Panasonic TS6 vs Sony NEX-7
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Panasonic TS6 vs Sony NEX-7 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 214g - 110 x 67 x 29mm
- Revealed January 2015
- Also Known as Lumix DMC-FT6
- Earlier Model is Panasonic TS5
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 400g - 120 x 67 x 43mm
- Revealed December 2011
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix TS6 vs. Sony NEX-7: An In-Depth Hands-On Camera Comparison
Choosing the right camera can be like navigating a jungle of specifications, marketing jargon, and “feature wars.” Having tested thousands of cameras over 15 years - across dusty trails, bustling streets, tight wildlife hides, and comfy portrait studios - I’ve encountered surprising winners and puzzling underperformers in every category. Today, we’re diving deep into two very different cameras aimed at quite different crowds: the rugged Panasonic Lumix TS6, a waterproof tough compact, and the advanced mirrorless Sony Alpha NEX-7 with its APS-C sensor and interchangeable lenses.
If you’re wondering which one suits your photographic style, or if you’re a hobbyist or pro eyeing gear on a budget, read on. I’m taking you through everything from image quality to ergonomics to real-life usability, peppered with tips from hands-on testing that go beyond the spec sheet.
First Impressions: Rugged Compact vs. Mirrorless Powerhouse
At a glance, these two couldn’t be more different. The Panasonic TS6 looks like a pocketable adventurer’s sidekick - bulky enough to survive shock and water, but small enough to stash in your travel pack without fuss. Meanwhile, the Sony NEX-7 is distinctly a more serious photographer’s tool, sporting a chunky rangefinder-style body and that classic mirrorless appeal of interchangeable lenses and full manual control.

Size & Feel
The Panasonic weighs a mere 214g and measures about 110x67x29mm, comfortably compact with a fixed 28-128mm lens. It’s designed for “grab and go” use in wet, dusty, or extreme environments. The Sony, on the other hand, is almost twice as heavy at 400g, with larger dimensions to accommodate a bigger sensor and lenses. It feels like a small DSLR in the hand - solid, slightly clubby, and aiming for controlled comfort rather than stealth.
From my experience, the TS6’s grippy rubberized shell feels reassuring in rugged conditions. The NEX-7’s magnesium-alloy frame, while not weather-sealed, exudes a pro aura with substantial heft and refined craftsmanship. The difference in build purpose really shines here: TS6 is all about durability and simplicity, Sony is about flexibility and image quality.
Interface and Handling: Controls That Make or Break the Experience
Ergonomics and ease-of-use are often the unsung heroes (or villains) of camera enjoyment. I found these traits to vary greatly between Panasonic’s minimalistic approach versus Sony’s more complex control layout.

Panasonic TS6
The simple controls of TS6 make it quick to operate, especially for casual photographers or when wear gloves in cold weather. It relies heavily on automatic modes but does offer basic manual exposure options. The downside: no touchscreen, no viewfinder, and a fixed 3-inch, low-resolution LCD. Its control buttons, while straightforward, do feel a bit cramped and lack tactile feedback.
Sony NEX-7
Sony’s advanced mirrorless packs a plethora of dials and customizable buttons, perfect for someone who likes to tweak exposure on the fly. The dedicated exposure mode dials (shutter/aperture priority, manual) are smooth and precise - catering perfectly to enthusiasts and pros alike. The tilting 3-inch screen is higher-res, though not touchscreen. Plus, a bright electronic viewfinder (EVF) offers crucial framing and exposure previews, a feature lacking in the TS6.
More importantly, Sony’s menu system, while initially daunting, is rich with options like focus peaking, aperture preview, and custom white balance. For those used to clubs for thumbs (aka large hands), the NEX-7 is more comfortable, with a better grip and well-placed buttons.
Sensor and Image Quality: The Heart of the Matter
This is where the gap truly widens: sensor tech and image quality.

Panasonic TS6
The TS6’s 1/2.3-inch CMOS sensor measures a mere 6.08 x 4.56mm and outputs 16MP images. It’s the kind common in compact rugged cameras where size and durability trump low-light prowess or dynamic range. Images are perfectly fine for holiday snapshots and online sharing but expect typical compact-sensor limitations: noise beyond ISO 800, limited dynamic range, and soft edges toward the telephoto end.
Sony NEX-7
Here’s where things get exciting for image quality junkies: the NEX-7 sports a much larger APS-C CMOS sensor (23.5 x 15.6mm), nearly 14 times the area of the TS6’s sensor, with a 24MP resolution. The difference translates into cleaner images at high ISOs, greater detail retention, and much better tonal gradation.
Sony’s sensor has an anti-aliasing filter to reduce moiré but not at the expense of sharpness - a balance I appreciated in real tests. This means you capture crisp, detailed portraits, landscapes, and textures that pop even after post-processing. Plus, the NEX-7 shoots in RAW format, opening the door to wide latitude in editing - something the TS6 cannot.
Autofocus and Shooting Speed: When Speed Matters
Whether you’re chasing wildlife or snapping street moments, autofocus (AF) and burst parameters can make or break shots.
Panasonic TS6
Despite being a rugged compact, the TS6 provides 23 AF points with face detection. AF is contrast-detection based - fine in good light but slower and sometimes indecisive in low light or fast-moving subjects. Continuous shooting at 10fps sounds great, but the buffer depth and focus lock lag mean you may miss bursts of action.
Sony NEX-7
Sony integrates 25 AF points with more selective area options and face detection, but the AF system remains contrast-based as well, lacking phase detection. Though autofocus isn’t lightning-fast by modern standards, it’s generally reliable and fine-tuned for manual override. The 10fps continuous burst speed is a boon for sports and wildlife shooters, with a deeper buffer allowing longer sequences.
In my field tests, Sony’s AF trounced Panasonic’s for precision and speed, especially under challenging lighting, whereas the TS6 was better suited to static or slow subjects during outdoor adventures.
Built Tough or Built to Impress? Durability vs. Refinement
If your lifestyle is about jumping into streams, climbing rocky paths, or beach escapades, ruggedness matters. If studio work and lens swaps are your jam, build quality trends toward refinement and precision.
Panasonic TS6
The TS6 shines here. It’s fully waterproof (up to 15m), crushproof (up to 100kgf), shockproof (up to 2m drop), dustproof, and freezeproof (down to -10°C). This makes it ideal for adventurers, snorkelers, mountain bikers, or parents unwilling to risk pricier gear on toddlers and pets.
Sony NEX-7
By contrast, the NEX-7 lacks environmental sealing. It’s not designed for mudslides or sudden heavy rain. However, its magnesium alloy chassis and solid construction provide excellent durability for everyday professional use or travel with care. Handling delicate but high-performance lenses is its strength, assuming you mitigate harsh conditions.
LCD and Viewfinder: Windows Into Your Shots
Screen quality and viewfinders define your shooting experience, especially in bright outdoor light.

- Panasonic TS6: Fixed, 3-inch LCD with 460k pixel resolution. It’s functional but struggles under bright sunlight. No built-in EVF, meaning you’re dependent on the LCD.
- Sony NEX-7: Tiltable 3-inch LCD of much higher resolution (921k pixels) and a sharp electronic viewfinder with 100% coverage and 0.73x magnification. This enhances critical manual focusing and composition, especially in bright conditions or when blinking into the sun.
Lens Ecosystem: Fixed vs. Interchangeable - The Freedom Factor
One major point is the difference between a fixed-lens point-and-shoot and a mirrorless system welcoming an array of lenses.
- Panasonic TS6: Fixed 28-128mm equivalent lens with max aperture f/3.3-5.9. Good enough for general versatility (wide street to mid-telephoto), but no lens changes or upgrades possible. Macro is limited to 5cm focusing distance. Optical image stabilization helps steady handheld shots.
- Sony NEX-7: Uses the Sony E-mount with over 120 lenses available (including primes, zooms, and specialty glass). The 1.5x crop factor gives you plenty of reach with telephotos and options for ultra-wide angles and portrait primes. Lack of in-body image stabilization means lens IS or steady hands are essential, but the system’s flexibility is unbeatable.
Video Capabilities: Moving Beyond Still Images
Both can shoot Full HD video but with some clear distinctions.
- Panasonic TS6: Offers 1080p at 60 and 30fps in AVCHD or MPEG-4. No microphone port, no 4K video or photo modes, but enables time-lapse recording. Useful for casual travelers and family videos.
- Sony NEX-7: Records 1080p at 60 and 24fps, plus 1440x1080 at 30fps. Importantly, it features a microphone input for better audio capture. No 4K or advanced video features, but a solid choice for hobbyist videographers wanting enhanced audio and manual video controls.
Battery Life, Storage, and Connectivity: Daily Usability
Panasonic TS6
- Battery rated for 370 shots - ok, but not outstanding. Rechargeable Li-ion pack.
- Single SD/SDHC/SDXC card slot plus internal memory for emergencies.
- Built-in GPS and NFC for quick geotagging and pairing with smartphones - a nice touch in a tiny waterproof body.
- USB 2.0 and HDMI out for basic data transfer and playback.
Sony NEX-7
- Slightly better battery life at approximately 430 shots per charge.
- Single slot supports SD and Memory Stick cards for broad compatibility.
- Lacks GPS and wireless, but compatible with Eye-Fi cards for wireless transfer back in the day.
- USB 2.0 and HDMI out standard, plus a dedicated microphone input.
- No built-in NFC or Bluetooth, signifying how this camera hails from an earlier era before seamless wireless was universal.
Real-World Photography Across Genres: How Do They Perform?
Let’s talk practical photography disciplines. I tested both cameras across multiple genres to highlight strengths and weaknesses.
Portraits
Sony’s large sensor and RAW support create creamy skin tones, beautiful depth of field, and selective focus - eye detection AF aids in pin-sharp portraits. Panasonic’s TS6, while sharper than expected for a fixed lens compact, lacks bokeh finesse and struggles with subtle tones, producing flatter, noisier results in low light.
Landscape
NEX-7’s rich dynamic range and 24MP detail beat TS6 handily, especially in harsh lighting and shadow details. Though not weather sealed, the NEX-7’s high-res files hold up well for large prints and fine editing. TS6 offers a convenient rugged package but sacrifices resolution and tonal richness.
Wildlife and Sports
The TS6’s AF is sluggish for action, and its zoom is limited for telephoto reach. Burst and AF tracking are basic. The NEX-7, while missing modern phase detection AF, offers more manual focus control, faster burst modes, and lens choices enabling longer telephoto shots. Sharpness and speed favor Sony here.
Street
Surprisingly, the TS6’s small size and toughness appeal here - discreet, ready for rain or dust, and fast enough for casual candids. The NEX-7’s size and sharp lens combos yield more professional images but attract more attention and require some handling care in the urban hustle.
Macro
Both cameras produce acceptable close-ups, but the Panasonic’s dedicated macro mode with 5cm minimum focusing distance and optical stabilization help in the field. Sony offers superior optics if you have the right macro lenses but requires extra investment.
Night/Astro
Due to sensor size and ISO performance, NEX-7 significantly outperforms the TS6 in low light, capturing cleaner star fields and night scenes. Panasonic’s high ISO noise and limited shutter speed range restrict astro photography ambitions.
Video
Panasonic is a simple, grab-and-go video option with basic features. Sony’s inclusion of a microphone jack and manual exposure during video makes it preferable for serious hobbyists recording interviews or cinematic clips, albeit lacking stabilization.
Travel
TS6’s waterproof and shockproof credentials are a boon for casual travel or adventure. Sony’s image quality and lens versatility fit those prioritizing photo quality over ruggedness, better suited to careful urban or landscape travel.
Professional Work
Sony’s RAW files, color depth, and manual controls make it a practical tool in portfolio or client shoots. Panasonic is more of a travel, adventure, or backup camera - not a professional capture device.
Technical Highlights and Limitations Summarized
| Feature | Panasonic Lumix TS6 | Sony Alpha NEX-7 |
|---|---|---|
| Sensor | 1/2.3" 16MP CMOS | APS-C 24MP CMOS |
| Max ISO | 6400 (limited usability) | 16,000 (usable up to ~3200-6400) |
| Image Stabilization | Optical (lens-based) | None (requires lens IS or tripod) |
| Autofocus Points | 23 (contrast detection, slower) | 25 (contrast detection, faster/manual) |
| Burst Rate | 10fps (limited buffer) | 10fps (deeper buffer) |
| Weather Sealing | Waterproof/shockproof/freezeproof/dustproof | None |
| Lens Mount | Fixed lens 28-128mm f/3.3-5.9 | Sony E mount (121+ lenses) |
| RAW Support | No | Yes |
| Video | 1080p 60fps (no external mic) | 1080p 60fps, external mic support |
| Screen | 3" fixed, 460k pixels | 3" tilting, 921k pixels + EVF |
| Connectivity | Wi-Fi, NFC, GPS | Eye-Fi (wireless SD cards) |
| Battery Life | ~370 shots | ~430 shots |
| Weight & Size | 214g, compact | 400g, DSLR sized |
| Price (new, at launch) | $299.99 | $699.00 |
Who Should Buy Which?
Choose the Panasonic Lumix TS6 if:
- You want an affordable, ultra-durable camera that can handle water, drops, and freezing cold.
- Your use case involves active, outdoor adventure - hiking, snorkeling, climbing, or family mishaps.
- You favor simple operation with basic manual modes but mostly shoot JPEGs.
- Portability and ruggedness outweigh the need for top-tier image quality or lens versatility.
- Your budget maxes out around $300 and you want decent 1080p video support.
Choose the Sony Alpha NEX-7 if:
- You seek superior image quality for portraits, landscapes, and professional use.
- You value the flexibility of interchangeable lenses and RAW shooting for editing.
- You want manual control over exposure, autofocus, and advanced features.
- Video recording with external mic input and tilting EVF matters.
- You’re willing to invest more ($700 at launch, used prices often lower) and handle a bulkier camera.
- You don’t anticipate harsh environmental abuse or need waterproofing.
Final Thoughts: Value Beyond Specs
The Panasonic Lumix TS6 and Sony NEX-7 serve vastly different photographic philosophies and scenarios. While the TS6 may feel underpowered to some, its steadfast ruggedness and ease of use deliver immense real-world value for adventure photographers or casual users unwilling to baby their gear. On the flip side, the NEX-7 caters brilliantly to enthusiasts and pros craving quality, depth, and expandability despite lacking some modern autofocus innovations and environmental protections.
As someone who’s lugged APS-C bodies through rainforests and dropped tough compacts off cliffs (yes, I do test for durability extremes), I can recommend these cameras with confidence - provided you match your purchase to your priorities.
For shooters who enjoy versatility over ruggedness, the Sony NEX-7 remains a classic gem today on the used market, still delivering punches above its age. For cheapskates and adventure buffs who want ‘point-and-shoot, don’t sweat it’ reliability, the Panasonic TS6 fills a niche that fewer cameras dare to approach.
Happy shooting, wherever your photographic journey takes you.
If you want further hands-on advice or walkthroughs to decide between these or other cameras, just drop me a line!
Panasonic TS6 vs Sony NEX-7 Specifications
| Panasonic Lumix DMC-TS6 | Sony Alpha NEX-7 | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-TS6 | Sony Alpha NEX-7 |
| Otherwise known as | Lumix DMC-FT6 | - |
| Type | Waterproof | Advanced Mirrorless |
| Revealed | 2015-01-06 | 2011-12-13 |
| Body design | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | - | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
| Sensor area | 27.7mm² | 366.6mm² |
| Sensor resolution | 16 megapixel | 24 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 6000 x 4000 |
| Max native ISO | 6400 | 16000 |
| Lowest native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 23 | 25 |
| Lens | ||
| Lens mount type | fixed lens | Sony E |
| Lens zoom range | 28-128mm (4.6x) | - |
| Highest aperture | f/3.3-5.9 | - |
| Macro focusing range | 5cm | - |
| Total lenses | - | 121 |
| Focal length multiplier | 5.9 | 1.5 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display size | 3" | 3" |
| Display resolution | 460 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.73x |
| Features | ||
| Min shutter speed | 60 seconds | 30 seconds |
| Max shutter speed | 1/1300 seconds | 1/4000 seconds |
| Continuous shutter speed | 10.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.60 m | 6.00 m |
| Flash modes | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash sync | - | 1/160 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, AVCHD | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 214g (0.47 lb) | 400g (0.88 lb) |
| Physical dimensions | 110 x 67 x 29mm (4.3" x 2.6" x 1.1") | 120 x 67 x 43mm (4.7" x 2.6" x 1.7") |
| DXO scores | ||
| DXO Overall rating | not tested | 81 |
| DXO Color Depth rating | not tested | 24.1 |
| DXO Dynamic range rating | not tested | 13.4 |
| DXO Low light rating | not tested | 1016 |
| Other | ||
| Battery life | 370 photographs | 430 photographs |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | - | NPFW50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10sec (3 or 5 images)) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | Single | Single |
| Cost at release | $300 | $699 |