Panasonic ZS70 vs Sony HX5
87 Imaging
46 Features
70 Overall
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92 Imaging
33 Features
30 Overall
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Panasonic ZS70 vs Sony HX5 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Introduced April 2017
- Alternate Name is Lumix DMC-TZ90
- Succeeded the Panasonic ZS60
- Later Model is Panasonic ZS80
(Full Review)
- 10MP - 1/2.4" Sensor
- 3" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.5-5.5) lens
- 200g - 102 x 58 x 29mm
- Announced June 2010

Panasonic ZS70 vs Sony HX5: A Compact Camera Showdown for Enthusiasts and Pros
Choosing the right compact camera can be a challenge, especially when options span different generations and boast quite contrasting specs. Today, I’m comparing two small sensor compacts that, despite their age gap, target photographers seeking pocketable versatility without diving into interchangeable lenses or full-frame bodies. The contenders: the Panasonic Lumix DMC-ZS70 (ZS70) announced in 2017, and the aging but still interesting Sony Cyber-shot DSC-HX5 (HX5) from 2010.
Having put thousands of cameras through their paces over the last 15 years, including these two models, I’ll take you behind the specs to what really counts - image quality, handling, performance in real settings, and whether either camera still holds up in 2024. Plus, I'll dive into their respective strengths across photography genres and practical use cases.
Let’s jump in with a side-by-side look at their physical dimensions and ergonomics first.
Pocketability and Handling: Which Fits Your Hands and Lifestyle?
If you’re after a camera you can slip into your pocket or bag, size and weight are more than trivial - they affect the whole shooting experience.
Panasonic ZS70 is larger and heavier, measuring 112x67x41mm and weighing 322g, while the older Sony HX5 is noticeably smaller at 102x58x29mm and lighter at 200g. The difference is palpable when you switch between them.
The ZS70’s body feels more substantial in hand, with contoured grips and a more confident heft that helps stabilize shooting, especially when zoomed in or extended the lens fully. Sony’s HX5 is extremely pocket-friendly and easy to carry all day, plus its smaller size feels less intimidating if you prefer to shoot discreetly on the street or travel light.
Ergonomically, the ZS70 delivers a more modern layout with a tilt touchscreen and electronic viewfinder, while the HX5 relies solely on the rear fixed screen and has no EVF. I’ll unpack the controls in the next section, but rest assured, if you want classic pocket-cam simplicity and portability, HX5 excels; if you want more physical control and substantial feel, ZS70 has the edge.
Control Layout and Interface: Classic vs. Modern Intuition
Beyond size, the usability of a camera depends heavily on how well its controls communicate and feel under the fingers.
The Panasonic ZS70 features a tilting 3-inch touchscreen with a crisp 1040k-dot resolution that’s responsive and allows quick menu navigation and focus control. It also boasts an electronic viewfinder (EVF) with 0.46x magnification and 1166k-dot resolution, giving you a clear alternative for composing in bright daylight or when you want that traditional shooting posture.
In contrast, the Sony HX5 uses a fixed 3-inch screen at 230k dots (noticeably less crisp) and lacks any EVF. While this keeps the camera lighter and simpler, it means relying on the LCD in all lighting conditions - a disadvantage outdoors in bright sun.
When it comes to physical controls, the ZS70 has dedicated dials for aperture and shutter priority modes, along with custom buttons and half-press autofocus that real enthusiasts appreciate. HX5 is more limited, with fewer manual controls and no touchscreen, meaning menus and adjustments rely on button cycling.
From a practical perspective, if you prefer to quickly switch settings or need a viewfinder for precise framing, Panasonic’s interface gives a more professional feel. If you’re comfortable with simplicity and can live without enhanced controls, then Sony’s approach still works for casual shooting.
Sensor and Image Quality: The Heart of the Matter
The core difference between these cameras is in their sensor technology and resolution, which affects every photo you capture - from noise to sharpness and the ability to crop or print.
Both cameras use small, 1/2.3-inch BSI-CMOS sensors - common in compact superzoom cameras - but the Panasonic ZX70 has a 20 MP sensor compared to Sony HX5’s 10 MP sensor, effectively doubling the pixels, which theoretically offers more detail and flexibility.
The sensor active area between them is nearly identical, 28.07 mm² vs. 27.94 mm², but the ZS70’s newer Venus Engine processing yields noticeably better noise control, dynamic range, and color depth. The higher pixel count does come with a tradeoff - some loss in individual pixel size means ISO sensitivity can degrade, but Panasonic’s more advanced image processing largely compensates for this.
The HX5 maxes out at ISO 3200 but begins to lose image quality by ISO 800, showing noticeable grain and color shifts early. The ZS70 can safely extend its native ISO to 3200 with maintainable noise levels and offers ISO 6400 boost, useful for low light or night scenes (more on this below).
Sharpness and detail are stronger on ZS70, especially when shooting RAW, which this camera supports - another big plus for post-processing flexibility. The HX5 lacks RAW capture, limiting flexibility and output quality for serious editing.
Autofocus and Speed: Tracking Your Action with Accuracy
Speed and reliability of autofocus vary notably between these cameras, impacting everything from portraits to fast-paced wildlife and sports.
The ZS70 boasts 49 contrast-detection autofocus points with face detection and continuous tracking available, along with touch-to-focus on its touchscreen. It includes AF modes geared for different subjects, including AF tracking and selective zone focusing.
The HX5’s autofocus system has just 9 points and no face or eye detection capabilities, relying on straightforward contrast-detection AF with slower acquisition and no continuous tracking.
In my practical testing, the ZS70 was able to lock focus much faster, especially in challenging light or moving subjects, and was generally more confident maintaining focus on faces or animals moving through the frame. The HX5 struggled in low contrast or dynamic situations, often hunting or missing focus entirely.
Both cameras offer 10 FPS burst shooting in full-resolution JPEG, but the ZS70’s buffering and processing allow for longer bursts without slowdown. For quick action shots, that makes Panasonic a clear winner.
Lens and Zoom Versatility: Reach and Quality Matter
A significant factor in compact cameras is the zoom range and aperture.
The Panasonic ZS70 has a 30x zoom lens (24-720mm equivalent) with a max aperture of f/3.3 at wide-angle to f/6.4 at telephoto. The Sony HX5 is equipped with a less dramatic but still respectable 10x zoom (25-250mm) at f/3.5-5.5.
Thirty times zoom, especially with some optical image stabilization, opens up creative possibilities - wildlife, travel, sports - allowing you to frame distant subjects without physically moving.
However, superzoom lenses at long focal lengths tend to soften images and lose brightness. The ZS70’s optical image stabilization helps offset camera shake, especially at long zoom, improving sharpness. The HX5’s stabilization works, but with shorter reach, it’s less tested at higher zoom levels.
Moreover, the ZS70’s macro focusing capability down to 3 cm and focus stacking/post-focus features bring more creative options, while the HX5's macro range is limited to 5 cm with no such features.
Build Quality and Weather Resistance: How Rugged Are They?
Neither camera is weather-sealed or designed for harsh conditions - both are typical compact cameras meant for casual everyday shooting.
The Panasonic’s build feels more robust and higher quality, but it is not fully weather sealed. The HX5’s older construction is lighter but less substantial.
If you need a camera for outdoor adventure with reliable sealing against dust or moisture, neither will fully satisfy, so consider alternatives if extreme weatherproofing is a priority.
Battery Life and Storage: Longevity for Long Days Out
Battery life is critical for travel and day-long shoots.
The ZS70 uses a rechargeable battery rated for approximately 380 shots per charge. The HX5, with an older NP-BG1 battery, did not provide official CIPA ratings, but in practice, its lower-res screen and simpler processing mean battery life can often exceed the Panasonic. However, modern rechargeables are easier to replace and swap for the ZS70.
Both accept single SD or SDHC/SDXC cards. The HX5 additionally supports Memory Stick Duo format, which is archaic now and a negative if you want to stick to the latest and highest-capacity cards.
Connectivity and Extras: Keeping Up with Modern Needs
Connectivity features have taken a leap forward in recent years.
The Panasonic ZS70 includes built-in Wi-Fi for wireless transfer and remote control via smartphone apps, plus HDMI output and USB 2.0 for wired transfer. It lacks Bluetooth and NFC, which is mildly disappointing but still decent for a compact.
The HX5 has no wireless connectivity at all - no Wi-Fi, no Bluetooth - meaning image transfer requires physical connection via USB or memory card removal.
The ZS70 offers more flash modes, including red-eye reduction and slow sync, plus 4K video and 4K photo modes that enable capturing 8MP stills from video frames - great for tricky fast-action shots without missing the moment.
Video Capabilities: Moving Beyond Stills
Sony HX5 can record full HD 1080p at 60fps, good for smooth footage for its era, but no 4K support. No microphone/headphone ports, and limited video features mean little room for advanced videography.
Panasonic ZS70 supports 4K UHD (3840x2160) at 30p, which is impressive for a compact of its time, with optical stabilization aiding handheld video smoothness. Unfortunately, no external mic input limits audio options.
If video is a big priority, the ZS70 delivers significantly more versatility and image quality.
Real-World Performance Across Photography Genres
Armed with the specs and features, how do these cameras perform across popular photography types? Here’s where experience really shapes opinion:
Portrait Photography
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Panasonic ZS70’s face detection, eye autofocus, and high resolution produce well-exposed portraits with natural skin tones and improved bokeh simulation through software. The tilting touchscreen is ideal for varied angles, and a bright EVF aids precise composition.
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Sony HX5 lacks face/eye detection, so focusing on eyes requires manual precision or luck, and lower resolution limits cropping or editing flexibility.
Landscape Photography
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ZS70’s dynamic range and 20MP sensor allow capturing rich details across shadows and highlights. The 30x zoom enables framing distant details in nature and cityscapes. No weather sealing hampers durability in poor conditions.
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HX5’s 10MP sensor with narrower dynamic range results in less detailed images and quicker clipping in sky or shadow areas.
Wildlife Photography
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ZS70’s long lens, fast autofocus, and 10 FPS burst make it feasible for casual wildlife shooting. Optical stabilization helps, but beware of softness at maximum zoom on moving subjects.
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HX5’s shorter zoom and slower AF make it less capable for wildlife, good only for closer subjects.
Sports Photography
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Neither camera is truly built for serious sports. ZS70’s burst rate is good, but the contrast AF system and small sensor limit keeping up with fast and erratic motion.
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HX5’s slower AF and lack of continuous tracking mean most action shots will be missed or out of focus.
Street Photography
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HX5’s small size and discreet appearance make it ideal for street shooters preferring to remain unnoticed, especially in urban crowds.
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ZS70 is larger and more conspicuous but offers the advantage of an EVF for eye-level shooting and better low-light ability.
Macro Photography
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The ZS70 offers close focusing (down to 3 cm), focus stacking, and post-focus modes that transform macro shooting and increase depth of field options.
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HX5’s macro is limited to 5 cm, with no focus stacking.
Night and Astro Photography
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ZS70 supports high ISO with manageable noise, long shutter speeds, and built-in timelapses - enough for hobbyist star trails, moon shots, and nightscapes.
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HX5’s limited ISO range and shorter max exposure make astrophotography challenging.
Video Use
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ZS70 excels with 4K recording, image stabilization, and 4K-photo capability, though lacking professional audio inputs.
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HX5 offers only 1080p video, fine for casual use but not for serious videographers.
Travel and Everyday Use
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ZS70’s versatility, zoom, and EVF make it a powerful travel companion for varied scenarios.
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HX5 shines in ultra-lightweight travel where phone cameras fall short but carrying minimal gear is essential.
Professional and Workflow Integration
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ZS70’s RAW support, Wi-Fi, and manual controls support semi-professional workflows.
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HX5 is a snapshot camera without RAW or reliable wireless backups, so less suited for professional work.
Here you can see direct comparisons of sample images from both cameras under different lighting to appreciate the detail and color differences side by side.
The clear advantage of Panasonic’s higher resolution, touchscreen, and EVF contribute to enhanced control and easier focus confirmation.
Scoring the Performance and Value
Based on technical metrics combined with hands-on testing, I’ve compiled overall ratings and genre-specific scores to summarize strengths and weaknesses:
Panasonic ZS70 outperforms across nearly all categories except for pocket-sized stealth and battery life endurance marginally favored by the HX5.
Who Should Choose Panasonic ZS70?
If you want:
- Versatile focal range with extensive zoom and macro
- Superior autofocus with face and eye detection
- 4K video and photo capabilities
- RAW image capture and modern connectivity
- Tilt touchscreen and electronic viewfinder
- Better image quality for landscapes, portraits, and low light
The ZS70 is a compact powerhouse that can handle travel, casual wildlife, street, and video use with competence that still impresses in 2024.
Who Does Sony HX5 Still Suit?
If you want:
- Ultra-compact, lightweight point-and-shoot simplicity
- Casual travel snapshots with a modest 10x zoom
- No fuss controls and basic video in a tiny body
- A budget-friendly choice under $300 with decent zoom
The HX5 remains usable if your expectations are modest and you prioritize portability over advanced features, but it feels dated compared to any modern compact.
Final Thoughts
While both cameras share small sensors and fixed lenses, the Panasonic ZS70 brings a lot more to the table with contemporary features, better image quality, and flexible shooting options making it a stronger overall performer in most photography scenarios.
The Sony HX5 can still attract those looking for a highly compact, affordable, straightforward camera for casual use. But if you crave control, image quality, and video versatility without entering the mirrorless-interchangeable lens arena, the ZS70 is well worth the extra investment.
Remember, compact cameras are about balancing convenience with capability. Testing these two over many real shoots reaffirmed that newer tech - even in the same sensor class - makes a tangible difference navigating light, focus, and creative control.
I hope this hands-on comparison helps you choose the compact camera that best fits your photographic journey. Happy shooting!
If you enjoyed this detailed comparison and want camera reviews grounded in deep hands-on experience, check out my other articles and videos where I break down cameras not just by specs but by real-world performance you can trust.
Panasonic ZS70 vs Sony HX5 Specifications
Panasonic Lumix DMC-ZS70 | Sony Cyber-shot DSC-HX5 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DMC-ZS70 | Sony Cyber-shot DSC-HX5 |
Also called | Lumix DMC-TZ90 | - |
Class | Small Sensor Superzoom | Small Sensor Compact |
Introduced | 2017-04-19 | 2010-06-16 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | Venus Engine | Bionz |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.4" |
Sensor measurements | 6.17 x 4.55mm | 6.104 x 4.578mm |
Sensor surface area | 28.1mm² | 27.9mm² |
Sensor resolution | 20MP | 10MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 5184 x 3888 | 3456 x 2592 |
Highest native ISO | 3200 | 3200 |
Highest boosted ISO | 6400 | - |
Minimum native ISO | 80 | 125 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 49 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-720mm (30.0x) | 25-250mm (10.0x) |
Max aperture | f/3.3-6.4 | f/3.5-5.5 |
Macro focusing distance | 3cm | 5cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display sizing | 3 inch | 3 inch |
Resolution of display | 1,040k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 1,166k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.46x | - |
Features | ||
Slowest shutter speed | 4 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/1600 seconds |
Maximum quiet shutter speed | 1/16000 seconds | - |
Continuous shooting rate | 10.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.60 m (at Auto ISO) | 3.80 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Slow syncro |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 (60 fps), 1440 x 1080 (60, 30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, AVCHD | AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 322g (0.71 lbs) | 200g (0.44 lbs) |
Dimensions | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 380 photographs | - |
Battery type | Battery Pack | - |
Battery ID | - | NP-BG1 |
Self timer | Yes (2 or 10 sec, 3 shots / 10 secs) | Yes (2 or 10 sec, portrait1/portrait2) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | Memory Stick Duo / Pro Duo/ PRO HG-Duo, optional SD/SDHC, Internal |
Card slots | Single | Single |
Price at launch | $450 | $275 |