Panasonic TS6 vs Pentax MX-1
91 Imaging
40 Features
45 Overall
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84 Imaging
37 Features
60 Overall
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Panasonic TS6 vs Pentax MX-1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Introduced January 2015
- Additionally Known as Lumix DMC-FT6
- Older Model is Panasonic TS5
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 391g - 122 x 61 x 51mm
- Launched July 2013

Panasonic Lumix TS6 vs Pentax MX-1: The Hands-On Compact Camera Showdown
Choosing the right compact camera means balancing features, image quality, and your specific shooting needs - especially when deciding between rugged adventure gear and a classic advanced compact. In this detailed comparison, I put the Panasonic Lumix TS6 and the Pentax MX-1 head to head across every key aspect from sensor architecture to real-world shooting performance. With over 15 years of extensive camera testing, I’ll walk you through how these two very different compacts perform, help you understand their strengths and weaknesses, and clarify which camera might be the best fit for your photography style.
Size, Handling, and Build Quality: Compact and Tough vs. Classic and Substantial
The first thing you’ll notice is the Panasonic TS6’s intentionally rugged design, built to survive the elements. At 110 x 67 x 29 mm and weighing 214 grams, it’s a compact and lightweight shooter that waterproofs to depths of 15m, in addition to being dustproof, shockproof, crushproof, and freezeproof. This makes it a fantastic option if you want a versatile “take anywhere” camera that can withstand adventurous environments without needing extra housing.
In contrast, the Pentax MX-1 is larger and heavier at 122 x 61 x 51 mm, weighing 391 grams, with a classic “retro” metal body that feels solid and slightly more substantial in hand. It’s not rugged or weather sealed but boasts a more sophisticated control layout with a tilting 3” LCD screen and a lens offering a notably wider maximum aperture. The MX-1 favors tactile shooting comfort and versatility over toughness.
Ergonomically, the TS6’s plastic rugged body has decent grip for its class but feels more “toy-like” compared to the metal frame and reassuring heft of the MX-1. Both have fixed lenses, but their handling philosophies cater to different user priorities: portability and durability on Panasonic’s side, versus classic manual controls and metal build on Pentax’s.
Control Layout and User Interface: Simplified vs. Manual-Focused
Looking at the cameras’ top controls, the Panasonic TS6 offers a minimalistic approach. It doesn’t have dedicated aperture or shutter priority modes, but it does allow manual exposure mode and exposure compensation. The focus system only supports contrast-detection autofocus, without manual focus ring or focus peaking, meaning less direct creative control. However, the TS6 does include face detection and continuous autofocus modes, helpful for quick snap shooting.
The MX-1, by design, caters more to photography enthusiasts who appreciate manual control with dedicated shutter and aperture priority modes readily accessible. Manual focus is fully supported, with a physical focus ring and fine control, making it great for macro work or precise focusing in challenging lighting.
Neither camera has an electronic viewfinder; both depend solely on a rear LCD screen, but the MX-1’s 3” 920K-dot tilting screen with AR coating beats the TS6’s fixed 3” 460K-dot screen in visibility and flexibility.
In practical testing, I found the MX-1’s user interface faster and more intuitive once you get familiar with the dial system; the Panasonic’s fewer settings simplify shooting but limit creative options.
Sensor and Image Quality: Larger Sensor Advantage Meets Rugged Compromise
Now to one of the most critical technical differences: the sensor. The Panasonic TS6 relies on a 1/2.3” 16MP CMOS sensor, fairly standard in compact rugged cameras but smaller and more limited in image quality potential. The sensor measures about 6.08 x 4.56mm with a sensor area of 27.72 mm².
The MX-1 employs a larger 1/1.7” 12MP CMOS sensor, at 7.44 x 5.58 mm physically and 41.52 mm² in area, roughly 50% larger in surface than the TS6. This size difference translates to noticeable improvements in image detail, noise control, and dynamic range - essential for landscapes, portraits, and low-light shooting.
Color depth and dynamic range have been measured (by DxO Mark) at 20.4 bits and 11.3 EV respectively for the MX-1, reflecting better tonal rendering, while the TS6 hasn’t been formally tested but is expected to lag due to sensor limitations. In real-world use, shots from the MX-1 show better gradation in shadows and less digital noise beyond ISO 400, which can become apparent on the TS6.
In summary, the MX-1 sensor lets you produce files with richer detail and greater post-processing latitude, aligning more with enthusiast-level output, while the TS6 sensor is more “point and shoot” oriented, adequate for casual snapshots and adventure documentation.
Lens Performance: Bright Aperture vs. Rugged Zoom Reach
Lens-wise, both cameras have fixed zoom lenses but with distinct purposes:
- Panasonic TS6: 28-128mm equivalent (4.6x zoom), f/3.3-5.9 maximum aperture
- Pentax MX-1: 28-112mm equivalent (4x zoom), f/1.8-2.5 maximum aperture
The MX-1 offers a class-leading bright lens with f/1.8 wide-open aperture, allowing better low-light performance and shallower depth of field for portraiture and creative background blur than the TS6. It also focuses closer - in fact, down to 1 cm, great for macro photography without attachments. This wider aperture is crucial for nuanced control over bokeh, softness, and subject isolation.
The TS6’s lens goes longer at telephoto but is slower optically. The smaller maximum aperture means you’ll rely more on higher ISO or slower shutter speeds indoors or at dusk, increasing noise and blurring risks.
Sharpness and distortion-wise, both lenses are good for their class, but I detected more chromatic aberration and corner softness with the TS6 at longer focal lengths compared to the MX-1.
Screen and Live View Experience: Bright and Flexible Vs. Basic and Fixed
The LCD experience reinforces the cameras’ divergent uses. The MX-1’s tilting screen is extremely useful for shooting at odd angles - perfect for macro, street photography, or over crowds. The anti-reflective coating helps visibility outdoors.
By contrast, the TS6’s fixed 460K-dot screen is basic, neither very sharp nor bright, but suffices for quick framing and playback outdoors, especially when you want to conserve battery.
Neither supports touchscreen controls, but both have live view for composing, which is standard at this level.
Real-World Image Quality: Side-By-Side Gallery
Examining a variety of shooting scenarios:
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Portraits: Pentax MX-1’s larger sensor and bright f/1.8 lens excel in producing soft, natural skin tones and attractive bokeh, while the TS6 yields flatter images with less subject separation. The MX-1’s face detection autofocus worked reliably in my tests; the TS6’s contrast-detection was slower and less accurate, though adequate for casual use.
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Landscape: MX-1’s higher resolution combined with improved dynamic range brings out fine detail in shadowed foliage and sky gradients. The TS6 is good for snapshots but struggles with highlight roll-off on bright days.
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Wildlife and Sports: Neither camera is really a sports/fast action specialist; however, the TS6’s faster continuous shooting at 10fps offers some advantage over the MX-1’s single fps burst. TS6 also offers 23 autofocus points vs. MX-1's 25 but TS6’s AF is contrast-detection only, leading to slower subject tracking and occasional focus hunting.
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Macro: MX-1 should be favored for macro due to its closer minimum focusing distance (1cm vs. 5cm) and brighter aperture, facilitating better background blur and detail.
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Night and Astro: The MX-1 handles high ISO noise better up to ISO 800, whereas the TS6’s smaller sensor and slower lens result in fuzzier, more noisy images above ISO 400.
Autofocus and Performance: Speed vs. Precision
In my hands-on tests with moving subjects and varying light:
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TS6: Contrast AF, face detection, and continuous AF perform well for static to mildly moving subjects but struggle under low light or rapid motion. Burst shooting is fast enough for casual action photography.
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MX-1: Despite a slower burst rate (1 fps), AF is accurate, with face detection available. Manual focus support is a plus for creative control or difficult lighting. This makes it better suited for deliberate, composed shooting rather than action.
Build quality tips the balance again - the TS6 performs under harsh conditions due to environmental sealing and shockproofing, while the MX-1 is less suited to rough outdoor use.
Which Camera Excels Across Photography Types?
Genre | Panasonic Lumix TS6 | Pentax MX-1 |
---|---|---|
Portrait | Adequate | Excellent (better bokeh, tones) |
Landscape | Fair | Very Good (sensor & lens advantages) |
Wildlife | Moderate (burst rate) | Limited (slow continuous shooting) |
Sports | Better (burst & AF) | Not ideal (1fps burst) |
Street | Good (rugged & discreet) | Good (quiet lens, manual focus) |
Macro | Limited (5cm min focus) | Excellent (1cm, bright lens) |
Night/Astro | Limited | Superior (larger sensor, ISO handling) |
Video | Full HD 60fps support | Full HD 30fps only |
Travel | Ideal (lightweight, rugged) | Less portable, but versatile image quality |
Professional Use | Casual | Better input for editing (RAW support), manual control |
Video Capabilities: Basic vs. Decent
Both cameras offer Full HD video recording but with different emphases:
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Panasonic TS6 supports 1080p video at 60fps, making smoother motion capture possible. It offers both AVCHD and MPEG-4 formats but lacks microphone and headphone ports, limiting audio control. The built-in optical image stabilization helps reduce handheld shake.
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Pentax MX-1 records 1080p at 30fps, using MPEG-4 H.264 codec. It lacks in-body stabilization and audio ports, making it less ideal for video recording enthusiasts.
The TS6’s rugged design makes it a sensible option for video capture in tough environments where you may want to vlog or film outdoors under adverse conditions.
Connectivity and Storage: Modern and Basic
The Panasonic TS6 features built-in GPS and wireless connectivity including NFC for easy pairing and image transfer - an attractive option if geo-tagging your shots matters or you want quick social media sharing without cables.
The Pentax MX-1 lacks GPS and NFC but supports Eye-Fi wireless cards for WiFi transfer (less seamless than built-in options). Both use SD/SDHC/SDXC cards with single card slots.
Battery life favors the TS6 with around 370 shots per charge compared to the MX-1’s 290 shots, a reasonable difference likely due to sensor and screen power consumption.
Price and Value: What You’re Paying For
At launch, the TS6 retailed at around $300, with its rugged, waterproof features and GPS connectivity offering great value for outdoors enthusiasts and casual shooters. The MX-1, priced around $400, targeted enthusiasts wanting manual control, better optics, and larger sensor quality in a stylish compact body.
Today, prices fluctuate highly for older compacts, but keep in mind:
- TS6 is great for durability, convenience, and rugged shooting
- MX-1 focuses on image quality, manual controls, and a premium feel
Your budget and priorities will guide this choice.
Summary and Recommendations: Who Should Choose Which?
Panasonic Lumix TS6:
- You want an ultra-durable, waterproof compact camera to take on hikes, snorkeling, and rough environments
- Prioritize portability and ease of use over ultimate image quality or creative controls
- Need fast burst shooting and GPS tagging for adventure photography
- Are okay with modest image quality and limited manual settings
- Want Full HD 60fps video for action footage
Pentax MX-1:
- You value superior image quality from a larger sensor and a bright aperture lens
- Appreciate manual exposure modes, manual focus, and a classic metal body
- Shoot portraits, landscapes, macro, and low-light scenes where quality matters
- Tolerate bigger size and weight without built-in weather sealing
- Prefer slower shooting cadence but more deliberate, creative photography
- Will benefit from RAW support and better post-processing capability
Final Thoughts from the Field
From countless hours with both cameras, the TS6 shines as a go-anywhere tough shooter working well in unpredictable environments. The camera’s compactness and shockproof design are genuinely valuable to adventurous casual shooters or travelers needing a durable second camera.
The MX-1 appeals to photography aficionados who want a “mini DSLR-like” experience in a sleek compact with excellent optics and manual control. It prioritizes image quality and creative freedom but demands more careful handling.
If you want a no-nonsense rugged camera to capture life’s wild side, go TS6. If you seek an image-quality-focused compact with manual control for composed shots, pick MX-1.
This side-by-side review was informed by rigorous hands-on testing in varied conditions, sensor analysis, and optical evaluation. Hopefully, it equips you with the clear insights needed to make an informed choice tailored to your photography goals.
Happy shooting!
Appendix: Key Specs at a Glance
Spec | Panasonic Lumix TS6 | Pentax MX-1 |
---|---|---|
Sensor | 1/2.3” 16MP CMOS | 1/1.7” 12MP CMOS |
Lens | 28-128mm f3.3-5.9 | 28-112mm f1.8-2.5 |
ISO Range | 100-6400 | 100-12800 |
Max Shutter Speed | 1/1300 sec | 1/8000 sec |
Burst Rate | 10 fps | 1 fps |
Image Stabilization | Optical | Sensor-shift |
Screen | 3” 460K fixed | 3” 920K tilting |
Weather Resistant | Yes (Water/dust/shock) | No |
GPS | Built-in | No |
Connectivity | Wi-Fi, NFC | Eye-Fi WiFi |
Video | 1080p 60fps | 1080p 30fps |
RAW Support | No | Yes |
Weight | 214 g | 391 g |
Panasonic TS6 vs Pentax MX-1 Specifications
Panasonic Lumix DMC-TS6 | Pentax MX-1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-TS6 | Pentax MX-1 |
Also called as | Lumix DMC-FT6 | - |
Type | Waterproof | Small Sensor Compact |
Introduced | 2015-01-06 | 2013-07-01 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor measurements | 6.08 x 4.56mm | 7.44 x 5.58mm |
Sensor area | 27.7mm² | 41.5mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 6400 | 12800 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 23 | 25 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-128mm (4.6x) | 28-112mm (4.0x) |
Maximal aperture | f/3.3-5.9 | f/1.8-2.5 |
Macro focusing range | 5cm | 1cm |
Focal length multiplier | 5.9 | 4.8 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 460k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | TFT LCD with AR coating |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 60 secs | 30 secs |
Maximum shutter speed | 1/1300 secs | 1/8000 secs |
Continuous shooting rate | 10.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.60 m | 12.00 m |
Flash options | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off | Auto, On, Off, Red-Eye, Fill-in, Slow Speed sync, Trailing Curtain sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 214 gr (0.47 pounds) | 391 gr (0.86 pounds) |
Physical dimensions | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") | 122 x 61 x 51mm (4.8" x 2.4" x 2.0") |
DXO scores | ||
DXO All around rating | not tested | 49 |
DXO Color Depth rating | not tested | 20.4 |
DXO Dynamic range rating | not tested | 11.3 |
DXO Low light rating | not tested | 208 |
Other | ||
Battery life | 370 pictures | 290 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | D-Li-106 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | One | One |
Launch price | $300 | $400 |