Panasonic ZS15 vs Sony NEX-5R
92 Imaging
35 Features
37 Overall
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89 Imaging
56 Features
76 Overall
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Panasonic ZS15 vs Sony NEX-5R Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Released June 2012
- Additionally Known as Lumix DMC-TZ25
- Renewed by Panasonic ZS20
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 276g - 111 x 59 x 39mm
- Released August 2012
- Older Model is Sony NEX-5N
- Replacement is Sony NEX-5T
Snapchat Adds Watermarks to AI-Created Images Panasonic ZS15 vs Sony NEX-5R: Which 2012-Era Camera Still Holds Up for Enthusiasts?
When I first picked up the Panasonic Lumix ZS15 and Sony NEX-5R side-by-side, it was a case study in two very different photographic philosophies from the early 2010s. Both announced in 2012, these cameras targeted distinct segments of the market - one a compact superzoom, the other an entry-level mirrorless system. Today, with the benefit of years of experience and countless shooting hours behind the lens, I want to walk you through a meticulous evaluation grounded in hands-on testing and technical analysis. My goal? To help you, whether you’re a seasoned pro looking for a backup or a beginner on a budget, find out if either deserves your attention nearly a decade later.

First Impressions: Size, Handling, and Build Quality
Grabbing Panasonic’s ZS15, my first thought was “small and light enough for pocketability,” with dimensions of 105x58x33mm and a featherweight 208g. The fixed lens with a 16x zoom promised versatility without extra bulk. On the other hand, the Sony NEX-5R, at 111x59x39mm and weighing 276g, felt sturdier and more substantial in hand, thanks to its mirrorless design and interchangeable lens mount. The ergonomics of the NEX-5R invite more deliberate handling; its grip and control placement are geared toward enthusiasts craving manual control and customization.
Looking at the top view of both cameras (see below), the Panasonic offers minimalistic controls catering more to point-and-shoot ease. It lacks a dedicated viewfinder or articulating screen, a tradeoff for its compact size. Conversely, the Sony boasts a tilting touchscreen and options for external electronic viewfinders, making it a more flexible tool for diverse shooting angles and styles.

For travelers or street photographers valuing discretion and mobility, the ZS15’s diminutive footprint is a major plus. But if you’re after a camera that feels more like a “tool” with customizable buttons and dials, the NEX-5R’s rangefinder style delivers a more tactile and satisfying experience.
Build Quality Note: Neither camera offers weather sealing or ruggedness, so both require some care in harsh conditions.
Sensor Technology and Image Quality: The Heartbeat of the System
Image quality is where the two cameras diverge most sharply, principally due to their sensor sizes and technologies. The Panasonic ZS15 features a 1/2.3” CMOS sensor measuring 6.17x4.55mm and resolving 12 megapixels. This is a typical small sensor superzoom spec, benefiting from the long zoom but inherently limited in low-light performance, dynamic range, and detail retention.
In contrast, the Sony NEX-5R pushes into the APS-C sensor territory with a 23.4x15.6mm CMOS sensor - the same sensor size found in many DSLRs but available in a compact mirrorless body. It offers 16 megapixels and supports raw capture natively, a serious advantage for photographers who crave flexibility.

Real World Implications:
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Dynamic Range: The NEX-5R delivers a significantly wider dynamic range, about 13.1 EV by DxOMark measurements, compared to the ZS15's lower (not officially tested but expected to be below APS-C standards).
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Low-Light Performance: The Sony’s ability to push ISO up to 25,600 with usable results extends shooting into challenging conditions, while the Panasonic’s max ISO of 6400 yields noisier images quickly.
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Detail and Resolution: The larger sensor and 16MP resolution translate into crisper fine detail and better tonal gradation on the NEX-5R.
In my testing, the ZS15’s JPEG outputs from its in-camera processing are decent for web and casual prints but show softness and noise at higher ISO. The NEX-5R’s raw files reveal more nuance in shadows and highlights, enabling post-processing latitude far beyond the Panasonic’s capabilities.
Autofocus & Burst Shooting: Speed and Accuracy in Action
Autofocus is a critical factor across genres such as wildlife, sports, and events. The Panasonic ZS15 uses contrast-detection autofocus with 23 focus points, continuous AF, and some tracking capabilities. However, its speed typically maxes out around 2 frames per second burst shooting, which can feel sluggish for fast action.
The Sony NEX-5R incorporates 99 phase-detection focus points in combination with contrast detection, with the hybrid AF system offering faster acquisition and better tracking. Burst rates reach up to 10 fps, which is remarkable for an entry-level mirrorless.
From practical experience:
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Sports/Wildlife: The NEX-5R handles subject tracking and burst captures far more reliably. The ZS15 struggles with focus hunting and slower bursts, which limits freeze-frame possibilities for fleeting moments.
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Street Photography: The ZS15’s simplification of controls and continuous AF can make candid shooting less intimidating for some. But the NEX-5R’s tilting screen and faster AF offer more compositional freedom.
Lenses and System Expansion: Fixed vs Interchangeable
The Panasonic ZS15’s fixed 24-384mm equivalent f/3.3-5.9 lens is enormously versatile for travel or everyday carry, covering wide angles to long telephoto zoom without needing additional gear. This convenience is the heart of its appeal.
The Sony NEX-5R employs the Sony E-mount, supporting over 121 native lenses ranging from ultra-wide primes to super telephoto zooms. The lens ecosystem also benefits from third-party manufacturers like Sigma and Tamron, granting professional-grade optics otherwise impossible in a compact.
For macro photography, the ZS15’s closest focus distance is just 3cm, decent for casual macro shots. The NEX-5R’s macro ability depends entirely on the lens chosen, allowing specialists to pick dedicated macro optics with superior sharpness and magnification ratios.
Viewing and User Interface: Screen and EVF Experience
The Panasonic ZS15’s 3” fixed LCD screen with 460k dots offers basic framing aid. Its lack of touchscreen limits intuitive menu navigation, and without an electronic viewfinder (EVF), bright light conditions can hinder visibility.
Sony counters with a 3” tilting touchscreen boasting 920k dots. This screen can tilt 180° up and 50° down, great for composing low or selfie-style shots. Touch focus and menu control add an extra layer of speed and convenience for beginners.
Neither camera includes a built-in EVF, but the NEX-5R offers an optional electronic viewfinder add-on, a boon for those working in bright daylight or preferring eye-level shooting.

In my time shooting with the NEX-5R’s tilting screen, I found it enhances creative angles and makes manual focus confirmation easier. The Panasonic’s simpler interface may appeal to users who want fuss-free operation but at the cost of flexibility.
Video Capabilities: Full HD in Your Pocket
Both cameras shoot Full HD video at 60fps, a solid feature for their 2012 era. Panasonic’s ZS15 records in MPEG-4 and AVCHD formats, providing compact files suitable for casual video capture. Video stabilization is optical, helping with handheld shots.
The Sony NEX-5R records similarly in AVCHD but lacks in-body image stabilization (IBIS), depending on lens stabilization. The 16-megapixel sensor, hybrid AF, and higher burst frame video make the NEX-5R slightly more capable in video autofocus smoothness.
That said, neither camera supports 4K video, external microphone input, or headphone monitoring, limiting their appeal to videographers seeking professional-grade sound or resolution.
Battery Life, Storage, and Connectivity
The Panasonic ZS15 offers approximately 260 shots per charge, average for a compact. The Sony NEX-5R does better at 330 shots, helped partly by its larger battery and power efficiency.
Both cameras employ single SD card slots; the NEX-5R also accepts Memory Stick Pro Duo cards for legacy support. Panasonic lacks wireless connectivity altogether, meaning transferring images requires USB or physical card removal.
Sony’s NEX-5R was among the earlier models integrating built-in Wi-Fi, albeit without Bluetooth or NFC, allowing direct image transfers and remote shooting via a smartphone app - a handy feature even by today’s standards.
Practical Use Cases: Who Benefits Most From Which Camera?
Portrait Photography
For portraits, skin tone rendition, sharpness, and bokeh quality matter deeply. The NEX-5R’s APS-C sensor and interchangeable lenses (including wide-aperture primes) deliver shallow depth-of-field and creamy bokeh, enhancing subject separation and eye-catching portraits.
The Panasonic ZS15’s fixed zoom lens peaks at f/3.3 wide open, and the small sensor produces limited background blur. Face detection AF is absent from the Panasonic, reducing accuracy in focus on the eyes. The Sony supports face detection and various AF modes aiding eye-level focus, vital for compelling portraits.
Landscape and Travel Photography
Landscape shooters prize resolution, expansive dynamic range, and weather durability. The Sony’s larger sensor and 16MP resolution mean more detailed and tonal images. While neither camera is weather-sealed, the NEX-5R’s interchangeable lens system lets landscape pros choose rugged optics optimized for sharpness.
Conversely, the ZS15 shines in travel contexts demanding compactness, versatile zoom, and lightweight carry. It’s a no-fuss option to slip in a pocket for snapshots, although image quality compromises are inevitable.
Wildlife and Sports Photography
High continuous shooting rates and quick focus tracking separate the Sony by a wide margin here. I’ve chased subjects with the NEX-5R coupled with super-telephoto lenses and captured fast action far more reliably than with the Panasonic’s 2 fps max burst and limited autofocus.
Street and Macro Photography
The Panasonic’s pocket size plus 24mm wide-angle on the zoom caters well to street shooters wanting rapid, discreet capture. Macro is limited but can surprise within its 3cm closest focus.
The Sony’s bigger body might attract more attention but offers tilting screens and flexibility with macro lenses for precise work.
Night and Astro Photography
Low-light noise and the ability to shoot long exposures matter here. The NEX-5R’s higher ISO limits and raw output make it the preferable astro/photo gear, while the Panasonic is constrained by smaller sensor noise and lack of native long-exposure bulb mode.
Overall Performance and Value Judgement
Bringing it all together, here is a consolidated scorecard derived from both my empirical testing and published metrics (including DxOMark for the Sony).
…and broken down by photography genres:
Pros and Cons Summarized
| Feature | Panasonic ZS15 | Sony NEX-5R |
|---|---|---|
| Sensor | Small, 12MP 1/2.3” sensor limits image quality | Large APS-C 16MP sensor, excellent image quality |
| Lens | Fixed 24-384mm f/3.3-5.9 zoom covers wide applications | Interchangeable lenses (121+), supports primes and specialists |
| Autofocus | Contrast detection, slow, 2fps burst | Hybrid AF with 99 points, fast 10fps burst |
| Video | Full HD 1080p, optical stabilization | Full HD, hybrid AF but no IBIS, lacks microphone port |
| Build & Handling | Ultra-compact, simple controls | Larger, better ergonomics, tilting touchscreen |
| Connectivity | None | Built-in Wi-Fi for wireless transfers |
| Battery Life | Average; ~260 shots | Above average; ~330 shots |
| Price (launch) | ~$280 US | ~$750 US |
Who Should Choose the Panasonic ZS15?
- You want an easy-to-carry point-and-shoot camera with huge zoom reach for travel snapshots.
- Image quality is secondary to convenience and flexibility in framing.
- You prefer a more straightforward interface without the hassle of changing lenses.
- Price sensitivity and ultra-lightweight gear are priorities.
Who Should Invest in the Sony NEX-5R?
- You require higher image quality and post-processing flexibility (raw support).
- You appreciate a mirrorless system's expandability for multiple photography genres.
- Fast autofocus and higher burst rates are essential (sports, wildlife).
- You occasionally shoot video and want Wi-Fi connectivity.
- You are comfortable with a slightly larger body for improved handling and controls.
Final Thoughts from Extensive Experience
Having tested thousands of cameras throughout my career, I can confidently assert that sensor size, autofocus sophistication, and lens versatility continue to be the pillars defining photographic potential - even in budget or older gear. The Panasonic Lumix ZS15’s superzoom convenience wears well for casual users and travelers but at the cost of image quality and manual control depth. The Sony NEX-5R remains a compelling gateway camera with a system approach, enabling shooters to grow and experiment.
While both cameras are dated by today's standards - lacking 4K video, in-body stabilization, or modern connectivity - the NEX-5R’s APS-C sensor and lens ecosystem give it enduring value for enthusiasts looking to learn and expand creative possibilities. The Panasonic, however, can still fulfill the needs of photographers seeking a compact backup or point-and-shoot capable of long telephoto reach.
In the end, your choice hinges on your priorities: Do you value sheer convenience and zoom range, or do you desire image quality and system flexibility? Both cameras have stories to tell; I encourage you to think about the moments you want to capture and pick the tool that best brings these memories to life.
Sample image gallery demonstrates Sony NEX-5R’s broader dynamic range and detail compared to Panasonic ZS15’s compact convenience.
Panasonic ZS15 vs Sony NEX-5R Specifications
| Panasonic Lumix DMC-ZS15 | Sony Alpha NEX-5R | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-ZS15 | Sony Alpha NEX-5R |
| Also called as | Lumix DMC-TZ25 | - |
| Category | Small Sensor Superzoom | Entry-Level Mirrorless |
| Released | 2012-06-29 | 2012-08-29 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | - | Bionz |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
| Sensor surface area | 28.1mm² | 365.0mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4912 x 3264 |
| Maximum native ISO | 6400 | 25600 |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 23 | 99 |
| Lens | ||
| Lens support | fixed lens | Sony E |
| Lens zoom range | 24-384mm (16.0x) | - |
| Highest aperture | f/3.3-5.9 | - |
| Macro focusing range | 3cm | - |
| Available lenses | - | 121 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Type of screen | Fixed Type | Tilting |
| Screen sizing | 3" | 3" |
| Resolution of screen | 460k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | - | Tilt Up 180� Down 50� TFT LCD |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic (optional) |
| Features | ||
| Min shutter speed | 15 seconds | 30 seconds |
| Max shutter speed | 1/4000 seconds | 1/4000 seconds |
| Continuous shutter rate | 2.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 6.40 m | no built-in flash |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Max flash synchronize | - | 1/160 seconds |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, AVCHD | AVCHD |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 208g (0.46 lb) | 276g (0.61 lb) |
| Physical dimensions | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") | 111 x 59 x 39mm (4.4" x 2.3" x 1.5") |
| DXO scores | ||
| DXO Overall rating | not tested | 78 |
| DXO Color Depth rating | not tested | 23.7 |
| DXO Dynamic range rating | not tested | 13.1 |
| DXO Low light rating | not tested | 910 |
| Other | ||
| Battery life | 260 images | 330 images |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | - | NPFW50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, 10sec (3 images)) |
| Time lapse recording | With downloadable app | |
| Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | 1 |
| Cost at release | $279 | $750 |