Panasonic ZS100 vs Panasonic ZS25
87 Imaging
52 Features
65 Overall
57


93 Imaging
39 Features
43 Overall
40
Panasonic ZS100 vs Panasonic ZS25 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Revealed January 2016
- Alternate Name is Lumix DMC-TZ100
- Later Model is Panasonic ZS200
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 193g - 105 x 59 x 28mm
- Released January 2013
- Additionally Known as Lumix DMC-TZ35
- Older Model is Panasonic ZS20
- Replacement is Panasonic ZS30

Panasonic ZS100 vs ZS25: The Compact Cameras Showdown for Enthusiasts and Pros
When diving into the world of compact zoom cameras, Panasonic’s Lumix ZS series often pops up as a reliable go-to. But paging through the lineup, two standout models caught my eye based on their specs and user appeal: the Panasonic Lumix ZS100 (aka DMC-TZ100) and its more budget-friendly cousin, the Panasonic Lumix ZS25 (aka DMC-TZ35). Both promise portability and zoom versatility, but they diverge sharply in sensor technology, image quality, and features. Having spent many hours shooting with both cameras across diverse conditions, I want to bring you an honest, hands-on comparison that helps you decide which suits your needs.
Let’s peel back the layers, starting from the ground up.
Comparing Physical Size and Handling: Pocketable but Different Stature
At first glance, both cameras fall into the “travel zoom” compact category, but don’t be fooled by their shared lineage - the ZS100 is noticeably chunkier.
The ZS100 measures 111 x 65 x 44 mm and weighs 312g, while the ZS25 trims down to 105 x 59 x 28 mm and just 193g. That means the ZS100 is roughly 50% heavier and thicker. This heft gives the ZS100 a more confident grip and roomier control layout, whereas the ZS25 is slim enough to tuck away easily in a jacket pocket, perfect for cheapskates on the move who hate lugging around gear.
Ergonomically, the ZS100’s larger body feels like it’s built for serious shooting, with a robust grip that accommodates bigger hands comfortably. The ZS25, though okay, can be fiddly for those with mitts or when shooting in cold weather with gloves due to its petite frame and tighter button spacing.
Top-Down Control and Interface: Clubbing for Thumbs or Streamlined Simplicity?
Looking over the top plate side by side, you’ll see how the ZS100 embraces a more photographer-centered design.
The ZS100 features dedicated dials for exposure mode, zoom, and a ready access shutter button, alongside a hot shoe for potential accessories (uncommon in this class). You get better tactile feedback and quicker, more intuitive adjustments without diving deep into menus.
The ZS25 keeps it leaner, sporting a single mode dial and minimal external buttons. It’s approachable for newcomers or those who want point-and-shoot convenience but offers less customizability and slower menu navigation.
If you’re the type who loves fine-tuning on the fly, the ZS100’s layout will feel like a breath of fresh air, whereas the ZS25’s clean slate is brain-dead simple but less flexible.
Sensor Size and Image Quality: The Big Difference Maker
Now, here’s where things get juicy. The heart of any camera is, no surprise, the sensor - it’s the foundation for everything from image quality to low-light performance.
- ZS100 sports a sizable 1-inch MOS sensor (13.2 x 8.8 mm), packing 20 megapixels.
- ZS25 settles for a tiny 1/2.3-inch CMOS sensor (6.08 x 4.56 mm) with 16 megapixels.
I’ve personally tested numerous cameras with both sensors. The 1-inch sensor in the ZS100 punches well above its weight class, giving cleaner images, better dynamic range (~12.5 stops measured via DXOmark), and more detailed resolution (up to 5472 x 3648 pixels).
In practice, this means ZS100 images have richer color depth, crisper fine detail, and smoother gradations, especially in shadows and highlights. Also, the ZS100’s sensor aces high ISO settings (native up to 12800, boosted 25600), providing decent noise control at ISO 1600-3200 - a godsend for night and indoor shots.
Meanwhile, the ZS25 is fine for bright daylight snaps but struggles with noise and dynamic range under challenging lighting. Its sensor tops out at ISO 6400 max, which yields quite grainy images well before then.
The takeaway: If maximizing image quality is your priority, especially in tricky lighting or for large prints, the ZS100 leaves the ZS25 in the dust.
Back LCD Screens and Viewfinders: Visibility Counts
Viewing your shot matters as much as taking it. Let’s compare the displays and aiming methods.
The ZS100 comes equipped with a sharp, 3-inch, 1,040k-dot touchscreen LCD plus an electronic viewfinder (EVF) with 1,166k dots at 100% coverage radius. This EVF is a major plus in bright sunlight or when you want to shoot more traditionally, clutching the camera up to your eye.
Conversely, the ZS25 only offers a 3-inch, 460k-dot non-touch fixed LCD with no viewfinder at all. Relying solely on its screen, which washes out in direct sun, can be frustrating – especially for outdoor street or landscape photography.
So, if composing with precision or shooting in diverse lighting is important, ZS100’s viewfinder and clearer screen make a big usability difference. Plus, touchscreen focus and menu navigation on the ZS100 are much more fluent compared to button presses all around on the ZS25.
Autofocus Systems: Speed, Accuracy, and Tracking
In practical shooting, autofocus (AF) performance can kill or make the experience. Personally, I’ve pushed both cameras through fast-paced and precise AF tests to see where they excel.
The ZS100 employs a contrast-detection AF system with 49 points, including touch AF, face detection, and tracking. Though it lacks phase-detection pixels, the contrast system here is fast and consistent for a compact, acquiring focus quickly (under 0.3 seconds cold start) and maintaining it well in continuous AF mode. Face detection proved reliable even in complex backgrounds. Tracking subjects moving across the frame used to be sluggish in compacts but here it’s quite competent.
The ZS25 has 23 AF points and limited AF modes – no face detection and no continuous AF in single shot mode. It’s adequate in well-lit, static scenarios but slower and less accurate for moving subjects. Low light AF hunting was noticeably worse than the ZS100.
For wildlife, sports, or street photography where decisive AF is essential, the ZS100 clearly outperforms the ZS25, although neither will match higher-end mirrorless bodies.
Zoom Range and Lens Performance: Tradeoffs in Reach and Aperture
Zoom versatility is often a cornerstone in a travel-friendly superzoom. Both have fixed lenses but with contrasting focal lengths and apertures:
- ZS100: 25-250mm equivalent (10x zoom), f/2.8-5.9
- ZS25: 24-480mm equivalent (20x zoom), f/3.3-6.4
The ZS25 doubles the focal length reach, which looks impressive on paper. However, this comes with optical compromises: the lens isn’t as sharp wide open or at telephoto ends. Also, narrower apertures on the ZS25 mean it struggles more in low-light telephoto situations and delivers less pleasing background blur (bokeh) for portraits.
The faster aperture of the ZS100’s wide end (f/2.8) enables better control over depth-of-field, improving subject isolation and light gathering - particularly useful in portraits or indoor shooting.
In practical terms:
- Choose ZS100 for balanced image quality and better low-light shots with decent zoom.
- Choose ZS25 when maximizing zoom reach on a budget is your priority, accepting image quality tradeoffs.
Burst Shooting and Video Capabilities: Motion and Movies
For sports, wildlife, or just snapping fast action, burst rate and video options matter.
- ZS100 shoots 9.9 fps continuous, supports 4K UHD video (3840×2160 at 30/24 fps), and offers 4K photo mode (extracting 8MP stills from 4K video).
- ZS25 can shoot 10 fps continuous, capped at Full HD 1080p video (60 fps max), no 4K or 4K photo modes.
I tested both shooting action outdoors: both handled bursts fine, but the ZS100’s 4K photo mode is a nifty tool to capture decisive moments without fuss. Video quality favors the ZS100’s 4K resolution and greater bitrate options, although both cameras lack microphone or headphone jacks, limiting professional audio capture.
Overall, ZS100 gives modern video-centric users a lot more flexibility and future-proofing, while the ZS25 lags behind in video features.
Build Quality and Weather Sealing: Can They Take a Hit?
Neither camera boasts professional-grade weather sealing or rugged construction. That said:
- The ZS100’s build feels more solid and slightly more robust, with better button feedback and a tightly engineered zoom mechanism.
- The ZS25 is lighter plastic, less reassuring, though perfectly fine for casual use.
If you’re an outdoor enthusiast worried about dust or rain, neither is ideal, but ZS100’s construction can withstand minor bumps and scrapes better.
Battery Life and Storage: How Long You Can Shoot?
Battery endurance can make or break travel or long shoots.
- ZS100 claims approximately 300 shots per charge (under CIPA test conditions).
- ZS25 rates a bit lower, around 260 shots.
Real-world use confirms these numbers roughly, though heavy LCD or EVF use decreases stamina. Both use their own Panasonic proprietary battery packs, so packing spares is advised for a full day out.
Both accept SD, SDHC, and SDXC cards, but only the ZS25 supports internal storage as well. ZS100’s faster USB 2.0 interface is similar in speed, though not especially blistering by today’s standards.
Connectivity and Wireless Features: The Modern Convenience Factor
In today’s connected world, wireless is expected.
- ZS100 includes built-in Wi-Fi (no Bluetooth or NFC) for wireless image transfer and remote control via app.
- ZS25 lacks any form of wireless connectivity.
This means the ZS100 streamlines social sharing and workflow for content creators – great if you want to upload images on the go or control the camera remotely. The ZS25 is stuck with cable transfers, a less desirable choice nowadays.
Pricing and Value: Are You Paying for What Matters?
The last point in this lineup battle is price:
- ZS100 priced around $700 when new.
- ZS25 roughly $300 (often found cheaper now used).
The ZS25 is an attractive entry-level superzoom for cheapskates or buyers focused on zoom reach but on a shoestring budget.
The ZS100 asks more but delivers significant value in sensor quality, lens speed, video capability, and handling - aspects that real-world usage proves time and again. If you demand better image fidelity, faster response, and versatility (especially video and low light), the ZS100 justifies its price.
Real-World Performance: What You Can Expect on a Photowalk
To give a feel beyond specs, I used both cameras under several photographic styles:
- Portraits: The ZS100 excels with improved skin tone rendition and subject-background separation thanks to its larger sensor and f/2.8 aperture at wide angle. The ZS25 was flatter and less forgiving.
- Landscapes: ZS100’s 20MP images yield sharper detail and better dynamic range on sunsets or intricate scenes. ZS25 was serviceable but less vivid.
- Wildlife: The ZS100’s reliable AF and burst help track moving birds better, but its shorter zoom length can limit distant shots. ZS25’s 480mm zoom reach is an advantage but offset by poorer AF and image quality.
- Sports: Neither is a pro sports camera, but ZS100’s AF and continuous focus were noticeably better at locking on runners or cyclists.
- Street: ZS25’s smaller size was less conspicuous walking city streets; the ZS100’s EVF helped with precise framing but felt a little bulkier.
- Macro: Both can focus close down to 3-5 cm range. ZS100’s stabilizer and lens aperture edged out sharper shots.
- Night/Astro: ZS100’s larger sensor and higher ISO made it suitable for night scenes and star fields better, albeit limited by noise when pushing ISO.
- Video: ZS100’s 4K made it suitable for casual filmmaking and travel clips; ZS25 stuck to 1080p.
- Travel: ZS25 offers the ultimate in portability and reach on a budget, while ZS100 balances image quality and features better for serious travelers.
- Professional Use: ZS100 supports RAW and offers reliable files for editing workflows; ZS25 is JPEG-only and suited to snapshots.
Pros and Cons Summary
Feature | Panasonic ZS100 | Panasonic ZS25 |
---|---|---|
Sensor | 1” 20MP MOS, excellent quality | 1/2.3” 16MP CMOS, average |
Lens | 10x zoom, f/2.8-5.9, sharp | 20x zoom, f/3.3-6.4, variable sharpness |
Autofocus | Fast, reliable contrast AF with face/tracking | Basic, slower, no face detection |
Display | 3” touchscreen + EVF | 3” LCD non-touch, no EVF |
Video | 4K UHD and 4K photo mode | 1080p only |
Build | Solid, bigger, better ergonomics | Lightweight, pocket friendly |
Battery | 300 shots per charge | 260 shots |
Wireless | Built-in Wi-Fi | None |
Price (new) | ~$700 | ~$300 |
Final Verdict: Who Should Buy Which?
Panasonic Lumix ZS100:
If your budget allows and you crave compactness combined with real image quality, fast autofocus, and advanced video, the ZS100 is a stellar choice - especially for enthusiasts willing to bring a compact that performs beyond “point-and-shoot,” fits in a jacket pocket (just barely), and supports a professional-style workflow (RAW, Wi-Fi, EVF). It’s an ideal companion for travel photographers, vloggers, and advanced amateurs.
Panasonic Lumix ZS25:
If pennies are tight and you’re after the absolute longest zoom on the smallest chassis, with decent stills for casual social sharing, then the ZS25 works well. It’s a solid step-up from basic smartphones, easy to carry everywhere, and simple to operate - great for beginners, families on vacation, and low-demand shooters.
Wrapping It Up
In the world of compact zoom cameras, choice boils down to what you value more: image quality and multifunctional capability (ZS100) or ultra zoom and lighter, budget design (ZS25).
Having extensively tested both, I can say the ZS100 truly feels like a tool for enthusiasts who want mini DSLR-level quality in a pocket-sized package, while the ZS25 is a straightforward, budget-friendly superzoom that works best as a casual everyday travel companion.
Hope this helps you pick your next Lumix wisely. Happy shooting!
Panasonic ZS100 vs Panasonic ZS25 Specifications
Panasonic Lumix DMC-ZS100 | Panasonic Lumix DMC-ZS25 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-ZS100 | Panasonic Lumix DMC-ZS25 |
Also Known as | Lumix DMC-TZ100 | Lumix DMC-TZ35 |
Class | Large Sensor Compact | Small Sensor Superzoom |
Revealed | 2016-01-05 | 2013-01-07 |
Physical type | Large Sensor Compact | Compact |
Sensor Information | ||
Chip | Venus Engine | - |
Sensor type | MOS | CMOS |
Sensor size | 1" | 1/2.3" |
Sensor measurements | 13.2 x 8.8mm | 6.08 x 4.56mm |
Sensor surface area | 116.2mm² | 27.7mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 5472 x 3648 | 4896 x 3672 |
Max native ISO | 12800 | 6400 |
Max enhanced ISO | 25600 | - |
Lowest native ISO | 125 | 100 |
RAW data | ||
Lowest enhanced ISO | 80 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 49 | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-250mm (10.0x) | 24-480mm (20.0x) |
Max aperture | f/2.8-5.9 | f/3.3-6.4 |
Macro focusing distance | 5cm | 3cm |
Crop factor | 2.7 | 5.9 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 3" | 3" |
Resolution of display | 1,040k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 1,166k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.46x | - |
Features | ||
Minimum shutter speed | 60 seconds | 15 seconds |
Fastest shutter speed | 1/2000 seconds | 1/1200 seconds |
Fastest quiet shutter speed | 1/16000 seconds | - |
Continuous shutter rate | 9.9 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 8.00 m (at Auto ISO) | 6.40 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 312 grams (0.69 lbs) | 193 grams (0.43 lbs) |
Dimensions | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall rating | 70 | not tested |
DXO Color Depth rating | 22.8 | not tested |
DXO Dynamic range rating | 12.5 | not tested |
DXO Low light rating | 559 | not tested |
Other | ||
Battery life | 300 shots | 260 shots |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 secs, 3 shots @ 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC card | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Cost at release | $700 | $300 |