Panasonic ZS7 vs Pentax K-70
91 Imaging
35 Features
33 Overall
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62 Imaging
66 Features
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Panasonic ZS7 vs Pentax K-70 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Launched July 2011
- Alternate Name is Lumix DMC-TZ10
- Updated by Panasonic ZS8
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 102400
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 688g - 126 x 93 x 74mm
- Introduced June 2016
- Successor is Pentax KF

Panasonic Lumix ZS7 vs. Pentax K-70: A Deep Dive Into Two Distinct Photography Paths
In the world of cameras, the choice often comes down to your photographic ambitions, budget, and the practicalities of daily use. Today, we’re matching up two cameras from different categories and eras: the Panasonic Lumix DMC-ZS7 (simply “ZS7”), a compact superzoom from 2011 aimed at travelers and casual shooters, and the Pentax K-70, a mid-2016 entry-level DSLR designed to offer robust performance and flexibility to enthusiasts. Despite operating in different leagues - both technically and price-wise - comparing these two can illuminate the divergent paths digital photography has taken since the early 2010s and help you discern what you truly need in a camera.
I’ve spent comprehensive time testing both cameras under varied conditions and across multiple genres. Here’s a detailed, no-nonsense breakdown to help you choose which might suit your style and needs best.
Size, Handling, and Ergonomics: The Feel of the Camera in Your Hands
Picking up each camera instantly sparks two different experiences. The Panasonic ZS7 measures a mere 103x60x33mm and weighs just 218 grams - pocketable by most standards and light enough for extended travel days. Its compact block feels mechanically simple but stable. The fixed lens zoom swings from moderate wide-angle to long telephoto in a modest physical footprint, making it an ideal companion for grab-and-go photography.
The Pentax K-70, in contrast, is sturdier and noticeably larger at 126x93x74mm, tipping the scales at 688 grams. Solidly built with a robust polycarbonate and metal frame, it’s unmistakably a traditional DSLR in size and heft. But don’t mistake this for bulk for bulk’s sake. The K-70 sports an excellent grip with textured rubber that stays comfortable even during longer shoots and inclement weather. Its deeper body and classic SLR shape offer a steadiness that inspires confidence when manually focusing or switching lenses.
Looking at the top-view comparison, the K-70’s physical controls outnumber the ZS7’s, but the latter keeps simplicity at its core:
The ZS7 offers limited dials but includes shutter priority, aperture priority, and manual exposure control modes, making it slightly friendlier for enthusiasts keen on creative control despite the compact size. The K-70’s dedicated dials and buttons feel intuitive for anyone used to DSLRs and offer quicker tactile access to key settings such as exposure compensation, drive modes, ISO, and autofocus selections.
Verdict: If portability and simplicity trump all else, the ZS7 is a lightweight champion. For users seeking more physical controls, solidity, and a traditional shooting feel, the K-70’s ergonomics deliver.
Sensor Comparison: Size Matters, But So Does Technology
This is where the gulf widens sharply. The Panasonic ZS7 features a 1/2.3" CCD sensor measuring only 6.08 x 4.56 mm with a 12MP resolution. Conversely, the Pentax K-70 houses a 23.5 x 15.6 mm APS-C CMOS sensor packing a hefty 24MP punch.
As a rule of thumb, larger sensors like the K-70’s APS-C provide superior image quality, especially in low light, due to their bigger photosites and a higher signal-to-noise ratio. In real-world tests, this translates to dramatically better sharpness, color depth, dynamic range, and noise handling. The ZS7’s older CCD technology trails in almost every metric, especially when shooting above ISO 400 or in shadow areas.
The K-70 also sports no anti-aliasing filter, which, in the hands of a careful photographer, offers extra crispness and fine detail rendering that decidedly puts it ahead for landscape, portrait, and macro photography.
The ZS7’s sensor is paired with Panasonic’s Venus Engine HD II processor; while this was competitive at launch, by today’s standards, noise reduction algorithms are minimal and often smear fine detail to control chroma noise.
Practical takeaway: The K-70’s sensor dominates in achieving cleaner, higher-resolution files and greater flexibility in post-processing. The ZS7 remains fine for casual use and small prints but is noticeably limited in image quality potential.
Viewing and Composing Your Shot: Screen and Viewfinder
When it comes to framing, the ZS7 relies on a fixed 3-inch 460k-dot LCD screen. It lacks any form of an electronic or optical viewfinder - an omission often found in compact superzooms to save space and cost. While bright and clear in shade, the screen can be challenging to see in harsh sunlight, and the fixed angle leaves little room for creative compositions at low or high viewpoints.
Meanwhile, the K-70 matches in screen size but jumps to a 921k-dot resolution and boasts a fully articulated design, which flips out and rotates. This allows flexibility in composing at awkward angles, including selfie style, which the ZS7 cannot do.
The K-70 also complements this with a 100% coverage pentaprism optical viewfinder, providing a bright, lag-free, natural view - a huge advantage in fast-paced shooting and bright outdoor conditions. The ZS7 does not include any viewfinder, which, while common in compacts, can be frustrating for users accustomed to eye-level shooting or needing steadier compositions.
Autofocus System: Precision and Speed in Focus
The autofocus systems exemplify the cameras’ design philosophies. Panasonic’s ZS7 uses contrast-detection autofocus with 11 focus points and only single-shot AF mode; it lacks continuous autofocus or face/eye detection. This means focusing can be slower and less reliable with moving subjects, and the camera struggles to keep track of dynamic scenes.
In contrast, the Pentax K-70 employs a hybrid autofocus system with 11 phase-detection points (9 cross-type), coupled with contrast detection in live view. It supports continuous AF, tracking, face detection, and selective AF modes, giving it far more versatility and accuracy, especially for wildlife, sports, and street photography where subjects rarely stay still.
Image Stabilization and Burst Rates: Keeping It Steady and Speedy
The ZS7 offers optical image stabilization built into its lens, which helps mitigate small hand-shake vibrations up to several stops at longer focal lengths. This is beneficial given its 12x zoom lens. However, the camera offers only a 2fps continuous shooting rate, which seriously limits action photography capabilities.
The Pentax K-70 features sensor-shift image stabilization that works with any attached lens, including manual primes and telephotos. Its stabilization system is highly effective and expands handheld low-light functionality beyond what might be expected. Additionally, the K-70 shoots at 6fps with continuous autofocus - a respectable speed for an entry-level DSLR - making it much more suitable for capturing wildlife and sports moments.
Lens Ecosystem and Compatibility: Freedom to Choose
One tremendous benefit the K-70 offers is its KAF2 lens mount compatibility with over 150 lenses, spanning from ultra-wide-angle to super-telephoto primes and zooms, macro lenses, and specialty optics. This vast ecosystem means you can curate your lens kit according to precise needs, pushing creative boundaries and improving image outcomes.
On the other hand, the Panasonic ZS7 comes with a fixed 25–300mm (35mm equivalent) f/3.3–4.9 lens, which cannot be changed but does offer a versatile zoom range especially useful in travel and everyday photography contexts. While convenient and compact, it means you must accept compromises in aperture and optical quality compared to dedicated lenses.
Performance in Different Photography Disciplines
When deciding between these cameras, understanding their strengths and weaknesses across photographic genres is critical.
Portrait Photography
Pentax K-70’s larger sensor and excellent color fidelity give it the clear edge for portraits. Its ability to shoot wide apertures on compatible lenses produces pleasing shallow depth of field and creamy bokeh, excellent for isolating subjects and highlighting subtle nuances in skin tones. The in-body stabilization and face detection autofocus further enhance portrait results.
The ZS7 - and its limited aperture lens - can produce adequate portraits in good light but struggles to render subject separation or natural skin tones, especially indoors.
Landscape Photography
Thanks to its 24MP sensor free from an anti-aliasing filter and a wide ISO range, the K-70 is well-suited to landscapes. The quality of RAW files, low noise performance, and compatibility with high-quality lenses enable capturing fine detail with excellent dynamic range.
While the ZS7’s zoom provides flexibility in framing, the smaller sensor and limited dynamic range restrict image quality. Additionally, the lack of weather sealing on the ZS7 versus the K-70’s environmental seals favors the Pentax for outdoor and challenging shooting conditions.
Wildlife and Sports Photography
Here, the K-70 clearly outperforms with faster continuous shooting (6fps vs. 2fps), better tracking autofocus, and longer lens compatibility for telephoto reach. Its higher ISO capability and sensor stabilization allow for sharper images in dim forest or stadium lighting.
The ZS7's slower autofocus and limited burst rate mean it’s woefully undersized for serious wildlife or action photography.
Street and Travel Photography
The Panasonic ZS7 shines in street and travel photography for its unobtrusiveness and portability. It easily slips into a pocket and doesn’t draw attention, ideal for candid scenes and light packing. Its built-in GPS is a nice touch for geotagging adventures.
Conversely, while the K-70 is compact for a DSLR, it is bulkier and more conspicuous. However, it delivers higher image quality and handling features that many travel photographers value for serious projects.
Macro Photography
Focused down to 3cm macro on the ZS7 lens offers interesting, though limited macro capabilities suitable for casual close-ups.
The K-70’s compatibility with dedicated macro lenses and ability to focus precisely and stabilize handheld shots positions it as a stronger macro performer.
Night and Astrophotography
This is a domain dominated by good sensor noise control and long exposures. The K-70 offers an ISO range up to 102,400 (boosted), excellent noise handling, and in-body stabilization assisting handheld low-light shots. Plus, features like a bulb mode allow long exposures for star trails.
The ZS7’s limited ISO ceiling (max 6400), noise at high ISOs, and lack of a bulb mode greatly restrict its astrophotography potential.
Video Capabilities
By 2011 standards, the Panasonic ZS7 was decent with 720p AVCHD Lite video at 30fps, but no microphone port limits audio quality upgrades.
The Pentax K-70 records Full HD 1080p video up to 60i, with microphone input for external audio - a plus if video is a significant secondary use. However, neither models offer 4K video or advanced video features that newer cameras provide.
Build Quality and Weather Sealing
While neither camera is waterproof or shockproof, the K-70’s body is weather sealed, offering resistance to dust and moisture - useful for outdoor and rugged shooting environments. The ZS7 lacks such protection, making it more vulnerable to elements.
Battery Life and Storage
Battery life is another domain where the K-70 shines, rated for approximately 410 shots per charge (CIPA standard), enough to comfortably last a day’s shoot.
The ZS7’s official rating is unspecified, but compact cameras typically offer fewer shots per charge, often necessitating spare batteries for extended travel.
Both cameras use a single SD card slot compatible with SD, SDHC, and SDXC cards.
Connectivity and Extras
The ZS7 comes with built-in GPS for geotagging - a feature absent in the K-70 unless you add an external module.
The K-70 offers built-in Wi-Fi for image transfer and remote control, improving workflow convenience.
Neither camera offers Bluetooth or NFC, reflecting their release periods.
Pricing and Value Proposition: What Are You Paying For?
At launch and today’s street pricing, these cameras occupy quite different positions: the Panasonic ZS7 (circa $350) is an affordable superzoom compact, geared toward casual and travel shooters looking for all-in-one simplicity and pocketability.
The Pentax K-70 demands nearly twice that price ($650+), but with it comes significant enhancements in sensor size, image quality, responsiveness, durability, and creative control - an investment for serious hobbyists and prosumers.
Real-World Image Samples
Examination of side-by-side image samples confirms the strengths of the K-70 - greater dynamic range, finer detail, superior noise management, richer colors - while the ZS7 yields decent results in bright daylight and modest zoom use but falters under low-light and demanding conditions.
Summary of Strengths and Weaknesses
Feature | Panasonic ZS7 | Pentax K-70 |
---|---|---|
Sensor Size | 1/2.3" CCD (12MP) | APS-C CMOS (24MP) |
Autofocus | Contrast detect, single AF mode | Hybrid phase + contrast, continuous AF |
Burst Rate | 2.0 fps | 6.0 fps |
Lens | Fixed 25-300 mm f/3.3-4.9 | Interchangeable, 150+ lenses |
Video | 720p HD @ 30fps, no mic input | 1080p Full HD @ 60i, mic input present |
Build & Weather Sealing | None | Weather sealed body |
Viewfinder | None | Optical pentaprism, 100% coverage |
Screen | Fixed 3" LCD, 460k dots | Articulating 3" LCD, 921k dots |
Stabilization | Optical lens-based | Sensor-shift, any lens |
Connectivity | GPS only | Built-in Wi-Fi |
Battery Life | Unspecified, low | ~410 shots (CIPA) |
Price (Approximate) | $350 | $650 |
Tailored Recommendations: Who Should Buy Which?
Choose the Panasonic Lumix ZS7 if you:
- Prioritize ultimate portability and a lightweight camera you can always carry.
- Want a simple “point-and-shoot” that includes ample zoom for travel snapshots.
- Shoot mostly in good light without the need for rapid AF or extensive creativity.
- Have a modest budget and want a camera that doesn’t demand lens purchases or learning complex controls.
- Desire built-in GPS for automatic location tagging.
Choose the Pentax K-70 if you:
- Crave higher image quality, detail, and versatility in multiple photography genres.
- Want the option to invest in high-quality lenses over time.
- Need robust autofocus with continuous tracking for wildlife, sports, or event shooting.
- Shoot extensively in low light or challenging conditions where sensor size and weather sealing matter.
- Desire serious manual control, exposure bracketing, and advanced features like timelapse recording.
- Want a DSLR experience with an optical viewfinder and articulating screen for creative freedom.
- Don’t mind the extra bulk and price in exchange for future-proofing your gear.
Overall Performance and Scores
Taking all factors into account, the cameras excel at different niches rather than compete head-on.
The K-70 leads convincingly in most performance metrics, while the ZS7 scores adequately for casual convenience and zoom range.
Genre-Specific Performance Breakdown
Here's a visualization summarizing how each camera fares across key photography types:
The K-70 outperforms in almost every demanding category from portraits to sports, while the ZS7’s compact design lends it better marks mainly in street and travel categories.
Closing Thoughts: Two Cameras, Two Philosophies
The Panasonic Lumix ZS7 and Pentax K-70 epitomize different eras and approaches to photography gear. The ZS7 is a classic superzoom compact that still serves as a capable travel companion for everyday moments. The K-70, on the other hand, is a versatile, modern DSLR that rewards investment with superior image quality and adaptability.
For enthusiasts venturing beyond casual photography or those committed to quality and creative control, the K-70 is my clear recommendation. Meanwhile, if your priorities lean towards lightweight convenience and simplicity without complex gear, the ZS7 can still deliver enjoyable, affordable photography.
Thanks for joining me on this thorough comparison. Choosing a camera is as much about your style as technology - may your next camera inspire memorable images wherever your journey takes you.
Panasonic ZS7 vs Pentax K-70 Specifications
Panasonic Lumix DMC-ZS7 | Pentax K-70 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DMC-ZS7 | Pentax K-70 |
Also called | Lumix DMC-TZ10 | - |
Type | Small Sensor Superzoom | Entry-Level DSLR |
Launched | 2011-07-19 | 2016-06-08 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Chip | Venus Engine HD II | PRIME MII |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 12 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 4000 x 3000 | 6000 x 4000 |
Max native ISO | 6400 | 102400 |
Lowest native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 11 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 25-300mm (12.0x) | - |
Largest aperture | f/3.3-4.9 | - |
Macro focus distance | 3cm | - |
Amount of lenses | - | 151 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 3" | 3" |
Screen resolution | 460 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.63x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/2000s | 1/6000s |
Continuous shutter speed | 2.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.30 m | 12.00 m (at ISO 100) |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, auto w/redeye reduction, flash on, flash + redeye reduction, slow sync, trailing curtain sync, manual |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | AVCHD Lite | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | Optional |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 218g (0.48 lbs) | 688g (1.52 lbs) |
Physical dimensions | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") | 126 x 93 x 74mm (5.0" x 3.7" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 410 images |
Style of battery | - | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 secs, continuous) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC (UHS-I compatible) |
Storage slots | One | One |
Cost at release | $350 | $649 |