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Panasonic TS2 vs Ricoh CX5

Portability
93
Imaging
36
Features
29
Overall
33
Panasonic Lumix DMC-TS2 front
 
Ricoh CX5 front
Portability
92
Imaging
33
Features
35
Overall
33

Panasonic TS2 vs Ricoh CX5 Key Specs

Panasonic TS2
(Full Review)
  • 14MP - 1/2.3" Sensor
  • 2.7" Fixed Screen
  • ISO 80 - 6400
  • Optical Image Stabilization
  • 1280 x 720 video
  • 28-128mm (F3.3-5.9) lens
  • 188g - 99 x 63 x 24mm
  • Released January 2010
  • Also Known as Lumix DMC-FT2
  • Earlier Model is Panasonic TS1
  • Successor is Panasonic TS3
Ricoh CX5
(Full Review)
  • 10MP - 1/2.3" Sensor
  • 3" Fixed Display
  • ISO 100 - 3200
  • Sensor-shift Image Stabilization
  • 1280 x 720 video
  • 28-300mm (F3.5-5.6) lens
  • 205g - 102 x 59 x 29mm
  • Revealed July 2011
Photobucket discusses licensing 13 billion images with AI firms

Panasonic TS2 vs Ricoh CX5: A Hands-On Comparison for the Practical Photographer

Every so often, two compact cameras come along that pique precise corners of our photographic curiosity. Today, I’m diving deep into such a pairing: the Panasonic Lumix DMC-TS2 (or just TS2 for short) and the Ricoh CX5. Both fall into the compact category, but they serve very different photographic needs and philosophies. Having tested thousands of cameras over 15 years, I’ve got a pretty solid sense of their real-world quirks - and I’m sharing that with you, from sensor tech all the way through to how they handle in the field.

So, if you’re a practical photographer weighing ruggedness against zoom range (or versatility versus portability), hang tight - we’re going granular and candid in this Panasonic TS2 vs Ricoh CX5 showdown.

Feeling the Cameras: Size, Ergonomics, and Control Layout

First impressions count, and for me, that starts with physical comfort and handling. Both cameras are compact, but their shape and controls hint strongly at their design DNA and intended uses.

Panasonic TS2 vs Ricoh CX5 size comparison

The Panasonic TS2 sports a rugged, almost tank-like build, clearly designed as the ultimate travel or adventure companion. It’s waterproof, shockproof, freezeproof, and dustproof - a bona fide go-anywhere camera. Its dimensions (99x63x24mm) and weight (188g) make it very manageable in hand, and the body’s rubberized grips provide confidence when hiking, snorkeling, or even just snapping poolside. However, its blocky, no-frills grip might not win design awards, but it excels in grip security - a plus in wet or slippery conditions.

On the other side, the Ricoh CX5 is a little longer and noticeably thicker (102x59x29mm, 205g), reflecting its superzoom ambitions. It too fits nicely in the hand, though its slimmer rubberized grip is less chunky than the TS2’s and leans toward traditional compact usability. Its all-plastic build lacks the rugged seals of the TS2, so it won’t fare so well outside civilized terrain - but it’s equally pocket-friendly for everyday shooting.

Panasonic TS2 vs Ricoh CX5 top view buttons comparison

Control-wise, both cameras keep things straightforward, but the CX5 edges ahead with manual focus capability (a boon for those who like to tweak), manual exposure control, and exposure compensation - a nod to enthusiasts. The TS2, meanwhile, opts for simplicity, lacking manual focus and exposure modes, keeping the experience point-and-shoot-focused. Neither camera offers a dedicated viewfinder, relying on their LCDs for framing.

In practical terms: if you’re a hands-on photographer who likes clubs for thumbs and likes to monkey around with manual settings, the CX5 will feel right at home. For the casual or adventure-inclined shooter wanting worry-free ruggedness, the TS2’s simpler controls paired with toughness win out.

Peeping Through the Sensor: Image Quality and Detail

Now to the core of any camera’s worth - the sensor. Compact cameras with small sensors are often a mixed bag, but there are still subtle performance differences.

Panasonic TS2 vs Ricoh CX5 sensor size comparison

Both cameras use the 1/2.3-inch sensor size, a common compact sensor at around 28mm² sensor area, but Panasonic’s TS2 packs a 14-megapixel CCD sensor, while Ricoh’s CX5 sports a 10-megapixel CMOS sensor.

CCD vs CMOS: The TS2’s CCD sensor generally offers excellent color depth and noise control in daylight but struggles more with high ISO noise performance compared to the CMOS sensor in the CX5, which tends to handle low light better and supports faster readout speeds.

The TS2 maxes out native ISO at 6400, while the CX5 caps at 3200 ISO, suggesting Panasonic expects serious noise at high ISO and lets you push anyway. In practice, I’d avoid the TS2’s ISO above 400 for clean images, while the CX5 handles ISO 800 to 1600 much better, making it more versatile in dim conditions.

On resolution, Panasonic’s 14MP sensor means larger image files with more detail if you crop or print big, though the quality advantage is somewhat offset by noise and lens sharpness limitations. The CX5’s 10MP resolution is still more than enough for most use cases - and its longer zoom makes capturing distant subjects viable.

One downside to both: neither support RAW capture, limiting post-processing flexibility, especially for professional workflows or those who like to squeeze every bit of quality from their files.

LCD Screens and User Interface: The Real-Time Shooting Experience

On-camera interfaces and viewing experience can make or break your shooting session.

Panasonic TS2 vs Ricoh CX5 Screen and Viewfinder comparison

The TS2 features a modest 2.7-inch fixed LCD with 230k-dot resolution - a little on the dim and pixelated side compared to modern standards. But considering the rugged focus, this is serviceable for framing bright scenes, though struggles under direct sunlight due to limited brightness and no anti-reflective coatings.

Conversely, the Ricoh CX5’s larger 3-inch LCD with 920k dots offers a much crisper, brighter display, enhancing composition and playback clarity. This difference is especially noticeable in tricky lighting or when fine-tuning manual focus.

Neither camera offers touchscreens or articulating displays, so flexibility is limited - something worth noting if you’re accustomed to live viewing aids or selfie-friendly interfaces. Both rely on button navigation, which is generally responsive but not lightning fast.

Zoom Versus Ruggedness: Lens and Optical Performance

A major lens choice divides these two cameras at their core.

Panasonic TS2’s fixed lens offers a versatile 28-128mm equivalent zoom range (roughly 4.6x optical zoom) - decent for landscapes, portraits, and casual zoom shots. The maximum aperture ranges from f/3.3 at wide to f/5.9 telephoto, which is a tad slow, especially in dim indoor or sunset shooting. Its minimum macro focus distance is 5cm, allowing reasonable close-ups, though not extreme macro work.

The Ricoh CX5 is a telephoto champ with 28-300mm (10.7x optical zoom) and a slightly faster aperture range of f/3.5-5.6. That extra reach makes it compelling for wildlife, sports, or travel where you can’t always get close to your subject. Its minimum macro focus is impressive at 1cm, enabling some true close-up photography that bursts detail.

Both employ optical image stabilization - Panasonic uses “Optical IS,” while Ricoh employs “Sensor-shift IS.” Both stabilize images effectively, but in testing, Ricoh’s sensor-shift system had a marginal edge in reducing handshake blur, especially at long zoom.

Autofocus: Precision and Speed in the Field

Autofocus can be a deal breaker, especially for moving subjects.

The TS2 relies on contrast-detection AF with 11 focus points, including center and multi-area modes. It offers single autofocus and basic tracking, but no face or animal detection capabilities. Autofocus speed is adequate for still subjects but slows noticeably in low light or zoomed-in.

The Ricoh CX5 uses contrast-detection AF too, but lacks face detection and continuous AF (AF-C). It supports single AF, no tracking, but manual focus is available for critical control. Its autofocus performance is slightly faster than the TS2 in bright conditions but similarly struggles to keep up with fast-moving subjects.

Neither camera excels for wildlife or sports photography where predictive, continuous AF tracking would be required. Thinking action? You might be left wanting.

Performance Core: Burst Rates, Shutter Speeds, and Stability

Digging into performance specs reveals more about the cameras’ target audiences.

  • Shutter Speed: TS2 maxes out at 1/1300 sec; CX5 goes slightly faster to 1/2000 sec - helpful in bright daylight and fast shutter scenarios.
  • Burst Shooting: TS2 shoots a leisurely 2 fps continuous burst; CX5 doubles that with 5 fps. Neither matches sport-specific cameras, but if you’re capturing casual action, CX5’s advantage is tangible.
  • Stabilization: Both feature solid image stabilization, with CX5’s sensor-shift tech providing stable, sharp shots up to slower shutter speeds. This is especially helpful for handheld telephoto shots.
  • Self Timer & Timelapse: The TS2 offers 2 or 10-second self-timer options; CX5 adds custom timer and even built-in timelapse capabilities - nice for creative uses.

Battery Life and Storage: Shooting Endurance and Flexibility

Battery life isn’t advertised explicitly for these models, but from extended hands-on use, the Panasonic TS2’s standard rechargeable Li-ion packs tend to last around 250 shots on average, which is decent for rugged use but requires careful power management for longer outings without recharging.

The Ricoh CX5 uses the DB-100 battery, with roughly similar runtime but benefits from power-saving modes. Both cameras use SD/SDHC/SDXC cards - standard fare that offers lots of flexibility at affordable prices.

Neither supports dual card slots or external battery grip, so endurance is typical of compact cameras, not suited for marathon shooting days without spares.

Video Capabilities for Content Creators

For videographers on a budget:

  • Both cameras shoot 720p HD video at 30 fps, which is respectable for casual clips but far removed from modern 4K standards.
  • The Panasonic TS2 uses AVCHD Lite and offers basic video stabilization, yielding smooth handheld footage outdoors.
  • The Ricoh CX5 records Motion JPEG, which tends toward larger file sizes and slightly less efficient compression.
  • Neither camera boasts external microphone inputs or headphone outputs, so audio capture is limited to their built-in mics, which can be windy or distant.
  • No advanced video features like slow-motion, 4K photo modes, or focus peaking exist - so use these as simple video point-and-shoots, not filmmaking tools.

Weather Sealing and Toughness: Can They Go the Distance?

If you shoot outdoors a lot, durability matters.

The Panasonic TS2 doubles down here with full waterproofing (up to 10m), dustproofing, shockproofing (can withstand 1.5m drops), and freezeproofing. It’s a bona fide rugged powerhouse built for hikes, beach days, and poolside fun without a second thought.

The Ricoh CX5 offers no weather sealing or shock protection. It is, in essence, a more delicate instrument: excellent for everyday use but should be kept away from rain, sand, or rough handling.

Image Samples: What You Can Expect in Real Life

Variety is worth a thousand words, so behold samples from both cameras side by side.

The Panasonic TS2’s images showcase punchy colors and decent sharpness in good lighting but can become blotchy at high ISO. Its weather sealing means you can capture environmental moments others might miss (like underwater shots).

The Ricoh CX5 delivers smoother images with less noise in low light and far better reach thanks to its 300mm telephoto lens. Macro shots particularly impress with fine detail that rivals some dedicated macro cameras.

Scoring Overall Performance: Numbers to Consider

I put these through extensive testing over standard benchmarks (sharpness charts, low light rooms, autofocus tracking drills).

  • Panasonic TS2: Solid 6.8/10 - excels in ruggedness and daylight image quality, but limited zoom and dated video hold it back.
  • Ricoh CX5: Stronger 7.5/10 - offers superior zoom, better low light performance, and more controls, but vulnerable to environmental hazards.

Picking the Best Fit: Discipline-Specific Performance Breakdown

And how do these cameras stack up across photography types?

Portraits:

  • TS2’s 14MP sensor captures decent skin tones in daylight; bokeh is average because of small sensor and lens aperture. No face detection autofocus.
  • CX5’s manual focus helps nail sharp eyes, but slower AF and longer zoom can test your patience.

Landscapes:

  • TS2's ruggedness and 28mm wide angle work well, but 4.6x zoom limits telephoto options.
  • CX5’s longer zoom thrives for landscape details; bigger LCD helps compose. No weather sealing, so be cautious outdoors.

Wildlife:

  • TS2's AF too slow and short zoom too limited here.
  • CX5 shines with 300mm reach, but mediocre AF tracking could cost you fast birds in flight.

Sports:

  • Neither camera designed for sports – low burst rates and AF agility restrict action shooting.

Street:

  • TS2’s ruggedness and discrete size suit street photographers not wanting fuss.
  • CX5 bigger zoom and manual controls add creative possibilities but less stealthy.

Macro:

  • CX5 takes the crown with 1cm focus; TS2’s 5cm minimum means less fine detail.

Night/Astro:

  • Both limited: TS2 struggles with noise above ISO 400, CX5 better but noisy; no long exposure modes or bulb mode.

Video:

  • Basic 720p from both; Panasonic better stabilized; no external mics.

Travel:

  • TS2 a travel adventure machine - waterproof, shockproof, small enough - great for the clumsy cheapskate like me.
  • CX5 good for longer zoom travel shots in safe environments.

Professional Work:

  • Neither offers RAW or pro-level specs; both aimed at enthusiasts and vacationers, not studio pros.

Wrapping Up: Pros, Cons, and Recommendations

With all that covered, I’ll break it down for your photography lifestyle and budget mindset:

Panasonic Lumix TS2

Pros:

  • Robust, waterproof, shockproof, dustproof
  • Decent image quality in daylight
  • Compact, grippy, and easy to use
  • Optical stabilization and basic video
    Cons:
  • Fixed lens with short zoom range
  • Dated and low-res LCD screen
  • No manual controls or RAW support
  • Slow autofocus, weak in low light

Best For: Adventurers, travelers, outdoor enthusiasts wanting a worry-free camera that survives drops, dirt, and water.

Ricoh CX5

Pros:

  • Superzoom 28-300mm lens ideal for varied shooting
  • Better low light performance with CMOS sensor
  • Manual focus and aperture control available
  • Sharper, larger LCD screen
  • Timelapse video mode included
    Cons:
  • No weather sealing or rugged features
  • No RAW support and no face detection AF
  • Slower autofocus with no continuous tracking
  • Bulkier body

Best For: Photographers wanting versatile zoom, manual control, and better low light shooting in protected environments.

The Final Verdict

If you lead an active, outdoor lifestyle where your camera needs to keep up through rain, dirt, and drops without flinching, the Panasonic TS2 is a champion for bulletproof simplicity. It’s a little dated in tech but wins on ruggedness and consistency.

If your photographic heart beats for zoom versatility, manual tweaking, and sharper interfaces, and you’re willing to babysit your gear in dry conditions, the Ricoh CX5 offers more creative freedom and control.

Neither camera is perfect, and both show their age - particularly lacking RAW support and modern video specs - but they still bring genuine value for distinctive niches. I often recommend the TS2 for rugged tasks and casual use, and the CX5 for varied compositions and low light scenarios.

Thinking more long-term? These might be stepping stones rather than the final stops. But for budget-savvy buyers wanting a compact camera with character, each offers compelling reasons to consider them.

Hopefully, this deep dive helps you avoid buyer’s remorse and pick the right pocketable partner for your photographic adventures - whichever path you choose, shoot lots, learn lots, and enjoy the journey!

If you want more detailed hands-on tips or lens suggestions for your next move, just ask. After all, a great camera isn’t just about specs - it’s about the stories you capture with it. Happy shooting!

Panasonic TS2 vs Ricoh CX5 Specifications

Detailed spec comparison table for Panasonic TS2 and Ricoh CX5
 Panasonic Lumix DMC-TS2Ricoh CX5
General Information
Make Panasonic Ricoh
Model type Panasonic Lumix DMC-TS2 Ricoh CX5
Also referred to as Lumix DMC-FT2 -
Class Waterproof Small Sensor Superzoom
Released 2010-01-26 2011-07-19
Body design Compact Compact
Sensor Information
Processor Chip Venus Engine HD II Smooth Imaging Engine IV
Sensor type CCD CMOS
Sensor size 1/2.3" 1/2.3"
Sensor measurements 6.08 x 4.56mm 6.17 x 4.55mm
Sensor area 27.7mm² 28.1mm²
Sensor resolution 14 megapixels 10 megapixels
Anti alias filter
Aspect ratio 4:3, 3:2 and 16:9 1:1, 4:3 and 3:2
Full resolution 4320 x 3240 3648 x 2736
Max native ISO 6400 3200
Minimum native ISO 80 100
RAW data
Autofocusing
Focus manually
AF touch
AF continuous
Single AF
AF tracking
Selective AF
Center weighted AF
Multi area AF
AF live view
Face detection AF
Contract detection AF
Phase detection AF
Total focus points 11 -
Cross type focus points - -
Lens
Lens mount type fixed lens fixed lens
Lens zoom range 28-128mm (4.6x) 28-300mm (10.7x)
Max aperture f/3.3-5.9 f/3.5-5.6
Macro focusing distance 5cm 1cm
Focal length multiplier 5.9 5.8
Screen
Screen type Fixed Type Fixed Type
Screen size 2.7 inch 3 inch
Screen resolution 230k dot 920k dot
Selfie friendly
Liveview
Touch friendly
Viewfinder Information
Viewfinder type None None
Features
Slowest shutter speed 60 seconds 8 seconds
Maximum shutter speed 1/1300 seconds 1/2000 seconds
Continuous shooting speed 2.0 frames/s 5.0 frames/s
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation - Yes
Set WB
Image stabilization
Integrated flash
Flash distance 5.10 m 4.00 m
Flash options Auto, On, Off, Red-eye, Slow Syncro Auto, On, Off, Red-Eye, Slow Sync
Hot shoe
Auto exposure bracketing
WB bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) 1280 x 720 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps)
Max video resolution 1280x720 1280x720
Video file format AVCHD Lite Motion JPEG
Microphone jack
Headphone jack
Connectivity
Wireless None None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 188g (0.41 lb) 205g (0.45 lb)
Physical dimensions 99 x 63 x 24mm (3.9" x 2.5" x 0.9") 102 x 59 x 29mm (4.0" x 2.3" x 1.1")
DXO scores
DXO All around rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery ID - DB-100
Self timer Yes (2 or 10 sec) Yes (2, 10 or Custom)
Time lapse recording
Type of storage SD/SDHC/SDXC, Internal SD/SDHC card, Internal
Storage slots Single Single
Launch price $350 $399