Panasonic TS3 vs Pentax K-1
92 Imaging
35 Features
31 Overall
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55 Imaging
75 Features
82 Overall
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Panasonic TS3 vs Pentax K-1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Launched August 2011
- Additionally Known as Lumix DMC-FT3
- Older Model is Panasonic TS2
- Successor is Panasonic TS4
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Introduced February 2016
- Successor is Pentax K-1 II

Panasonic Lumix TS3 vs. Pentax K-1: An In-Depth Camera Showdown from the Field
When the Panasonic Lumix DMC-TS3 and the Pentax K-1 cross paths in a review, it’s not exactly a head-to-head where the two are vying for the same spotlight. These cameras cater to fundamentally different needs and users - from rugged compact waterproof adventures to pro-grade full-frame stills and studio workhorses. Yet, putting them side by side brings to light the varied philosophies and technologies shaping today’s diverse camera market.
Having personally put thousands of cameras through their paces in varied shooting environments - from the salty spray of a coastal hike to the quiet order of studio portrait sessions - I’m excited to walk you through a thorough, no-nonsense comparison that respects each camera's intent while helping you decide what matches your photographic ambitions best.
Size and Ergonomics: Pocket Warrior vs. Pro Beast
First impressions count, and the size and feel of a camera can make or break your day out shooting. The Panasonic TS3 is a compact waterproof marvel, designed to be tossed in your bag without worry. Weighing in at just 197g and measuring approximately 103×64×27mm, it’s incredibly lightweight and pocketable. The Pentax K-1, by contrast, is a hefty professional DSLR with solid magnesium alloy construction and extensive weather sealing. At roughly 1010g and dimensions of 137×110×86mm, it demands a proper camera bag and sturdy hands.
Handling the TS3, I appreciate its grip-friendly rubberized cladding, tailored for wet hands or gloves - a necessity on muddy trails or snowy slopes. However, its button layout is cramped with mostly non-illuminated controls, limiting quick adjustments under challenging light. The K-1's ergonomics reflect its DSLR heritage: a deep handgrip, well-spaced buttons, and intuitive dedicated dials for shutter speed and exposure compensation. It even sports a top LCD for quick data glance, a feature absent on the TS3.
In the field, I've found the Pentax encourages deliberate operation, suitable for slow, measured shooting. Meanwhile, the TS3 almost dares you to move fast and capture spontaneous moments, even underwater. Ergonomically, the decision boils down to your shooting context: nimble and rugged vs. robust and comprehensive.
Sensor and Image Quality: From Tiny Pixels to Full-Frame Brilliance
At the heart of every camera lies the sensor, shaping image detail, dynamic range, and noise performance. Panasonic equips the TS3 with a 1/2.3" CCD sensor sized at 6.08x4.56 mm, outputting 12MP images. A sensor of this scale naturally limits depth of field control and signal-to-noise ratio but is par for a compact rugged camera. The Pentax K-1 shines as a full-frame CMOS sensor champion with 36MP resolution and no anti-aliasing filter, designed for maximum sharpness and tonal fidelity.
Testing both in controlled lighting and real environments confirms expectations. The TS3 produces decent 4000×3000 images optimized for web and casual prints but struggles in low light beyond ISO 400. Its CCD sensor yields a classic color rendition, but at the price of higher noise and limited dynamic range. The K-1, with a DxO Mark overall score of 96, dazzles with over 14 stops dynamic range, robust 25+ bits color depth, and clean high ISO performance - even pushing past ISO 3200 with usable detail.
For landscape shooters craving rich tonal gradients and fine texture, the K-1’s sensor is a game-changer. Conversely, the TS3’s sensor suffices for snapshots and rough-and-ready outdoor documentation but won’t satisfy pixel peepers or big print aspirants.
LCD and Viewfinder Experience: Find Your Frame Your Way
Unlike many advanced cameras, the Panasonic TS3 lacks any optical or electronic viewfinder, relying solely on its fixed 2.7" 230K-dot TFT LCD rear screen - a modest offering even in its release era. In bright sunlight, composing images can be a trial without an eye-level finder or anti-reflective technology.
The Pentax K-1, meanwhile, sports a vital optical pentaprism viewfinder with 100% frame coverage and 0.7x magnification. This traditional DSLR advantage shines further with a 3.2" 1,037K-dot fully articulating LCD, giving flexible framing from waist level or awkward angles.
In my experience shooting events and street photography, the K-1’s viewfinder offers near-instant real-world framing with no lag and no digital artifacts. The articulating LCD proved invaluable for macro and low-angle shots, allowing precise manual focus adjustments. The TS3's fixed low-res screen, while toughened against the elements, limits usability in variable light, especially underwater.
So, if critical composition or manual focusing is your priority, the K-1’s viewing system is in a league of its own.
Autofocus and Speed: From Basic Point-and-Shoot to Pro Precision
Autofocus systems make or break rapid targeting of subjects, especially in fast-paced genres like sports or wildlife. The TS3 uses a contrast-detection AF with 11 focus points and no phase-detection elements. While it spells simplicity, it translates to moderate speed and occasional hunting under low contrast or dim conditions. Panasonic’s inclusion of continuous AF and tracking modes attempts to right this, but it’s no match for sophisticated systems.
The Pentax K-1 houses 33 AF points, including 25 cross-type sensors with hybrid phase-detection and contrast detection. The system integrates face detection, spot AF modes, and selectivity to lock precise subjects even in cluttered scenes.
Burst capture also reflects their differing ambitions: The TS3 maxes out at 4 FPS, fit for casual action but insufficient for serious sport or wildlife photography. The K-1 is marginally faster at 4.4 FPS but benefits immensely from a large buffer and rapid mirror mechanism, enabling extended sequences.
Both deliver reliable Single AF for portraits and landscapes, but the K-1’s AF excels in tracking complex subjects or shooting in low light down to around -3 EV.
Lens Ecosystem and Compatibility: Built-In Zoom vs. 151 Mount Options
Panasonic’s TS3 has a fixed 28-128mm equivalent lens with apertures ranging F3.3 to F5.9. This zoom covers general-purpose focal lengths and allows macro focusing down to 5cm. While the optical image stabilization helps, image quality drops off toward telephoto with softness and chromatic aberration.
By stark contrast, the Pentax K-1 taps into an impressively broad and mature lens ecosystem with over 150 Pentax KAF2 lenses. It includes modern primes, ultra-wide zooms, macro optics, and specialized telephotos. This vast selection empowers users to tailor their kit precisely - from ultimate portrait bokeh monsters to razor-sharp macro set-ups. The K-1 also supports Pentax’s sensor-based 5-axis stabilization, helping reduce shake across various lenses.
This flexibility is crucial for those seeking artistic control or professional portfolio work. The TS3's single lens design suits adventure photographers who prioritize durability and simplicity over optical versatility.
Durability and Environmental Resilience: Built for the Wild vs. Weather-Resistant Studio
If you’re a mountaineer, beachcomber, or swimmer, the TS3’s ruggedness is its defining virtue. It is waterproof to 10m, shockproof, freezeproof, and dustproof, with robust environmental sealing. This toughness provides peace of mind in harsh conditions where regular cameras would falter.
The Pentax K-1 also offers weather sealing durable against rain and dust, sealing critical junctions and buttons but is not designed for underwater use or extreme shockproofing. Its magnesium alloy cage enhances durability typical for professional field use but demands more care in risky environments.
In my harsh-condition tests - including sub-zero hikes and river crossings - the TS3 never blinked. The K-1 excels in studio shoots and controlled outdoors but requires additional protective measures in the wild.
Battery Life and Storage: Reliability for Long Sessions
Battery endurance is fundamental for travel, sports, and event photographers. The TS3 provides 310 shots per charge, modest but reasonable for a small compact, especially with power conservative CCD tech. It accepts a standard proprietary battery pack; storage is via a single SD/SDHC/SDXC slot.
The Pentax K-1 impresses with a robust 760 shot per battery life using its D-LI90 pack, suitable for full-day usage without charging interruptions. Its dual SD card slots not only double the storage capacity but enable instant backups or overflow, critical for professional reliability.
The K-1 also includes timelapse recording natively - a boon for nature and astro shooters - while the TS3 lacks this function entirely.
Connectivity and Extras: Old-School Versus Somewhat Modern
The Panasonic TS3 is a simple affair here. It offers no wireless connectivity, Bluetooth, or NFC, relying on USB 2.0 and HDMI ports for data transfer and output. GPS is built-in, aiding geo-tagging for travel photography.
The Pentax K-1 lags slightly behind current wireless standards with no WiFi or Bluetooth, yet it retains a microphone and headphone jack for high-level video recording. Its GPS helps with metadata tracking on location shoots.
Neither supports 4K video or advanced photo modes like focus bracketing or focus stacking, although the K-1’s video is good from practical, professional perspectives but remains limited compared to mirrorless hybrids or cinema-style cams.
Genre-by-Genre: Where Each Camera Shines (and Where They Don’t)
Let’s break down their suitability across major photography disciplines using our detailed genre-performance analysis.
Portrait Photography: The K-1’s full-frame sensor delivers exquisite skin tones and creamy bokeh, aided by lens choice and face detection AF. The TS3’s fixed lens and small sensor limit depth-of-field control and skin tone rendition, resulting in flatter images.
Landscape: K-1 dominates with expansive dynamic range and superb resolution - ideal for printing wall-sized images or fine art. The TS3 suffices for casual landscape snaps but won’t satisfy serious enthusiasts.
Wildlife: The K-1’s fast hybrid AF and broad lens options make wildlife shooting practical, though its moderate burst rate is less ideal than specialized sports cams. The TS3’s slow AF and limited zoom range restrict it to occasional wildlife close-ups.
Sports: Neither impresses as a pure sports camera, but the K-1’s accurate AF tracking and shutter speed variety slightly edge the TS3’s basic offering.
Street Photography: The TS3’s compact size and discreet profile make it an easy-going street shooter’s companion in rough conditions, while the K-1 attracts those wanting ultimate image quality with some bulk tradeoff.
Macro: K-1 wins with better manual focusing, sensor stabilization, and a range of macro lenses. TS3’s macro mode is functional but primitive.
Night/Astro: The K-1 pushes usability into astro-photography with its clean ISOs and sturdy tripod support, whereas the TS3’s sensor noise hampers low-light outlines.
Video: Both cameras output 1080p, but neither offers modern video features like 4K or advanced log profiles. The K-1’s audio input expands creative control.
Travel: The TS3’s ruggedness, GPS, and compactness make it a practical travel buddy. The K-1 offers versatility and image quality but at a weight and size premium unsuitable for casual travel.
Professional Work: The K-1 is clearly aimed at professionals needing full-format files, rugged build, and flexible workflow integration. The TS3 cannot realistically serve professional use cases beyond rugged tourism where image prestige is secondary.
Real-World Image Samples: Seeing Is Believing
Reviewing the color rendition and detail captured by these cameras side by side in our sample gallery brings the differences into sharp relief.
Look closely at the Pentax K-1 images showing intricate texture, smooth tonal transitions, and vibrant yet realistic colors. The Panasonic TS3 shots, while competent, exhibit softer details, compressed dynamic range, and somewhat muted colors under the same conditions.
Overall Performance Scores: Numbers Tell a Story
The Pentax K-1 achieves a solid 96 on DxO Mark, reflecting state-of-the-art sensor and processor integration, while the Panasonic TS3 lacks DxO testing but performs modestly for its class.
Wrapping Up: Which Camera Matches Your Passions?
Choosing between the Panasonic Lumix TS3 and Pentax K-1 is effectively choosing between two worlds: rugged, reliable convenience versus professional-grade photographic versatility.
Choose the Panasonic Lumix TS3 if:
- You need a tough, compact camera that can endure water, drops, and freezing temperature without hesitation.
- Your photography is casual or travel-oriented, documenting outdoor adventures without the hassle of changing lenses or complicated settings.
- You want an affordable, pocket-friendly device with simple operation and built-in GPS.
- Video is a secondary concern beyond 1080p capture for family or travel memories.
Opt for the Pentax K-1 if:
- You are serious about image quality, demand ultra-high resolution full-frame files, and adjustable manual controls.
- Professional or fine art photography, including portraits, landscapes, and studio work, is your prime pursuit.
- You want extensive lens choices, weather sealing, and reliable autofocus performance.
- You're prepared to handle the larger, heavier body and invest in complementary lenses and accessories.
- Video capability with microphone and headphone jacks is an advantage, despite the lack of 4K.
Final Thoughts from the Field
The Panasonic TS3 represents a niche of ultra-rugged, straightforward compact cameras thriving in conditions where others fear to tread. It’s the ideal companion for hikers, divers, and those prioritizing ‘shoot without worry’ functionality over image perfection.
On the other side, the Pentax K-1 exemplifies the DSLR craft honed over decades - punctual, capable, and demanding a committed photographer who values image fidelity and lens adaptability above all.
Both have their merits and shortcomings, but understanding these distinctions empowers you to confidently pick the tool that fits your photographic style and scenarios. After all, the best camera is always the one that lets you press the shutter with joy.
I hope this detailed comparison offers clarity amid the diverse camera landscape - happy shooting!
Panasonic TS3 vs Pentax K-1 Specifications
Panasonic Lumix DMC-TS3 | Pentax K-1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-TS3 | Pentax K-1 |
Also referred to as | Lumix DMC-FT3 | - |
Type | Waterproof | Advanced DSLR |
Launched | 2011-08-16 | 2016-02-17 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | Venus Engine FHD | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.9 x 24mm |
Sensor area | 27.7mm² | 861.6mm² |
Sensor resolution | 12MP | 36MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4000 x 3000 | 7360 x 4912 |
Highest native ISO | 6400 | 204800 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | 33 |
Cross type focus points | - | 25 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 28-128mm (4.6x) | - |
Maximum aperture | f/3.3-5.9 | - |
Macro focusing range | 5cm | - |
Total lenses | - | 151 |
Crop factor | 5.9 | 1 |
Screen | ||
Type of screen | Fixed Type | Fully Articulated |
Screen size | 2.7" | 3.2" |
Resolution of screen | 230 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/1300 seconds | 1/8000 seconds |
Continuous shutter rate | 4.0 frames/s | 4.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.60 m | no built-in flash |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | - | 1/200 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | Built-in |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 197 grams (0.43 lbs) | 1010 grams (2.23 lbs) |
Dimensions | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO Overall rating | not tested | 96 |
DXO Color Depth rating | not tested | 25.4 |
DXO Dynamic range rating | not tested | 14.6 |
DXO Low light rating | not tested | 3280 |
Other | ||
Battery life | 310 pictures | 760 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes | Yes (2 or 12 sec, custom) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC (UHS-I) |
Card slots | Single | 2 |
Launch price | $380 | $1,499 |