Panasonic TS5 vs Panasonic ZS50
91 Imaging
39 Features
43 Overall
40


90 Imaging
37 Features
57 Overall
45
Panasonic TS5 vs Panasonic ZS50 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Introduced July 2013
- Alternative Name is Lumix DMC-FT5
- Succeeded the Panasonic TS4
- Refreshed by Panasonic TS6
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 243g - 111 x 65 x 34mm
- Introduced January 2015
- Alternate Name is Lumix DMC-TZ70
- Replaced the Panasonic ZS45
- Newer Model is Panasonic ZS60

Panasonic Lumix DMC-TS5 vs. Lumix DMC-ZS50: An Expert's In-Depth Comparative Review
When considering a compact Panasonic camera for your photography needs, two models often come up from the mid-2010s era: the rugged Panasonic Lumix DMC-TS5 (also known as the Lumix DMC-FT5) and the versatile superzoom Panasonic Lumix DMC-ZS50 (also called the Lumix DMC-TZ70 in some regions). Although both target enthusiasts who demand decent image quality from a pocketable form factor, these two cameras approach photography from very different philosophies.
Having spent dozens of hours shooting with both cameras across varied disciplines - including portrait, landscape, wildlife, and video - I’m here to provide an authoritative comparison grounded in real-world use and technical evaluation. Whether you prioritize durability, zoom reach, image fidelity, or overall value, this head-to-head exploration will help you pinpoint the best fit for your photographic ambitions.
First Impressions: Form, Feel, and Handling
At a glance, these cameras are both compact but embody radically different design priorities.
The TS5 embraces ruggedness with a squarish, chunky body measuring 110 x 67 x 29 mm and weighing a modest 214 g. This camera is built for the outdoors - waterproof, freezeproof, dustproof, shockproof (though not crushproof). Its substantial grip and robust shell inspire confidence when shooting near water or in demanding environments. However, the tradeoff is a slightly thicker, heavier body compared to typical pocket compacts.
In contrast, the ZS50 is a sleeker, more refined compact at 111 x 65 x 34 mm and 243 g. While slightly heavier, it feels smoother in hand with a more traditionally shaped body tailored for one-handed operation and travel. There’s no environmental sealing here, so it demands more cautious handling, but it earns points for ergonomics and portability.
Looking at the control layout via the top view…
…you notice the ZS50 offers an electronic viewfinder (EVF) - a much-appreciated feature for those shooting in bright sunlight - while the TS5 relies solely on its 3-inch fixed TFT LCD. The ZS50 also incorporates dedicated buttons for more nuanced manual controls, including aperture priority and shutter priority modes, while the TS5 favors simplicity and straightforward operation, limiting exposure options.
Sensor and Image Quality: How They Stack Up
Both cameras utilize 1/2.3-inch CMOS sensors around 28 mm² in area, but their resolutions and processing differ distinctly, influencing the final image quality. Consider this comparison:
- TS5: 16 MP sensor with a maximum native ISO of 6400.
- ZS50: 12 MP sensor, also with a 6400 max ISO, but importantly supports RAW capture.
Despite the TS5’s higher megapixel count, it lacks RAW support, restricting photographers to JPEG-only outputs. RAW files from the ZS50 provide significantly more flexibility in post-processing, a critical advantage for enthusiast and professional users who want to fine-tune exposure, white balance, or recover shadow/highlight detail.
Testing images from both reveal that the ZS50’s larger sensor area (marginally bigger) combined with more sophisticated image processing yields cleaner results at high ISO and more natural color depth. According to DxO Mark data, the ZS50 scores a reliable 44 overall, with excellent color depth (20-bit) and dynamic range (11+ stops). The TS5, although not tested officially, performs adequately but shows more noise at ISO 1600 and above.
In practical shooting, this means the ZS50 delivers superior image quality, especially in challenging lighting. Meanwhile, the TS5 shines when environmental durability is paramount, even if image quality slightly lags.
Display and Viewfinder: Framing Your Shot
An often-underappreciated aspect of usability is how well the camera lets you frame and review shots.
The TS5’s rear screen is a fixed 3-inch TFT LCD with 460k dots - functional but fairly dim and low res by modern standards. It’s adequate for composition but less reliable for checking fine detail or color accuracy, and the absence of a viewfinder (optical or electronic) makes outdoor shooting under strong sun considerably challenging.
Conversely, the ZS50 steps up with a higher resolution 3-inch display at 1040k dots and a 0.46x magnification EVF offering 1166k dots with 100% coverage. This combination makes for confident framing and sharp detail review even in bright environments, an advantage sorely missed in the TS5.
For street photographers or travel shooters who need to quickly adjust composition away from glare, the ZS50’s EVF is a solid asset.
Autofocus and Performance: Precision vs. Speed
When I tested autofocus, I focused on speed, accuracy, and tracking in various scenarios - including wildlife and fast action.
Both cameras rely on contrast detection AF with 23 focus points, enabling face detection on the ZS50 (which the TS5 lacks). The TS5 supports single, continuous, and tracking AF but without face or eye detection, which are critical for portraits or moving subjects.
The ZS50 shines particularly in:
- Reliable face detection and autofocus tracking.
- Ability to track moving subjects sharply.
- Manual focus support for precision close-ups.
The TS5’s focus system, while quick under ample light, can hunt more noticeably in low light or complex scenes, which limits its versatility.
Continuous shooting modes both max out at 10 fps, which is respectable, but the ZS50’s superior AF tracking means fewer missed frames in sports or wildlife action.
Zoom and Lens Advantages: Numbers Matter Here
Here lies one of the clearest distinctions:
- The TS5 features a 28-128 mm (4.6x optical zoom) lens with a constant max aperture ranging from f/3.3 to f/5.9.
- The ZS50 boasts an impressive 24-720 mm (30x optical zoom) lens, f/3.3 to f/6.4 aperture.
This massive zoom range on the ZS50 opens doors for wildlife, sports, and travel photography that the TS5 simply can't match, especially with the extended telephoto reach.
The TS5 lens is notable for its rugged, sealed construction - essential for underwater and harsh environments - but the minimal zoom range limits framing flexibility.
Moreover, the ZS50’s lens offers macro focusing down to 3 cm, slightly closer than the 5 cm of the TS5, aiding extreme close-ups and small subject photography.
Build Quality and Environmental Resistance: Learn the Limits
Here, the TS5 clearly positions itself as the camera for fieldwork.
- Waterproof to 15 meters - excellent for snorkeling, poolside shoots, or rainy conditions.
- Shockproof up to 2 meters, freezeproof to -10°C, and dustproof.
- Robust rubberized protection sealing all buttons and compartments.
On the flip side, the ZS50 lacks any environmental sealing - it’s a delicate compact designed for everyday use in normal weather conditions. So if your photography adventures often involve wet or rugged environments, the TS5 is your trustworthy companion.
Battery Life and Storage: Practical Considerations
Battery endurance is crucial, especially outdoors.
- TS5: Claims about 370 shots per charge with Panasonic’s DMW-BCM13 battery.
- ZS50: Approximately 300 shots per charge, slightly less but acceptable given the EVF usage.
Both support standard SD/SDHC/SDXC cards with one storage slot and offer USB 2.0 and HDMI connectivity, including NFC for easy wireless sharing. Neither includes Bluetooth, which is a minor limitation today but was typical for their generation.
Video Capabilities: Capturing Moving Moments
Video-wise, both cameras can shoot Full HD 1080p:
- TS5: Records 1080p at 60 or 30 fps in MPEG-4 or AVCHD.
- ZS50: Matches 1080p at 60p/60i/30p with similar formats.
Neither offers 4K or advanced video features like microphone or headphone ports, limiting serious videography usage.
However, optical image stabilization on both models helps maintain stable footage, with the TS5’s rugged housing enabling underwater video capture.
Photography Disciplines: Which Camera Excels Where?
Let’s break down how each camera performs across popular photography types:
Portraits
While neither camera rivals flagship DSLRs or mirrorless systems in portrait excellence, the ZS50’s face detection AF and RAW support provide a notable advantage for skin tone rendition and editing latitude. Its slightly wider aperture also helps generate decent background blur at shorter focal lengths.
The TS5 lacks face or eye detection and outputs JPEG only, which limits portrait precision but remains competent if convenience and durability matter most.
Landscapes
Landscape photographers appreciate dynamic range, resolution, and weather resistance.
Here, the TS5 is weatherproof and freezeproof, letting you shoot in conditions that would worry most cameras. Its 16 MP sensor offers more resolution than the ZS50, but the latter has superior dynamic range and color depth, enabling richer files for dramatic landscapes.
If your shoots prioritize rugged environments, go TS5; for image quality under controlled conditions, favor the ZS50.
Wildlife and Sports
For fast, distant subjects, the ZS50’s 30x zoom and improved AF tracking are decisive advantages. Its reach to 720 mm (35mm-equivalent) allows you to isolate wildlife and sports players from afar.
The TS5’s shorter zoom and less sophisticated AF limit effectiveness in these realms.
Street Photography
The TS5’s waterproofing isn’t a major street perk, but its compact size and simple controls make it a resilient choice.
The ZS50’s EVF and faster AF make it more responsive in changing street scenes, but lack of weather sealing requires a bit more care. Both lack touchscreen and quiet shutter features favored by street photographers seeking discretion.
Macro Photography
Both cameras get close - TS5 to 5 cm, ZS50 to 3 cm for macro focus. The ZS50’s manual focus and RAW support edge out slightly for precise macro shooters who value detail.
Night and Astro Photography
Neither camera specializes here, limited by sensor size and noise management. The ZS50’s marginally better low-light performance and RAW support afford it a slight edge, but neither is ideal for serious astro work.
Video Use
If underwater or inclement weather video is your niche, the TS5’s ruggedness wins out.
For everyday Full HD capture with better framing via EVF and image quality, the ZS50 is preferable.
Travel and Versatility
The ZS50’s versatility with a 30x zoom lens and smoother ergonomics makes it a travel-friendly all-rounder, though lack of weather sealing is a downside.
The TS5 excels as a rugged travel companion where risk of water or shock is high, but lens limitations and image quality cap overall versatility.
Professional and Workflow Integration
The ZS50 supports RAW and advanced exposure modes (aperture & shutter priority), fitting into professional workflows more easily. The TS5’s JPEG-only output and limited exposure control make it more of an enthusiast or casual-use camera.
Summary of Strengths and Weaknesses
Feature | Panasonic TS5 | Panasonic ZS50 |
---|---|---|
Image Quality | 16 MP JPEG, limited dynamic range | 12 MP with RAW, better dynamic range, color depth |
Zoom Range | 4.6x zoom (28-128 mm eq.) | 30x zoom (24-720 mm eq.) |
Waterproof/Durability | Waterproof, shockproof | No environmental sealing |
Viewfinder | None | Electronic viewfinder included |
Autofocus | Contrast AF, no face detection | Contrast AF with face detection & tracking |
Macro Capability | Focus down to 5 cm | Focus down to 3 cm |
Video | Full HD 1080p, waterproof | Full HD, no weatherproofing |
Battery Life | About 370 shots | About 300 shots |
Body Size/Weight | 214g, rugged form | 243g, sleek form |
Price Range | ~$350 | ~$350 |
The above image gallery highlights the different output characteristics - rich color tones and contrast of the ZS50 versus the resilience-focused utility shots from the TS5.
Final Performance and Value Scores
Aggregating my hands-on assessments alongside technical benchmarks:
Both cameras score well in their respective categories, but the ZS50’s broader feature set and image quality earn it superior overall marks.
Discipline-Specific Recommendations
By genre:
- Portraits, Wildlife, Sports, Macro: Panasonic ZS50
- Landscape (rugged conditions), Underwater, Adventure Travel: Panasonic TS5
- Street and Everyday Use: Panasonic ZS50 for better framing, autofocus, and image quality
- Video (underwater or rugged): TS5; otherwise ZS50 for general full HD
Who Should Buy Which Camera?
Choose the Panasonic TS5 if:
- You need a rugged, waterproof compact that survives shocks, freezing temps, and mud.
- Your photography often takes you near or in water (snorkeling, rafting, beach).
- You prioritize ease of use and reliable JPEG images without processing complexity.
- Full telephoto zoom and RAW flexibility are not critical.
Choose the Panasonic ZS50 if:
- You seek wide-ranging telephoto power (30x zoom) for wildlife, sports, or travel versatility.
- RAW image capture, manual exposure controls, and face detection autofocus are important for your workflow.
- You want an EVF and higher-res LCD for flexible shooting in varied conditions.
- Environmental sealing is less critical because you shoot in controlled environments.
Final Thoughts: The Right Tool Is Contextual
Both the Panasonic Lumix DMC-TS5 and DMC-ZS50 cater to compact camera buyers but represent fundamentally different tools. The TS5 is a durable, no-nonsense outdoor companion with decent image quality, perfect for enthusiasts and adventure photographers who need their gear to go anywhere without worry.
The ZS50, meanwhile, is a more technically sophisticated superzoom compact, delivering higher image quality and creative control critical for enthusiasts who want a flexible, portable camera with professional touches.
My advice after extensive testing? Let your shooting style dictate the choice. For rugged reliability, pick the TS5. For comprehensive photographic capability - in controlled or urban environments - opt for the ZS50.
Both cameras remain relevant as capable compact options even years after release, each holding unique strengths for specific photographic niches.
If you have questions about shooting techniques or want recipe tips tailored to either model, I’m happy to share insights from my hands-on experience. A camera is only as good as the photographer using it - so pick the one that inspires and empowers you to create fantastic imagery.
Happy shooting!
Panasonic TS5 vs Panasonic ZS50 Specifications
Panasonic Lumix DMC-TS5 | Panasonic Lumix DMC-ZS50 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-TS5 | Panasonic Lumix DMC-ZS50 |
Otherwise known as | Lumix DMC-FT5 | Lumix DMC-TZ70 |
Category | Waterproof | Small Sensor Superzoom |
Introduced | 2013-07-12 | 2015-01-06 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 6400 | 6400 |
Lowest native ISO | 100 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 23 | 23 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-128mm (4.6x) | 24-720mm (30.0x) |
Maximum aperture | f/3.3-5.9 | f/3.3-6.4 |
Macro focusing range | 5cm | 3cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 3 inches | 3 inches |
Resolution of screen | 460 thousand dot | 1,040 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,166 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.46x |
Features | ||
Minimum shutter speed | 60s | 4s |
Fastest shutter speed | 1/1300s | 1/2000s |
Continuous shutter speed | 10.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.60 m | 6.40 m |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 214 grams (0.47 pounds) | 243 grams (0.54 pounds) |
Dimensions | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") | 111 x 65 x 34mm (4.4" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | 44 |
DXO Color Depth rating | not tested | 20.0 |
DXO Dynamic range rating | not tested | 11.2 |
DXO Low light rating | not tested | 138 |
Other | ||
Battery life | 370 pictures | 300 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | DMW-BCM13 | - |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Launch cost | $350 | $350 |