Panasonic ZS7 vs Pentax S1
91 Imaging
35 Features
33 Overall
34


93 Imaging
37 Features
31 Overall
34
Panasonic ZS7 vs Pentax S1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Introduced July 2011
- Also referred to as Lumix DMC-TZ10
- Renewed by Panasonic ZS8
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 157g - 114 x 58 x 28mm
- Released March 2011

Comparing the Panasonic ZS7 and Pentax S1: Compact Cameras in the Real World
When diving into the compact camera market, the choices can feel overwhelming - especially when cameras like the Panasonic Lumix DMC-ZS7 and the Pentax Optio S1 both offer compelling packages for small sensor enthusiasts. Having put both through their paces, I wanted to provide a detailed, practical comparison rooted in my hands-on experience. I’ll cover everything from image quality and handling to specialized photography needs, all while weaving in the nitty-gritty technical stuff that truly matters in real shoot scenarios.
So, grab a coffee, sit back, and let's delve into how these two compacts stack up against each other in today’s photography world.
First Impressions and Handling: Size, Shape, and Controls
Before we get into image quality, ergonomics play a huge role in day-to-day shooting comfort. The Panasonic ZS7 and Pentax S1 are both compact but have distinct personalities in how they fit your hands and feel on the go.
Right off the bat, you’ll notice the Panasonic ZS7’s slightly bulkier girth compared to the sleeker Pentax S1. The ZS7 weighs in at 218g and measures 103x60x33 mm, offering a more substantial grip that's comfortable for extended handheld shooting - particularly important if you shoot outdoors or travel frequently. The Pentax S1 is lighter at 157g and thinner (114x58x28 mm), which makes it pocket-friendly and less obtrusive for street photography or casual snaps.
But that compactness comes at the cost of grip stability, especially when you mount telephoto zooms or try shooting in challenging light. The ZS7’s body feels more durable and less slippery, a subtle but crucial advantage for confident operation in varied shooting conditions.
Switching focus to the layout, the ZS7’s button placement and dials give you quicker access to exposure modes and shooting parameters, while the S1 opts for a more stripped-down control set. This means fewer distractions, but also less creative control at your fingertips.
Looking from above, you can see the ZS7 sports dedicated dials and buttons for aperture priority, shutter priority, and manual exposure - features the S1 notably lacks. That said, the S1 supports manual focus, which is absent on the ZS7. So, if you want hands-on precision focus control for macro or artistic shooting, the Pentax edges ahead here.
Sensor and Image Quality: Evaluating the Heart of the Camera
Both cameras use 1/2.3" CCD sensors - a pretty common size in compact cameras - but the devil is in the details.
The Pentax S1 edges slightly ahead with a 14 MP sensor versus Panasonic’s 12 MP. That extra resolution can be beneficial when cropping or making prints, but it also demands better optics and processing to avoid increased noise or softness. Both cameras employ an anti-aliasing filter to suppress moiré but can somewhat soften fine detail.
It’s worth noting that the Panasonic’s Venus Engine HD II processor, despite the introverted sensor specs, handles image noise reduction and sharpening relatively well for its era. The Pentax’s processing is less documented but tends to produce punchier colors.
I ran both through my standardized ISO noise test at native ISO 80, 200, 400, and 800 - higher ISOs are theoretically supported up to 6400, but bear in mind noise becomes quite visible.
The ZS7's noise starts to creep in more aggressively by ISO 400, with some loss of texture, but maintains relatively natural skin tones and smooth shadows. The S1, meanwhile, shows more chroma noise but retains better edge sharpness at mid ISOs. Both cameras struggle beyond ISO 800, unsurprisingly, as small sensors hit their limits.
Dynamic range is limited on both, with the ZS7 slightly outperforming the S1 due to more refined highlight roll-off. Landscape photographers should plan on shooting during optimal lighting or use bracketing strategies.
Viewing and Interface: LCD Screens and User Experience
A compact's rear screen is your primary framing and review tool, so quality matters, particularly under bright daylight.
The Panasonic ZS7 offers a fixed 3" LCD with 460K dots, noticeably sharper and brighter than the Pentax S1’s 2.7" 230K dot screen. The ZS7’s display has better clarity and contrast, making spot-focused manual exposure adjustments and reviewing images easier in varied lighting.
The Pentax’s anti-reflective coating does help mitigate reflections somewhat, but the lower resolution compromises detail and preview accuracy, potentially hindering precise manual focus - especially in macro work.
Neither camera has a viewfinder, electronic or optical, so relying on the screen is unavoidable, increasing the ZS7’s usability advantage.
Lens and Zoom Capabilities: Reach and Image Stabilization
If zoom versatility is your priority - say, for wildlife or travel photography - the lens focal range and stabilization make a huge difference.
The Panasonic ZS7 boasts a 25-300mm (12x optical zoom equivalent) lens with a maximum aperture range of f/3.3 to f/4.9. That’s a strong advantage for capturing distant subjects without lugging extra glass.
Contrast that with the Pentax S1’s 28-140mm (5x optical) lens at f/3.5 to f/5.5, which feels quite limited unless you prefer wider shots or moderate telephoto.
Both cameras feature image stabilization: the ZS7 uses optical stabilization, while the S1 employs sensor-shift stabilization. Optical tends to be more effective in reducing handshake at longer focal lengths, which gives the Panasonic a real benefit for telephoto shooting.
In real-world use, I found the ZS7’s zoom lens sharper and more consistent across the range, with less falloff in corners and better control over chromatic aberration. The S1’s lens is a bit softer wide open, so sharpening in post is more of a must, especially beyond the mid-zoom range.
Macro enthusiasts will notice the S1’s 1 cm minimum focus distance is slightly better than the ZS7’s 3 cm limit. That extra reach toward close subjects makes capturing tiny details a little easier, though the ZS7’s more robust zoom compensates in overall versatility.
Autofocus and Performance: Speed, Accuracy, and Continuous Shooting
Autofocus (AF) can make or break a shooting session, particularly for active subjects or unpredictable scenarios.
Both cameras use contrast-detection AF systems with no phase detect - normal for compacts of this era but a limitation compared to DSLRs or mirrorless hybrids.
The ZS7 offers 11 focus points and supports AF single, center, and multi-area modes. The S1 has 9 points but includes AF tracking, albeit in a very basic form.
From direct observation, the Panasonic autofocus is a bit quicker acquiring focus in good light conditions and generally more reliable when zoomed in long. The continuous shoot speed for the ZS7 is 2 frames per second, double the S1’s 1 fps - slow by today’s standards but adequate for casual sports or wildlife snapshots at close range.
Neither camera support face or eye detection AF, so capturing sharp portraits demands a steady hand and some patience. Focus hunting is noticeable in low light or focusing on low-contrast subjects with both cameras, although the ZS7 fares marginally better due to its optimized algorithms.
Photography Genres: Strengths and Limitations in Various Use-Cases
Let’s talk specifics - where does each camera truly shine or falter across popular photographic disciplines?
Portrait Photography
Skin tone accuracy and pleasing bokeh make or break portraits. Unfortunately, small sensor compacts struggle with background blur, and neither camera incorporates face or eye detect AF.
The ZS7's lens aperture and longer zoom allow for a touch more subject separation, albeit still minimal depth of field. Colors from Panasonic’s Venus Engine render natural skin tones, with subtle warmth. Pentax colors punch a bit more but may require calibration in processing to soften harshness.
Manual exposure control on the ZS7 helps lock optimum exposure, an advantage over the S1, which lacks priority modes.
Landscape Photography
Here, resolution, dynamic range, and weather resistance come into play. Neither camera is weather sealed, so caution is advised shooting outdoors.
The Pentax S1 has the edge in resolution, potentially yielding finer detail in wide, static scenes. However, Panasonic's better dynamic range and noise management deliver superior shadow detail and highlight preservation on sunny days.
Both cameras support widest aspect ratios like 16:9, with the S1 adding a square 1:1 option - nice for creative framing styles.
Wildlife and Sports
These disciplines demand speed: autofocus acquisition, tracking, burst frame rate, and lens reach.
The Panasonic ZS7 dominates this category with its 12x zoom, 2 fps burst, and relatively quick AF. Pentax's S1, with half the zoom range and only 1 fps continuous shooting, feels underpowered for fast action or distant wildlife.
Neither will rival DSLRs or higher-end mirrorless for serious sports or wildlife; think casual birdwatching or neighborhood sports rather than professional demands.
Street Photography
For discreet shooting, portability, and ease of use, the Pentax S1’s slimmer body and lighter weight win points. Its less aggressive zoom length encourages more spontaneous composition and interaction.
The ZS7’s larger size and weight can be noticeable during long walks, but the superior screen and controls mean faster reaction times and less fumbling when adjusting settings.
Macro Photography
The Pentax S1's 1 cm minimum focus distance is attractive here, plus its manual focus option allows better precision. The ZS7’s optical stabilization also helps steady close-up shots handheld.
If you’re serious about macro work, neither camera is ideal, but I’d lean toward the S1 for its focusing flexibility.
Night and Astrophotography
Small sensors limit noise control at high ISOs, but long exposure capability and manual exposure modes are essential.
The Panasonic ZS7 offers a shutter speed down to 60 seconds versus the S1’s 4-second minimum - a crucial edge for night sky and astrophotography. Lack of manual bulb mode on both limits longer exposures, but the ZS7's manual exposure control again provides better creative freedom.
High ISO performance is comparable - with both needing a tripod and patience to minimize noise.
Video Capabilities
Both cameras max out at 720p HD video, but Panasonic’s AVCHD Lite codec delivers better compression efficiency versus Pentax’s Motion JPEG, resulting in smaller files with marginally improved quality.
Neither camera has microphone or headphone ports, limiting audio capture options. Frame rates on the Panasonic max at 30 fps, while the Pentax offers 30 and 15 fps options, the latter feeling jerky in motion.
Image stabilization helps handheld video on both, with the Panasonic’s optical system giving steadier clips at telephoto lengths.
Travel and Everyday Use
The ZS7’s extensive zoom and manual controls cater to travelers wanting versatility and quality. Longer battery life - albeit unspecified but generally solid in Panasonic compacts - is a plus.
Pentax’s S1, lighter and smaller, suits minimalists or users prioritizing simplicity and a no-frills experience.
Professional Considerations: Reliability, File Formats, and Workflow
Neither camera shoots in RAW - a significant drawback for professional workflows demanding maximum post-processing latitude. Both save JPEGs only, so once the shot is taken, you’re limited in dynamic range recovery and retouching.
Build quality on both is average for compacts, lacking weather sealing or rugged construction required for harsh environments.
Panasonic’s Venus Engine delivered reliable, consistent performance during my extended test, with no crashes or lag. Pentax’s firmware was stable but less responsive under heavy shooting.
Both cameras lack wireless connectivity features such as Wi-Fi or Bluetooth, meaning tethered transfers via USB 2.0 or SD card swaps are necessary.
Technical Rundown: Build Quality, Battery, and Connectivity
- Build Quality: Both compact polycarbonate bodies with modest durability. ZS7 feels more robust.
- Battery: Pentax S1 specifies D-LI92 battery with about 260 shots; Panasonic battery details unspecified but expected around 300 shots typical for its class.
- Storage: Both support SD/SDHC/SDXC cards and have internal storage.
- Connectivity: HDMI out available on both; no wireless or wired remote capabilities.
Pricing and Value: Which Offers More Bang for Your Buck?
At the time of writing, the Panasonic ZS7 retails for approximately $350, nearly double the Pentax S1’s $174 price point.
Considering this, the ZS7 undeniably offers more advanced features: longer zoom, manual exposure modes, better LCD, faster autofocus, and wider shutter speed range.
For enthusiasts willing to pay a premium for versatility and better creative control, the ZS7 is worthwhile.
The S1 is an attractive budget option for beginners or casual shooters prioritizing portability and ease of use over performance. Its 14 MP sensor is an appealing spec on paper, though real-world image quality gains over more balanced cameras like the ZS7 are slim.
Final Thoughts: Which Camera Should You Choose?
Both the Panasonic Lumix ZS7 and Pentax Optio S1 are compact cameras targeting casual photographers seeking light gear without compromising too much on image appeal. However, their different strengths suggest they cater to distinct user niches.
Choose the Panasonic ZS7 if:
- You want a versatile superzoom lens for travel, wildlife, or landscape photography.
- Manual exposure modes and faster focus speed are important.
- You value a brighter, higher resolution LCD for framing and reviewing.
- Video quality and stabilization matter.
- You don’t mind spending roughly twice the price for added control and flexibility.
Opt for the Pentax S1 if:
- Portability and lightweight design top your list.
- You mostly shoot in good light conditions and want straightforward operation.
- Manual focus and close macro shooting at 1cm minimum distance appeal to you.
- Tight budgets dictate your purchase.
- You prefer a more compact street or everyday camera.
Summary Table:
Feature | Panasonic ZS7 | Pentax S1 |
---|---|---|
Sensor | 1/2.3" CCD, 12 MP | 1/2.3" CCD, 14 MP |
Lens | 25-300mm f/3.3-4.9 (12x) | 28-140mm f/3.5-5.5 (5x) |
Image Stabilization | Optical | Sensor-shift |
Manual Exposure Modes | Yes | No |
Continuous Shooting | 2 fps | 1 fps |
Video | 720p AVCHD Lite | 720p Motion JPEG |
LCD Screen | 3" 460K dots | 2.7" 230K dots |
Weight | 218 g | 157 g |
Price | ~$350 | ~$174 |
In wrapping up this deep dive, both compact cameras are products of their time and design philosophy. If I had to pick one as my day-to-day go-anywhere camera, the Panasonic ZS7 edges out with its superior zoom, exposure control, and handling. But the Pentax S1 shouldn’t be dismissed if you desire something more pocketable, manual focusing, and wallet-friendly.
Whatever your choice, both cameras offer an educational window into compact camera design - great for beginners to step into photography, or enthusiasts needing a secondary small camera. Here's hoping this review helps you make that informed decision with confidence.
Happy shooting!
Panasonic ZS7 vs Pentax S1 Specifications
Panasonic Lumix DMC-ZS7 | Pentax Optio S1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DMC-ZS7 | Pentax Optio S1 |
Also Known as | Lumix DMC-TZ10 | - |
Class | Small Sensor Superzoom | Small Sensor Compact |
Introduced | 2011-07-19 | 2011-03-02 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | Venus Engine HD II | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor surface area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3 and 16:9 |
Full resolution | 4000 x 3000 | 4288 x 3216 |
Max native ISO | 6400 | 6400 |
Minimum native ISO | 80 | 80 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 11 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 25-300mm (12.0x) | 28-140mm (5.0x) |
Highest aperture | f/3.3-4.9 | f/3.5-5.5 |
Macro focus range | 3cm | 1cm |
Focal length multiplier | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inches | 2.7 inches |
Resolution of screen | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | TFT color LCD with Anti-reflective coating |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 60 seconds | 4 seconds |
Highest shutter speed | 1/2000 seconds | 1/1500 seconds |
Continuous shooting speed | 2.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.30 m | 3.90 m |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Soft |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video file format | AVCHD Lite | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 218 grams (0.48 lb) | 157 grams (0.35 lb) |
Dimensions | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 260 photographs |
Type of battery | - | Battery Pack |
Battery model | - | D-LI92 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Launch pricing | $350 | $174 |