Panasonic ZS30 vs Sony WX5
92 Imaging
41 Features
48 Overall
43
95 Imaging
34 Features
29 Overall
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Panasonic ZS30 vs Sony WX5 Key Specs
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 198g - 105 x 59 x 28mm
- Introduced January 2013
- Also Known as Lumix DMC-TZ40
- Superseded the Panasonic ZS25
- Replacement is Panasonic ZS35
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fixed Display
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F2.4-5.9) lens
- 146g - 92 x 52 x 22mm
- Revealed July 2010
President Biden pushes bill mandating TikTok sale or ban Panasonic Lumix ZS30 vs Sony Cyber-shot WX5: An Expert’s Hands-On Comparison
Choosing between the Panasonic Lumix ZS30 and the Sony Cyber-shot WX5 is an intriguing challenge for many photography enthusiasts looking for compact cameras with versatile features. Both models, launched a few years apart, target the compact sector with fixed lenses and small sensors but take strikingly different approaches to zoom capabilities, image quality, and user experience. I’ve spent several hours testing and examining these two cameras in controlled settings and real-world environments, covering everything from image resolution and autofocus performance to ergonomics and lens versatility.
In this in-depth comparison, I’ll share my expert insights, technical breakdowns, and practical usage notes that can help you make an informed choice based on your photographic ambitions - whether you’re a casual travel shooter, a dedicated street photographer, or simply seeking a reliable point-and-shoot with solid zoom power.
Size and Handling: Compactness Meets Zoom Power
When comparing compact cameras, size and ergonomics heavily influence usability - especially if your shooting style involves quick reactions and portability. The Sony WX5 is notably smaller and lighter, designed for spontaneous street photography or casual travel; Panasonic’s ZS30, conversely, packs more zoom reach but at the cost of bulk.

Physically, the Panasonic ZS30 measures roughly 105x59x28 mm and weighs in at 198 grams. The Sony WX5 is significantly smaller at 92x52x22 mm and just 146 grams. The difference is subtle but noticeable in hand - the ZS30 feels more substantial and secure to grip. The ZS30’s blockier body accommodates a longer zoom lens and a larger battery, alongside a more substantial grip area. This leads to better handling stability during telephoto shooting - particularly handy with a 20x zoom.
Sony’s WX5 leans ultra-portable, slipping comfortably into pockets, which appeals to photographers prioritizing stealth and convenience over zoom reach. However, its smaller body means fewer physical controls and less tactile feedback, which may slow you down if you want to adjust settings on the fly.
For photographers who carry their camera all day or want sleek, minimal gear, the WX5’s compactness is a distinct advantage. On the other hand, the ZS30’s form factor hints at expanded capabilities and a more serious photographic toolset.
Design and Control Layout: Balancing Simplicity with Functionality
Let’s talk button placement, dials, and overall interface - the nuts and bolts that influence day-to-day shooting efficiency.

The ZS30 offers a more traditional control layout, with dedicated dials and buttons for exposure compensation, mode selection, and quick access to vital settings like ISO and white balance. Panasonic incorporates a touchscreen, which is responsive and enables intuitive menus and quick focusing. This tactile interface is particularly useful for navigating complicated menus or previewing images in bright outdoor conditions.
Conversely, the WX5 features a simpler button scheme without touchscreen support. It relies on a directional pad and a small control dial, which requires more menu diving for setting changes. For beginners or users seeking uncomplicated operation, the WX5 remains accessible, but advanced users might find its controls limiting.
In my hands-on tests, I appreciated how Panasonic’s illuminated buttons and touchscreen reduce fumbling in varied lighting, helping me seize spontaneous shots faster. Meanwhile, the Sony feels more stripped-down but dependable - the learning curve is gentler, though some photographers could feel constrained once they outgrow basic point-and-shoot features.
Sensor Technology and Image Quality: Resolution vs Sensor Advances
Both the ZS30 and WX5 have 1/2.3-inch sensors - typical for compact models - but the differences in resolution and sensor type reveal the cameras’ differing priorities.

The Panasonic ZS30 boasts an 18-megapixel CMOS sensor, while the Sony WX5 uses a 12-megapixel BSI (backside illuminated) CMOS sensor. The ZS30’s higher resolution translates into larger image files (4896x3672 pixels vs. 4000x3000 pixels) and better detail rendition, which is advantageous for cropping or making large prints.
However, Sony’s use of BSI sensor technology - in 2010 an innovative feature - enhances light gathering efficiency, particularly in low light. During my controlled tests, the WX5 produced cleaner images with less noise at ISO 400 and ISO 800 settings, a testament to the BSI design’s improved sensitivity over conventional CMOS sensors of its era.
Panasonic ZS30’s sensor, while boasting more pixels, showed slightly higher noise in shadows and high ISO, likely due to its older generation sensor design and high pixel density on a small sensor area. That said, with careful exposure and noise reduction, the ZS30 delivers crisp, punchy images with accurate color reproduction.
I should note neither supports RAW shooting, which limits post-processing flexibility. For enthusiasts wanting more control over editing, this is a significant drawback. As expected in this camera class, JPEG output quality is paramount, and both cameras offer robust in-camera processing, with Panasonic tending toward slightly cooler color tones and Sony a warm, natural palette.
LCD Screen and User Interface: Viewing Comfort and Touch Control
In practical shooting scenarios, the rear LCD is your window to framing and menu navigation - screen quality heavily impacts usability outdoors.

Panasonic equips the ZS30 with a larger 3.0-inch touchscreen boasting 920k-dot resolution. This makes image previewing, menu browsing, and focusing via touch much easier, especially in bright sunlight. The screen’s brightness and color fidelity impressed me with accurate color rendition during live view use.
Sony’s WX5 includes a smaller, 2.8-inch fixed screen with just 461k-dot resolution. The lower pixel count means reduced sharpness and vibrancy. Also missing is touchscreen support, which is a noticeable usability downgrade relative to Panasonic’s offering.
For photographers who rely heavily on live view focusing - macro enthusiasts or travel photographers quickly composing shots - the ZS30’s display makes for a more fluid shooting experience. Sony users will need to contend with a dimmer, less detailed rear screen that slightly hampers manual framing accuracy in challenging light.
Zoom Lens Performance: Telephoto Reach Meets Optical Quality
Arguably the most defining feature of compact cameras is their built-in lens and zoom capabilities.
The Panasonic ZS30 offers an impressive 20x optical zoom range spanning 24-480mm equivalent focal length. That’s a remarkable reach for a compact - and it covers wide angles for landscapes and tight telephoto for distant detail, wildlife, and sports.
Sony’s WX5 provides a more modest 5x zoom spanning 24-120mm equivalent. It’s adequate for general-purpose shooting and moderate portraiture but lacks the extended telephoto that serious zoom lovers seek.
The Panasonic lens, however, tapers down in maximum aperture from f/3.3 wide to f/6.4 telephoto, which can challenge handheld shooting speed and low-light capability at full zoom. The WX5's slightly wider aperture of f/2.4 at the wide end helps capture more light in darker scenes.
I tested image sharpness and found Panasonic’s lens remarkably sharp, particularly at short to medium focal lengths, though some softness appears at full telephoto extremes - a common trade-off for ultra-zoom lenses. The WX5 produces consistently sharp images across its zoom range due to a simpler optical formula.
Both lenses employ optical image stabilization (OIS), but Panasonic’s system showed a slight edge in mitigating camera shake at longer focal lengths, making handheld telephoto shots more reliable.
Autofocus System and Shooting Performance: Speed, Accuracy, and Tracking
Autofocus speed and accuracy are crucial for capturing decisive moments - whether in sports, wildlife, or street photography.
The ZS30 features a contrast-detection AF system with 23 focus points, continuous AF, face detection off, and touch AF support. In daylight and good contrast conditions, it locked focus quickly and smoothly. Continuous AF tracking was effective, though occasionally the system hunted under low-contrast or dim situations.
The WX5 uses a 9-point contrast-detection AF with single AF only but includes AF tracking to maintain focus on moving subjects. The AF speed is slower than the ZS30, and I noticed some lag in dynamic scenarios, such as pedestrian movement on the street or kids running.
Panasonic’s inclusion of touch AF and face priority helps keep portraits sharp, although neither has eye-detection AF, which has become more common in modern cameras. For wildlife and sports, the ZS30’s faster burst shooting at 10 fps and better AF tracking make it a more viable casual action camera.
Image Stabilization and Burst Shooting: Capturing Sharp Action
Both cameras feature optical image stabilization, a vital asset in compact cameras prone to shakes, especially when zooming.
Panasonic’s OIS performs admirably, stabilizing up to several stops of shake reduction. This was evident in handheld telephoto shots and low-light shutter speeds near 1/20 second. The ZS30 also offers a continuous shooting mode at a relatively quick 10 fps, though with limited buffer depth.
Sony matches the 10 fps burst rate but lacks continuous AF and touch focus. Combined with slower AF response, this somewhat diminishes WX5’s effectiveness for fast-moving subjects.
For travel and casual wildlife photography, the ZS30’s stabilization and rapid burst shooting allow for sharper images during spontaneous shooting.
Video Recording Capabilities: Full HD with Practical Features
For hybrid shooters, video functionality cannot be overlooked.
The Panasonic ZS30 records Full HD 1080p video at 60 fps, utilizing MPEG-4 and AVCHD formats. It supports 720p and lower resolutions with flexible frame rates. The inclusion of optical image stabilization aids smooth footage, and touchscreen focus during recording is a plus.
The Sony WX5 also records 1080p video but at 50 fps and offers a variety of lower resolutions. Video stabilization helps but is inferior to Panasonic’s implementation. WX5’s lack of touchscreen limits quick focus shifts during recording.
Neither camera offers mic or headphone ports, limiting audio control. Both lack 4K or advanced video features common in newer models. Still, for casual video capture, ZS30’s slightly higher frame rate and stabilization provide better results.
Battery Life and Storage: Endurance for On-the-Go Shooting
Extended battery life is essential for travel and event shooting to avoid downtime.
The Panasonic ZS30’s battery life is rated around 260 shots per charge, modest for a compact but adequate with conservative use. It uses proprietary battery packs, and charging times are typical.
Sony WX5’s manufacturer ratings are not widely published, but anecdotal tests estimate it slightly underperforms relative to Panasonic. Its smaller battery limits longevity, which could be a drawback for full-day shoots.
Both cameras accept SD/SDHC/SDXC cards, with Sony also supporting proprietary Memory Stick formats. Storage compatibility is flexible, but Panasonic’s UHS I support gives it an edge with faster write speeds.
Connectivity, GPS, and Extras: Bringing the Cameras into the Digital Era
In today’s connected world, wireless features and tagging matter.
Panasonic ZS30 includes built-in GPS for geotagging images automatically - a boon for travel photographers who want to map photo locations without post-processing.
Sony WX5 does not have GPS but supports Eye-Fi wireless cards to enable photo transfers. This older solution is less seamless than Panasonic’s integrated connectivity.
Neither camera has Bluetooth or NFC, and both use USB 2.0 and HDMI ports. Panasonic’s touchscreen and illuminated buttons enhance user interaction, while Sony’s simpler design trades simplicity for fewer connectivity options.
Durability and Weather Sealing: Ready for the Elements?
Neither camera offers weather sealing or rugged protections like dustproof, waterproof, or crushproof ratings. These cameras suit casual shooters or travelers but are not intended for harsh environments or professional fieldwork requiring robust construction.
If durability and sealing are top priorities, you will need to look beyond both of these models.
Performance Scores: Overall and By Photography Genre
After extensive testing, here are the summarized performance scores based on key photographic genres, reflecting real-world strengths and weaknesses:
| Criterion | Panasonic ZS30 | Sony WX5 |
|---|---|---|
| Image Resolution | Excellent (18MP) | Good (12MP) |
| Low Light | Moderate | Good |
| Autofocus Speed | Good | Moderate |
| Zoom Range | Excellent (20x) | Moderate (5x) |
| Handling & Ergonomics | Good | Good |
| Video Quality | Good | Moderate |
| Battery Life | Moderate | Moderate |
| Connectivity | Good | Basic |
Delving into genre-specific scores:
- Portraits: ZS30 leads with better resolution, touchscreen AF, and zoom versatility for framing.
- Landscape: Panasonic again edges ahead due to higher resolution and wider zoom, although Sony’s low-light edge helps with dusk scenes.
- Wildlife: ZS30’s 20x zoom and burst mode dominate over WX5’s limited telephoto.
- Sports: Neither excels for professional sports, but ZS30’s continuous AF and frame rates make it more capable.
- Street: Sony’s smaller size and quicker startup times favor discreet shooting.
- Macro: Both cameras lack advanced macro modes, but Panasonic’s 3cm minimum focus distance is slightly better.
- Night/Astro: Sony’s BSI sensor shows advantages in noise control.
- Video: Panasonic provides smoother and higher frame rate video.
- Travel: ZS30’s GPS, zoom, and touchscreen make it a superior travel tool.
- Professional Work: Neither offers RAW nor advanced workflows; both are entry-level.
Sample Gallery: Real-World Image Quality Comparison
Practical visual examples speak louder than specs alone. Below you’ll find side-by-side samples - taken under varied conditions - from both cameras showcasing image output quality, color rendition, and zoom performance.
Notice the finer detail retention on the ZS30 images and the slightly elevated noise on the WX5 photos shot in indoor or shade conditions. Also observe Panasonic’s versatile framing options courtesy of the extensive zoom.
Who Should Choose the Panasonic Lumix ZS30?
The ZS30 impresses as a feature-packed superzoom compact that balances portability with ambitious photographic potential. If your primary need is high zoom reach, flexible exposure controls, touchscreen convenience, and GPS tagging - especially for travel, wildlife, or casual sports - the ZS30 is a shining candidate.
Its larger sensor resolution and 20x optical zoom make it adaptable to various shooting scenarios, from wide landscapes to distant subjects. The inclusion of exposure modes like aperture and shutter priority also invites creative control beyond simple point-and-shoot operation. Despite some noise issues at higher ISOs, the ZS30 is a reliable all-rounder for enthusiasts who want a compact but capable camera.
Who Should Opt for the Sony Cyber-shot WX5?
The Sony WX5 caters to photographers who prize ultra-compact size, straightforward operation, and solid image quality in bright conditions. Its smaller form factor makes it well-suited for street photographers emphasizing discretion and ease of carry.
While limited in zoom reach and lacking advanced exposure modes, the WX5’s BSI sensor delivers cleaner results in low light compared to many contemporaries of its time, and its sharp lens provides punchy images without fuss. If you want a no-nonsense, grab-and-go camera that fits in any pocket and delivers steady, reliable photos for everyday use, the WX5 is a compelling choice.
Final Thoughts: Balancing Features, Performance, and Value
Both cameras were initially priced around $250, situating them as approachable options in the compact segment. Today, used and refurbished models may be found at even lower prices, which could sweeten their value proposition.
The Panasonic Lumix ZS30 stands out for zoom versatility, manual exposure controls, and travel-friendly features like GPS and touchscreen. It’s my top recommendation for photographers seeking a compact travel companion that doesn’t skimp on reach and creative flexibility.
The Sony Cyber-shot WX5, though older and more modest in specs, remains a solid compact for those who prioritize minimalism and snappy operation over zoom range or extensive control. It’s ideal for street photographers and casual shooters looking for simplicity with decent image quality.
Summary Pros and Cons
| Camera | Pros | Cons |
|---|---|---|
| Panasonic ZS30 | 20x zoom, touchscreen, GPS, manual controls, good stabilization | Slight noise at high ISO, bigger size, no RAW |
| Sony WX5 | Compact size, sharp lens, BSI sensor noise advantage, simple controls | Limited zoom, no touchscreen, slower autofocus |
Making the right choice means setting priorities: ultimate zoom and creative control vs. compactness and ease of use. Both have their place depending on your photographic pursuits.
Whichever you pick, understanding each model’s strengths and compromises ensures your next camera fits your style perfectly.
If you have further questions on specific photographic scenarios or need lens accessory advice, feel free to ask. Robust hands-on knowledge and transparent reviews always empower better decisions.
Happy shooting!
Panasonic ZS30 vs Sony WX5 Specifications
| Panasonic Lumix DMC-ZS30 | Sony Cyber-shot DSC-WX5 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-ZS30 | Sony Cyber-shot DSC-WX5 |
| Also Known as | Lumix DMC-TZ40 | - |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Introduced | 2013-01-07 | 2010-07-08 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 18MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 4896 x 3672 | 4000 x 3000 |
| Highest native ISO | 6400 | 3200 |
| Minimum native ISO | 100 | 125 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 23 | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 24-480mm (20.0x) | 24-120mm (5.0x) |
| Largest aperture | f/3.3-6.4 | f/2.4-5.9 |
| Macro focusing distance | 3cm | 5cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 2.8 inch |
| Screen resolution | 920k dot | 461k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15s | 2s |
| Max shutter speed | 1/1200s | 1/1600s |
| Continuous shutter speed | 10.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 6.40 m | 5.10 m |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) | 1920 x 1080 (50 fps), 1440 x 1080 (50, 25fps), 1280 x 720 (25 fps), 640 x 480 (25 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, AVCHD | AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 198g (0.44 lbs) | 146g (0.32 lbs) |
| Dimensions | 105 x 59 x 28mm (4.1" x 2.3" x 1.1") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 260 pictures | - |
| Type of battery | Battery Pack | - |
| Battery ID | - | NP-BN1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/ SDHC/ SDXC, Memory Stick Duo/Pro Duo, Internal |
| Storage slots | One | One |
| Pricing at release | $250 | $250 |