Panasonic ZS100 vs Pentax K-5 IIs
87 Imaging
52 Features
65 Overall
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60 Imaging
57 Features
83 Overall
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Panasonic ZS100 vs Pentax K-5 IIs Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Push to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-250mm (F2.8-5.9) lens
- 312g - 111 x 65 x 44mm
- Released January 2016
- Alternate Name is Lumix DMC-TZ100
- Later Model is Panasonic ZS200
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Launched June 2013
- Previous Model is Pentax K-5

Panasonic Lumix ZS100 vs Pentax K-5 IIs: A Deep Dive Into Two Very Different Cameras
When comparing the Panasonic ZS100 and the Pentax K-5 IIs, you’re looking not just at two cameras but at two fundamentally different photographic philosophies. The former is a large sensor compact zoom aimed at travel and convenience, while the latter is a mid-size DSLR built for versatility and rugged use. As someone who has spent years testing cameras across genres and styles, I want to share a thorough, side-by-side evaluation based on hands-on experience and technical insight - beyond mere specs.
Let’s explore how these cameras stack up across ergonomics, sensor and image quality, autofocus, handling, and, of course, real-world performance across popular photography disciplines.
Size, Handling, and Ergonomics: Travel-Ready vs. Traditional DSLR Feel
First impressions matter, and size and feel shape how we use cameras day-to-day.
The Panasonic ZS100 is a compact powerhouse at just 111 x 65 x 44 mm and 312g. Its fixed 10x zoom lens (25–250mm equivalent) keeps it pocketable and travel-friendly. This means you’re less likely to miss spontaneous moments - it fits in a jacket pocket or small bag with ease.
Contrast that with the Pentax K-5 IIs' more substantial physique: 131 x 97 x 73 mm and a hefty 760g body. It’s a mid-sized SLR with a robust grip designed for comfortable prolonged use and heft that promises durability. This is not a camera you slip in a coat pocket but one you expect to carry all day on a shoulder strap or harness.
When it comes to control layouts, both cameras have their logic. The ZS100’s clean top plate is somewhat minimalist, catering to quick point-and-shoot style operation with some manual controls. The K-5 IIs offers a more traditional DSLR experience with dedicated dials for shutter speed, ISO, and exposure compensation - perfect if you like tactile, direct access to core settings.
Though the ZS100’s touchscreen LCD (3-inch, 1040k dots) supports some touch AF and menu navigation, the K-5 IIs sticks to a fixed 3-inch TFT LCD (921k dots) without touch but with a generous top info display for status monitoring.
In practice, I found the K-5 IIs’s heft offers a reassuring grip, especially with longer lenses mounted, whereas the ZS100 wins in handheld portability, especially for long walks or crowded urban scenescapes where a micro four-thirds or full-frame setup might be unwieldy.
Sensor Technology and Image Quality: 1" vs APS-C - Where Size Makes a Difference
At the heart of both cameras are very different sensors:
- Panasonic ZS100: 1” MOS sensor (13.2 x 8.8 mm), 20MP resolution, with a low-pass (antialiasing) filter.
- Pentax K-5 IIs: APS-C CMOS sensor (23.7 x 15.7 mm), 16MP, notable for its lack of anti-aliasing filter (a unique choice in DSLRs aiming at increased resolution and sharpness).
The sensor size difference is huge - APS-C offers nearly three times the sensor area - which is the primary factor influencing dynamic range, noise performance, and depth of field control.
DxOMark scores verify this too: The K-5 IIs leads with an overall score of 82 versus the ZS100’s 70. Its dynamic range (~14.1 stops) outperforms the ZS100's (12.5 stops), allowing greater detail retention in shadows and highlights - crucial for landscape and high-contrast scenes.
Color depth is also slightly better on the Pentax, which delivers richer tonality and smoother gradients important for portrait and studio work.
ISO performance favors the K-5 IIs as well with a clean usable range up to approximately ISO 1200 (per DxO low-light ISO), while the ZS100’s smaller sensor struggles beyond ISO 800 for pristine image quality.
In real-world use, the ZS100 performs admirably for a compact, producing sharp, pleasing images with good contrast under daylight conditions. But image quality begins to fall behind especially in low light or when heavy cropping is required. The K-5 IIs, on the other hand, shines in detail and tonal quality and handles high ISO shooting more gracefully.
Lens and Autofocus Systems: Zoom Convenience vs Interchangeability and Speed
The fixed 10x zoom lens (25-250mm f/2.8-5.9) on the ZS100 is a versatile travel tool, offering everything from wide-angle landscapes to medium telephoto portraits and some wildlife reach. Optical image stabilization helps counteract hand shake given the long reach and slow aperture at telephoto.
The Pentax K-5 IIs’ strength lies in its lens ecosystem with 151 compatible lenses, from ultra-wide primes to fast telephotos and macro optics. This versatility is the greatest advantage DSLRs still hold over compacts: tailored optics for specific genres and better optical quality in high-end lenses.
Autofocus differs substantially:
ZS100 autofocus is contrast-detection-based with 49 focus points, and it includes face detection, touch AF, and continuous AF. It’s reasonably quick for a compact and reliable in good light, though tracking fast-moving subjects is limited.
The K-5 IIs employs a phase-detection autofocus system with 11 focus points (9 cross-type), which by DSLR standards stands up well even by today’s standards for speed and accuracy, especially in well-lit conditions. It also supports continuous AF and tracking, essential for sports and wildlife.
In my tests, the K-5 IIs offers noticeably faster and more reliable autofocus tracking on moving subjects, though neither camera offers advanced animal eye AF features that newer cameras include. The ZS100’s AF can hunt in dim lighting, whereas the K-5 IIs maintains steadier focus thanks to dedicated AF sensors.
Burst Shooting and Buffer: Which Camera Catches the Action Better?
For action photography, frame rate and buffer depth matter:
- Panasonic ZS100: ~9.9 fps continuous shooting.
- Pentax K-5 IIs: ~7 fps continuous shooting.
The ZS100’s faster burst rate surprised me for a compact but comes at the cost of smaller buffer and limited card write speeds, meaning the burst may drop off quickly with continuous RAW shooting.
The Pentax may be slower in frame rate, but its DSLR design includes a deeper buffer, enabling longer sustained shooting sessions peppered with large RAW files more suitable for professional workflow.
For wildlife or sports shooting, the K-5 IIs edges out the ZS100 in focusing and burst consistency, even if the ZS100’s quick frames per second might tempt some casual shooters.
Build Quality and Weather Sealing: Durability for the Field
The Pentax K-5 IIs is weather sealed - dust and splash resistant - a big plus for outdoor photographers. It’s also robustly built; the magnesium alloy body resists abuse better than most compacts. This durability factor makes it a reliable companion for demanding fieldwork.
The ZS100 is not weather sealed and features a plastic external build to keep weight down; it feels solid for its class but is vulnerable to harsher weather or rough treatment.
If you expect to shoot outdoors unattended by weather forecasts - snow, drizzle, dust - the K-5 IIs’ sealing is a decisive advantage.
Battery Life and Storage: Staying Power Matters
- Panasonic ZS100: Rated for ~300 shots per charge, uses a proprietary battery.
- Pentax K-5 IIs: Rated for ~980 shots per charge, uses the D-LI90 battery.
In day-to-day usage, the Pentax comfortably outlasts the compact, especially if you shoot raw and review shots often. The ZS100’s modest battery life mandates carrying spares on travel or extended outings.
Both cameras use a single SD card slot, but the ZS100 supports SDHC and SDXC, as does the Pentax, ensuring compatibility with speedy media. However, the ZS100 has USB 2.0 and HDMI output for tethering or playback, while the K-5 IIs also offers HDMI and a dedicated microphone port - a plus for some videographers.
Video Capabilities: Raw Specs and Practical Use
When it comes to video:
- Panasonic ZS100 offers 4K UHD recording at 30p or 24p and 1080p up to 60p - impressive for a compact.
- Pentax K-5 IIs records full HD 1080p at 25fps with no 4K option.
The ZS100’s 4K and 4K-photo mode (grabbing 8MP stills from video) allow creative freedom and speedy burst captures. However, lack of external mic and headphone ports limit professional audio recording.
The Pentax includes a microphone input, enabling better audio capture but falls short in video resolution and frame rate features - more a bonus than a dedicated video tool.
How These Cameras Perform Across Photography Genres
Now to the all-important question: how do each perform across the main photographic disciplines? The answer lies both in specs and daily use.
Portrait Photography
The K-5 IIs’ APS-C sensor and interchangeable lens system offer superior control over shallow depth of field and bokeh quality, essential for flattering portraits. Its color depth and dynamic range ensure natural skin tones and subtle gradations. Plus, with fast primes, you can isolate the subject beautifully.
The ZS100, despite its smaller sensor, imagines its fixed 25–250mm lens’ f/2.8 aperture at wide angle and slightly slower telephoto apertures for background separation. Eye detection AF is present, and face detection is reliable for casual headshots. The compact’s convenience is appealing for quick environmental portraits but lags for professionals wanting creamy bokeh and richer tonal rendition.
Landscape Photography
Dynamic range and resolution shine with the Pentax’s sensor. The lack of anti-aliasing filter enhances fine detail capture, essential for expansive vistas, especially when combined with weather sealing for shooting in varied climates.
The ZS100 is versatile and includes 1:1 cropping and multiple aspect ratios handy in composition but limited by smaller sensor size for large prints or heavy post-processing.
Wildlife Photography
This is an area where the Pentax K-5 IIs, combined with telephoto lenses, generally outperforms the ZS100 in autofocus speed, tracking, and long-range reach. Low-light AF performance also favors the DSLR, crucial at dawn/dusk hours.
However, the ZS100 can handle casual wildlife shots thanks to its 10x zoom, silent electronic shutter at high speed, and fairly good burst rate - great for snap moments.
Sports Photography
The K-5 IIs’s phase-detection AF, faster recovery times, and weather sealing edge out the ZS100, despite the compact’s higher burst speed. More importantly, the ability to choose fast primes and telephotos dramatically improves subject isolation and response.
Street Photography
Here, size and discretion matter. The ZS100’s compact body, quiet operation, and quick autofocus make it an excellent street camera. Its built-in zoom lens reduces the need to carry extra glass, and the touchscreen interface is responsive.
The K-5 IIs is larger and noisier with its shutter click, making it less suited for candid shooting. But the benefits of customization, RAW files, and lens options mean it’s not out of the game if your style favours a less covert approach.
Macro Photography
The Pentax's compatibility with dedicated macro lenses and sensor stabilization gives it a distinct edge for detailed close-ups requiring precision.
The ZS100’s 5cm macro focus distance is useful for casual macros but limited by its lens’s slower telephoto aperture and lack of focus stacking.
Night and Astro Photography
Low light performance again favors the Pentax’s larger sensor and higher ISO usability. Despite 4K video modes, the ZS100’s sensor noise at night limits its astrophotography potential.
Video Usage
The Panasonic ZS100 offers richer video functionality and superior resolution - ideal for vloggers and casual filmmakers - although limited by audio options.
Travel and Versatility
The ZS100’s size and zoom versatility make it the natural choice for travel shooters prioritizing portability and convenience. The Pentax demands more space but rewards with higher image quality and durability.
Professional Workflows
Professional photographers will appreciate the Pentax K-5 IIs’ support for robust RAW formats, comprehensive manual controls, customizable interface, and tethering capability, contributing to smooth studio and field workflows.
Comparing the Cameras through Performance Scores
The Pentax leads overall thanks to sensor performance, handling, and versatility, scoring an 82. The Panasonic is respectable at 70, reflecting its class boundaries.
Detailed Genre Performance Breakdowns
The chart above underscores the K-5 IIs’ dominance in portraits, landscapes, wildlife, and sports - genres demanding speed, resolution, and precision.
The ZS100 scores well in street, travel, and casual video tasks where its compact size and zoom lens shine.
Technical Verdict - What the Numbers & Experience Tell Us
During extended hands-on use, I found that the Panasonic ZS100 excels where portability trumps everything else. Its high-res 1” sensor beats typical compact cameras by a margin, especially when shooting daylight scenes and video. The zoom lens versatility supports generalist photographers or travellers who want one camera to cover everything without fuss.
On the flip side, the Pentax K-5 IIs remains a potent, no-nonsense DSLR producing class-leading images in controlled and demanding environments. Its build, durability, and system flexibility make it suitable for enthusiasts and semi-pros investing seriously in photographic craft.
Let’s talk real value: The K-5 IIs commands a slightly higher price, but its feature set justifies it for those who can utilize the lens ecosystem and weather sealing. The ZS100’s price point is reasonable given its capabilities but necessitates accepting compromises on sensor size and some autofocus limitations.
Recommendations Tailored To Your Needs
Choose Panasonic Lumix ZS100 if:
- Portability and all-in-one convenience are your priorities.
- You travel often and want a versatile zoom lens built-in.
- You’re interested in 4K video and 4K-photo modes.
- You prefer touchscreen controls and instant AF targeting.
- You shoot primarily daylight scenes, street snaps, or casual portraits.
Choose Pentax K-5 IIs if:
- Image quality, dynamic range, and low-light performance are critical.
- You want a rugged, weather-sealed body for outdoor and adventure shoots.
- You desire full manual control and lens interchangeability.
- You shoot wildlife, sports, or portraiture requiring fast and reliable autofocus.
- You integrate into professional workflows needing tethering and advanced RAW support.
Closing Thoughts - Two Cameras, Different Worlds
The Panasonic ZS100 and Pentax K-5 IIs offer compelling packages at similar price points but serve diverging photographic approaches.
The ZS100’s strengths lie in its pocketability, zoom lens reach, 4K video capability, and user-friendly modern interface designed for enthusiasts always on the move. It’s a capable “travel Swiss Army knife” for everyday shooting.
The K-5 IIs delivers DSLR-grade image quality, ruggedness, and expansive lens choice that photo enthusiasts and pros can build around. It rewards patience and creativity with higher-quality results but demands more gear and a steeper learning curve.
Both cameras have aged gracefully, but understanding what they’re engineered for can elevate your photographic output. As always, field testing and matching a camera’s strengths to your shooting style remain key.
Happy shooting!
END
Panasonic ZS100 vs Pentax K-5 IIs Specifications
Panasonic Lumix DMC-ZS100 | Pentax K-5 IIs | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model | Panasonic Lumix DMC-ZS100 | Pentax K-5 IIs |
Also referred to as | Lumix DMC-TZ100 | - |
Category | Large Sensor Compact | Advanced DSLR |
Released | 2016-01-05 | 2013-06-04 |
Physical type | Large Sensor Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | Venus Engine | Prime II |
Sensor type | MOS | CMOS |
Sensor size | 1" | APS-C |
Sensor dimensions | 13.2 x 8.8mm | 23.7 x 15.7mm |
Sensor area | 116.2mm² | 372.1mm² |
Sensor resolution | 20MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 5472 x 3648 | 4928 x 3264 |
Highest native ISO | 12800 | 12800 |
Highest boosted ISO | 25600 | 51200 |
Min native ISO | 125 | 100 |
RAW format | ||
Min boosted ISO | 80 | 80 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 49 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 25-250mm (10.0x) | - |
Max aperture | f/2.8-5.9 | - |
Macro focus distance | 5cm | - |
Total lenses | - | 151 |
Focal length multiplier | 2.7 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inches | 3 inches |
Resolution of display | 1,040k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | Electronic | Optical (pentaprism) |
Viewfinder resolution | 1,166k dots | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.46x | 0.61x |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/2000s | 1/8000s |
Highest quiet shutter speed | 1/16000s | - |
Continuous shooting rate | 9.9fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 8.00 m (at Auto ISO) | 13.00 m (at ISO 100) |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | - | 1/180s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4K/UHD (3840 x 2160 @ 30p/24p), 1920 x 1080 @ 60p/60i/30p/24p, 640 x 480 (30p) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, AVCHD | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 312 grams (0.69 lbs) | 760 grams (1.68 lbs) |
Physical dimensions | 111 x 65 x 44mm (4.4" x 2.6" x 1.7") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around score | 70 | 82 |
DXO Color Depth score | 22.8 | 23.9 |
DXO Dynamic range score | 12.5 | 14.1 |
DXO Low light score | 559 | 1208 |
Other | ||
Battery life | 300 photographs | 980 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 secs, 3 shots @ 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Retail price | $700 | $749 |