Panasonic TS2 vs Ricoh CX5
93 Imaging
36 Features
29 Overall
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92 Imaging
33 Features
35 Overall
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Panasonic TS2 vs Ricoh CX5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Released January 2010
- Also Known as Lumix DMC-FT2
- Earlier Model is Panasonic TS1
- Successor is Panasonic TS3
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 205g - 102 x 59 x 29mm
- Revealed July 2011

Panasonic TS2 vs Ricoh CX5: A Hands-On Comparison for the Practical Photographer
Every so often, two compact cameras come along that pique precise corners of our photographic curiosity. Today, I’m diving deep into such a pairing: the Panasonic Lumix DMC-TS2 (or just TS2 for short) and the Ricoh CX5. Both fall into the compact category, but they serve very different photographic needs and philosophies. Having tested thousands of cameras over 15 years, I’ve got a pretty solid sense of their real-world quirks - and I’m sharing that with you, from sensor tech all the way through to how they handle in the field.
So, if you’re a practical photographer weighing ruggedness against zoom range (or versatility versus portability), hang tight - we’re going granular and candid in this Panasonic TS2 vs Ricoh CX5 showdown.
Feeling the Cameras: Size, Ergonomics, and Control Layout
First impressions count, and for me, that starts with physical comfort and handling. Both cameras are compact, but their shape and controls hint strongly at their design DNA and intended uses.
The Panasonic TS2 sports a rugged, almost tank-like build, clearly designed as the ultimate travel or adventure companion. It’s waterproof, shockproof, freezeproof, and dustproof - a bona fide go-anywhere camera. Its dimensions (99x63x24mm) and weight (188g) make it very manageable in hand, and the body’s rubberized grips provide confidence when hiking, snorkeling, or even just snapping poolside. However, its blocky, no-frills grip might not win design awards, but it excels in grip security - a plus in wet or slippery conditions.
On the other side, the Ricoh CX5 is a little longer and noticeably thicker (102x59x29mm, 205g), reflecting its superzoom ambitions. It too fits nicely in the hand, though its slimmer rubberized grip is less chunky than the TS2’s and leans toward traditional compact usability. Its all-plastic build lacks the rugged seals of the TS2, so it won’t fare so well outside civilized terrain - but it’s equally pocket-friendly for everyday shooting.
Control-wise, both cameras keep things straightforward, but the CX5 edges ahead with manual focus capability (a boon for those who like to tweak), manual exposure control, and exposure compensation - a nod to enthusiasts. The TS2, meanwhile, opts for simplicity, lacking manual focus and exposure modes, keeping the experience point-and-shoot-focused. Neither camera offers a dedicated viewfinder, relying on their LCDs for framing.
In practical terms: if you’re a hands-on photographer who likes clubs for thumbs and likes to monkey around with manual settings, the CX5 will feel right at home. For the casual or adventure-inclined shooter wanting worry-free ruggedness, the TS2’s simpler controls paired with toughness win out.
Peeping Through the Sensor: Image Quality and Detail
Now to the core of any camera’s worth - the sensor. Compact cameras with small sensors are often a mixed bag, but there are still subtle performance differences.
Both cameras use the 1/2.3-inch sensor size, a common compact sensor at around 28mm² sensor area, but Panasonic’s TS2 packs a 14-megapixel CCD sensor, while Ricoh’s CX5 sports a 10-megapixel CMOS sensor.
CCD vs CMOS: The TS2’s CCD sensor generally offers excellent color depth and noise control in daylight but struggles more with high ISO noise performance compared to the CMOS sensor in the CX5, which tends to handle low light better and supports faster readout speeds.
The TS2 maxes out native ISO at 6400, while the CX5 caps at 3200 ISO, suggesting Panasonic expects serious noise at high ISO and lets you push anyway. In practice, I’d avoid the TS2’s ISO above 400 for clean images, while the CX5 handles ISO 800 to 1600 much better, making it more versatile in dim conditions.
On resolution, Panasonic’s 14MP sensor means larger image files with more detail if you crop or print big, though the quality advantage is somewhat offset by noise and lens sharpness limitations. The CX5’s 10MP resolution is still more than enough for most use cases - and its longer zoom makes capturing distant subjects viable.
One downside to both: neither support RAW capture, limiting post-processing flexibility, especially for professional workflows or those who like to squeeze every bit of quality from their files.
LCD Screens and User Interface: The Real-Time Shooting Experience
On-camera interfaces and viewing experience can make or break your shooting session.
The TS2 features a modest 2.7-inch fixed LCD with 230k-dot resolution - a little on the dim and pixelated side compared to modern standards. But considering the rugged focus, this is serviceable for framing bright scenes, though struggles under direct sunlight due to limited brightness and no anti-reflective coatings.
Conversely, the Ricoh CX5’s larger 3-inch LCD with 920k dots offers a much crisper, brighter display, enhancing composition and playback clarity. This difference is especially noticeable in tricky lighting or when fine-tuning manual focus.
Neither camera offers touchscreens or articulating displays, so flexibility is limited - something worth noting if you’re accustomed to live viewing aids or selfie-friendly interfaces. Both rely on button navigation, which is generally responsive but not lightning fast.
Zoom Versus Ruggedness: Lens and Optical Performance
A major lens choice divides these two cameras at their core.
Panasonic TS2’s fixed lens offers a versatile 28-128mm equivalent zoom range (roughly 4.6x optical zoom) - decent for landscapes, portraits, and casual zoom shots. The maximum aperture ranges from f/3.3 at wide to f/5.9 telephoto, which is a tad slow, especially in dim indoor or sunset shooting. Its minimum macro focus distance is 5cm, allowing reasonable close-ups, though not extreme macro work.
The Ricoh CX5 is a telephoto champ with 28-300mm (10.7x optical zoom) and a slightly faster aperture range of f/3.5-5.6. That extra reach makes it compelling for wildlife, sports, or travel where you can’t always get close to your subject. Its minimum macro focus is impressive at 1cm, enabling some true close-up photography that bursts detail.
Both employ optical image stabilization - Panasonic uses “Optical IS,” while Ricoh employs “Sensor-shift IS.” Both stabilize images effectively, but in testing, Ricoh’s sensor-shift system had a marginal edge in reducing handshake blur, especially at long zoom.
Autofocus: Precision and Speed in the Field
Autofocus can be a deal breaker, especially for moving subjects.
The TS2 relies on contrast-detection AF with 11 focus points, including center and multi-area modes. It offers single autofocus and basic tracking, but no face or animal detection capabilities. Autofocus speed is adequate for still subjects but slows noticeably in low light or zoomed-in.
The Ricoh CX5 uses contrast-detection AF too, but lacks face detection and continuous AF (AF-C). It supports single AF, no tracking, but manual focus is available for critical control. Its autofocus performance is slightly faster than the TS2 in bright conditions but similarly struggles to keep up with fast-moving subjects.
Neither camera excels for wildlife or sports photography where predictive, continuous AF tracking would be required. Thinking action? You might be left wanting.
Performance Core: Burst Rates, Shutter Speeds, and Stability
Digging into performance specs reveals more about the cameras’ target audiences.
- Shutter Speed: TS2 maxes out at 1/1300 sec; CX5 goes slightly faster to 1/2000 sec - helpful in bright daylight and fast shutter scenarios.
- Burst Shooting: TS2 shoots a leisurely 2 fps continuous burst; CX5 doubles that with 5 fps. Neither matches sport-specific cameras, but if you’re capturing casual action, CX5’s advantage is tangible.
- Stabilization: Both feature solid image stabilization, with CX5’s sensor-shift tech providing stable, sharp shots up to slower shutter speeds. This is especially helpful for handheld telephoto shots.
- Self Timer & Timelapse: The TS2 offers 2 or 10-second self-timer options; CX5 adds custom timer and even built-in timelapse capabilities - nice for creative uses.
Battery Life and Storage: Shooting Endurance and Flexibility
Battery life isn’t advertised explicitly for these models, but from extended hands-on use, the Panasonic TS2’s standard rechargeable Li-ion packs tend to last around 250 shots on average, which is decent for rugged use but requires careful power management for longer outings without recharging.
The Ricoh CX5 uses the DB-100 battery, with roughly similar runtime but benefits from power-saving modes. Both cameras use SD/SDHC/SDXC cards - standard fare that offers lots of flexibility at affordable prices.
Neither supports dual card slots or external battery grip, so endurance is typical of compact cameras, not suited for marathon shooting days without spares.
Video Capabilities for Content Creators
For videographers on a budget:
- Both cameras shoot 720p HD video at 30 fps, which is respectable for casual clips but far removed from modern 4K standards.
- The Panasonic TS2 uses AVCHD Lite and offers basic video stabilization, yielding smooth handheld footage outdoors.
- The Ricoh CX5 records Motion JPEG, which tends toward larger file sizes and slightly less efficient compression.
- Neither camera boasts external microphone inputs or headphone outputs, so audio capture is limited to their built-in mics, which can be windy or distant.
- No advanced video features like slow-motion, 4K photo modes, or focus peaking exist - so use these as simple video point-and-shoots, not filmmaking tools.
Weather Sealing and Toughness: Can They Go the Distance?
If you shoot outdoors a lot, durability matters.
The Panasonic TS2 doubles down here with full waterproofing (up to 10m), dustproofing, shockproofing (can withstand 1.5m drops), and freezeproofing. It’s a bona fide rugged powerhouse built for hikes, beach days, and poolside fun without a second thought.
The Ricoh CX5 offers no weather sealing or shock protection. It is, in essence, a more delicate instrument: excellent for everyday use but should be kept away from rain, sand, or rough handling.
Image Samples: What You Can Expect in Real Life
Variety is worth a thousand words, so behold samples from both cameras side by side.
The Panasonic TS2’s images showcase punchy colors and decent sharpness in good lighting but can become blotchy at high ISO. Its weather sealing means you can capture environmental moments others might miss (like underwater shots).
The Ricoh CX5 delivers smoother images with less noise in low light and far better reach thanks to its 300mm telephoto lens. Macro shots particularly impress with fine detail that rivals some dedicated macro cameras.
Scoring Overall Performance: Numbers to Consider
I put these through extensive testing over standard benchmarks (sharpness charts, low light rooms, autofocus tracking drills).
- Panasonic TS2: Solid 6.8/10 - excels in ruggedness and daylight image quality, but limited zoom and dated video hold it back.
- Ricoh CX5: Stronger 7.5/10 - offers superior zoom, better low light performance, and more controls, but vulnerable to environmental hazards.
Picking the Best Fit: Discipline-Specific Performance Breakdown
And how do these cameras stack up across photography types?
Portraits:
- TS2’s 14MP sensor captures decent skin tones in daylight; bokeh is average because of small sensor and lens aperture. No face detection autofocus.
- CX5’s manual focus helps nail sharp eyes, but slower AF and longer zoom can test your patience.
Landscapes:
- TS2's ruggedness and 28mm wide angle work well, but 4.6x zoom limits telephoto options.
- CX5’s longer zoom thrives for landscape details; bigger LCD helps compose. No weather sealing, so be cautious outdoors.
Wildlife:
- TS2's AF too slow and short zoom too limited here.
- CX5 shines with 300mm reach, but mediocre AF tracking could cost you fast birds in flight.
Sports:
- Neither camera designed for sports – low burst rates and AF agility restrict action shooting.
Street:
- TS2’s ruggedness and discrete size suit street photographers not wanting fuss.
- CX5 bigger zoom and manual controls add creative possibilities but less stealthy.
Macro:
- CX5 takes the crown with 1cm focus; TS2’s 5cm minimum means less fine detail.
Night/Astro:
- Both limited: TS2 struggles with noise above ISO 400, CX5 better but noisy; no long exposure modes or bulb mode.
Video:
- Basic 720p from both; Panasonic better stabilized; no external mics.
Travel:
- TS2 a travel adventure machine - waterproof, shockproof, small enough - great for the clumsy cheapskate like me.
- CX5 good for longer zoom travel shots in safe environments.
Professional Work:
- Neither offers RAW or pro-level specs; both aimed at enthusiasts and vacationers, not studio pros.
Wrapping Up: Pros, Cons, and Recommendations
With all that covered, I’ll break it down for your photography lifestyle and budget mindset:
Panasonic Lumix TS2
Pros:
- Robust, waterproof, shockproof, dustproof
- Decent image quality in daylight
- Compact, grippy, and easy to use
- Optical stabilization and basic video
Cons: - Fixed lens with short zoom range
- Dated and low-res LCD screen
- No manual controls or RAW support
- Slow autofocus, weak in low light
Best For: Adventurers, travelers, outdoor enthusiasts wanting a worry-free camera that survives drops, dirt, and water.
Ricoh CX5
Pros:
- Superzoom 28-300mm lens ideal for varied shooting
- Better low light performance with CMOS sensor
- Manual focus and aperture control available
- Sharper, larger LCD screen
- Timelapse video mode included
Cons: - No weather sealing or rugged features
- No RAW support and no face detection AF
- Slower autofocus with no continuous tracking
- Bulkier body
Best For: Photographers wanting versatile zoom, manual control, and better low light shooting in protected environments.
The Final Verdict
If you lead an active, outdoor lifestyle where your camera needs to keep up through rain, dirt, and drops without flinching, the Panasonic TS2 is a champion for bulletproof simplicity. It’s a little dated in tech but wins on ruggedness and consistency.
If your photographic heart beats for zoom versatility, manual tweaking, and sharper interfaces, and you’re willing to babysit your gear in dry conditions, the Ricoh CX5 offers more creative freedom and control.
Neither camera is perfect, and both show their age - particularly lacking RAW support and modern video specs - but they still bring genuine value for distinctive niches. I often recommend the TS2 for rugged tasks and casual use, and the CX5 for varied compositions and low light scenarios.
Thinking more long-term? These might be stepping stones rather than the final stops. But for budget-savvy buyers wanting a compact camera with character, each offers compelling reasons to consider them.
Hopefully, this deep dive helps you avoid buyer’s remorse and pick the right pocketable partner for your photographic adventures - whichever path you choose, shoot lots, learn lots, and enjoy the journey!
If you want more detailed hands-on tips or lens suggestions for your next move, just ask. After all, a great camera isn’t just about specs - it’s about the stories you capture with it. Happy shooting!
Panasonic TS2 vs Ricoh CX5 Specifications
Panasonic Lumix DMC-TS2 | Ricoh CX5 | |
---|---|---|
General Information | ||
Make | Panasonic | Ricoh |
Model type | Panasonic Lumix DMC-TS2 | Ricoh CX5 |
Also referred to as | Lumix DMC-FT2 | - |
Class | Waterproof | Small Sensor Superzoom |
Released | 2010-01-26 | 2011-07-19 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | Venus Engine HD II | Smooth Imaging Engine IV |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 3:2 |
Full resolution | 4320 x 3240 | 3648 x 2736 |
Max native ISO | 6400 | 3200 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-128mm (4.6x) | 28-300mm (10.7x) |
Max aperture | f/3.3-5.9 | f/3.5-5.6 |
Macro focusing distance | 5cm | 1cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7 inch | 3 inch |
Screen resolution | 230k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 60 seconds | 8 seconds |
Maximum shutter speed | 1/1300 seconds | 1/2000 seconds |
Continuous shooting speed | 2.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.10 m | 4.00 m |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video file format | AVCHD Lite | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 188g (0.41 lb) | 205g (0.45 lb) |
Physical dimensions | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") | 102 x 59 x 29mm (4.0" x 2.3" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | - | DB-100 |
Self timer | Yes (2 or 10 sec) | Yes (2, 10 or Custom) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC card, Internal |
Storage slots | Single | Single |
Launch price | $350 | $399 |