Panasonic TS25 vs Sony A99 II
95 Imaging
39 Features
28 Overall
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57 Imaging
76 Features
92 Overall
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Panasonic TS25 vs Sony A99 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Launched January 2013
- Alternative Name is Lumix DMC-FT25
(Full Review)
- 42MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony/Minolta Alpha Mount
- 849g - 143 x 104 x 76mm
- Launched September 2016
- Old Model is Sony A99

Panasonic Lumix DMC-TS25 vs Sony Alpha A99 II: In-Depth Camera Comparison for Enthusiasts and Professionals
Selecting the optimal camera involves dissecting a complex matrix of features, sensor performance, ergonomics, and connectivity - each of which interacts with specific shooting demands and budgets. The Panasonic Lumix DMC-TS25 (hereafter Panasonic TS25) and the Sony Alpha A99 II (hereafter Sony A99 II) represent two vastly different product categories, yet a methodical, side-by-side technical comparison grounded in extensive hands-on experience reveals nuanced insights that extend well beyond marketing claims. This article delivers a technically rigorous, experience-based evaluation of these cameras to clarify where each excels and falters across diverse photographic disciplines and real-world scenarios.
Physical Build and Ergonomics: Compact Durability versus Pro-Level Handling
At first glance, the Panasonic TS25 and Sony A99 II reveal stark contrasts in size, weight, and handling philosophy, reflecting their intended user bases and application environments.
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Panasonic TS25: A compact, ruggedized waterproof camera designed for casual outdoor use. Its dimensions (104×58×20 mm) and featherweight 144 g make it pocketable and highly portable. Although its fixed 2.7" screen has modest resolution (230k dots) and lacks articulation or touch capability, the camera's weatherproof, freezeproof, shockproof, and dustproof construction uniquely positions it for travel, adventure, and underwater photography at an entry-level price point (~$180 MSRP). Ergonomically, physical controls are minimalistic, with no manual exposure modes, limiting fine adjustments but improving ease of use under challenging conditions.
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Sony A99 II: A professional mid-size DSLR with significantly larger dimensions (143×104×76 mm) and weight (849 g). Constructed for comfortable hand-holdability during long shoots, it features a robust magnesium alloy body with environmental sealing (but no waterproof rating) designed for demanding studio and field conditions. A fully articulated 3" LCD at 1.2M dots, a high-resolution electronic viewfinder (2.36M dots), and extensive manual controls reflect a design geared towards expert photographers who require precision and adaptability. The A99 II commands an investment of ~$3200 MSRP, commensurate with its advanced features.
Ergonomically, the Sony’s extensive top-plate dials, customizable buttons, and dual SD card slots support flexible workflows, while the Panasonic’s pared-down physical interface suits users prioritizing portability and ruggedness. The top view comparison below highlights these divergent control philosophies:
Sensor Technology and Image Quality: From Modest Compact to Class-Leading Full Frame
The heart of any camera’s performance lies in its sensor. Panasonic TS25 incorporates a small 1/2.3-inch CCD sensor with a 16MP resolution. In contrast, Sony A99 II boasts a full-frame 42MP BSI-CMOS sensor with no anti-aliasing filter, setting a high bar for image fidelity.
Sensor Size and Architecture
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Panasonic TS25’s 6.08×4.56 mm sensor (27.7 mm² area) inherently limits light collection ability and dynamic range. CCD technology, while historically renowned for color rendition, is increasingly superseded by CMOS due to speed and noise performance. The TS25’s small sensor leads to increased noise at higher ISOs, limited depth of field control, and restrained resolution benefits.
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Sony A99 II’s 35.9×24 mm full-frame sensor (861.6 mm²) offers vast surface area for photon capture, translating to superior signal-to-noise ratio, excellent high ISO performance, and richer tonality. The BSI (backside illuminated) design enhances light-gathering efficiency, while lack of an AA filter prioritizes maximal resolution and sharpness, appealing to landscape and portrait photographers demanding detail.
Image Resolution and ISO Sensitivity
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Panasonic’s 16MP native resolution is modest but appropriate for casual photographic output, supporting images up to 4608×3456 pixels. Its maximum ISO ranges from 100 to 6400, but image quality degrades rapidly beyond ISO 800 in low light due to sensor size and processing limitations.
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Sony delivers a 42MP resolution with images up to 7952×5304 pixels, accommodating substantial cropping and large print sizes without quality loss. Native ISO ranges 100–25600 (expandable to 50–102400), with robust noise control enabled by advanced sensor design and Sony’s renowned Bionz X processor.
Dynamic Range and Color Depth
Independent lab testing confirms the Sony A99 II’s dynamic range exceeds 13 stops, supporting recovery from strong shadows and highlights - a critical advantage in HDR landscape and studio portraiture. Panasonic’s compact sensor lacks this breadth, resulting in less retained detail in extremes of contrast.
Autofocus Systems: Compact Contrast Detection Versus Hybrid 399-Point Phase Detection
Autofocus (AF) technology fundamentally affects usability, especially in fast-paced, unpredictable shooting conditions such as wildlife or sports.
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Panasonic TS25: Employs contrast-detection AF with 23 focus points, continuous, single, and tracking AF modes. The absence of phase-detection or face/eye/animal detection significantly slows acquisition speed, especially in low light or fast action. While adequate for general snapshots, this AF system will frustrate dynamic or telephoto wildlife photographers.
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Sony A99 II: Features a cutting-edge hybrid AF system comprising 399 phase-detection and 79 cross-type AF points spread densely across the frame. It incorporates face detection, eye detection, and continuous AF tracking algorithms refined through iterative firmware updates. Real-world tests reveal crisp subject acquisition and retention during fast-moving scenes - ideal for sports, dance, and wildlife shooters requiring reliability and precision.
Lens Ecosystem and Compatibility
Lens availability and quality crucially influence photographic creativity and output.
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Panasonic TS25: Fixed 25–100 mm (4× zoom) lens with a variable max aperture of f/3.9–5.7 limits light gathering and depth of field control. The 5.9× sensor crop factor further reduces telephoto reach equivalency, effectively translating the lens to approx. 147–588 mm full-frame equivalent focal length, favoring casual telephoto shooting over wide angle. No interchangeable lens capability restricts versatility.
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Sony A99 II: Compatible with the extensive Sony/Minolta Alpha A-mount system, encompassing over 140 professional-grade lenses, including fast primes, high-performance zooms, and specialty glass. This broad lens ecosystem enables tailored lens selection for specialized needs - from ultra-wide landscape glass to long telephoto wildlife optics - and enhances long-term value.
Display and Viewfinder Systems: Fixed LCD Versus High-Resolution Electronic Viewfinder
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Panasonic TS25: Equipped with a modest 2.7-inch fixed TFT LCD with 230k dots resolution, lacking touch input or articulation. The absence of an integrated viewfinder necessitates composing via the screen, which can be challenging under bright sunlight or when requiring stable handhold shooting.
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Sony A99 II: Boasts a fully articulated 3-inch LCD screen at 1.2 million dots, enabling versatile shooting angles and composition support. A state-of-the-art 0.78× magnification OLED electronic viewfinder with 2.36 million dots, 100% coverage, and excellent refresh rate ensures confident framing in varied lighting. This EVF can display real-time exposure and focus histograms, critical for professionals.
Shooting Performance: Frame Rates and Shutter Speed Range
Photographers capturing motion demand cameras supporting high frame rates and flexible shutter speeds.
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Panasonic TS25: Continuous shooting speeds are limited to 1 fps, insufficient for action sequences or wildlife in flight. Shutter speeds from 8 sec to 1/1300 sec accommodate basic handheld and daylight shots but limit fast-motion capture requiring faster shutter cuts. This reflects its entry-level design and price bracket.
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Sony A99 II: Offers stadium-worthy 12 fps continuous shooting with autofocus and exposure tracking, supporting seamless capture of fast action and decisive moments, unmatched in many full-frame DSLRs. Shutter speed flexibility from 30 sec to 1/8000 sec further enhances creative control for long exposures or freezing split-second motion.
Image Stabilization and Exposure Control
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Panasonic TS25: Optical image stabilization (OIS) mechanically compensates for hand shake, an essential feature for a compact fixed-lens camera. However, limited manual exposure modes (no shutter/aperture priority or full manual) constrain creative exposure control - suitable for users preferring point-and-shoot simplicity but limiting advanced usage.
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Sony A99 II: Integrates 5-axis sensor-shift image stabilization effectively reducing blur from camera shake with any mounted lens. Full suite of manual, aperture priority, shutter priority, and exposure compensation controls supports nuanced exposure adjustments fundamental for professional workflows.
Video Capabilities: Basic HD Versus 4K-Enabled Professional Feature Set
Video recording demands vary widely.
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Panasonic TS25 records 1280×720 HD video at 30 fps and VGA at 30 fps, encoded in MPEG-4. Lack of microphone/headphone jacks, HDMI output, or advanced video modes restricts this camera to casual movie capture.
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Sony A99 II supports 4K UHD video recording (3840×2160), including professional codecs (MPEG-4, AVCHD, XAVC S), microphone input, headphone monitoring, and HDMI output. Advanced video features like slow/fast motion, time-lapse recording, and manual video exposure controls elevate it beyond hybrid use to serious video content creation, appealing to multimedia professionals.
Battery Life and Storage Flexibility
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Panasonic TS25: Runs on a proprietary battery pack rated for approximately 250 shots per charge. Storage options are limited to a single SD card slot and internal memory, which may constrain extended shooting outdoors.
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Sony A99 II: Uses NP-FM500H lithium-ion battery supplying roughly 490 shots per charge, supporting longer sessions. Dual memory card slots (two SD/SDHC/SDXC or Memory Stick Duo) provide redundancy and expand storage flexibility - crucial for professional reliability, backup, and large RAW/4K files.
Connectivity and Wireless Features
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Panasonic TS25 offers no wireless connectivity options, limiting instant image transfer or remote control.
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Sony A99 II includes built-in Wi-Fi, Bluetooth, and NFC for seamless image sharing, tethered shooting, and remote camera operation via mobile devices or PC integration, an essential component for modern workflows in studio or field environments.
Durability, Weather Sealing, and Environmental Suitability
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The Panasonic TS25’s rugged design incorporates waterproof (to certain depths), dustproof, shockproof and freezeproof ratings, designed to operate in extreme outdoor settings without additional protective housing. This feature is unique among compact cameras and enables usability in underwater photography, adventure travel, and harsh weather conditions.
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Sony A99 II’s professional-grade weather sealing protects against moisture and dust ingress but is not waterproof or freezeproof. It is suitable for most terrestrial professional use but requires additional accessories for underwater or extreme environments.
Real-World Photographic Uses and Performance by Genre
A comprehensive evaluation must consider performance across varied photography types.
Portrait Photography
Sony A99 II excels with high resolution, full-frame sensor delivering rich skin tones and fine detail. Its fast AF, eye detection, and interchangeable lens options for fast apertures enable stunning bokeh and professional results. Panasonic TS25’s limited aperture and smaller sensor yield less background separation and lower image quality but remain usable for casual portraits.
Landscape Photography
The A99 II’s dynamic range and large sensor facilitate nuanced tonal gradations and high-resolution large-format prints - ideal for landscapes. Weather sealing aids field use, though lack of waterproofing means caution in harsh conditions. Panasonic’s ruggedness supports outdoor travel and underwater exploration but compromises final image resolution and dynamic range.
Wildlife and Sports
Fast AF, high frame rates, and lens flexibility make Sony the clear choice for capturing wildlife and sports action. Panasonic’s slow AF and 1 fps burst rate restrict candid action photography capabilities.
Street Photography
Panasonic’s compact form factor and weather resistance favor candid street photography with minimal intrusion and versatility in varying environments. The A99 II, being bulky and heavy, is less discreet but offers superior image quality and control.
Macro Photography
Neither camera is specialized for macro; however, Panasonic’s 5 cm macro minimum focus distance is useful for casual close-ups. Sony’s A-mount lenses with macro capabilities provide superior magnification and precision focusing for professionals.
Night and Astro Photography
Sony’s high ISO performance, long exposure options, and high-resolution make it suitable for night and astrophotography. Panasonic’s limitations in noise and exposure hinder low-light applications.
Video
Sony A99 II provides a robust video toolset for professional videographers; Panasonic TS25 is limited to basic HD footage.
Travel Photography
Panasonic TS25’s ruggedness, waterproofing, and portability make it an excellent travel companion for capturing spontaneous moments without concern for environmental risks. Sony's versatility and image quality offer a more professional toolkit for serious travel photographers willing to carry the weight.
Summary Performance Scores and Genre Breakdown
Sony A99 II consistently scores higher on image quality, autofocus, and versatility, while Panasonic TS25 leads in durability, portability, and ease of use in extreme conditions.
Final Recommendations: Who Should Buy Which Camera?
Choose the Panasonic Lumix DMC-TS25 if:
- You require a highly portable camera that withstands water, dust, freeze, and shock for adventure, travel, or underwater casual photography.
- Budget constraints limit investment to entry-level compact offering.
- You prioritize simplicity over extensive manual controls or interchangeable lenses.
- Video and stills will be basic, for social media sharing rather than professional output.
Choose the Sony Alpha A99 II if:
- You are a professional, advanced enthusiast, or serious hobbyist demanding top-tier image quality, especially in portraits, landscapes, sports, and wildlife.
- You require rapid autofocus, high continuous shooting speeds, and expansive lens choices.
- Video capability with 4K, pro codecs, and audio interfaces is essential.
- You value extensive manual control, dual card backups, and wireless connectivity as part of your workflow.
- Budget and size/weight considerations are secondary to performance and flexibility.
Closing Thoughts
While the Panasonic TS25 and Sony A99 II occupy disparate market segments, their juxtaposition crystallizes fundamental photographic priorities: portability and rugged simplicity versus performance and creative flexibility. Understanding this delineation - armed with precise sensor data, practical lens information, and robust real-world testing insights - enables informed purchasing decisions calibrated not by specs alone but by genuine photographic intent and operational context.
This comparative study underscores the importance of matching tools to task, reaffirming that no single camera universally fits all needs, but informed users armed with detailed knowledge achieve the best photographic results.
All hands-on testing and evaluations are drawn from comprehensive real-world deployments across multiple photographic scenarios by the author, with measurement corroboration from recognized technical standards and independent test labs.
Panasonic TS25 vs Sony A99 II Specifications
Panasonic Lumix DMC-TS25 | Sony Alpha A99 II | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model type | Panasonic Lumix DMC-TS25 | Sony Alpha A99 II |
Alternate name | Lumix DMC-FT25 | - |
Class | Waterproof | Advanced DSLR |
Launched | 2013-01-07 | 2016-09-19 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.9 x 24mm |
Sensor area | 27.7mm² | 861.6mm² |
Sensor resolution | 16 megapixel | 42 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 7952 x 5304 |
Max native ISO | 6400 | 25600 |
Max boosted ISO | - | 102400 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Minimum boosted ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 23 | 399 |
Cross type focus points | - | 79 |
Lens | ||
Lens mount type | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 25-100mm (4.0x) | - |
Maximal aperture | f/3.9-5.7 | - |
Macro focusing range | 5cm | - |
Available lenses | - | 143 |
Focal length multiplier | 5.9 | 1 |
Screen | ||
Type of screen | Fixed Type | Fully articulated |
Screen diagonal | 2.7 inch | 3 inch |
Screen resolution | 230k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Slowest shutter speed | 8s | 30s |
Maximum shutter speed | 1/1300s | 1/8000s |
Continuous shooting rate | 1.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.40 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Off, auto, fill, slow sync, redeye reduction, rear sync, high-speed sync, wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
Max video resolution | 1280x720 | 3840x2160 |
Video format | MPEG-4 | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 144 grams (0.32 lb) | 849 grams (1.87 lb) |
Dimensions | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") | 143 x 104 x 76mm (5.6" x 4.1" x 3.0") |
DXO scores | ||
DXO All around rating | not tested | 92 |
DXO Color Depth rating | not tested | 25.4 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 2317 |
Other | ||
Battery life | 250 images | 490 images |
Battery style | Battery Pack | NP-FM500H lithium-ion battery & charger |
Self timer | Yes (2 or 10 sec) | Yes (2, 5, 10 secs) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC/MS Duo slots |
Card slots | One | Dual |
Cost at launch | $180 | $3,198 |