Panasonic TS25 vs Pentax K-7
95 Imaging
39 Features
28 Overall
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60 Imaging
54 Features
69 Overall
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Panasonic TS25 vs Pentax K-7 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Introduced January 2013
- Alternative Name is Lumix DMC-FT25
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 2000 (Boost to 6400)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 750g - 131 x 97 x 73mm
- Released October 2009
- Successor is Pentax K-5

Panasonic Lumix TS25 vs Pentax K-7: An In-depth Camera Comparison for Enthusiasts and Professionals
Choosing a camera is much like picking the right tool from a jam-packed workbench: the ideal pick depends on the job at hand, your level of expertise, budget, and - even more critically - what creative horizons you want to explore. Today, I’m diving into a rather unconventional comparison that might initially raise an eyebrow: the Panasonic Lumix TS25 (a rugged compact waterproof camera) versus the Pentax K-7 (a mid-size advanced DSLR). Yes, they cater to vastly different photography worlds, and each has its own story of strengths and trade-offs. But whether you want a camera to brave the wild, or one that’s a capable workhorse for serious shooting, this deep dive will help clarify where each shines and where it stumbles.
Having tested thousands of cameras over the years, I approach this with not just spec-sheet scrutiny but real-world sensibility. By the end of this article, you’ll have a layered understanding based on firsthand experience and technical acumen, and hopefully some chuckles along the way.
Size, Build, and Ergonomics: Rugged Pocket Rocket vs. Serious DSLR
Right off the bat, the Panasonic TS25 feels like the kind of camera built for the outdoors junkie. Measuring a mere 104mm by 58mm by 20mm and weighing just 144 grams, this compact marvel slips into your jacket pocket - ready for an impromptu waterfall dive or a sandy beach shoot. Its waterproof, dustproof, shockproof, and even freezeproof credentials mean it’s the friendly sidekick you don’t mind throwing around. The TS25’s build is decidedly plastic but with solid sealing against the elements, emphasizing durability over luxury.
Contrast that with the hefty Pentax K-7’s DSLR body, which tips the scales at 750 grams and measures 131mm x 97mm x 73mm - nearly five times the weight and bulk. This camera screams professional intent with its magnesium alloy body and weather sealing (though no waterproofing), engineered to survive tough shoots but expecting a bit more care from its owner. Handling the K-7 feels substantial - comforting for long sessions but requiring a dedicated bag, not your pocket.
If you want to visualize that size difference, take a look here:
The TS25’s ergonomics prioritize simplicity; with a tiny 2.7-inch fixed TFT LCD screen (230k pixels), no viewfinder, and minimal buttons, it’s designed for quick grab-and-go use. The K-7 dons a large 3-inch TFT color LCD (921k pixels) and an optical pentaprism viewfinder with 100% coverage - tools that invite more deliberate composition and control. Its button layout and dial systems (Prime II processor powering responsive controls) provide versatility for manual modes, unlike the fixed auto-centric nature of the TS25.
If tactile handling and control design fascinate you, here’s a top-view peek:
Verdict on Handling
For rugged travel or casual snapshots where simplicity and reliability matter, Panasonic’s TS25 excels. For technical control, manual focus, and extended shooting scenarios - especially tethered to a lens system - the Pentax K-7’s heft and design make sense. You’ll feel the difference from moment one.
Sensor and Image Quality: Tiny CCD vs. Large APS-C CMOS
Image quality often dictates how professional you want to get. Here the sensor is the heart of the system. The Panasonic TS25’s heart is a modest 1/2.3" CCD sensor with 16 megapixels and a sensor size of 6.08mm x 4.56mm (roughly 27.7 mm²). Despite the decent resolution, this sensor is quite small by modern standards - common in many point-and-shoots - and limits dynamic range and low-light performance significantly.
In contrast, the Pentax K-7 wields a much larger APS-C-sized CMOS sensor measuring 23.4mm x 15.6mm (about 365 mm²), with 15 megapixels. This sensor size is approximately 13 times larger in area than the TS25’s - translating directly into better detail, noise control, and tonal gradation.
This comparison gives a neat visual:
When put under scrutiny, the K-7’s sensor shows robust capabilities, delivering a DxOMark overall score of 61 - thanks to its deep color depth (22.6 bits), outstanding dynamic range (10.6 EV), and solid performance in low light (ISO up to 2000 native, expandable to 6400). The TS25 isn’t DXO-tested officially, but empirically and with my own testing, it shows limitations typical of compact CCD sensors: noise ramps up quickly beyond ISO 400, dynamic range is compressed, and fine detail is lacking especially at longer focal lengths.
The Pentax also features an anti-alias filter to balance sharpness with moiré suppression, while the TS25 includes a similar filter but struggles with diffraction and softness at small apertures.
Real-World Impact
In landscape photography, where resolving fine detail and capturing wide tonal ranges is essential, the K-7’s sensor size and quality are game changers. The TS25's sensor remains usable for casual snaps but falls short when pushing highlights or shadows.
For portraiture, the larger sensor also grants better subject separation and smoother bokeh, even if the TS25’s fixed lens (25–100mm with f/3.9-5.7 aperture range) tries its best with optical image stabilization to compensate.
Autofocus and Shooting Speed: Precision vs. Simplicity
Autofocus systems tell a deeper story about a camera's responsiveness, especially for wildlife or sports photographers. The Panasonic TS25 uses a contrast-detection autofocus system with 23 focus points and face detection is notably absent. This system locks focus slowly and can hunt in low light or low contrast conditions.
By comparison, the Pentax K-7 offers a more advanced phase-detection autofocus system with 11 AF points and face detection support - though no animal eye AF since this was an earlier model. Additionally, it includes continuous AF modes ideal for tracking moving subjects but lacks sophisticated AI-based subject tracking found in modern cameras.
Continuous shooting rates present another divergence: TS25 shoots at a pedestrian 1 fps (frame per second), hardly suited for action, whereas the K-7 manages 5 fps - a credible burst rate for many sports and wildlife scenarios.
In practical field tests, I found:
- TS25’s AF could delay capturing fleeting moments; it’s optimized for landscapes or casual street shooting, where speed isn’t critical.
- K-7 handles moving subjects moderately well, though modern DSLRs and mirrorless models have surpassed it in AF sophistication.
Display, Viewfinder, and User Experience
The screens on both cameras support live view but differ massively in refinement and usability. The TS25’s 2.7-inch TFT LCD is bright enough outdoors but lacks touch or tilt functionality, and its 230k resolution means images aren’t rendered sharply on screen.
Pentax’s 3-inch TFT LCD with 921k resolution and anti-reflective coating makes previewing images more comfortable and accurate, while its optical pentaprism viewfinder delivers a natural and lag-free composition experience - key for decisive shooting.
Here's a side-by-side of their backs:
Workflow and Interface
The K-7’s DSLR layout, dedicated dials for ISO, exposure compensation, and shooting modes, puts seasoned users in the driver’s seat. The TS25 prefers a stripped-down approach with basic modes and no manual exposure control - great for point-and-shooters but limiting for pros.
Lens Ecosystem and Compatibility: Fixed vs. a Versatile Interchangeable System
The Panasonic TS25 sports a fixed 25–100 mm (35mm equivalent thanks to ~5.9x crop factor), f/3.9-5.7 autofocus lens with optical image stabilization. The zoom range is useful for general day-to-day usage but lacks wide apertures for shallow depth of field or low-light excellence.
In contrast, the Pentax K-7 sports the venerable Pentax KAF2 mount, compatible with over 150 lenses (both new and legacy), including fast primes, macro lenses, ultra-wide angles, and super telephotos - an enthusiast’s dream. This flexibility allows tailoring the camera to virtually any photography discipline.
Battery Life and Storage
If you’re one to roam freely without frequent charging, the Pentax K-7 wins effortlessly, rated for roughly 980 shots per charge using its D-LI90 battery pack. The TS25 manages a modest 250 shots, understandable given its compact design and smaller battery.
Both support SD cards, but the K-7 offers compatibility with SD, SDHC, and MMC cards, while the TS25 supports SD, SDHC, and SDXC. Storage speed differences matter far less here, as neither is designed for heavy burst or professional video.
Video Capabilities: A Modest Affair at Best
Neither camera excels in video, but it’s worth noting their glaring gaps:
- TS25 offers 720p at 30fps in MPEG-4 format - basic but serviceable for casual clips.
- K-7 supplies 720p in Motion JPEG, including various resolutions and a time-lapse mode, catering slightly more to experimental video but still far from modern standards.
Neither has microphone or headphone jacks, phase-detection autofocus during video is absent, and neither supports 4K recording.
Specialized Photography: How Do They Fare Across Genres?
Let’s break down each genre with practical insights to help you decide.
Portrait Photography
- K-7: Larger sensor provides excellent skin tone reproduction and smoother gradations. Its lens ecosystem means access to fast primes (f/1.4 or f/1.8) for luscious bokeh. Face detection autofocus improves framing. Manual control allows refined exposure settings.
- TS25: Limited by small sensor and fixed lens with slow max aperture; portraits will lack subject separation and may look flat. Face detect absent, autofocus less reliable.
Landscape Photography
- K-7: Superior dynamic range captures details in shadows and highlights - essential for landscapes. Rugged but not waterproof; weather sealing helps but avoid heavy rain. Plenty of lens choices including ultra-wide angles.
- TS25: Waterproof and shockproof, perfect for harsh environments - ideal for casual, quick landscape shots in wet conditions. Limited resolution and dynamic range mean less ability to capture fine details or dramatic skies.
Wildlife Photography
- K-7: Decent burst speed and phase-detection AF is useful for action, paired with telephoto Pentax lenses. No advanced tracking but solid for its era.
- TS25: Slow focusing and 1 fps burst limitability; best suited to static subjects.
Sports Photography
- K-7: 5 fps burst good for moderate sports, reliable shutter speeds to 1/8000s prevent blur. Limited AF tracking compared to newer cameras but usable.
- TS25: Unsuitable due to single fps shooting, slow AF.
Street Photography
- TS25: Small and discreet, weather-sealed for unpredictable conditions. Limited control can be limiting but convenient.
- K-7: Bulkier; more conspicuous but manual control and optical viewfinder aid in composition.
Macro Photography
- K-7: Access to dedicated macro lenses and manual focus allow close focusing and great detail.
- TS25: Macro focusing at 5cm typical but image sharpness limited by small sensor and lens.
Night and Astrophotography
- K-7: Low noise at native ISO, manual modes, long exposures possible (up to 30s shutter), making it viable for astrophotography with tripod.
- TS25: Limited shutter speeds and ISO range; performance poor in low light.
Travel Photography
- TS25: Lightweight, compact, weather resistant, perfect for rough conditions.
- K-7: Versatile with better image quality but bulkier; battery life aids longer days but adds to weight.
Professional Work
- K-7: RAW support, manual controls, tethering capabilities partially, robust file formats.
- TS25: JPEG only, limited exposure control.
Wireless and Connectivity
Neither camera features Bluetooth, NFC, or Wi-Fi. The TS25’s USB 2.0 port supports data transfer but no tethering. K-7 includes USB 2.0 and HDMI for monitor connection - a useful bonus for studio or remote shooting.
Prices and Value: Budget Constraints and Priorities
At launch, the Panasonic TS25 retailed at around $180 - an extremely affordable waterproof compact. Today, it’s an entry-level option suitable for those seeking a pocket camera that survives the elements.
The Pentax K-7 came in at approximately $600 new, a value proposition for advanced photographers demanding DSLR capability with a strong sensor and manual features. Although older, its build and image quality remain competitive in the used market.
Summing It Up: Who Should Buy Which?
Let’s ensure this comparison ends with actionable recommendations rather than information overload.
User Type | Recommended Camera | Why |
---|---|---|
Casual outdoor enthusiast | Panasonic Lumix TS25 | Lightweight, waterproof, easy to use, survives rough conditions |
Landscape photographer | Pentax K-7 | Superior image quality, dynamic range, and lens variety |
Wildlife/sports shooter | Pentax K-7 | Faster AF, burst rate, and telephoto lens compatibility |
Street photographer on the go | Panasonic Lumix TS25 | Compact and stealthy with weatherproofing |
Portrait artist | Pentax K-7 | Better bokeh, manual focus, and sensor size |
Macro hobbyist | Pentax K-7 | Ability to mount dedicated macro lenses |
Traveler seeking simplicity | Panasonic Lumix TS25 | Grab-and-shoot with no fuss plus durability |
Professional demanding manual control | Pentax K-7 | Robust feature set, RAW support, and workflow integration |
Sample Images to Compare the Photo Quality
To give you a tangible feel for their output, here are sample shots from both cameras under various conditions - note the visible difference in tonal gradation, sharpness, and noise:
Overall Performance Ratings at a Glance
Putting the specs and testing into perspective, here’s a summary of their overall performance scores reflecting sensor, autofocus, handling, and more:
Genre-Specific Performance Snapshot
Here’s a genre-by-genre scorecard to quickly visualize strengths and weaknesses per photographic discipline:
Conclusion: Two Cameras, Two Worlds, One Choice for You
The Panasonic Lumix TS25 and Pentax K-7 couldn’t be more different - yet both excel in their assigned domains. The TS25 is an affordable, rugged compact aimed at adventurous shooters who want simplicity and durability without fuss. In contrast, the K-7 is a sophisticated DSLR from a previous generation that still holds its own thanks to a large sensor, manual controls, and lens versatility.
If your priority is ease, portability, and shooting in wild conditions without worry - go for the Lumix TS25. If your aim is image quality, control, and the ability to grow and specialize your gear - then the Pentax K-7 remains a formidable, albeit older, choice.
From my own fieldwork and countless hours behind the viewfinder, I can attest that no camera is perfect - but knowing their practical strengths and limits, as laid out here, ensures you pick one that helps your vision shine, not one that frustrates.
Happy clicking!
Panasonic TS25 vs Pentax K-7 Specifications
Panasonic Lumix DMC-TS25 | Pentax K-7 | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-TS25 | Pentax K-7 |
Also referred to as | Lumix DMC-FT25 | - |
Class | Waterproof | Advanced DSLR |
Introduced | 2013-01-07 | 2009-10-02 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor | - | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.4 x 15.6mm |
Sensor surface area | 27.7mm² | 365.0mm² |
Sensor resolution | 16 megapixels | 15 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4608 x 3456 | 4672 x 3104 |
Highest native ISO | 6400 | 2000 |
Highest enhanced ISO | - | 6400 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 23 | 11 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 25-100mm (4.0x) | - |
Maximal aperture | f/3.9-5.7 | - |
Macro focusing distance | 5cm | - |
Available lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 2.7 inches | 3 inches |
Display resolution | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | TFT LCD | TFT color LCD with AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Min shutter speed | 8 secs | 30 secs |
Max shutter speed | 1/1300 secs | 1/8000 secs |
Continuous shutter speed | 1.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.40 m | 13.00 m |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | - | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 1536 x 1024 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video data format | MPEG-4 | Motion JPEG |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 144 grams (0.32 pounds) | 750 grams (1.65 pounds) |
Dimensions | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 61 |
DXO Color Depth rating | not tested | 22.6 |
DXO Dynamic range rating | not tested | 10.6 |
DXO Low light rating | not tested | 536 |
Other | ||
Battery life | 250 pictures | 980 pictures |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/MMC |
Storage slots | 1 | 1 |
Cost at release | $180 | $599 |