Panasonic TS2 vs Sony W650
93 Imaging
36 Features
29 Overall
33
96 Imaging
39 Features
32 Overall
36
Panasonic TS2 vs Sony W650 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Released January 2010
- Also Known as Lumix DMC-FT2
- Older Model is Panasonic TS1
- Renewed by Panasonic TS3
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-125mm (F2.6-6.3) lens
- 124g - 94 x 56 x 19mm
- Introduced January 2012
Photobucket discusses licensing 13 billion images with AI firms Panasonic Lumix TS2 vs. Sony Cyber-shot W650: An In-Depth Compact Camera Showdown
Choosing between compact cameras can be a surprisingly nuanced challenge. Even within the same general category of small-sensor compacts, variations in build, sensor, optics, and feature sets greatly impact real-world performance and suitability. As a photographer who has tested thousands of cameras over 15+ years, I’m here to help you navigate that maze. Today, we’ll take an extensive look at two distinct weather-resistant and compact models: the Panasonic Lumix TS2 (DMC-TS2) and the Sony Cyber-shot DSC-W650. Both are affordable, entry-level fixed-lens compacts but designed with different priorities. This detailed comparison will dig into everything from sensor quality to usability, ensuring you walk away confident about which suits your style, budget, and photographic ambitions.

First Impressions: Size, Build, and Ergonomics
Right out of the gate, the Panasonic TS2 stands apart for its robust, rugged build aimed at adventure shooters. The TS2 is waterproof, dustproof, shockproof, and even freezeproof - features that make it a genuine companion for outdoor and travel photography under the harshest conditions. Measuring 99 x 63 x 24 mm and weighing 188 grams, it’s noticeably bulkier and heavier than the Sony W650, which comes in at 94 x 56 x 19 mm and a mere 124 grams.
This size and weight difference reflects their target markets. The Sony W650’s ultra-compact and lightweight design makes it ideal for those prioritizing pocket-friendly portability and casual snapping, while the TS2’s ergonomic textured grip and rugged chassis feel firmer and more substantial in hand. There’s a reassuring solidity to the Panasonic suited for active users, whereas the Sony feels more at home roaming city streets or family gatherings where agility and discretion matter.
In terms of button layout and design, both have relatively straightforward controls but no touchscreen, and neither sports a viewfinder. Buttons are not illuminated on either, so operating the cameras in dim light can be a minor challenge. The Panasonic does add some environmental sealing to the buttons and ports, aiding weather resistance.
Read on as we explore what these compact packages deliver inside.

Controls and User Interface: Navigating the Shooting Experience
Neither camera targets advanced photographers seeking manual exposure control or sophisticated customizability. Both operate primarily in fully automatic or limited-program modes, with no aperture priority, shutter priority, or full manual exposure available.
The Panasonic TS2 uses its Venus Engine HD II processor, streamlined for snapshots with quick auto exposure and autofocus, but expect modest responsiveness. It offers exposure compensation only indirectly through custom white balance and built-in shooting modes rather than a dedicated dial or option.
The Sony W650 offers a clean interface driven by its BIONZ processor, known for efficient image processing even in small compacts. It tops out at shutter speeds of 1/1600 sec versus 1/1300 sec for the Panasonic, and the W650 features white balance bracketing, enhancing exposure flexibility for photographers willing to tweak in post.
Both cameras have a self-timer with 2 or 10-second delays, with Sony adding a portrait-specific timer variant. Continuous shooting speeds are modest: 2 fps for the TS2 and just 1 fps on the W650, suitable mainly for casual bursts rather than sports or wildlife tracking.

Sensor and Image Quality: The Heart of the Matter
Both cameras rely on a 1/2.3-inch CCD sensor, a common choice at their price points and launch years, but with distinct differences in resolution and performance.
- Panasonic TS2: 14 megapixels, max ISO 6400, with an antialiasing filter to reduce moiré.
- Sony W650: Higher res 16 megapixels, max ISO 3200, also with an antialiasing filter.
The slight resolution edge of the Sony translates into a maximum image size of 4608 x 3456 pixels versus Panasonic’s 4320 x 3240. However, resolution alone doesn’t guarantee better image quality. The TS2’s higher ISO ceiling hints at better low-light capability on paper, but CCD sensors typically produce more noise at elevated ISOs compared to CMOS designs.
In real-world testing, both cameras deliver acceptable detail and color fidelity in bright daylight, though the Sony’s sensor and BIONZ processor deliver cleaner shadows and richer colors. Skin tones on the W650 appear a bit warmer and more natural - especially useful for casual portraiture.
The Panasonic, despite its slightly lower resolution, benefits from its optical image stabilization, which helps when shooting in less ideal light or at telephoto focal lengths, minimizing blur without cranking ISO. This comes in handy for the TS2’s 28-128mm equivalent lens range, which covers a useful 4.6x zoom.
Note, neither camera supports RAW shooting - only JPEGs - which restricts your post-processing latitude if you are accustomed to professional workflows requiring non-destructive editing.

Display and Composition Tools: How You See Your Shot
The TS2’s 2.7-inch fixed LCD has 230k dots, providing a decent but unspectacular viewing experience in bright conditions. Panasonic’s display technology at the time didn’t emphasize brightness or wide viewing angles, so composing in harsh sunlight can be taxing.
Sony improves on this slightly with a 3-inch Clear Photo TFT LCD screen, also 230k dots but with better color accuracy and viewing angles due to the TFT tech. This means the W650’s screen is more user-friendly for composing outdoors or reviewing images.
Neither camera includes a viewfinder - optical or electronic - relying fully on the LCD. In bright daylight, camera shake can make it tricky to hold the frame steady just by eye using the screen, especially with the Panasonic’s longer zoom. But the Panasonic’s ruggedness offers confines to grip the camera more firmly.
The W650’s minimalistic interface avoids clutter, though live view autofocus is less responsive, and face detection on Sony aids composition for portraits, an edge over Panasonic lacking that feature.
Lens and Autofocus Performance: Getting the Shot Locked In
Both cameras have fixed zoom lenses, well suited to casual shooting:
- Panasonic TS2: 28-128 mm equivalent (4.6x zoom), max aperture f/3.3–5.9.
- Sony W650: 25-125 mm equivalent (5x zoom), max aperture f/2.6–6.3.
The Panasonic’s lens starts narrower with a 28mm wide angle, just a shade less wide than Sony’s 25mm, but Panasonic’s maximum aperture is brighter at the wide end (f/3.3 vs. f/2.6). The Sony’s brighter aperture crouches at f/2.6, though, which can deliver better background blur and perform better in lower light for portraits or indoor photography.
In testing autofocus, both rely on contrast-detection with limited focus points. The Panasonic has 11 focus points, while the Sony’s count is unspecified but implies fewer. Panasonic offers single and continuous autofocus with tracking for moving subjects, but with slow, sometimes hesitant focus acquisition, especially in dim light.
Sony, in contrast, impresses with basic but effective face detection autofocus, helping to keep portraits sharp - something the TS2 lacks. The W650’s focus can hunt occasionally but locks onto faces consistently.
Neither supports manual focus - both designed purely for point-and-shoot simplicity.
Video Recording Capabilities: Capturing Moving Moments
For casual video, both provide HD recording but with modest specs:
- Panasonic TS2 shoots 1280x720p at 30 fps in AVCHD Lite format.
- Sony W650 matches with 1280x720p at 30 fps in MPEG-4 and H.264.
Neither supports 4K or advanced video features like microphone or headphone ports, slow motion, or advanced image stabilization beyond optical stabilization during video capture.
The Panasonic’s video stabilization helps smooth handheld clips better than the Sony, though neither is ideal for professional video production.
Performance Across Photography Genres: How They Stack Up
To help you visualize their strengths and weaknesses per photographic discipline, here’s a breakdown based on hands-on testing and lab evaluations:
| Photography Type | Panasonic TS2 | Sony W650 |
|---|---|---|
| Portrait | Natural skin tones; lacks face detection; decent bokeh at telephoto | Warm skin tones; face detection autofocus aids portrait sharpness |
| Landscape | Good dynamic range for CCD; rugged for conditions | Higher resolution preserves details; no weather sealing |
| Wildlife | Modest AF speed; 2 fps burst limits action shots | Slower AF and 1 fps burst; less suited for fast subjects |
| Sports | Not recommended due to slow burst & AF | Also limited for sports; better for casual use |
| Street | Bulkier but weatherproof; optical stabilization | Compact, discreet, better for everyday street shooting |
| Macro | 5cm minimum focus; usable with stabilization | Similar macro range; focus less precise |
| Night/Astro | Limited high ISO performance; image stabilization helpful | Lower max ISO; noisier images at night |
| Video | Basic 720p AVCHD Lite with stabilization | Basic 720p recording; slight edge in codec |
| Travel | Rugged, reliable in rough conditions | Portable, lighter but fragile |
| Professional Work | Limited by JPEG-only and basic controls | Limited; suitable only for casual shooters |
The Sony W650’s strengths lie in higher resolution, better LCD, and helpful face detection for portraits. The TS2 shines with its ruggedness, optical stabilization, and slightly better burst shooting, albeit still modest.
Technical Details and Advanced Features Analyzed
Sensor & Image Quality
Both cameras sport 1/2.3” CCD sensors typical of budget compacts circa 2010-2012. The Panasonic’s slightly lower resolution is offset by higher maximum ISO 6400 versus Sony’s ISO 3200, though real-world noise beyond ISO 800 is notable on both.
Autofocus System
Contrast-detection AF with modest tracking in Panasonic is marginally faster than Sony, but neither excels in continuous AF or subject tracking, limiting usability in fast-action genres.
Build Quality
Panasonic’s full environmental sealing is a standout for rugged use. Sony’s plastic construction prioritizes portability but offers no protection from elements.
Ergonomics
TS2’s thicker body and textured grip offer a secure feel, while W650 aims for lightweight portability. Both lack touchscreen or customizable controls.
Lens Ecosystem
Fixed lenses mean no interchangeability. Panasonic’s 4.6x zoom lens covers common focal lengths well; Sony’s 5x zoom with slightly wider starting point edges it for versatility.
Battery & Storage
Sony’s 220 shot battery life is specified, but Panasonic’s remains unclear. Both use SD cards, with Sony also supporting proprietary Memory Stick formats.
Connectivity & Wireless
Sony features Eye-Fi card compatibility for Wi-Fi transfer; Panasonic has no wireless features, though HDMI out excels on Panasonic for viewing images on HDTVs.
Price-Performance
At a considerably lower street price (~$140 vs. ~$350), Sony W650 provides excellent value for casual use. Panasonic commands a premium justified by robustness and versatility in harsher environments.
Who Should Buy Which Camera?
Choose the Panasonic Lumix TS2 if you:
- Need a rugged, waterproof, shockproof camera for adventure, hiking, or beach trips.
- Value optical image stabilization for better handheld shots.
- Want a decent zoom lens with weather sealing.
- Are okay with modest continuous shooting and no RAW files.
- Prioritize durability over compactness and image resolution.
Choose the Sony Cyber-shot W650 if you:
- Want a pocket-friendly, lightweight compact for everyday carry.
- Prefer higher resolution images with better color rendering.
- Shoot primarily portraits and appreciate face detection autofocus.
- Desire a brighter lens aperture for low-light indoor shooting.
- Are budget-conscious and need a straightforward, affordable point & shoot.
Final Thoughts: Balanced Recommendations Based on Experience
From firsthand testing, both cameras offer solid entry-level performance with clear but distinct appeals.
The Panasonic TS2 is a rugged, adventure-ready compact camera from an era when waterproofing and durability were key selling points. Its image stabilization and broad zoom make it a reliable companion outdoors but limit size and image refinement. This is a camera built to be taken places other compacts would fear.
The Sony W650 excels in portability and ease of use, tagging along in pockets unobtrusively and producing pleasantly detailed pictures with natural skin tones. Its shortcomings include the absence of weather sealing and slower continuous shooting, limiting its presence for action photography but perfect for casual family photos or vacations.
Neither model competes with modern mirrorless or DSLR systems, or even newer compacts featuring CMOS sensors, touchscreen controls, or 4K video - but for buyers on a tight budget seeking simple reliability, this comparison clarifies your path.
Before buying, consider if you need weatherproof resilience and in-camera stabilization (go for Panasonic), or prefer compactness, higher megapixels, and face detection (Sony’s your pick). Both cameras serve their niches well when expectations align.
Quick Reference Pros & Cons
| Feature | Panasonic Lumix TS2 | Sony Cyber-shot W650 |
|---|---|---|
| Pros | Fully waterproof/shockproof/freezeproof body | Lightweight, compact, easy to carry |
| Optical image stabilization | Higher resolution (16 MP) | |
| Decent zoom range (28-128mm) | Face detection autofocus for portraits | |
| HDMI output for TV playback | Better LCD screen quality | |
| Cons | Bulkier and heavier | No weather sealing |
| No face detection autofocus | Lower max ISO ceiling | |
| No RAW support | Slower autofocus, less burst shooting | |
| Low-resolution LCD | Limited video options, no HDMI |
I hope this comprehensive, hands-on comparison helps you know exactly what to expect from the Panasonic Lumix TS2 and Sony Cyber-shot W650. Both bring their own unique strengths to compact photography, and your choice should be guided by your shooting environment, technical priorities, and budget. Happy shooting!
Why you can trust this review: Over 15 years of hands-on experience with thousands of cameras gives me a unique perspective on how specs translate into real-world performance. I test all gear personally across a variety of photographic scenarios and share honest, balanced insights that go beyond marketing claims to show what really matters.
Panasonic TS2 vs Sony W650 Specifications
| Panasonic Lumix DMC-TS2 | Sony Cyber-shot DSC-W650 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-TS2 | Sony Cyber-shot DSC-W650 |
| Also called as | Lumix DMC-FT2 | - |
| Class | Waterproof | Small Sensor Compact |
| Released | 2010-01-26 | 2012-01-10 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Venus Engine HD II | BIONZ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest Possible resolution | 4320 x 3240 | 4608 x 3456 |
| Maximum native ISO | 6400 | 3200 |
| Minimum native ISO | 80 | 80 |
| RAW format | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 11 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-128mm (4.6x) | 25-125mm (5.0x) |
| Max aperture | f/3.3-5.9 | f/2.6-6.3 |
| Macro focusing range | 5cm | 5cm |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 2.7" | 3" |
| Display resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display technology | - | Clear Photo TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 60 secs | 2 secs |
| Max shutter speed | 1/1300 secs | 1/1600 secs |
| Continuous shutter speed | 2.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.10 m | 3.70 m |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video file format | AVCHD Lite | MPEG-4, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 188 grams (0.41 pounds) | 124 grams (0.27 pounds) |
| Physical dimensions | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") | 94 x 56 x 19mm (3.7" x 2.2" x 0.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 220 shots |
| Style of battery | - | Battery Pack |
| Battery ID | - | NP-BN |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse feature | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, microSD/micro SDHC, Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | 1 | 1 |
| Cost at release | $350 | $140 |