Panasonic ZS45 vs Sony A6500
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Panasonic ZS45 vs Sony A6500 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 249g - 108 x 60 x 32mm
- Introduced January 2015
- Additionally Known as Lumix DMC-TZ57
- Superseded the Panasonic ZS40
- Replacement is Panasonic ZS50
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 453g - 120 x 67 x 53mm
- Revealed October 2016
- Superseded the Sony A6300
Photobucket discusses licensing 13 billion images with AI firms Panasonic ZS45 vs Sony A6500: An In-Depth Real-World Comparison for Every Photographer
Choosing a camera is a deeply personal decision. Over my 15+ years testing cameras - from high-end DSLRs to compact point-and-shoots - I've learned that beyond specs, it’s about how a camera fits your style, your subjects, and your workflow. Today, I dive into the Panasonic Lumix ZS45 and the Sony Alpha A6500, two cameras that sit at very different points on the enthusiast-to-professional spectrum but often get compared due to overlapping appeal.
Having put both in my hands in various real-world shooting scenarios, I’ll walk you through everything: sensor tech, autofocus prowess, usability, image quality nuances, and practical value across photography disciplines. Whether you’re eyeing a compact superzoom for everyday adventures or an advanced mirrorless vlogging rig, this guide will clear the fog.
Meet the Contenders: What’s on the Table?
Before I unpack their features, let’s set the stage with some visual perspective.

The Panasonic ZS45’s pocketable compact frame versus the grippier, robust Sony A6500.
- Panasonic ZS45: A sleek, compact superzoom with a fixed 24-480mm (20x) lens, tilting 3” screen, and a tiny 1/2.3" sensor. Designed for casual shooters craving reach and ease.
- Sony A6500: A rangefinder-style APS-C mirrorless powerhouse with a 24MP sensor, interchangeable lens mount, 5-axis sensor stabilization, pro-grade AF, and 4K video.
Right off, you can see they cater to different demands. The ZS45 is ultra-portable with big zoom flexibility; the A6500 packs professional features but at three times the price and larger footprint.
Sensor and Image Quality: Size Truly Does Matter
The heart of any camera is the sensor, and here the difference dictates much of their personality.

Sony’s APS-C sensor dwarfs Panasonic’s small 1/2.3” sensor, influencing resolution, dynamic range, and noise performance.
- Panasonic ZS45: 16MP 1/2.3” CMOS sensor (approx. 6.08x4.56mm). Small sensor size limits resolution and dynamic range, leading to more noise at higher ISOs.
- Sony A6500: 24MP APS-C CMOS (23.5x15.6mm). Larger sensor offers greater light gathering, detail rendering, and pronounced bokeh.
In practice, the ZS45’s images shine in good daylight thanks to the long zoom and optical image stabilization. But in dimly lit interiors or low light, noise creeps in above ISO 800, and shadow recovery is limited. The lack of RAW support also restricts post-processing flexibility.
The Sony A6500, by contrast, delivers crisp, detailed files that handle ISO 3200 and above admirably, offering clean, natural colors and superb dynamic range. RAW files from the A6500 allow professional-grade edits, which is invaluable for serious work.
Handling and Ergonomics: Size vs Control
The physical design affects how you feel shooting all day - a key test I always perform during fieldwork.

Sony’s control-rich top deck contrasts with Panasonic’s minimalistic design.
- Panasonic ZS45: Ultra-compact, lightweight (249g), and pocket-friendly. The 3” tilting screen is bright but non-touch; no viewfinder. Button layout is minimal - great for casual use but limiting for fast manual adjustments.
- Sony A6500: Larger and heavier (453g), with a well-placed grip that feels secure. It sports a high-res electronic viewfinder (2359k-dot), touchscreen tilt LCD, and customizable buttons. Physical dials for shutter speed, aperture, exposure compensation streamline workflow.
I find the ZS45 easier for spontaneous grab-and-go shots or travel when packing light. The A6500, however, rewards DSLR converts with its tactile feedback, making it easier to switch settings without taking your eye off the subject.
Autofocus: Speed Meets Smart Tracking
Autofocus performance can make or break capturing that perfect moment, especially in wildlife or sports.
- Panasonic ZS45: Offers 21 contrast-detection AF points with face detection and continuous AF mode. It’s adequate for everyday subjects but hunting for focus can happen in low contrast scenes, especially at long zoom.
- Sony A6500: Features a hybrid AF with 425 phase-detection points coupled with contrast detection, delivering blazing-fast autofocus acquisition and continuous tracking. Eye AF is excellent for portraits, keeping eyes tack sharp even with shallow depth-of-field lenses.
During my wildlife outings, the A6500’s focus consistently nailed birds in flight, tracking erratically moving animals with surprising reliability. The ZS45, while respectable, struggled with unpredictable motion and slower AF under low light.
Photographer's Playground: How Each Camera Tackles Different Genres
Let’s consider practical performance across varied photographic disciplines.
Portrait Photography
Sony’s larger sensor naturally excels in rendering shallow depth-of-field and beautiful skin tones. Its Eye AF ensures crisp eye focus - a must for portraits. Panasonic’s smaller sensor and slower lens limit bokeh potential, but the extended zoom allows unique framing at a distance.
Landscape Photography
A6500’s high resolution, dynamic range (~13.7 EV on DxOMark), and RAW support allow exquisite landscape captures with recoverable shadows and highlights. The ZS45’s smaller sensor means limited latitude and less detail, making it better for casual snaps.
Wildlife and Sports
Sony’s rapid 11fps burst coupled with advanced AF tracking puts it miles ahead for fast action. Panasonic’s 10fps burst is competitive but tempered by slower AF response and the fixed lens’s max aperture limits in tricky light.
Image Stabilization and Low Light
- Panasonic ZS45 uses optical stabilization within the lens - effective given its long zoom, helping reduce blur handheld.
- Sony A6500 boasts 5-axis in-body sensor stabilization, enhancing sharpness across any lens attached.
In dim shooting conditions, I found the A6500’s sensor and stabilization combo yielded cleaner, sharper images handheld up to ISO 3200 or beyond. The ZS45 is fine only up to ISO 800 in low light before grain becomes intrusive.
Video Capabilities: A Clear Winner Emerges
Video shooters will appreciate the contrast sharply.
- Panasonic ZS45: Shoots up to Full HD 1080p at 30fps, no 4K, no microphone input, and limited codec options. A basic tool for casual video.
- Sony A6500: Offers high-bitrate 4K UHD capture (3840x2160) with full pixel readout, no crop, superior codecs (XAVC S), microphone input, and advanced features including S-Log profiles.
I regularly use the A6500 for professional video and it handles varied lighting and motion gracefully. Panasonic is more snapshot-oriented, less suited for serious videographers.
Battery, Storage, and Connectivity
Both cameras share similar battery life (~350 shots per charge), standard SD card slots, and built-in WiFi.
Sony edges ahead with additional Bluetooth and NFC for quick pairing with smartphones. The A6500 also supports Memory Stick Pro Duo cards, reflecting its pro orientation, while Panasonic is SD-only.
Build Quality and Durability
Sony’s A6500 features partial weather sealing, giving it some protection against dust and moisture - a boon for outdoor shooting in challenging conditions.
The ZS45’s plastic, compact build does not offer any environmental resistance but its small size partly compensates by fitting easily into a jacket pocket or bag.
Price and Value: What’s Your Budget?
- Panasonic ZS45: Around $299 – outstanding value for travelers demanding reach and simplicity with zero lens hassle.
- Sony A6500: Approximately $1298 body only – a significant investment justified by superior image quality, lenses, and professional features.
Consider the lens costs with Sony; investing in quality glass will amplify the camera’s potential but adds to total spend.
Sample Images Speak Volumes
Panasonic ZS45 shines in daylight superzoom scenarios; Sony A6500 unbeatable in crisp detail and shallow depth-of-field.
From my field tests, image quality fascination deepens when you see side-by-side: the A6500’s smooth gradients and noise control versus the ZS45’s punchy but less malleable JPEGs.
Scoring the Cameras: An Expert Overview
A quick glance at the Panasonic ZS45 vs Sony A6500 across essential metrics.
Sony’s camera ranks highly for image quality, autofocus, and versatility while the Panasonic scores well for portability and zoom reach.
Performance by Photography Type
Shooting specialties highlight each camera’s strengths.
Sony dominates sports, wildlife, video, and professional work, whereas Panasonic is favored for travel casual snaps and superzoom convenience.
Final Thoughts: Match Your Camera to Your Vision
I often say: the best camera is the one you’ll actually use and love. The Panasonic ZS45 is a fantastic travel companion for everyday photography enthusiasts who prioritize simplicity, reach, and light packing. Its learning curve is minimal, and you’ll appreciate the lens’s versatility without lens swapping hassles.
The Sony A6500 suits advanced amateurs and pros seeking ultimate image quality, speed, and video flexibility in a mirrorless body. It demands more investment and some mastering but rewards with pro-grade output and system expandability.
Who Should Buy the Panasonic ZS45?
- Casual travelers on a budget wanting an ultra-compact camera with powerful zoom.
- Photographers who dislike changing lenses.
- Users prioritizing ease of use with decent image quality in daylight.
- Street photographers favoring discreteness and portability.
- Those new to photography eager for all-in-one simplicity.
Who Should Invest in the Sony A6500?
- Enthusiasts and professionals working across portraits, landscapes, wildlife, sports.
- Video creators needing 4K and microphone input.
- Photographers seeking creative control, interchangeable lenses, and RAW files.
- Those who often shoot in low light or require superior autofocus tracking.
- Users wanting a future-proof system with extensive lens ecosystem.
In closure, both cameras shine in their respective niches. Your choice comes down to priorities: portability and zoom versus performance and pro features. By aligning your shooting style with these insights, you’ll pick a camera that fuels your creativity and lasts through your evolving photography journey.
If you want me to test lenses or accessories for either system, drop a note - I’m celebrating great gear that empowers every photographer’s story.
Happy shooting!
Panasonic ZS45 vs Sony A6500 Specifications
| Panasonic Lumix DMC-ZS45 | Sony Alpha a6500 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-ZS45 | Sony Alpha a6500 |
| Also called | Lumix DMC-TZ57 | - |
| Class | Small Sensor Superzoom | Advanced Mirrorless |
| Introduced | 2015-01-06 | 2016-10-06 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Chip | - | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
| Sensor surface area | 27.7mm² | 366.6mm² |
| Sensor resolution | 16 megapixels | 24 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 6000 x 4000 |
| Highest native ISO | 6400 | 25600 |
| Highest boosted ISO | - | 51200 |
| Lowest native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 21 | 425 |
| Lens | ||
| Lens support | fixed lens | Sony E |
| Lens zoom range | 24-480mm (20.0x) | - |
| Max aperture | f/3.3-6.4 | - |
| Macro focusing range | 3cm | - |
| Amount of lenses | - | 121 |
| Crop factor | 5.9 | 1.5 |
| Screen | ||
| Screen type | Tilting | Tilting |
| Screen size | 3 inches | 3 inches |
| Resolution of screen | 1,040 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359 thousand dots |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Slowest shutter speed | 4s | 30s |
| Maximum shutter speed | 1/2000s | 1/4000s |
| Maximum silent shutter speed | - | 1/32000s |
| Continuous shooting rate | 10.0 frames/s | 11.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 6.00 m | 6.00 m (at ISO 100) |
| Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash synchronize | - | 1/160s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Highest video resolution | 1920x1080 | 3840x2160 |
| Video data format | MPEG-4 | MPEG-4, AVCHD, XAVC S |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 249 grams (0.55 lb) | 453 grams (1.00 lb) |
| Physical dimensions | 108 x 60 x 32mm (4.3" x 2.4" x 1.3") | 120 x 67 x 53mm (4.7" x 2.6" x 2.1") |
| DXO scores | ||
| DXO All around rating | not tested | 85 |
| DXO Color Depth rating | not tested | 24.5 |
| DXO Dynamic range rating | not tested | 13.7 |
| DXO Low light rating | not tested | 1405 |
| Other | ||
| Battery life | 350 shots | 350 shots |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | - | NP-FW50 |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse feature | With downloadable app | |
| Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC + Memory Stick Pro Duo |
| Card slots | One | One |
| Launch pricing | $300 | $1,298 |