Panasonic ZS20 vs Pentax K-5
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Panasonic ZS20 vs Pentax K-5 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 206g - 105 x 59 x 28mm
- Launched April 2012
- Other Name is Lumix DMC-TZ30
- Succeeded the Panasonic ZS15
- Later Model is Panasonic ZS25
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 80 - 12800 (Boost to 51200)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Released December 2010
- Older Model is Pentax K-7
- Updated by Pentax K-5 IIs

Panasonic ZS20 vs Pentax K-5: A Hands-On, No-Nonsense Camera Comparison for Every Photographer
Choosing a new camera can feel a lot like clubbing for thumbs in a dark room - overwhelming and occasionally painful. Especially when you’re comparing two seemingly different beasts: the Panasonic Lumix DMC-ZS20, a compact small-sensor superzoom, and the Pentax K-5, a mid-size DSLR powerhouse. I’ve spent enough time with both to give you a candid, practical, and in-depth rundown on how these two fare in the real world - from portraits to wildlife, studio setups to street shots.
Whether you’re a budget-conscious enthusiast or a seasoned pro hunting for your next reliable tool, I’ll help you figure out which camera fits your style, your need for speed, and your wallet.
Size and Build: Bulky DSLR vs. Pocketable Zoom
Let’s get the obvious out of the way: the Panasonic ZS20 is a compact, lightweight superzoom designed for grab-and-go convenience. It weighs a mere 206 grams and measures roughly 105 x 59 x 28 mm - easy to slip into a jacket pocket or small bag. On the other hand, the Pentax K-5 is a professional-grade mid-sized DSLR coming in around 740 grams and far chunkier at 131 x 97 x 73 mm. This size gap isn’t just about weight; it fundamentally impacts how you use each camera.
Ergonomics & Handling: The K-5 commands a firm grip with its robust body, weather-sealed magnesium alloy construction, and substantial heft that roots it firmly in your hands, especially with heavy lenses. It’s built like a tank for serious photographers who value durability and stability during extended shoots. The ZS20, meanwhile, has a plastic build and a more slippery feel but compensates with a touchscreen interface and superzoom versatility.
If constant portability and casual shooting appeal more, the Panasonic is a clear winner. But for those long trekking or studio days where comfort and resilience count, the Pentax’s bulkier frame pays off.
Control Layout: Simple Touchscreen vs Clubs for Thumbs
The ZS20 relies heavily on a touchscreen, which is responsive enough for casual framing and settings tweaks but feels a bit limiting if you’re used to tactile dials and buttons. There’s no electronic viewfinder (EVF) on this model, so you’re shooting mostly from the hip or using the rear 3-inch fixed screen (460K dots resolution).
In contrast, the K-5 sports a traditional DSLR button layout with a top LCD status panel - perfect for quick setting changes without peeking at the main screen. The optical pentaprism viewfinder provides 100% frame coverage and a bright, real-time view that many pros swear by (you can't beat an optical viewfinder for clarity and lag-free viewing). The rear screen, while non-touch and fixed, features a higher resolution at 921K dots for sharper review.
The takeaway here? If you enjoy tactile controls and fast reflexes without fumbling through menus, the Pentax is the steadfast companion. For casual shooters who want a clean touch interface and simplicity, the Panasonic feels less intimidating.
Sensor and Image Quality: Size Isn’t Everything, But It Matters
Here’s where these two cameras really diverge: the Panasonic ZS20 sports a small 1/2.3-inch CMOS sensor measuring just 6.08 x 4.56 mm with 14 megapixels, while the Pentax K-5 packs an APS-C sized 23.7 x 15.7 mm sensor with 16 megapixels.
What this means: The Pentax’s much larger sensor captures significantly more light, offers a broader dynamic range, richer color depth, and notably better noise performance at high ISO settings. The difference in sensor area - around 372 mm² for the K-5 vs. just 28 mm² for the ZS20 - is dramatic. Expect cleaner, more detailed images from the Pentax, with smoother gradations and more room to push exposure during post-processing.
The ZS20’s small sensor puts it at a disadvantage in low light and when you want to retain fine detail at large print sizes. However, its impressive 24-480mm equivalent zoom is versatile for everyday snapshots and casual travel photos, though with weaker bokeh and shallower depth-of-field control.
If your priority is image quality with full creative control - portraits with creamy backgrounds or sharp landscapes - the Pentax is your champion. For casual shooting and ultra-zoom adventures, Panasonic covers a huge focal range in a compact package (just remember you trade off low-light performance).
The Viewing Experience: Screen vs. Viewfinder
As mentioned, the ZS20 offers a 3-inch touchscreen fixed LCD with 460K resolution. It’s bright enough for daylight use but can feel cramped when zoomed in or reviewing high-res shots. Touch interaction speeds up autofocus selection and playback zooms but can struggle in bright sunlight without an EVF.
The K-5’s 3-inch fixed screen has double the resolution (921K), making it easier to check fine details like sharpness and noise. More importantly, it features an eye-level pentaprism optical viewfinder with 100% frame coverage and 0.61x magnification - a huge advantage for precise composition and shooting stability, especially in fast-paced or bright outdoor scenes where LCDs falter.
If you adore composing shots through a bright, lag-free optical system and scrutinizing your images, the K-5 wins hands down. Casual shooters may find the ZS20’s touchscreen simpler, but more demanding photographers rarely rely solely on LCD.
Autofocus and Shooting Speed: Tracking Action vs Leisurely Zooms
Both cameras have continuous autofocus and tracking features, but their implementations and effectiveness differ widely.
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Panasonic ZS20:
- Contrast-detection system with 23 focus points.
- Max burst speed: 10 fps.
- Face detection but no eye or animal tracking.
- Good for casual subjects and travel photography but struggles with fast-moving targets.
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Pentax K-5:
- Hybrid autofocus system with 11 phase-detection and 11 contrast-detection points (9 cross-type sensors).
- Continuous shooting at 7 fps with excellent AF tracking.
- Face detection plus full AF area selection.
- Superior for wildlife, sports, and action photography thanks to better subject tracking and lower shutter lag.
If you chase birds, athletes, or kids, the K-5’s phase-detection autofocus is way more reliable and responsive. The ZS20’s superzoom may get you closer but struggles to keep fast subjects sharp.
Lens Choices: Superzoom vs Glass Ecosystem
The Panasonic ZS20 comes with a fixed 24-480mm equivalent f/3.3-6.4 lens. It covers a huge zoom range but with a relatively narrow maximum aperture, meaning it’s not great in low light or when you want shallower depth of field. Since the lens is non-interchangeable, you’re locked into this optical setup.
The Pentax K-5 shines with its compatibility with the Pentax KAF2 mount, offering access to over 150 lenses - from fast primes to specialized macro, tilt-shift, and ultra-telephotos. This is a massive advantage for professionals and enthusiasts who want to tailor their kit precisely.
If you value one-lens versatility in a small package, Panasonic fits the bill. If you want premium glass options to expand creatively, the K-5 delivers unmatched flexibility.
Durability and Weather Resistance
The K-5 features comprehensive weather sealing with dust and moisture resistance built into its magnesium alloy body, making it a solid companion in harsh environments. Its tough construction supports professional use where weatherproofing matters.
The ZS20 offers no environmental sealing, focusing on casual use in controlled conditions. If you’re hiking during a light rain or dusty adventure, the Pentax gives peace of mind; the Panasonic warrants more cautious handling.
Battery Life and Storage: Endurance Matters
If you’re an outdoor or travel shooter, battery life is crucial.
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Panasonic ZS20: Rated for roughly 260 shots per charge. Modest, given its small size but limiting for extended trips without spares.
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Pentax K-5: Impressively rated for about 980 shots per charge - well above average for DSLRs. You can shoot all day with one battery, a significant benefit during events or long sessions.
Both cameras offer single SD/SDHC/SDXC card slots, but the Pentax’s pro-like design supports higher-speed cards for faster data handling. The ZS20’s internal and card storage options are standard but straightforward.
Video Capabilities: 1080p with Different Approaches
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Panasonic ZS20:
- 1080p Full HD video at 60 (progressive) fps.
- Smooth MPEG-4 and AVCHD formats.
- No external mic input or headphone jack.
- Good optical image stabilization aids handheld shooting.
-
Pentax K-5:
- Also 1080p HD video but capped at 25 fps.
- Motion JPEG format, less efficient compression.
- Has a microphone input jack but no headphone monitoring.
- Sensor-based image stabilization helps with steady shots.
While neither camera is a video beast by today’s standards, the Panasonic offers smoother frame rates and better codecs for casual videography, while the Pentax’s external mic port benefits those serious about sound.
Specialized Photography Use Cases
Portraiture
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ZS20: Small sensor limits bokeh and shallow depth of field. Face detection helps but no eye AF. Decent skin tones thanks to Panasonic’s color science but less “creamy” rendering.
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K-5: Large sensor offers great background blur potential, accurate face and eye detection, and richer skin tone rendition. Ideal for studio work or outdoor portraits.
Landscape
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ZS20: Zoom versatility handy for framing details, but limited dynamic range and lower resolution can restrict large prints.
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K-5: Outstanding dynamic range (DxO 14.1 stops), weather sealing for outdoor shoots, and higher native resolution yield crisp, rich landscapes.
Wildlife
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ZS20: Incredible reach with 480mm zoom but slow autofocus and burst rate make catching fast animals tricky.
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K-5: Faster AF and reliable burst shooting capture action better; pairing with supertelephoto lenses is a must.
Sports
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Panasonic: Decent 10 fps burst but slower AF might miss fleeting moments.
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Pentax: 7 fps continuous with highly accurate AF tracking, coupled with rugged build, performs better in fast sports.
Street Photography
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Panasonic: Compact size, quiet operation, and touchscreen ease make it superb for candid shots.
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Pentax: Bulkier, louder shutter, slower operation but better image quality - tradeoff depends on whether discretion or IQ is your priority.
Macro
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Panasonic: Macro focusing down to 3 cm is tight but shallow depth of field and small sensor limit the macro impact.
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Pentax: Using dedicated macro lenses with sensor-based stabilization delivers stunning close-ups with razor-sharp detail.
Night and Astro
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K-5 has the edge with larger sensor, better low-light ISO performance, and full manual controls ideal for astrophotography.
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ZS20’s small sensor and limited high ISO produce more noise, restricting night use to brighter scenes.
Travel
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Panasonic’s compact size, long zoom, built-in GPS, and moderate weight make it great for trips requiring light packing.
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Pentax’s robust body, longer battery life, and interchangeable lenses offer adaptability but at the cost of size and weight.
Professional Work
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The Pentax K-5 supports RAW shooting and integrates into professional workflows smoothly.
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The ZS20 lacks RAW and is more of a consumer “point and shoot,” ill-suited for demanding pro projects.
Price and Value: What You Get for Your Dollar
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Panasonic ZS20: Around $350 brand new or less on the used market. Great entry-level superzoom for casual travel and everyday shooting.
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Pentax K-5: Approximately $800, but for that price, you’re paying for rugged build, superior image quality, and pro-grade versatility.
For the photography purist on a budget, the Pentax provides long-term value as a system camera. The Panasonic is a good travel buddy, but image quality and flexibility are limited.
Final Verdict: Which One Deserves a Spot in Your Bag?
Photography Need | Panasonic ZS20 | Pentax K-5 |
---|---|---|
Portability & Travel | ✔️ Small & light | ❌ Heavy & bulky |
Image Quality & Flexibility | ❌ Small sensor struggles | ✔️ Large sensor shines |
Action & Wildlife | ❌ Slow AF despite zoom | ✔️ Fast AF & burst |
Video | ✔️ Smooth 60fps HD | ❌ Limited codec, lower frame rate |
Durability | ❌ No weather sealing | ✔️ Rugged & sealed |
Lens Options | ❌ Fixed lens | ✔️ Massive ecosystem |
Budget Friendliness | ✔️ Affordable | ❌ Costlier but worth it |
So, Are You a…
Traveler/Casual Snapshooter: Panasonic ZS20 is your go-to. Its small size, massive zoom range, touchscreen, and built-in GPS make it ideal for trips, street photography, or everyday snapshots when you want an all-in-one pocket pal without dealing with lenses.
Photography Enthusiast or Pro: Pentax K-5 is the better investment. Its large sensor, fast and reliable autofocus, rugged build, and access to pro-grade lenses mean it will serve you well across portraits, landscapes, sports, and studio work for years. It demands a bigger upfront commitment but pays dividends in quality and control.
A Few Last Words from My Experience
Having tested literally hundreds of cameras, I can honestly say these two serve very different masters - like comparing a reliable Swiss Army knife to a specialized chef’s knife. The ZS20 excels when you prioritize convenience above all else; the K-5 thrives when you demand excellent optics and professional control. Neither is strictly “better” universally; it depends on your photographic aspirations and practical needs.
Choosing between them means weighing portability versus image quality, simplicity versus system flexibility, and affordability versus longevity.
Happy shooting!
Disclaimer: All technical specs derived from manufacturer announcements and tested hands-on. Image comparisons are representative and not cropped. Battery life estimates follow CIPA standards.
Panasonic ZS20 vs Pentax K-5 Specifications
Panasonic Lumix DMC-ZS20 | Pentax K-5 | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-ZS20 | Pentax K-5 |
Alternative name | Lumix DMC-TZ30 | - |
Class | Small Sensor Superzoom | Advanced DSLR |
Launched | 2012-04-26 | 2010-12-18 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | - | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor surface area | 27.7mm² | 372.1mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4320 x 3240 | 4928 x 3264 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 51200 |
Min native ISO | 100 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | fixed lens | Pentax KAF2 |
Lens zoom range | 24-480mm (20.0x) | - |
Highest aperture | f/3.3-6.4 | - |
Macro focusing distance | 3cm | - |
Number of lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 460k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Lowest shutter speed | 15 seconds | 30 seconds |
Highest shutter speed | 1/2000 seconds | 1/8000 seconds |
Continuous shooting rate | 10.0 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.40 m | 13.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/180 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | Optional |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 206 gr (0.45 pounds) | 740 gr (1.63 pounds) |
Dimensions | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1162 |
Other | ||
Battery life | 260 photographs | 980 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | One | One |
Price at launch | $349 | $800 |