Panasonic ZS7 vs Sony QX1
91 Imaging
35 Features
33 Overall
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90 Imaging
62 Features
48 Overall
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Panasonic ZS7 vs Sony QX1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Introduced July 2011
- Alternate Name is Lumix DMC-TZ10
- Successor is Panasonic ZS8
(Full Review)
- 20MP - APS-C Sensor
- " Fixed Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 216g - 74 x 70 x 53mm
- Launched September 2014

Panasonic Lumix ZS7 vs Sony Alpha QX1: A Deep Dive into Two Distinct Camera Philosophies
Choosing between cameras like the Panasonic Lumix DMC-ZS7 (ZS7) and the Sony Alpha QX1 is a fascinating exercise in understanding very different approaches to photography. One is a traditional compact superzoom, ready for instant versatility, and the other is a pioneering lens-style interchangeable system designed to push the boundaries of mobile photography with a larger sensor. After spending extensive hands-on time with both, here’s my thorough comparison - not just specs on paper, but how these cameras hold up across various photography styles, image quality metrics, handling, and value.
If you’re narrowing down your pick, you’ll want to read on to see how each fares in portraiture, landscapes, wildlife, and more. Plus, I’ll guide you through the technical nuts and bolts essential for making an informed choice. Let’s start with a glance at their physical design.
Size, Ergonomics, and Handling: Compact Convenience vs Modular Novelty
At first glance, the Panasonic ZS7 and Sony QX1 couldn’t be more different physically. The ZS7 is your archetypal compact superzoom, slim and pocket-friendly at 103x60x33 mm and weighing just 218 grams. It’s a traditional little point-and-shoot with integrated lens and body. The QX1 is more of a lens-style mirrorless - essentially a compact camera module with the sensor and controls contained within a lens-shaped body measuring 74x70x53 mm and weighing 216 grams, designed to be paired with your smartphone for live view and control.
Personally, I appreciate the ZS7’s form factor for quick carry and grab-and-go shooting. Its compact chassis fits comfortably in the hand, offering a familiar grip and button layout. The QX1, while of similar weight, feels chunkier and more modular given it lacks an eyepiece or a dedicated screen. It depends entirely on a smartphone for operation, which might suit a mobile-centric photographer but could frustrate those craving a self-contained experience.
The flip side: the QX1’s design allows swapping Sony E-mount lenses, a considerable advantage in optical quality and creative control over the fixed-lens ZS7. Ergonomically, if you prefer a tactile, immediate user interface with physical controls, the ZS7 has the edge; the QX1 relies on touchscreen interactions via an app, which may slow down operation in fast-moving situations.
For detailed layout differences, take a look at this top-down view comparison.
The ZS7 sports classic compact controls: zoom toggle, mode dial, and a few buttons on the back. The QX1 is quite sparse, reflecting its lens-style design and smartphone dependency.
Sensor Technology and Image Quality: Small Sensor Superzoom vs APS-C Powerhouse
Here’s where their divergent philosophies really impact imagery. The ZS7 packs a 1/2.3-inch CCD sensor - a small format measuring 6.08 x 4.56 mm, offering 12 megapixels. The QX1 houses a considerably larger APS-C CMOS sensor (23.2 x 15.4 mm) with a 20-megapixel resolution.
This sensor size difference (~27.7 mm² vs 357.3 mm²) accounts for significant variations in image quality - dynamic range, noise control, and depth of field capabilities. In real-world shooting, the QX1 delivers noticeably sharper detail, better color depth, and superior low-light performance. That’s partly thanks to the CMOS technology, which generally outperforms CCDs in noise handling and readout speed.
Metering and white balance also favor the QX1; its Bionz X processor provides better color science compared to the older Venus Engine HD II in the ZS7. The ZS7’s maximum ISO tops at 6400, versus a native 16000 ISO on the QX1, making it more versatile in challenging lighting.
If pin-sharp landscape files or clean night shots matter most, the QX1 is the better tool. But the ZS7 isn’t without merit - it produces respectable daylight images and excels in portability. Consider how sensor choices affect your genre priorities (we’ll get into those shortly).
User Interface, Viewfinder, and LCD: Familiar Compact vs Screenless
The Panasonic ZS7 features a fixed 3-inch LCD with 460k dots of resolution, decent for composing and reviewing shots. It lacks a touchscreen, which means all navigation happens via buttons - a pros and cons scenario. Some photographers, myself included, prefer tactile buttons for grip and reassurance, though lack of a touchscreen means slower menu diving.
On the other hand, the Sony QX1 has no onboard screen at all. It’s designed to hook up to your smartphone, which acts as the viewer, display, and control hub via an app. This arrangement offers an expansive, high-res screen and advanced touch controls, including touch-to-focus. But you’re tethered: no phone, no viewfinder/screen. It can be awkward in bright sunlight or in situations where quick framing is needed without the phone.
Neither camera includes an electronic viewfinder. This is typical for the ZS7’s class and expected for the lens-style QX1. For some, the lack of viewfinder impacts usability outdoors and in action photography.
Autofocus and Shooting Responsiveness: Contrast Detection with Limits vs Selectivity and Face Detection
The ZS7 uses contrast-detection AF with 11 focus points, fixed to single AF and center AF area modes without continuous AF or face/eye detection. This system is reliable but relatively slow and may struggle in low light or fast action.
The QX1 also relies on contrast-detection AF but has 25 focus points and supports face detection for improved accuracy in portraits and candid shots. The touch-enabled focus area selection on your smartphone adds creative flexibility. While it does not support continuous AF tracking, the ability to manually select focus points is an asset.
Burst shooting on the ZS7 is modest at around 2 frames per second (fps), limiting its utility for wildlife or sports photography. The QX1 improves this to about 4 fps, still modest but more usable for action.
From my hands-on testing, neither camera is designed for fast-paced sports or wildlife photography, but the QX1’s larger sensor and better AF control make it the superior option for deliberate shooting with some movement.
Zoom and Lens Flexibility: Built-in Superzoom vs Interchangeable Lens Magic
This is where the ZS7 shines as a true all-in-one: a fixed 25-300mm equivalent lens offering a 12× zoom range with an aperture varying from f/3.3 to f/4.9. It’s a versatile travel companion that covers wide-angle landscapes through moderate telephoto shooting without extra baggage.
However, the optics are small-sensor optimized and can’t match the sharpness, bokeh, or speed of larger-lens systems.
The Sony QX1’s biggest advantage is full compatibility with the Sony E-mount lineup. You can mount everything from wide primes with f/1.8 apertures to specialist macros and telephoto zooms. This opens creative doors the ZS7’s fixed lens can’t touch - better subject isolation, faster apertures for low light and portraits, and greater optical quality.
The tradeoff? You’ll need to carry and invest in lenses, which adds complexity and cost. But if image quality and artistic control matter more than simple convenience, the QX1 is unmatched here.
Burst Performance and Shutter Speeds for Action Photography
The ZS7’s maximum shutter speed is 1/2000 sec, adequate for most daylight action, but its continuous shooting rate of only 2 fps is sluggish.
Whereas the QX1 can reach shutter speeds up to 1/4000 sec with shooting at 4 fps (electronic shutter options are absent in both). This remains modest compared to dedicated DSLRs and mirrorless cameras designed for sports, but it’s relatively faster and helps freeze motion in brighter conditions.
Both cameras lack advanced autofocus tracking or eye/animal detection, limiting their appeal for serious wildlife or fast sports shooters. But between the two, if you occasionally shoot action and want better shutter flexibility, the QX1 pulls ahead.
Portability, Travel Use, and Battery Life Considerations
The ZS7 is compact and lightweight with built-in GPS for geotagging - a feature absent on the QX1. It takes standard SD cards, and although battery info isn’t official, I managed about 200-250 shots per charge during real-world use, quite typical for a compact.
The QX1 uses the NP-FW50 battery pack, offering approximately 440 shots, nearly double the endurance - a boon for extended outings. Storage is via microSD or Memory Stick Micro, smaller cards but plentiful.
Note the QX1’s dependence on a phone for live view and settings means your phone’s battery will drain quickly. It’s also bulkier in the sense that you need your phone plus the camera module, which may be less convenient than an all-in-one.
For travelers wanting a pocketable camera with long zoom and instant usability, the ZS7 is excellent. If you prioritize high image quality and lens flexibility with moderate bulk, the QX1 suits well.
Video Capabilities: Basic HD vs Full HD with Application Control
Video-wise, the ZS7 records modest 720p HD video at 30 fps in AVCHD Lite format, suitable for casual use but limited in resolution and codec sophistication.
The QX1 steps up with full HD 1080p at 30 fps MPEG-4 video, with better detail and codec options via the app.
Neither camera offers advanced video features like 4K recording, microphone input, or in-body stabilization. The ZS7 has optical image stabilization for video, the QX1 does not, which means handheld footage from the Sony may be shakier unless you use tripod support or stabilized lenses.
If you’re a casual videographer, the ZS7’s built-in stabilization and simpler interface might be more approachable, but videographers needing higher quality output will lean toward the QX1 combined with stabilized lenses.
Weather Resistance and Build Quality: Both Offer Basic Protection
Neither camera claims any weather sealing or ruggedization features. Both should be treated carefully and avoided in adverse conditions.
Build quality on the ZS7 feels solid for a compact, and the QX1 is well-made but plastic-heavy due to its modular, lens-style construction.
Connectivity and Wireless Features
Connectivity is another area where these cameras diverge dramatically.
The ZS7 has no wireless features but compensates with built-in GPS for location tagging - handy for travel photographers and adventurers.
The Sony QX1 features built-in Wi-Fi and NFC for seamless pairing with your smartphone. This allows easy image transfer, remote control via app, and quick sharing. The NFC feature simplifies pairing but only works with compatible phones.
Neither camera supports Bluetooth or advanced wireless protocols, but the QX1’s wireless focus control and file transfer reflect a more modern interface approach.
Storage Media
The Panasonic ZS7 uses full-size SD/SDHC/SDXC cards, universal and widely supported.
The Sony QX1 uses microSD cards and Memory Stick Micro, smaller formats requiring adapters for some workflows but offering equivalent performance.
Price-to-Performance: What’s the Value Proposition?
At current pricing - roughly $350 for the Panasonic ZS7 and $500 for the Sony QX1 - there’s a clear premium on the QX1.
Is it justified? If your priority is image quality (APS-C sensor), interchangeable lenses, and flexible control, absolutely yes. The extra investment opens creative doors and future-proofs your gear.
If your priority is a simple, lightweight travel zoom camera that’s easy to carry and operate straight out of the box, the ZS7 offers compelling value.
Ultimately, the choice reflects your shooting style and how much you value sensor size and lens quality over convenience.
How They Perform Across Photographic Disciplines
Let’s break down how they excel (or fall short) across key genres:
Portrait Photography:
The QX1’s APS-C sensor combined with interchangeable lenses results in superior skin tone rendering and natural bokeh for subject isolation. Face detection autofocus aids accuracy.
The ZS7’s small sensor restricts background blur and depth. Its fixed lens produces acceptable portraits but lacks the creamy defocus or selective focus control professionals often want.
Landscape Photography:
The QX1’s larger sensor provides higher resolution (20 MP vs 12 MP) and better dynamic range, crucial for landscape details and highlight-to-shadow transitions.
The ZS7, while decent in daylight, suffers from limited resolution and high noise in shadows. Its telephoto zoom isn’t needed here, making the optical convenience less relevant.
Wildlife Photography:
Neither camera is devoted wildlife gear, but QX1’s better image quality and faster shutter speed make it marginally better for casual wildlife. Its burst rate and autofocus tracking limitations restrict serious use.
The ZS7’s slow burst, single AF mode, and small sensor limit animal photography.
Sports Photography:
Both cameras are lackluster for sports. The QX1 wins slightly with 4 fps and shutter speed up to 1/4000 s, but neither offers continuous autofocus or high frame rates seen in dedicated models.
Street Photography:
The ZS7’s discreet size and quiet operation make it well-suited for candid street shots, though slower AF speeds may cause missed moments.
The QX1, while not very stealthy on its own, paired with a smartphone offers creative shooting modes and control but is bulkier and more intrusive.
Macro Photography:
The ZS7 touts a minimum focusing distance of 3 cm, enabling close-up shots with built-in lens optics.
The QX1’s ability to accept macro lenses vastly extends its close-work potential, allowing superior magnification and focusing precision.
Night and Astro Photography:
Here, the QX1 clearly leads with superior high ISO capabilities and long shutter speed range, facilitating noise-free night and star images.
The ZS7’s small sensor struggles in low light, and lack of manual exposure controls limits long-exposure astrophotography.
Video:
Casual users will appreciate the stabilized 720p video on the ZS7, while the QX1 delivers better 1080p video but demands more stabilization effort.
Travel Photography:
The ZS7’s compactness, zoom, GPS tagging, and battery life recommend it for travel enthusiasts wanting an all-in-one camera.
The QX1, with modularity and lens swaps, suits travelers prioritizing image quality over instant convenience.
Professional Use:
Neither camera is aimed squarely at professionals. However, the QX1 supports RAW capture, essential for professional workflows, whereas the ZS7 lacks RAW support.
The QX1 also benefits from the broader Sony E-mount lens ecosystem, aiding versatility in professional settings.
Overall Performance Ratings and Genre Scores
These illustrations summarize the comparative strengths: the Sony QX1 excels in sensor-dependent categories and image quality, while the Panasonic ZS7 scores well for portability and all-in-one convenience.
Final Recommendations: Who Should Pick Which?
If you want a straightforward, pocketable camera that’s ready to shoot with an impressive zoom range, built-in GPS, and optical image stabilization for everyday and travel use - and RAW capture isn’t a must - the Panasonic Lumix ZS7 is a compelling choice.
But if you are willing to invest a bit more for:
- Significantly better image quality with a large APS-C sensor
- The creative freedom of interchangeable lenses
- RAW image capture for professional editing
- Bluetooth pairing and app-driven control
- Longer battery life
then the Sony Alpha QX1 will better serve your needs, especially for portrait, landscape, and low-light photography.
Closing Thoughts: Different Cameras for Different Goals
From my years of testing cameras, I can say neither the Panasonic ZS7 nor the Sony QX1 is a replacement for a high-end mirrorless or DSLR. Instead, they represent uniquely positioned tools - one for compact superzoom convenience, the other for modular mobile artistry.
Your decision should start with what you prioritize most. Want instant grab-and-go simplicity? The ZS7 is reliable and economical. Want creative control and superior image fidelity with flexibility? The QX1 unlocks those doors.
In either case, understanding their technical limits and strengths ensures you choose a camera that matches your vision and photographic aspirations.
If you want to see these cameras in action, I have detailed shooting tests and video walkthroughs available - feel free to ask!
Happy shooting, and may your next camera inspire your best images yet.
Panasonic ZS7 vs Sony QX1 Specifications
Panasonic Lumix DMC-ZS7 | Sony Alpha QX1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model | Panasonic Lumix DMC-ZS7 | Sony Alpha QX1 |
Other name | Lumix DMC-TZ10 | - |
Type | Small Sensor Superzoom | Lens-style |
Introduced | 2011-07-19 | 2014-09-03 |
Body design | Compact | Lens-style |
Sensor Information | ||
Processor Chip | Venus Engine HD II | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.2 x 15.4mm |
Sensor surface area | 27.7mm² | 357.3mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
Highest Possible resolution | 4000 x 3000 | 5456 x 3632 |
Maximum native ISO | 6400 | 16000 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 11 | 25 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 25-300mm (12.0x) | - |
Maximal aperture | f/3.3-4.9 | - |
Macro focus range | 3cm | - |
Focal length multiplier | 5.9 | 1.6 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inch | - |
Resolution of display | 460k dot | 0k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/2000s | 1/4000s |
Continuous shutter speed | 2.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.30 m | 4.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Off, auto, fill, slow sync, rear sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) | 1920 x 1080 (30p) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video data format | AVCHD Lite | MPEG-4 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 218g (0.48 lbs) | 216g (0.48 lbs) |
Physical dimensions | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") | 74 x 70 x 53mm (2.9" x 2.8" x 2.1") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 440 photographs |
Form of battery | - | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2, 10 secs) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC, Internal | microSD, microSDHC, microSDXC, Memory Stick Micro |
Storage slots | Single | Single |
Retail pricing | $350 | $500 |