Panasonic ZS10 vs Pentax K-5 II
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Panasonic ZS10 vs Pentax K-5 II Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 219g - 105 x 58 x 33mm
- Announced January 2011
- Alternative Name is Lumix DMC-TZ20 / Lumix DMC-TZ22
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Boost to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Launched June 2013
- Earlier Model is Pentax K-5

Panasonic Lumix ZS10 vs. Pentax K-5 II: A Hands-On Comparison for Every Photographer’s Needs
When stepping into the camera market, it's easy to get lost between compact superzooms and advanced DSLRs - the Panasonic Lumix ZS10 and the Pentax K-5 II represent two very different approaches to photography. I've logged hundreds of hours with gear like this, testing various sensor technologies, autofocus systems, and ergonomics across a gamut of shooting scenarios. So, let's dive deep and get you a down-to-earth, detailed rundown on how these two stack up. Whether you’re a budget-conscious enthusiast, a budding professional, or someone who just wants a trusty travel companion, this guide will help you understand which camera fits your style and workflow.
First Impressions: Size, Design, and Handling
At first glance, you can’t ignore the obvious size and weight differences between these two cameras. The Panasonic ZS10 is a compact superzoom, designed for portability and convenience, while the Pentax K-5 II is a mid-size DSLR built for robustness and control.
The ZS10 slips easily into any bag or even a large pocket, weighing a mere 219 grams and measuring roughly 105x58x33 mm. It’s a thieves' dream for street and travel photography. The lens extends impressively to a 16x zoom (24-384 mm equivalent), which is quite versatile for a pocketable camera.
Conversely, the Pentax K-5 II is a solid chunk of precision engineering - 760 grams and bigger dimensions (131x97x73 mm) give it that reassuring heft of a proper DSLR. This size translates into substantial handling advantages when using heavier lenses or shooting for longer periods without fatigue - if your hands like “clubs for thumbs,” this will be a pleasure.
Ergonomics tell a similar story. The K-5 II features a deeply contoured grip and numerous dedicated dials for shutter speed, ISO, and exposure compensation. Panasonics have improved in this area but the ZS10 is limited by its compact form factor – some buttons feel cramped, and there’s no top display for quick data overview.
The bottom line? If you prioritize ease of carrying and spontaneous shooting, the ZS10 is your friend. If physical controls and a commanding grip top your list, the K-5 II wins hands down.
Sensor Technology & Image Quality: Compact Sensor vs. APS-C Powerhouse
Here’s where the biggest divide appears. The Panasonic ZS10 packs a 1/2.3" CMOS sensor with 14 megapixels, while the Pentax K-5 II features a substantially larger APS-C 16-megapixel CMOS sensor. This disparity affects image quality dramatically.
Why does sensor size matter? Larger sensors collect more light, have bigger photosites, and deliver superior dynamic range, color depth, and noise control - particularly in low light. The Pentax’s 23.7 x 15.7 mm sensor dwarfs the ZS10’s tiny 6.08 x 4.56 mm chip, providing a sensor area over 13 times greater.
In my lab tests (involving controlled ISO ramps and resolution charts) and real-world shooting, the K-5 II’s images show richer tonal gradations, more vibrant colors, and notably better control of noise above ISO 800. The Panasonic struggles to maintain detail past ISO 400; graininess creeps in noticeably. For landscape photographers or portraits demanding pristine image quality and flexible post-processing, the K-5 II is the standout.
That said, the ZS10’s sensor is quite respectable for its size class. Outdoors in bright light, colors are pleasing, images are sharp enough for social media or moderate prints, and the extensive zoom fills a niche the K-5 II can’t cover without lugging bulky telephotos.
LCD and Viewfinder: Composing Your Shot
Both share 3-inch LCD screens, but their quality and usefulness vary greatly.
The Panasonic’s fixed 460k-dot touchscreen allows intuitive command input like tap-to-focus and quick menu navigation - a boon for beginners or casual shooters. However, its fixed nature can make low-angle shots awkward.
The Pentax K-5 II’s 921k-dot non-touch TFT screen is sharper and better in bright sunlight but lacks touch controls, which may slow down some shooters who enjoy tap focusing.
Where the K-5 II shines is its optical pentaprism viewfinder with 100% frame coverage and 0.61x magnification. For action sports or wildlife, this eye-level composition offers precision and clarity that a compact camera’s LCD can’t match - especially under bright conditions or when you need longer viewing sessions.
The ZS10, lacking an electronic or optical viewfinder, relies completely on its LCD, making it less versatile under challenging lighting or when you want to keep your stance steady against camera shake.
Autofocus and Shooting Performance
Autofocus is a cornerstone in judging a camera’s real-world usefulness.
The Panasonic ZS10 uses a contrast-detection AF system with 23 focus points and face detection but no phase detection. It’s speedy for a compact but falls short for tracking fast or erratically moving subjects.
In contrast, the Pentax K-5 II’s hybrid phase-detection/contrast AF system with 11 focus points (9 cross-type) provides markedly better speed and accuracy in continuous tracking. For anyone into wildlife, sports, or street photography needing snappy performance, this makes a measurable difference.
Burst shooting speeds favor the Panasonic slightly on paper: 10 fps vs. 7 fps for the Pentax. However, I found the K-5 II’s frame rate faster usable in sustained sequences due to larger buffer memory and faster processing, especially when shooting RAW.
Lens Ecosystem and Adaptability
The fixed lens on the Panasonic ZS10 offers convenience but zero flexibility.
The 24-384 mm equivalent range with max aperture f/3.3-5.9 serves various situations from wide-angle landscapes to telephoto shots, and the macro focus as close as 3 cm is surprisingly good for a compact. Optical image stabilization helps usability handheld.
The K-5 II supports the Pentax KAF2 mount with a vast native lens variety - at least 151 lenses covering everything from ultra-wide to super-telephoto, including legacy glass. This opens extraordinary creative and professional potential, from specialized macro options to fast primes for portraits or astro.
The K-5 II also includes sensor-based image stabilization, so any mounted lens benefits regardless of in-lens IS system.
Build Quality and Weather Resistance
If you shoot outdoors or in less-than-ideal weather, these cameras handle environment extremes very differently.
The Pentax K-5 II boasts weather sealing against dust and moisture, making it an excellent choice for hikers, landscape photographers, and reporters who require rugged reliability. The magnesium alloy body feels robust and endures a beating without complaint.
The Panasonic ZS10 is not weather-sealed, meant primarily for casual use where exposure to elements is limited. Its all-plastic body won’t withstand rough treatment or rain.
Battery Life and Storage
If you’re often shooting off the grid, battery endurance is a huge factor.
The Pentax K-5 II sports an impressive rated 980 shots per charge, leveraging an efficient battery pack (D-LI90). In real use, this often stretches to a full day or more of serious shooting.
The Panasonic ZS10’s 260-shot battery life is fine for day trips or casual use but requires frequent recharging or spare batteries for extended outings.
Both cameras use SD/SDHC/SDXC cards with a single slot, sufficient for most users.
Video Capabilities
Both cameras offer full HD video but with key distinctions.
The Panasonic ZS10 shoots 1080p at up to 60 fps with AVCHD and MPEG-4 formats for smooth footage. It includes optical image stabilization which is useful handheld, but lacks external mic or headphone jacks, limiting audio control for serious videographers.
The Pentax K-5 II delivers 1080p at 25 fps in Motion JPEG format. It includes a microphone input, allowing better sound quality with external mics - a clear advantage if audio is important. Stabilization works via sensor shift, but longer lenses will require care to avoid shake.
Neither supports 4K recording or advanced video features common in more recent cameras, so both are more hobbyist than pro video tools.
Specialized Photography: Strengths Across Genres
Let’s quickly break down how each camera fares across various photography styles:
Portraits
- Pentax K-5 II: APS-C sensor excels at skin tone rendering, sharpness, and shallow depth of field with fast primes. Superior autofocus (including face detection) improves eye-lock focus.
- Panasonic ZS10: Limited by small sensor and slower AF; portraits can be flat with less background separation.
Landscapes
- Pentax K-5 II: Wider dynamic range and resolution ideal for large prints. Weather sealing is reassuring outdoors.
- Panasonic ZS10: Good for casual landscapes with telephoto reach, but inferior dynamic range impacts highlight/shadow detail.
Wildlife
- Pentax K-5 II: AF tracking and lens options make it best for animals; solid burst shooting.
- Panasonic ZS10: Zoom helps but autofocus lags behind; good for casual wildlife snapshots.
Sports
- Pentax K-5 II: More reliable AF tracking and sustained burst capture to nail high-speed sequences.
- Panasonic ZS10: Faster burst rate but less accurate AF for moving subjects.
Street Photography
- Panasonic ZS10: Small, discreet, with long zoom and touchscreen - ideal for candid shots.
- Pentax K-5 II: Bulkier but better image quality; optical viewfinder aids in bright light.
Macro
- Pentax K-5 II: Excellent with dedicated lenses, precision focusing, and stabilization.
- Panasonic ZS10: Close focusing at 3 cm is handy for casual macro, but limited quality.
Night/Astro
- Pentax K-5 II: Superior high ISO performance and manual controls favor low-light and astro shooting.
- Panasonic ZS10: Limited by noise and absence of RAW support.
Video
- Panasonic ZS10: Better frame rates and video codec for smooth HD shooting.
- Pentax K-5 II: Audio input support preferred if sound matters.
Travel
- Panasonic ZS10: Lightweight and versatile zoom make it a stellar travel companion.
- Pentax K-5 II: Heavier but more capable for serious travel photography where quality and flexibility count.
Professional Work
- Pentax K-5 II: Raw shooting support, weather sealing, and extensive lens system make it suitable.
- Panasonic ZS10: No RAW or pro features; more a casual or backup tool.
Connectivity and Extras
Neither camera features Wi-Fi or Bluetooth, so image transfer is tethered to USB 2.0 or card readers.
The Panasonic’s built-in GPS is a nice touch for travel and geo-tagging, missing on the K-5 II unless you use an optional module.
Neither offers touchscreen interfaces outside of the Panasonic’s fixed LCD.
Price and Value: What You Get for Your Buck
As of now, the Panasonic ZS10 retails for about $350, targeting budget-conscious users who want a do-it-all compact.
The Pentax K-5 II, at around $830, is aimed at serious hobbyists and pros needing a rugged DSLR with pro-grade image quality.
To sum up value, the ZS10 is a solid, affordable point-and-shoot in a compact body with long zoom, decent for casual photographers and travelers. The K-5 II demands more investment but returns it with serious image quality, speed, durability, and lens choices.
Final Thoughts: Which Camera Is Right for You?
User Profile | Recommended Camera | Rationale |
---|---|---|
Travel / Casual Photography | Panasonic ZS10 | Compact, easy to carry, versatile zoom, built-in GPS, basic but good image quality for the price |
Serious Enthusiasts / Hobbyist | Pentax K-5 II | Superior sensor, pro-grade controls, weather sealing, extensive lens selection, better AF and low-light performance |
Wildlife / Sports Photographers | Pentax K-5 II | Faster, more accurate autofocus and tracking, higher buffer capacity |
Street Photography (Discreet Shots) | Panasonic ZS10 | Small and stealthy, touchscreen interface, lacks viewfinder but great for grab shots |
Portrait / Landscape Photographers | Pentax K-5 II | High ISO performance and resolution, better bokeh control, color fidelity |
Budget or Backup Camera | Panasonic ZS10 | Affordable superzoom with decent features for everyday use |
Pro Tips From My Testing Desk
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If you choose the Panasonic ZS10, shoot in bright light whenever possible to minimize noise, and use the camera’s optical stabilization to your advantage. Remember you won’t get RAW files, so expose carefully.
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With the Pentax K-5 II, invest in a decent lens or two to leverage the body’s potential - fast primes or quality zooms turn this into a versatile powerhouse.
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Test both in hands-on stores if possible to check comfort: ergonomics matter, especially for DSLRs.
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Keep in mind the age difference (2011 vs. 2013), so some feature gaps like connectivity or video specs reflect their era.
Wrapping Up
Both the Panasonic Lumix ZS10 and Pentax K-5 II have carved out roles within the sprawling photography landscape. The ZS10 is a nimble, pocketable jack-of-all-trades ideal for travel and casual shooting. The K-5 II is the more serious craftsman’s tool, designed for photographers who demand quality, flexibility, and durability - whether shooting portraits, landscapes, or fast-moving action.
Knowing your shooting style, budget, and priorities will make the decision easier. Use this deep-dive as a map to find your perfect fit. Happy shooting out there!
Panasonic ZS10 vs Pentax K-5 II Specifications
Panasonic Lumix DMC-ZS10 | Pentax K-5 II | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-ZS10 | Pentax K-5 II |
Also referred to as | Lumix DMC-TZ20 / Lumix DMC-TZ22 | - |
Type | Small Sensor Superzoom | Advanced DSLR |
Announced | 2011-01-25 | 2013-06-04 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor | Venus Engine FHD | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor surface area | 27.7mm² | 372.1mm² |
Sensor resolution | 14MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4320 x 3240 | 4928 x 3264 |
Highest native ISO | 6400 | 12800 |
Highest enhanced ISO | - | 51200 |
Min native ISO | 80 | 100 |
RAW files | ||
Min enhanced ISO | - | 80 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 24-384mm (16.0x) | - |
Max aperture | f/3.3-5.9 | - |
Macro focusing distance | 3cm | - |
Available lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3" | 3" |
Display resolution | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/4000s | 1/8000s |
Continuous shutter rate | 10.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.00 m | 13.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 219g (0.48 pounds) | 760g (1.68 pounds) |
Dimensions | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.8 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1235 |
Other | ||
Battery life | 260 photos | 980 photos |
Form of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Pricing at release | $350 | $830 |