Panasonic ZR3 vs Sony QX10
94 Imaging
36 Features
26 Overall
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96 Imaging
42 Features
34 Overall
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Panasonic ZR3 vs Sony QX10 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F3.3-5.9) lens
- 159g - 98 x 55 x 26mm
- Launched January 2010
- Also Known as Lumix DMC-ZX3
(Full Review)
- 18MP - 1/2.3" Sensor
- " Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1440 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 105g - 62 x 62 x 33mm
- Introduced September 2013

Unpacking Two Compact Contenders: Panasonic Lumix DMC-ZR3 vs Sony Cyber-shot DSC-QX10
Choosing the right camera often feels like walking a tightrope between specs spreadsheets and real-world usability. Today, we dive deeply into two intriguing compact category entries from Panasonic and Sony: the Panasonic Lumix DMC-ZR3 (ZR3) and the Sony Cyber-shot DSC-QX10 (QX10). Both launched in the early 2010s, these cameras offer distinct approaches - one as a traditional pocketable compact, the other as a pioneering lens-style camera designed to pair with your smartphone. Sounds simple? A little - except that each shines differently depending on what kind of shooter you are.
I've spent years testing cameras across genres, and while these two models aren’t recent flagships, they still offer valuable lessons in how form, function, and technology blend for varied photographic needs. So let’s unpack their strengths, quirks, and who should consider them in today’s fast-evolving market.
Size, Shape, and Handling: The First Interface
Handling a camera is like meeting a new friend: first impressions stick. How does it feel in your hand? Does it encourage or deter creativity? Here is where we start, with an eyeball-to-eyeball look at how these two cameras stack physically.
The Panasonic ZR3 sports the classic compact shape, weighing in at a featherlight 159 grams, with dimensions of 98 x 55 x 26 mm. It fits snugly in virtually any pocket, offering a comfy grip and tactile buttons that are immediately familiar to anyone who’s spent time with point-and-shoots.
In contrast, the Sony QX10 is a radically different beast. It’s more a lens with a sensor than a full camera body, shaped as a chunky circular module 62 x 62 x 33 mm and weighing a sprightly 105 grams. Without a screen or traditional controls, it relies entirely on its smartphone interface for operation, making handling a unique experience. It won’t feel like a normal camera in hand but is impressively compact given it packs a 10x zoom.
So ergonomically, the Panasonic offers straightforward comfort and control, whereas Sony’s modular design feels futuristic but takes some getting used to - especially if you prize traditional buttons and grip.
Control Layout: Physical Buttons vs Smartphone Touch
Physical controls are the language of instant creativity - knobs you can feel and dials you can twist without looking. How do the two cameras compare?
The Panasonic ZR3 delivers classic compact controls: zoom rocker, shutter button, and a few dedicated function buttons. No touchscreens here, but a dependable 2.7-inch fixed LCD with modest 230k-dot resolution covers live-view needs. The simplicity helps to keep you in the moment and avoids fumbling through menus.
On the other hand, the Sony QX10 has no built-in screen or physical buttons besides power and shutter release. It depends solely on a smartphone app accessed via built-in Wi-Fi and NFC connectivity. This swiping and tapping interface is intuitive for those accustomed to phones but limits haptic feedback. It also introduces potential lag, connection hiccups, or battery drain on your phone.
If you’re someone who enjoys tactile camera controls and zero dependency on external devices, Panasonic’s straightforward design wins hands down. But for smartphone enthusiasts wanting to upgrade their phone’s photographic reach without bulky kit, the QX10’s lens-style concept is clever - though a noticeably different user experience.
Sensor and Image Quality: The Heart of the Matter
Ultimately, image quality trumps all bells and whistles. Let's compare the sensor technology, resolution, and photographic output.
Both cameras sport the common 1/2.3-inch sensor size - tiny by modern mirrorless or DSLR standards, which means some compromises in noise and dynamic range are expected. Yet, specs tip slightly in Sony’s favor: an 18-megapixel BSI-CMOS sensor (enhanced backside illumination for better low-light), compared to Panasonic’s older 14-megapixel CCD sensor.
That difference in sensor tech is meaningful. BSI-CMOS sensors better capture light efficiency and reduce noise, an advantage in dim conditions - a fact I have witnessed repeatedly in my lab and field tests.
Regarding resolution, the QX10’s roughly 4900x3700 pixel output edges out Panasonic’s 4320x3240 pixels, promising sharper images - particularly visible when printing or cropping.
Images taken with both cameras showcase typical small-sensor compact traits: respectable detail in good light but softness and noise creeping in at higher ISOs. For portraits, Panasonic’s CCD tends to render skin tones pleasantly warm, albeit with less fine detail. The QX10, aided by face detection autofocus (feature absent on the ZR3), nails sharper eyes and better subject separation where lighting permits.
As you see below, sample images illustrate these subtleties in tone and noise.
Landscape shots reveal QX10 pulls slightly ahead in dynamic range, preserving shadows and highlights better, a direct result of newer sensor tech and processing. Panasonic, with its Venus Engine HD II processor, sometimes clips highlights on bright skies but offers punchy colors straight out of the camera.
Shooting Modes and Autofocus: Smart or Simple?
Let’s talk about autofocus (AF) and exposure modes - key in real-world shooting.
Panasonic ZR3 offers contrast-detection autofocus with 11 areas and continuous AF, but no face or eye detection technology. Tracking moving subjects is a bit sluggish, and manual focus isn’t an option. Exposure modes are minimal: no aperture or shutter priority, nor manual exposure. White balance can be custom set but lacks bracketing.
Sony QX10 employs contrast-detection AF with multi-area selection and benefit of face detection, improving targeting for portraits. It lacks continuous AF (no AF tracking) and doesn’t offer manual focusing - though this aligns with its smartphone-control design. Exposure compensation is absent, but white balance bracketing is supported, a nice tweak for tricky lighting.
Neither camera satisfies the advanced user who craves full manual control, but for casual point-and-shooters or quick snapshots, both systems suffice.
If your photography hinges on accuracy in autofocus - for example, wildlife or sports - the limitations are notable, with neither camera designed for high-speed precision. QX10’s face detection is a plus for portraits and casual shooting though.
Video Capabilities: Modest But Serviceable
Video isn’t the headline feature for these cameras, but let’s peek under the hood.
Panasonic ZR3 records AVCHD Lite videos at 1280x720 resolution and 30 fps. That’s HD but far from today’s 4K or Full HD standards. It has no microphone or headphone jacks, so audio is basic and silent infrastructural dialogue is minimal.
Sony QX10 pushes a tad higher with MPEG-4 compressed video at 1440x1080 pixels, still capped at 30 fps. Like the Panasonic, it lacks external mic ports and depends on the smartphone for live view, framing, and control. Absence of in-camera stabilization modes means handheld video is shaky unless you have very steady hands.
Overall, video performance is basic and suitable only for casual clips, vloggers on a budget, or those prioritizing stills.
Versatility Across Photography Genres: Who Wins Where?
Let’s dive deeper into how each camera performs in different photographic disciplines.
Portrait Photography
Panasonic’s warmer color rendition often flatters skin tones, although the lack of face or eye detection autofocus limits sharpness precision. The ZR3’s 8x zoom range (25-200mm equivalent) lets you get close for tighter headshots, but wide maximum apertures are modest (f/3.3-5.9), limiting bokeh and low light separation.
Sony’s QX10, with 10x zoom and face detection, targets portraits more precisely, yielding crisper eyes and more natural skin tones, albeit cooler color temperature. Its shorter minimum macro distance (5cm) focuses slightly less closely for intimate portraits but compensates with sharper detail.
Landscape Photography
Both cameras share the small sensor size, but Sony’s BSI-CMOS offers better dynamic range, enhancing highlight recovery and shadow detail critical for landscapes. Higher resolution means more room for cropping or large prints.
Neither offers weather sealing, which limits rugged outdoor use. Reliability on your smartphone app (QX10) may be a drawback on remote or harsh locations. Panasonic’s physical buttons and fixed screen offer comfort under the sun.
Wildlife and Sports Photography
These two compacts are not designed for speed - Panasonic tops out at a 2 fps continuous shooting rate, while Sony lacks continuous shooting mode altogether. Autofocus tracking is absent or minimal.
Thus, neither fits wildlife or sports shooters who need quick autofocus and high burst rates. The Panasonic’s 200mm maximum focal length offers some reach but little more than casual snapshots of pets or kids at play.
Street Photography
Here, size and discretion count. Panasonic, despite being compact, feels conventional - nothing wrong with that, but it's more noticeable. Sony’s QX10 can be mounted discreetly on a smartphone or even used remotely, adding an element of stealth, albeit trading off instant control.
Low-light performance favors the Sony due to sensor tech, but neither camera excels significantly here.
Macro Photography
The Panasonic edges ahead with a closest focusing distance of 3 cm, allowing finer detail on small subjects. Coupled with image stabilization, handheld macros become possible.
Sony’s 5 cm minimum means you lose some tight framing, and lack of stabilization (in video) or less tactile control may frustrate.
Night and Astrophotography
Small sensor size and limited ISO ceilings (6400 max on Panasonic; 3200 on Sony) restrict long-exposure clarity and usable night shots. Noise control on Panasonic is average, while Sony’s BSI sensor allows cleaner images but shutter sound and absence of silent mode restrict in-the-field applications.
Neither offers bulb mode or specialized astro features.
Video and Vlogging
As noted, both cameras offer underwhelming video performance, but for casual use, the Panasonic 720p AVCHD video or Sony’s 1440x1080 MPEG4 output suffice. Absence of microphones, headphones, or in-body stabilization limits quality.
Sony’s dependency on a smartphone for framing might be a double-edged sword - flexible but prone to connectivity issues.
Travel Photography
Panasonic’s compact traditional form factor and quick access buttons make it friendly for fast, versatile travel shooting. Battery life info is sparse, but lightweight design matters here.
Sony’s lens-style is lighter and offers a longer zoom range, but dependence on smartphone pairing raises concerns for battery drain and convenience.
Build Quality and Weather Sealing: Can They Take a Beating?
Neither camera offers weather sealing, dust, shock, or waterproofing ratings - a critical point if you anticipate adverse shooting conditions. Both carry plastic-bodied lightweight builds prioritizing portability over ruggedness.
Such compromises are typical for compact or lens-style cameras but worth knowing if you plan extensive outdoor travel or rugged use.
Connectivity: Bridging to Your Digital Life
Sony’s QX10 leads with built-in Wi-Fi and NFC for seamless smartphone attachment, making sharing and remote control a focus.
Panasonic’s ZR3 misses built-in wireless connectivity entirely, limiting instant sharing or remote shooting options. It offers USB 2.0 and HDMI ports for wired transfers and external display connection.
Battery Life and Storage
Sony specifies approximately 220 shots per charge, which is modest by today’s standards and may require spare batteries for a full day of shooting.
Panasonic doesn’t provide explicit battery life details in specs but traditionally small sensor compacts of this era last around 200-300 shots per charge.
Storage-wise, Panasonic uses SD/SDHC/SDXC cards, while Sony relies on microSD or Memory Stick Micro - smaller cards but equally capacious in higher capacities.
Pricing and Value: What’s the Bottom Line?
At launch, Panasonic’s ZR3 cost around $280, Sony’s QX10 about $250 - both budget-friendly for casual shooters or smartphone camera upgraders.
Considering Sony’s innovative lens-style approach and higher sensor specs, it offers interesting value for smartphone users wanting better zoom and image quality without switching cameras.
Panasonic provides a ready-to-shoot experience with tangible buttons and a dedicated screen, which holds strong appeal for those who dislike tethering to a phone.
Summing Up Their Strengths and Weaknesses
Feature | Panasonic Lumix DMC-ZR3 | Sony Cyber-shot DSC-QX10 |
---|---|---|
Form factor | Traditional compact camera | Lens-style camera module |
Sensor | 14MP CCD, 1/2.3", Venus Engine HD II | 18MP BSI-CMOS, 1/2.3" |
Lens zoom | 25–200mm (8x) f/3.3–5.9 | 25–250mm (10x) f/3.3–5.9 |
Autofocus | Contrast detection, 11 points, no face detect | Contrast detection, face detection, no tracking |
Screen | 2.7” 230k fixed LCD, no touchscreen | None (relies on smartphone) |
Video | 720p AVCHD Lite at 30fps | 1440x1080 MPEG-4 at 30fps |
Connectivity | USB 2.0, HDMI, no wireless | Built-in Wi-Fi, NFC, smartphone required |
Stabilization | Optical image stabilization | Optical image stabilization |
Weight | 159 g | 105 g |
Battery life | Approx. 200-300 shots (unofficial) | Approx. 220 shots |
Weather resistance | None | None |
Who Should Consider the Panasonic Lumix DMC-ZR3?
If you crave an uncomplicated, pocket-friendly camera with easy-to-use tactile controls, the ZR3 offers convenience without reliance on extra devices. It’s a solid option for street photographers who value speed over manual finesse and casual vacation shooters wanting a traditional point-and-shoot with versatile zoom.
Its skin-tone warmth makes portraits pleasant, and the macro capability is respectable. However, low-light and video prowess are limited, so don’t buy expecting a low-light champion.
Who Should Consider the Sony Cyber-shot DSC-QX10?
If you are a smartphone photography enthusiast - someone who wants to extend your phone’s optics without a full additional camera - the QX10 is a clever choice. Its 10x zoom and improved sensor technology promise sharper, better-exposed photos with more dynamic range.
The lens-style design invites creative flexibility, though it demands patience for pairing, occasional app quirks, and acceptance of slower controls. It’s ideal for casual photographers wanting better zoom or those exploring hybrid mobile photography rather than shooting fast-paced action.
Final Thoughts: Style vs Substance in the Compact World
Both cameras represent interesting design philosophies of their times: Panasonic doubling down on classic compact usability, Sony on innovative modular smartphone integration.
For me, if the camera feels good in your hand and offers predictable, immediate control, Panasonic’s Lumix ZR3 still holds appeal. But if you live in your smartphone ecosystem and desire greater zoom and image sharpness without carrying separate camera gear, Sony’s QX10 offers a pioneering approach whose DNA you can see echoed in today’s clip-on lens gadgets.
Neither will satisfy demanding professionals or advanced amateurs needing speed, manual control, or superior images. But for niche use cases, each camera delivers enough charm and functionality with clear trade-offs.
Whether size, handling, connectivity, or photo style matters most to you will steer the final choice. Whichever camera you pick, some hands-on time to explore its quirks and charms will reveal far more than specifications ever could.
Happy shooting!
Panasonic ZR3 vs Sony QX10 Specifications
Panasonic Lumix DMC-ZR3 | Sony Cyber-shot DSC-QX10 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model type | Panasonic Lumix DMC-ZR3 | Sony Cyber-shot DSC-QX10 |
Also called as | Lumix DMC-ZX3 | - |
Category | Small Sensor Compact | Lens-style |
Launched | 2010-01-26 | 2013-09-04 |
Body design | Compact | Lens-style |
Sensor Information | ||
Processor | Venus Engine HD II | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 14MP | 18MP |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 4320 x 3240 | 4896 x 3672 |
Maximum native ISO | 6400 | 3200 |
Min native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 11 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-200mm (8.0x) | 25-250mm (10.0x) |
Maximum aperture | f/3.3-5.9 | f/3.3-5.9 |
Macro focusing range | 3cm | 5cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2.7" | - |
Resolution of screen | 230k dot | 0k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | - | Depends on connected smartphone |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 60 secs | 4 secs |
Fastest shutter speed | 1/1300 secs | 1/1600 secs |
Continuous shutter speed | 2.0fps | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.30 m | no built-in flash |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | None |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1440 x 1080 (30 fps) |
Maximum video resolution | 1280x720 | 1440x1080 |
Video data format | AVCHD Lite | MPEG-4 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 159g (0.35 pounds) | 105g (0.23 pounds) |
Physical dimensions | 98 x 55 x 26mm (3.9" x 2.2" x 1.0") | 62 x 62 x 33mm (2.4" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 220 shots |
Battery form | - | Battery Pack |
Battery ID | - | NP-BN, |
Self timer | Yes (2 or 10 sec) | Yes (2, 10 secs) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | microSD, microSDHC, microSDXC, Memory Stick Micro |
Storage slots | One | One |
Pricing at release | $280 | $250 |