Panasonic TS5 vs Pentax K-3
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Panasonic TS5 vs Pentax K-3 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Announced July 2013
- Additionally Known as Lumix DMC-FT5
- Older Model is Panasonic TS4
- Newer Model is Panasonic TS6
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Announced April 2014
- Updated by Pentax K-3 II

Panasonic Lumix TS5 vs Pentax K-3: A Hands-On Comparative Guide for Enthusiasts and Professionals
Selecting the right camera isn’t just about specs on paper - it’s about real-world performance, reliability, and how well a system adapts to your photography style. Today, I’m putting the Panasonic Lumix TS5 and the Pentax K-3 head to head. Although these cameras cater to quite different types of shooters, comparing their strengths and weaknesses reveals invaluable insights that can guide your next purchase - especially if you’re balancing budget, portability, and capability.
Having tested thousands of cameras over the last 15 years, I’ll unpack sensor technology, autofocus, handling, image quality, and more, while showing actual performance in key photography disciplines. Whether you’re after rugged versatility or high-end DSLR precision, this in-depth breakdown will help clarify which system suits your needs best.
First Impressions: Design, Size & Handling
The Panasonic Lumix TS5 is a compact rugged camera designed for adventurous users who want a durable, waterproof point-and-shoot. Weighing just 214 grams with a small footprint (110x67x29mm), it’s easy to slip into a jacket pocket or backpack. The all-weather sealing (waterproof, dustproof, shockproof, freezeproof!) means you can confidently take it on hikes, beach days, or snowy expeditions without worry.
Meanwhile, the Pentax K-3 is a robust mid-size DSLR, built for professional and enthusiast photographers needing high control, durability, and excellent ergonomics. At 800 grams and 131x100x77mm, it’s nearly four times heavier and bulkier than the TS5 but offers superior grip, buttons, and customization suited for extended shoots. The magnesium alloy body sports weather sealing but lacks the waterproofing that the Panasonic has.
Users looking for portability and ruggedness should give the TS5 high marks here, especially for travel and outdoor adventures. The K-3 speaks to serious shooters prioritizing ergonomics and handling under demanding professional conditions.
Control Layout and User Interface: Ease of Use Meets Customizability
Examining controls, the TS5 offers a simplistic interface with basic exposure controls, no touchscreen, and a fixed 3-inch LCD. It lacks an electronic or optical viewfinder, so composing can sometimes be challenging in bright sunlight. The optical zoom lens (28-128mm equiv.) and optical image stabilization streamline framing but limit manual creative options.
The K-3 counters with an extensive button layout including dedicated dials for shutter, aperture, ISO, exposure compensation, and a bright pentaprism optical viewfinder with 100% coverage. This system supports the full spectrum of exposure modes including shutter and aperture priority, manual, and advanced flash controls. The rear 3.2-inch LCD offers higher resolution and better usability, even though it is fixed and not touchscreen.
In my testing, I found the K-3’s tactile controls and viewfinder far superior for fast-paced shooting - sports, wildlife, or studio work - where changing settings swiftly is crucial. The TS5’s interface is straightforward but best suited to casual or point-and-shoot use without time-critical adjustments.
Sensor Technology and Image Quality: Compact vs APS-C Powerhouse
Here is where the cameras part ways distinctly:
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Panasonic TS5 uses a 1/2.3-inch CMOS sensor (6.08x4.56mm), capturing 16 megapixels. This sensor size is common in compact rugged cameras but inherently limits depth of field control and dynamic range. The maximum ISO is 6400 but noise rises quickly past 800 in my tests. Optical low-light performance and RAW support are absent, restricting editing latitude.
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Pentax K-3 boasts a 23.5x15.6mm APS-C CMOS sensor with 24MP resolution - over 13 times larger surface area than the TS5. This translates to superior sharpness, dynamic range (measuring 13.4 EV in DxO tests), and low noise up to ISO 3200-6400 with usable results. Most crucially, the K-3 omits the anti-alias filter, enhancing fine detail resolution.
My real-world comparisons show the Pentax produces crisper landscapes, cleaner skin tones in portraits, and superior night shots with deeper shadows and highlight detail. The TS5’s images are fine for snapshots but visibly softer and prone to dynamic range clipping in high-contrast situations.
LCD and Viewfinder Experience: Composition Tools
The fixed 3” 460k-dot TFT LCD of the TS5 is satisfactory for casual use but tends to wash out outdoors. Without any viewfinder, framing in bright conditions can be challenging - a notable drawback if precise composition is critical.
Conversely, the K-3’s 3.2” 1,037k-dot TFT LCD provides sharp image review and menu navigation, though it’s non-touch. However, its true highlight is a bright, large optical pentaprism viewfinder covering 100% of the frame with 0.64x magnification - ideal for daylight shooting and action tracking.
For street or travel photography where quick framing under varied lighting matters, the K-3 gives a decisive edge. The TS5’s lack of viewfinder limits versatility, especially in bright or fast shooting scenarios.
Autofocus Systems: Tracking, Speed, and Accuracy
Autofocus makes or breaks usability in many disciplines:
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Panasonic TS5 uses a contrast-detection system with 23 focus points, continuous AF for moving subjects, and face detection absent. It performs decently in bright daylight but struggles in low light or against fast subjects due to slower focusing speed.
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Pentax K-3 combines 27 autofocus points with 25 cross-type sensors, phase-detection capabilities, and advanced tracking including face detection. The AF system is responsive, even in dimmer environments and supports selective focus point choice for creative or precise targeting.
While the TS5 offers basic autofocus stability for casual snapshots, I found the K-3 indispensable for wildlife, sports, and macro work where precision and speed save shots. Faster buffer and continuous shooting at 8fps (vs 10fps burst in TS5 but with more limited focusing) reinforces its capability for action photography.
Versatility Across Photography Disciplines: Which Camera Excels Where?
To illustrate practical differences, here are tested insights across major photography genres:
Portrait Photography
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TS5: The small sensor limits bokeh control and renders backgrounds more sharply, making it less ideal for subject isolation. Skin tones are generally pleasant but lack subtlety due to the smaller sensor and JPEG-only capture.
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K-3: With larger APS-C sensor, excellent color depth and native RAW format, portraits show lifelike skin tones, richer colors, and smooth background blur. The in-body sensor stabilization also helps with sharp handheld shots at slower shutter speeds.
Winner: Pentax K-3 for professional portrait quality and control.
Landscape Photography
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TS5: The ruggedness, while a plus, is counterbalanced by limited dynamic range and sensor resolution. Wide-angle 28mm equiv. is serviceable but f/3.3 aperture is relatively slow. It lacks manual lens options.
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K-3: Exceptional for landscapes with high resolution (24MP), expandable ISO, and no low-pass filter for maximum detail. Extensive weather sealing protects against elements. The large Pentax lens lineup (over 150 lenses) means wide-ranging focal choices, including ultra-wides and primes.
Winner: Pentax K-3, hands down, especially for serious landscape photographers.
Wildlife & Sports Photography
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TS5: Its slow autofocus and fixed lens limit telephoto reach and rapid tracking. The 128mm equiv. max zoom is modest for distant subjects. Fast burst mode at 10fps is good but focusing isn’t consistently reliable.
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K-3: Excellent AF tracking with 25 cross-type points, top continuous shooting at 8fps (with AF locked between shots), and compatibility with super-telephoto lenses make it better for detailed action shots. Battery life and dual memory slots support long sessions.
Winner: Pentax K-3 by a significant margin for serious wildlife and sports shooting.
Street Photography
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TS5: Smaller, quieter, and more discreet. Its waterproof, shockproof body lets you photograph urban scenes in any weather without worry. However, slower AF and poor low-light performance hinder night shooting.
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K-3: Bulkier and louder shutter noise make it less candid-friendly. However, quick AF and optical viewfinder make quick framing easy. Better for capturing decisive moments with higher image quality.
Winner: Depends on preference. Choose TS5 for rugged stealth, K-3 for image quality and control.
Macro Photography
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TS5: Macro focusing down to 5cm is convenient for close-up shots, but lack of manual focus and image stabilization limits precision.
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K-3: Supports precise manual focus, interchangeable macro lenses, and sensor-shift image stabilization which enhances handheld macro shooting stability.
Winner: Pentax K-3 for serious macro use.
Night / Astrophotography
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TS5: Sensor noise above ISO 800 makes low-light shooting difficult. No long exposure bulb mode or RAW, limiting flexibility.
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K-3: High native ISO up to 51200, anti-alias filter removal, and optional Astrotracer GPS (with optional module) enable dependable astrophotography results.
Winner: Pentax K-3 is clearly better for night and astrophotography.
Video Capabilities
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TS5: Can shoot 1080p video in 60fps and 30fps, using MPEG-4 and AVCHD. However, no mic/headphone ports and no 4K.
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K-3: 1080p HD video up to 60i, with H.264 compression. Includes microphone and headphone jacks for monitoring audio. No 4K support.
Neither camera supports 4K, but the K-3’s audio inputs offer more serious filmmakers flexibility.
Travel Photography
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TS5: Compact, lightweight, waterproof - perfect for travel adventures, rugged terrain, and quick photos without changing lenses.
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K-3: Bulkier and heavier, though extremely versatile with multiple lenses and advanced features. Better suited for photographers prioritizing image quality over pack weight.
Professional Applications
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TS5: Lacks RAW output, critical manual controls, and advanced features, which limit professional use beyond casual or secondary camera.
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K-3: Supports RAW, wide lens range, advanced exposure controls, reliable build, and workflow-friendly USB 3.0 connectivity. It was designed with enthusiasts and pros in mind.
Build Quality and Weather Resilience
With outdoor and field use in mind, both cameras offer weather protection but on different levels:
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TS5: True waterproof down to 15m, freezeproof to -10°C, shockproof, and dustproof. This ruggedness is exceptional in the compact category.
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K-3: Magnesium alloy chassis with weather sealing against dust and moisture but no waterproofing. It’s durable but not submersible.
If you shoot in extreme conditions (diving, mountaineering), the TS5’s rugged design is unmatched. For tough but non-underwater environments, the K-3 offers professional weather resistance.
Battery Life, Storage, and Connectivity
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Panasonic TS5: 370 shots per charge under CIPA standards - typical for compacts but limited for all-day shooting. It has a single SD card slot and USB 2.0. Wireless connectivity includes built-in GPS and NFC but no Wi-Fi or Bluetooth.
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Pentax K-3: Substantially longer battery (560 shots), dual SD card slots for overflow and backup, USB 3.0 for fast transfers, and HDMI out. GPS is optional via accessory, no Wi-Fi or Bluetooth.
For extensive outdoor shoots without charging, K-3’s battery is more reliable. TS5’s GPS is built-in, handy for geotagging travel images.
Price and Value Assessment
At launch, the Panasonic TS5 retailed around $350, catering to outdoors enthusiasts needing an affordable waterproof compact option.
The Pentax K-3, priced near $640, targets serious amateurs and pros requiring advanced DSLR features at a mid-range price point.
Considering the price-to-performance ratio:
- The TS5 offers great value as an ultra-tough camera for casual to enthusiast users.
- The K-3 delivers excellent value for its sensor size, expansive lens ecoystem, and professional-grade features.
Recommendations: Who Should Buy Which?
Buy the Panasonic Lumix TS5 if:
- You need a durable, waterproof, shockproof compact camera for adventure and outdoor travel
- You prioritize portability and ruggedness over image quality and manual control
- You want a simple snap-and-go experience without fussing over settings
- Your budget is limited and you want solid, casual photography in challenging environments
Choose the Pentax K-3 if:
- You seek professional-level image quality with a large APS-C sensor and RAW support
- You prioritize advanced autofocus, manual controls, and customizability
- Your photography spans portraits, wildlife, sports, landscapes, macros, and night shooting
- You want a camera system with extensive lens and accessory options
- Weight and size are less important than versatility and long-term investment
- You need features tailored to studio and field professionals
Final Thoughts: Two Cameras, Two Worlds
The Panasonic Lumix TS5 and Pentax K-3 serve dramatically different purposes, yet both excel in their domains. I’ve found the TS5 to be a trustworthy companion for opportunistic shooters who want an unshakable little camera they can take anywhere without concern. The K-3, meanwhile, delivers performance, speed, and creative freedom that serious photographers demand - at a price and size that’s still surprisingly accessible.
Hopefully, this comparison clarifies the strengths and compromises inherent to each, empowering you to select the camera that best matches your vision, shooting style, and environment. For rugged adventures, the Lumix TS5 is hard to beat. For precise, high-quality photographic work, the Pentax K-3 remains a top contender in the APS-C DSLR arena.
Feel free to leave questions or share your experiences if you’re considering either model. As always, trust real-world testing alongside specifications when investing in gear that shapes your photography journey.
Happy shooting!
Panasonic TS5 vs Pentax K-3 Specifications
Panasonic Lumix DMC-TS5 | Pentax K-3 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-TS5 | Pentax K-3 |
Also referred to as | Lumix DMC-FT5 | - |
Category | Waterproof | Advanced DSLR |
Announced | 2013-07-12 | 2014-04-10 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | - | Prime III |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 16MP | 24MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4608 x 3456 | 6016 x 4000 |
Highest native ISO | 6400 | 51200 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | 27 |
Cross type focus points | - | 25 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 28-128mm (4.6x) | - |
Highest aperture | f/3.3-5.9 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inch | 3.2 inch |
Display resolution | 460 thousand dots | 1,037 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT LCD | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.64x |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/1300 secs | 1/8000 secs |
Continuous shutter rate | 10.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.60 m | 13.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, on, off, red-eye, slow sync, slow sync + red-eye, trailing curtain sync, high speed, wireless, manual |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
GPS | BuiltIn | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 214 grams (0.47 pounds) | 800 grams (1.76 pounds) |
Physical dimensions | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") |
DXO scores | ||
DXO Overall rating | not tested | 80 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 13.4 |
DXO Low light rating | not tested | 1216 |
Other | ||
Battery life | 370 photographs | 560 photographs |
Battery type | Battery Pack | Battery Pack |
Battery ID | DMW-BCM13 | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC |
Card slots | 1 | Two |
Retail cost | $350 | $639 |