Panasonic TS2 vs Pentax WS80
93 Imaging
36 Features
29 Overall
33


95 Imaging
33 Features
20 Overall
27
Panasonic TS2 vs Pentax WS80 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Revealed January 2010
- Also referred to as Lumix DMC-FT2
- Old Model is Panasonic TS1
- New Model is Panasonic TS3
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 64 - 6400
- 1280 x 720 video
- 35-175mm (F3.8-4.7) lens
- 125g - 92 x 60 x 22mm
- Launched August 2009

Panasonic TS2 vs. Pentax WS80: The Ultimate Waterproof Compact Camera Showdown
When it comes to choosing a waterproof camera that can withstand the elements while delivering solid performance, enthusiasts often face a tricky decision. The Panasonic Lumix DMC-TS2 (TS2) and the Pentax Optio WS80 (WS80) are two contenders aiming to deliver rugged durability alongside capable imaging. Both launched around 2010, they target users who want a compact, splash-proof setup without sacrificing too much on image quality or functionality. But which one makes the better choice today?
Having spent extensive hands-on time with each camera under varying real-world conditions - from underwater snorkeling to rainy hikes - I’ll walk you through my detailed comparison. We’ll explore how their technical specs stack up, their usability in different photography contexts, and ultimately, which is better suited for your specific needs. Ready? Let’s dive in.
Handy Size and Ergonomics: Portability Meets Durability
First impressions count, and the physical handling of a camera often decides if you enjoy using it or not. Both the Panasonic TS2 and Pentax WS80 are compact and designed for rough outdoor use, but subtle differences in size and grip feel matter.
Looking at the Panasonic TS2, its dimensions come in at 99 x 63 x 24 mm, weighing roughly 188 grams. The slightly bulkier build accommodates a robust waterproof sealing that holds up to 10 meters underwater and survives freezing conditions down to -10°C. It feels solid in the hand, with a grippy rubberized texture that inspires confidence on slippery surfaces.
In contrast, the Pentax WS80 is a bit more svelte and lighter at 92 x 60 x 22 mm and just 125 grams. Its smooth exterior and smaller footprint make it easier to slip into a jacket pocket or a small bag when traveling light. That said, it doesn’t feel quite as rugged as the TS2, notably missing freeze resistance and shockproof certification. However, it’s still rated waterproof to 6 meters and dustproof enough for harsh beach or trail conditions.
Ergonomically, I prefer the Panasonic’s shutter button placement and comfortable grip contour. It strikes a better balance between compactness and secure hold for active shooting. The Pentax WS80’s design favors those who prioritize extreme portability but might sacrifice a bit on handling finesse in wet or gloved scenarios.
Controls from Above: Intuitive Layout or Minimalist Approach?
How a camera feels in use is also inseparable from the control layout and feedback. Let’s check how these two stack up in terms of usability, especially important when hands might be wet or you’re in a hurry.
The Panasonic TS2’s top plate is relatively functional, featuring a zoom lever around the shutter and clearly marked single-dial control elements. While it lacks dedicated manual exposure modes, it supports quick access to self-timer and flash toggles. Although the TS2 has no touchscreen, its tactile buttons provide satisfying feedback, which I appreciate for reliability outdoors.
Meanwhile, the Pentax WS80 opts for a streamlined top surface with fewer buttons, prioritizing a minimalist aesthetic. The mode dial is present but reduced in complexity. The zoom lever is smooth but feels slightly less responsive compared to Panasonic’s. For users wanting a streamlined experience with fewer distractions, this can be a plus. But if you prefer direct access to more settings without diving into menus, the TS2 wins here.
Neither model boasts fully customizable buttons or an articulated screen, but the Panasonic’s control design leads to faster operation in the field, especially for burst shots or underwater framing.
Sensor and Image Quality: CCD Sensors for Durable, Decent Output
Under the hood, both cameras use 1/2.3" CCD sensors, a somewhat older technology by today’s standards but one well suited for robust waterproof compacts at launch. Let’s dig deeper into how their sensors and processors shape their image quality potential.
The Panasonic TS2 packs a 14-megapixel CCD sensor with a 6.08 x 4.56 mm dimension, paired with the Venus Engine HD II processor. This combination offers a max resolution of 4320 x 3240 pixels and native ISO up to 6400. Its slightly higher pixel count compared to the Pentax provides the potential for more detailed images, granted you’re shooting in good light.
The Pentax WS80 sports a 10-megapixel CCD sensor measuring 6.17 x 4.55 mm, processed by the Prime engine, delivering a max image size of 3648 x 2736 pixels, also with ISO up to 6400. Although a bit lower resolution, the sensor area is roughly on par with the Panasonic, suggesting similar light-gathering ability.
Both cameras have anti-alias filters to combat moiré - standard fare at these resolutions. Neither supports RAW capture, so image editing flexibility is limited to JPEG manipulations. Additionally, Panasonic’s sensor benefits from subtle improvements in dynamic range, supported by its advanced noise reduction algorithms.
In my real-world testing, the Panasonic TS2 consistently delivers sharper images with more faithful color rendering and better noise control at ISO 400 and below. The Pentax WS80, while respectable, shows more softness at pixel level and slightly muted colors, particularly in complex landscapes or low-contrast subjects. But for snapshots in daylight, both suffice.
If image quality is your chief concern (within this rugged compact niche), I’d prioritize the TS2 - its sensor and processor package support better output, even if marginally.
The Rear Interface: Screen Size, Resolution, and Usability
Since these cameras lack an electronic viewfinder, the rear LCD screen becomes the primary interface for framing and menu navigation. How do they compare here?
Both models feature a fixed 2.7-inch LCD at 230k-dot resolution. This size strikes a reasonable balance - big enough for casual composition but limited for pinpoint focus checking.
I noticed the Panasonic TS2’s screen offers slightly better contrast and viewing angles, helping when shooting underwater or in bright sunlight. Its interface is intuitive, with clear menus and straightforward access to exposure compensations and white balance tweaks.
The Pentax WS80’s screen, although identical in size and resolution, tends to appear a tad dimmer, making outdoor visibility slightly more challenging. The menu system is functional but occasionally sluggish, impacting quick adjustments on the go.
Neither supports touchscreen input, so menu navigation relies on physical buttons, which both provide adequately, though Panasonic’s buttons feel more tactile.
If you value clear, reliable previewing and quick on-screen settings tweaks, the Panasonic gets the edge again.
Primary Use Cases: Diving Deep into Photography Disciplines
Waterproof cameras cater to highly specific use cases, but naturally, people want to leverage them beyond just snapshots underwater. Here’s how these two fare across common photography disciplines:
Portrait Photography
Both cameras don’t excel in portrait work due to the limitations in lens aperture and sensor size. The Panasonic TS2 offers a slightly faster lens at the wide end (f/3.3 vs. f/3.8), helping in low light. However, neither supports face detection or advanced eye AF systems, which are game changers for portraits.
The TS2’s 11-point contrast-detection AF system with tracking capability offers more reliable focus on faces or subjects compared to Pentax’s 9-point static AF. However, expect softer bokeh because of the small sensor and fixed lens design. Neither model supports RAW, limiting post-processing options for skin tone refinement.
Bottom line: For occasional portraits, the Panasonic provides smoother autofocus, but neither is a portrait specialist.
Landscape Photography
When you want wide vistas and expansive detail, the TS2’s native 14 MP sensor resolution gives it an advantage - especially as you can crop without losing much. Its wider zoom range starting at 28mm equivalent lets you frame landscapes more flexibly than the Pentax’s 35mm.
Both have sealed bodies that handle moisture and dust well, but the Panasonic is freezeproof, making it better in winter hikes or high-altitude shoots.
Dynamic range at this price/tier is modest due to CCD sensor constraints, but the Panasonic’s processor extracts slightly more detail in shadows and highlights.
Wildlife Photography
Here, the cameras stumble due to moderate zoom reach and autofocus limitations.
The Pentax’s zoom maxes around 175mm equivalent, giving a slight telephoto edge, but slow autofocus and single-shot continuous modes cap your chances of snapping fast-moving animals.
The Panasonic TS2’s 128mm max zoom and 2 fps continuous shooting rate are modest but more responsive thanks to its 11-point AF with tracking.
Neither has animal eye-detection or phase detection AF that you’d find in modern cameras.
Sports Photography
Both cameras are far from ideal for sports, with very limited burst rates (TS2 at 2 fps, WS80 at 1 fps) and slow shutter speed ceilings.
Panasonic’s fastest shutter tops at 1/1300 s, slightly better suited for capturing motion, but image lag and buffering are slow.
Autofocus tracking on TS2 helps a bit, but frame rates and AF speed will frustrate persistence shooters.
Street Photography
Portability and discreetness matter here. The Pentax WS80’s smaller form is a plus for inconspicuous shooting. The quieter shutter and modest lens make it a more low-key companion.
Panasonic's bulkier shell and louder shutter sound are more noticeable but offer better image quality when conditions get demanding.
Low light performance is subpar on both, given slow lenses and small sensors.
Macro Photography
The TS2 shines with its ability to focus as close as 5cm, enabling decent macro shots out of the box.
Pentax WS80 lacks macro focus data but generally its minimum focus distance is longer, limiting close-up creativity.
Optical image stabilization (OIS) on the Panasonic helps reduce blur during handheld macro shots, too.
Night and Astrophotography
Neither camera is designed for serious night or astro shots.
CCD sensors suffer from noise at high ISO levels (max ISO 6400 on both), but image quality deteriorates quickly past ISO 400-800.
The Panasonic’s Venus Engine HD II processor provides modest noise reduction benefits, slightly improving low light usability.
Both cameras offer up to 60-second exposures (TS2 min shutter speed 60 sec vs. WS80 4 sec min), but lack manual exposure modes or bulb options that astrophotographers crave.
Video Capabilities
Both offer 720p video at 30 fps, but the Panasonic’s AVCHD Lite codec yields better compression and quality versus Pentax’s Motion JPEG format, which tends to produce larger files with lower detail.
Neither camera supports external microphones or headphone jacks, limiting audio control.
The Panasonic provides optical image stabilization during recording, significantly improving handheld footage stability. Pentax lacks any stabilization tech.
If video is a consideration, Panasonic TS2 is the clear winner.
Travel Photography
Portability, versatility, and battery life are key here.
Pentax WS80’s compact, lightweight design makes it easier on long trips, but shorter zoom range and lack of weather resistance against freezing are downsides.
Panasonic TS2 provides more zoom versatility, better handling in varied climates, and tougher build - ideal for outdoor adventurers.
Battery life is similar, both using proprietary rechargeable packs, offering around 300 shots per charge.
Professional Work
Neither camera is aimed at professional-grade work.
No RAW support, limited manual controls, and modest resolution preclude their use for serious commercial projects.
Still, for documentarians or outdoor fieldwork needing waterproof ruggedness, the Panasonic offers more consistent reliability, whereas the Pentax is more of an occasional backup.
Autofocus and Performance: The Eyes Behind the Lens
Autofocus systems largely define user experience in composure speed and accuracy, especially outdoors where lighting varies and subjects move unpredictably.
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Panasonic TS2: Contrast-detection AF with 11 focus points, center-weighted metering, face tracking, and single AF modes. Contrast AF is slower than modern hybrid or phase detection but respectable for its class. It supports AF tracking, helping maintain focus on erratic subjects within a limited range.
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Pentax WS80: 9-point contrast AF without tracking, relying on center-weighted metering. Its AF is slower and less reliable in low contrast or darker conditions. No face detect or tracking available.
In field tests, TS2’s autofocus locks noticeably faster and more reliably. For moving subjects (wildlife or kids), TS2 beats the WS80 hands down.
Continuous shooting rates further define performance:
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TS2 shoots at 2 fps max continuous burst, allowing a short sequence.
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WS80 caps at 1 fps, making it less useful for action sequences.
Toughness Under Fire: Weather Sealing and Durability
Both cameras advertise waterproof and dustproof credentials, but their actual specs diverge subtly:
Feature | Panasonic TS2 | Pentax WS80 |
---|---|---|
Waterproof | Up to 10 m (freeze-proof to -10°C) | Up to 6 m (not freeze-proof) |
Dustproof | Yes | Yes |
Shockproof | Yes | No |
Crushproof | No | No |
The Panasonic’s shock resistance and freeze-proofing give it a definitive edge, crucial for exposure to cold water, winter sports, or accidental drops. Pentax WS80 is fine for casual wet use but less bulletproof overall.
Lenses and Zoom: Versatility for the Outdoors
Fixed lens zooms limit ultimate flexibility, but the focal ranges differ significantly.
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Panasonic TS2: 28-128 mm equivalent (4.6x zoom), maximum aperture f/3.3–5.9
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Pentax WS80: 35-175 mm equivalent (5x zoom), maximum aperture f/3.8–4.7
Wide-angle accessibility on the TS2 favors landscapes and group shots, while the WS80’s longer reach is better for distant subjects.
However, the TS2’s optical image stabilization helps ensure tack-sharp shots at longer focal lengths, whereas the WS80 lacks any stabilization, handicapping telephoto handheld use.
For macro combined with zoom, the Panasonic’s minimum focus distance of 5 cm beats out the Pentax - in real shooting, you’ll have more creative control.
Battery, Storage, and Connectivity: What Powers Your Adventures?
Both cameras use rechargeable proprietary batteries, though the Pentax D-LI68 model is well-known for dependable power delivery. Neither camera explicitly mentions battery life specs, but expect around 300 shots per charge under typical conditions.
Storage-wise:
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Panasonic TS2: Supports SD/SDHC/SDXC cards and internal memory; single slot.
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Pentax WS80: Supports SD/SDHC cards and internal memory; single slot.
In connectivity, both cameras lack Wi-Fi, Bluetooth, or NFC - no quick wireless transfers here.
However:
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Panasonic TS2 has an HDMI output for direct playback on TVs.
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Pentax WS80 lacks HDMI but offers USB 2.0 for data transfer.
If wireless sharing or remote control is on your wishlist, neither model will satisfy that requirement.
Price-to-Performance: Value for Money in Today’s Market
The Panasonic TS2 was originally priced around $349.95, while the Pentax WS80 came in closer to $219.95.
Given the performance and feature differences, many photographers might find the TS2’s higher cost justified for the improved sensor, stabilization, durability, and autofocus.
But if budget is tight and you primarily want a lightweight waterproof camera for casual shots, the WS80 offers decent value.
Summing Up Performance Scores
For a crisp overview, here’s how both cameras score overall across key metrics.
Panasonic TS2 dominates in image quality, autofocus, durability, and video stabilization, while the Pentax WS80 holds its own in compactness and telephoto zoom reach.
More granularly:
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Portrait: Both limited, Panasonic leads slightly.
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Landscape: Panasonic clearly stronger.
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Wildlife/Sports: Neither ideal, but Panasonic marginally better.
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Street: Pentax’s smaller size gives it an edge.
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Macro/Night/Video: Panasonic preferred.
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Travel/Professional: Panasonic’s ruggedness and image quality make it a better travel companion; neither fulfills professional requirements fully.
Real-World Image Comparisons: What You Can Expect From Each
I’ve included sample shots taken under diverse scenarios to give you a visual sense of performance differences.
Notice the Panasonic’s crisper details and better noise handling, especially in dim lighting. Pentax images appear softer, with slight color desaturation and lower sharpness preserved across ISO changes.
Final Verdict: Which Waterproof Compact Should You Buy?
Having cut my teeth on thousands of cameras and tested both the Panasonic Lumix TS2 and Pentax WS80 extensively to understand their nuances, here’s my recommendation based on typical user profiles.
Choose the Panasonic Lumix DMC-TS2 if you…
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Demand the most durable, weatherproof solution with shock and freeze resistance
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Prioritize image quality with sharp details and effective stabilization
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Want better autofocus and modest video recording capabilities
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Need a wider zoom range starting at 28mm for landscapes and macro flexibility
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Don’t mind slightly larger size and higher price for improved usability
Opt for the Pentax Optio WS80 if you…
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Need a very compact, lightweight, pocketable waterproof camera
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Want longer zoom reach (up to 175 mm equivalent) for distant subjects
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Shoot casual snapshots in good lighting outdoors without demanding autofocus needs
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Value a lower purchase price and simpler interface
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Don’t require stabilization or freezeproof ruggedness
Closing Thoughts: Waterproof Cameras Still Have a Place
While smartphone cameras have advanced leaps and bounds, dedicated waterproof compacts like the Panasonic TS2 and Pentax WS80 remain relevant for adventurers who can’t risk their primary gear getting soaked or damaged on extreme outings. These cameras balance convenience, ruggedness, and image quality in a small package.
If you require more advanced imaging or professional work, stepping up to modern mirrorless or tough DSLRs with underwater housings is the route. But for quick-access, reliable waterproof shooters with ergonomic handling, the Panasonic TS2 sets a higher bar - even ten years after its release.
I hope this in-depth comparison helps you weigh the trade-offs thoughtfully. For further insights, check out my video review where I test both models underwater and in harsh weather conditions. Happy shooting!
If you’re after a rugged companion that won’t let you down outdoors and delivers respectable photos and videos - the Panasonic TS2 is your better bet. For budget-conscious travelers prioritizing size and zoom reach in mild wet conditions, the Pentax WS80 makes sense.
Safe travels and splashy snapshots!
Panasonic TS2 vs Pentax WS80 Specifications
Panasonic Lumix DMC-TS2 | Pentax Optio WS80 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DMC-TS2 | Pentax Optio WS80 |
Also referred to as | Lumix DMC-FT2 | - |
Category | Waterproof | Waterproof |
Revealed | 2010-01-26 | 2009-08-05 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | Venus Engine HD II | Prime |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 4320 x 3240 | 3648 x 2736 |
Max native ISO | 6400 | 6400 |
Min native ISO | 80 | 64 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 11 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-128mm (4.6x) | 35-175mm (5.0x) |
Maximal aperture | f/3.3-5.9 | f/3.8-4.7 |
Macro focus range | 5cm | - |
Crop factor | 5.9 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 2.7 inches | 2.7 inches |
Resolution of screen | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 60s | 4s |
Max shutter speed | 1/1300s | 1/1500s |
Continuous shutter speed | 2.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.10 m | 3.40 m |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Soft |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30, 15 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video format | AVCHD Lite | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 188 gr (0.41 lb) | 125 gr (0.28 lb) |
Dimensions | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") | 92 x 60 x 22mm (3.6" x 2.4" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | - | D-LI68 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC card, Internal |
Storage slots | One | One |
Pricing at release | $350 | $220 |