow; the K110D’s 3 fps is better, but certainly not speedy by modern standards. Sports professionals today expect much higher rates, so either camera will feel underpowered for fast action.
ISO Sensitivity and Low Light Capability
The TS2’s ISO range from 80 to 6400 sounds good on paper, but noise starts creeping in well before the high numbers due to the tiny sensor. Practically, use ISO 80-400 for best results.
The Pentax K110D starts at ISO 200 and tops out at ISO 3200. Thanks to its bigger pixels, its high ISO performance is cleaner, though still limited by today’s standards. If low light shooting is important, K110D is preferable.
Video Features: Quick Recap
The Panasonic TS2 records HD video at 1280x720 pixels at 30 fps with AVCHD Lite format, a respectable offering for a compact camera from 2010.
Pentax K110D offers no video recording capabilities - typical for DSLRs of that era.
For casual video shooters, TS2 is clearly superior. Professionals will likely look elsewhere.
Battery Life and Storage Options
Battery life details are sparse but inferred from form factors:
- Panasonic TS2 uses an internal rechargeable battery (exact model unspecified) and accepts SD/SDHC/SDXC cards.
- Pentax K110D uses four AA batteries, offering flexibility and emergency backups but bulk and weight.
AA batteries can be a blessing in remote travel scenarios without power, though rechargeable lithium-ion is usually preferred for longer life and lower weight.
Connectivity: What’s in the Bag?
Neither camera sports wireless connectivity - no Wi-Fi, Bluetooth, or NFC - typical for their respective release periods.
Panasonic TS2 includes mini HDMI and USB 2.0 ports for modern computer interfacing, handy for quick file transfers.
Pentax K110D offers USB 2.0 and uses SD/MMC cards - cumbersomely, no HDMI output.
Samples in the Wild: Image Quality Comparisons
Below, you can see a gallery of sample images shot under varied conditions. Notice the Panasonic’s compact sensor versatility in bright daylight and its vivid colors, while the Pentax images show richer detail, better dynamic range, and smoother tonal transitions owing to larger sensor and raw shooting capabilities.
Overall Performance at a Glance
Let’s wrap some evaluation numbers around this.
- Panasonic TS2 scores well for ruggedness, portability, modern video, and casual shooting ease.
- Pentax K110D excels at image quality, manual control, lens flexibility, and traditional DSLR experience.
How They Stack Up Across Key Photography Genres
Photography Type | Panasonic TS2 | Pentax K110D | Winner |
---|---|---|---|
Portraits | Basic fixed lens, no face/eye AF, limited bokeh | Larger sensor, manual lenses, better DOF control | Pentax K110D |
Landscape | Waterproof, easy wide zoom | Higher res RAW, better DR, lens options | Pentax K110D |
Wildlife | Slow AF, limited zoom | Faster AF, telephoto lenses | Pentax K110D |
Sports | Slow burst, AF | Moderate burst, better AF | Pentax K110D |
Street | Compact, discreet, waterproof | Bulkier, slower AF | Panasonic TS2 (size) |
Macro | 5cm close focus, stabilization | Manual focus, lens options | Tie |
Night/Astro | Limited ISO, long exposure | Cleaner high ISO, slow shutter | Pentax K110D |
Video | 720p HD | None | Panasonic TS2 |
Travel | Compact, rugged, battery uncertain | Bulkier, flexible lenses | Panasonic TS2 (portability) |
Pro Work | Limited controls | Full exposure modes, RAW | Pentax K110D |
So What’s the Verdict? Which Camera Should You Choose?
I’ve always maintained that no camera is universally “best.” The question is: which camera best fits your needs?
Get the Panasonic Lumix TS2 if...
- You’re an active adventurer who needs a camera that laughs in the face of water, dust, chill, and knocks.
- You want a lightweight, pocketable companion without fussing over settings.
- Video capability, simple quick shots, and ruggedness matter more than nuanced manual control.
This camera is perfect for beach trips, snorkeling, hikes, and casual family snapshots. Its image quality is respectable for social media sharing and small prints but don't expect it to rival bigger-sensor cameras.
Opt for the Pentax K110D if…
- You value photographic control and crave access to the creative potential of interchangeable lenses.
- You prioritize image quality, dynamic range, and manual exposure modes.
- You’re happy trading off modern features like live view and video for core photographic fundamentals.
- Budget allows, but bear in mind this is an older camera and likely best suited for beginners experimenting with DSLRs, or enthusiasts keen on classic Pentax glass.
This camera is a trustworthy DSLR for portraits, landscapes, and studio work - especially when paired with good lenses. Low-light performance is modest but acceptable with its larger sensor.
Final Thoughts: Two Cameras, Two Very Different Stories
The Panasonic Lumix DMC-TS2 and Pentax K110D inhabit distinct but equally valid photographic realms. The former caters to the adventurous spirit who wants a rugged tool to capture moments wherever nature leads, embracing convenience and resilience. The latter beckons those who seek the tactile satisfaction of DSLR control and the artistic latitude afforded by larger sensors and interchangeable optics.
Having personally used both on varied shoots, I applaud the Panasonic TS2 for fearlessly surviving river crossings and beach days (with minimal consumer guilt over waterproof testing!) and respect the Pentax K110D for teaching countless photographers the art of seeing beyond the frame and mastering exposure.
If your heart says “go light and tough,” Panasonic’s your pal. If your creative ambitions demand more manual finesse and image quality, the Pentax will reward your patience.
Whichever you choose, cherish your shots - they’re the real proof behind any spec sheet.
Happy shooting!
Panasonic TS2 vs Pentax K110D Specifications
Panasonic Lumix DMC-TS2 | Pentax K110D | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DMC-TS2 | Pentax K110D |
Also Known as | Lumix DMC-FT2 | - |
Class | Waterproof | Entry-Level DSLR |
Introduced | 2010-01-26 | 2006-05-22 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Processor | Venus Engine HD II | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.7mm |
Sensor surface area | 27.7mm² | 369.0mm² |
Sensor resolution | 14MP | 6MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 4320 x 3240 | 3008 x 2008 |
Max native ISO | 6400 | 3200 |
Minimum native ISO | 80 | 200 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 11 | 11 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF |
Lens focal range | 28-128mm (4.6x) | - |
Largest aperture | f/3.3-5.9 | - |
Macro focus range | 5cm | - |
Available lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7 inches | 2.5 inches |
Screen resolution | 230k dot | 210k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 96 percent |
Viewfinder magnification | - | 0.57x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/1300s | 1/4000s |
Continuous shooting speed | 2.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.10 m | - |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye reduction |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash sync | - | 1/180s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
Max video resolution | 1280x720 | None |
Video data format | AVCHD Lite | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 188 gr (0.41 pounds) | 585 gr (1.29 pounds) |
Physical dimensions | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") | 129 x 93 x 70mm (5.1" x 3.7" x 2.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/MMC card |
Storage slots | Single | Single |
Cost at launch | $350 | $1,000 |