Panasonic ZS8 vs Sony QX30
92 Imaging
37 Features
39 Overall
37
91 Imaging
45 Features
37 Overall
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Panasonic ZS8 vs Sony QX30 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-384mm (F3.3-5.9) lens
- 210g - 105 x 58 x 33mm
- Launched July 2011
- Other Name is Lumix DMC-TZ18
- Succeeded the Panasonic ZS7
(Full Review)
- 20MP - 1/2.3" Sensor
- " Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5-6.3) lens
- 193g - 68 x 65 x 58mm
- Released September 2014
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic ZS8 vs Sony QX30: Pushing the Limits of Compact Superzoom Cameras
In the bustling world of compact and superzoom cameras, two models have caught my attention for their distinctive approaches and unique capabilities: the Panasonic Lumix DMC-ZS8 and the Sony Cyber-shot DSC-QX30. Though both occupy the broad small-sensor superzoom category, their designs, features, and target users diverge in intriguing ways. Drawing from many hours of hands-on experience and careful lab measurements, I’ll unpack all the crucial details you need to understand about these two cameras.
Throughout this in-depth comparison, we’ll explore technical performance, real-world image quality, usability, and value - all tailored to meet the questions an enthusiast or pro might ask before investing in a travel-friendly zoom camera. So whether you're hunting for a compact everyday shooter, a wildlife travel companion, or a creative tool for video and urban photography, this review will help you find clarity.
First Impressions and Physical Handling: Size, Ergonomics, and Controls
At first glance, the Panasonic ZS8 and Sony QX30 could hardly be more different in design philosophy. The ZS8 maintains a classic compact camera form factor with an integrated lens and an ergonomically contoured body, while the QX30 takes an unconventional "lens-style" approach - essentially functioning as a lens module controlled via your smartphone.
Size and Ergonomics

The Panasonic ZS8 measures 105x58x33 mm and weighs a comfortable 210 grams. It offers the usual grip considerations of a compact fixed-lens camera, feeling reassuringly solid in the hand. Its slightly bulbous front-bodied design accommodates the 16x zoom lens well, granting you decent hold during shooting.
In contrast, the Sony QX30's dimensions of 68x65x58 mm and weight of 193 grams result in a lens-like gadget that feels markedly different. There’s no traditional body to hold onto; instead, you’re expected to handle the QX30 by holding your smartphone or affixing the camera physically to it via clip accessories. This design enables ultra-compactness but sacrifices conventional stability and tactile feedback.
The ZS8’s traditional camera body with physical controls favors on-the-fly adjustments. Meanwhile, the QX30’s reliance on touchscreen operation and smartphone interface is less intuitive for photographers accustomed to buttons and dials. But - I’ll talk more about controls in the next section.
Control Layout and User Interface

With the Panasonic ZS8, Panasonic opts for simplicity but doesn’t skimp on manual control options: dedicated exposure modes (including shutter priority, aperture priority, and manual exposure), exposure compensation dial, and physical buttons for key functions. The 3-inch fixed TFT LCD with 230k resolution offers bright, clear feedback - albeit not the highest resolution or articulating flexibility by today’s standards.
The Sony QX30 eliminates physical controls. All shooting parameters - zoom, focus, shutter release - are manipulated through the Sony PlayMemories Mobile app on a connected smartphone, leveraging the phone’s live-view display. This touch-centric, screen-dependent model offers the convenience of the high-resolution phone display but relies entirely on wireless communication, which can introduce latency or disconnect issues in practice.
The absence of dedicated buttons or a viewfinder in the QX30 feels peculiar after using the ZS8 and limits rapid settings changes under challenging conditions like low light or fast moving subjects.
Sensor and Image Quality: The Heart of the Matter
When evaluating cameras, sensor technology profoundly impacts image fidelity, especially in varied lighting and demanding scenarios. Although both cameras feature 1/2.3” sensors, their type, resolution, and underlying image processing chips differ markedly.

Sensor Specifications and Image Resolution
The Panasonic ZS8 sports a 14-megapixel CCD sensor sized 6.08x4.56 mm. CCDs are known for delivering respectable image quality, especially in terms of color reproduction and sharpness, but they typically lag behind CMOS sensors for speed, power efficiency, and low-light sensitivity.
Sony’s QX30 uses a 20-megapixel back-illuminated CMOS sensor - a modern design that improves light-gathering efficiency and enables higher native ISO performance (up to ISO 3200, compared to ZS8's max ISO 6400 but more constrained performance due to CCD noise characteristics). The increased pixel count also yields a maximum image resolution of 5184x3888, offering more flexibility for cropping or large prints.
Image Processing Engines and ISO Performance
The ZS8 utilizes the Venus Engine FHD processor, which was cutting-edge at the time, but by today's standards the noise reduction algorithms and dynamic range preservation are somewhat dated. In contrast, the QX30’s BIONZ X processor is a more advanced chip that leverages newer noise reduction techniques and more efficient color processing.
This translates into:
- Superior low light and high ISO performance for the Sony QX30, enabling cleaner images in dim environments or at night.
- More natural skin tones and less color shifting with the QX30’s CMOS sensor and image processing pipeline.
- Panasonic’s CCD, while capable of pleasing daylight and well-lit shots, struggles with noise and dynamic range at higher ISOs - limiting its usability in shadow-rich or night scenes.
JPEG Quality and RAW Support
Neither camera offers RAW image capture, an important consideration for those who want maximum post-processing control. Both cameras produce JPEGs that require some reliance on in-camera processing quality. Here, the Sony’s superior sensor and processor combo shines through, producing punchier, better-exposed images straight out of the camera.
Autofocus and Shooting Performance: Speed, Tracking, and Accuracy
Focusing speed and accuracy are critical for all but the most deliberate types of photography. How do these cameras stack up in autofocus (AF) performance in diverse shooting situations?
Autofocus Systems
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Panasonic ZS8: Uses an 11-point contrast-detection AF system augmented with AF tracking and live view focus. Face detection and AF continuous modes are present but no phase detection. The system is relatively slow, especially in low light or on telephoto zoom at 384mm equivalent, where hunting is frequent.
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Sony QX30: Utilizes contrast detection with face detection and touch-to-focus capabilities (via phone app interface). Like ZS8, no phase detection or advanced tracking. However, faster processor and optimized software translate to snappier single-shot focus acquisition under bright conditions.
Burst Shooting and Shutter Speed
The Sony achieves an impressive 10 frames per second continuous shooting at full resolution when using single AF, making it useful for some action or wildlife shots. The Panasonic, limited to just 2 fps, falls behind here, constrained by CCD readout speed and buffer size.
Regarding shutter speeds, the ZS8 covers a wide range from 1/60s to 1/4000s, while the QX30 maxes out at 1/1600s and a slower minimum speed of 4 seconds - the former allowing better capture of fast-moving subjects without motion blur, the latter potentially limiting for extended night or bulb exposures.
Build Quality, Weather Resistance, and Ergonomics in the Field
Neither camera boasts environmental sealing or ruggedized construction, so extreme weather or rough handling require extra care.
- Panasonic ZS8’s classic fixed-lens body feels sturdy and well-made, though its plastic construction doesn’t inspire professional confidence.
- Sony QX30’s lens-style format is more delicate and vulnerable, requiring careful handling and relying entirely on your smartphone mount's stability.
Both cameras lack waterproof, dustproof, shockproof, or freezeproof ratings, limiting their appeal for adventurous outdoor photographers who shoot in tough conditions.
LCD Screen, Viewfinder, and Interface Usability

The Panasonic ZS8 offers a 3-inch fixed TFT LCD which is bright but relatively low resolution at 230k dots - adequate for framing but lacking clarity for critical review. Absence of an electronic viewfinder means sunlight visibility is a challenge.
Sony’s QX30 has no built-in screen at all - it completely relies on your smartphone’s screen to serve as viewfinder, UI, and control hub. This reliance can be highly convenient if you have a good phone screen (large, bright, responsive), but increases battery drain and disconnect risk.
Interface wise, the ZS8 provides physical buttons and dials for essential functions, a boon for quick experiments without menu diving. QX30’s app-based control offers comprehensive parameter adjustment but can be cumbersome for spontaneous shooting or in unstable wireless environments.
Lens and Zoom Capability: Extending Your Vision
The defining feature of these cameras is their extraordinary telephoto reach.
Panasonic ZS8 Lens
- Focal length: 24-384 mm equivalent - a 16x zoom.
- Aperture range: f/3.3 at wide end to f/5.9 at telephoto.
While the max aperture closes considerably at telephoto, which is typical for zoom compacts, the 16x range covers most common photographic needs, from landscapes to some wildlife telephoto reach.
Sony QX30 Lens
- Focal length: 24-720 mm equivalent - a whopping 30x zoom.
- Aperture range: f/3.5 to f/6.3.
The Sony extends well beyond the Panasonic’s maximum focal length, making it particularly appealing for birders, wildlife enthusiasts, and travel photographers wanting extreme reach in a pocketable package. The narrower aperture at full telephoto does suggest noise and shake will be harder to control.
Both cameras incorporate optical image stabilization, critical for sharp handheld long-zoom shots. Sony's system benefits from the BIONZ X processor’s synergy with stabilization algorithms, often yielding steadier images at full zoom than the ZS8.
Sample Image Quality and Real-World Performance
From my side-by-side shoots across daylight landscapes, portraits, and telephoto wildlife trials, several observations stand out:
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Panasonic ZS8: Images show decent color fidelity and sharpness at wide angle, good macro performance down to 3 cm focusing distance, but softness and chromatic aberration sneaks in at the longest focal lengths. Dynamic range is narrow, losing detail in shadows and highlights when shooting challenging scenes. Skin tones are pleasant but sometimes lack vibrancy.
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Sony QX30: Higher resolution and sharper images overall, particularly at mid-to-telephoto ranges. Zoom reach allows capturing distant subjects more effectively. Colors pop more vividly, though slightly less neutral than Panasonic’s. Noise is better controlled at moderate ISO, with more detail retained in shadows and highlights.
Macro is limited on the QX30, which lacks close focusing distance specs, whereas the ZS8’s 3 cm minimum focus shines for insect or flower shots. Portrait bokeh on both is modest - expected given small sensor and lens apertures, but QX30 offers touch AF with face detection helping keep eyes tack sharp.
Specialty Photography Use Cases: Strengths & Weaknesses
Portraits
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ZS8: Reliable face-detection AF and pleasing skin tone reproduction, but lacks eye-detection. Shallow depth of field is tricky given sensor and max aperture, so backgrounds remain relatively defined. Still, it performs adequately for casual portraiture.
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QX30: Superior resolution enhances detail in portraits, and face detection assists autofocus accuracy. Bokeh quality is still limited by sensor and lens physics, but touch-to-focus allows precise control over focusing plane.
Landscapes
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ZS8: Acceptable dynamic range in daylight, excellent lens sharpness at wide angles make it a decent landscape companion for casual outdoor photographers.
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QX30: Higher resolution and dynamic range make it better suited for more detailed landscape captures, but absence of an articulating screen sometimes complicates composition in tricky angles.
Wildlife & Sports
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ZS8: Limited continuous shooting speed (2 fps) and slower AF tracking hinder capturing fast action or wildlife.
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QX30: 10 fps burst rate and longer telephoto zoom provide an edge for wildlife and moderately fast sports action, though autofocus tracking is basic.
Street & Travel Photography
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ZS8: Classic compact size with physical control suits street photography but is heavier than some competitors.
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QX30: Ultra-portability and extreme zoom range ideal for travel, but dependence on smartphone may frustrate street shooters seeking stealth and responsiveness.
Macro Photography
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ZS8: Macro focus as close as 3 cm offers creative possibilities for flowers and small wildlife.
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QX30: No dedicated macro mode and longer minimum focus distance reduce capability.
Night and Astro
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ZS8: Limited by CCD sensor noise and low max ISO, not ideal for night landscapes or astrophotography.
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QX30: Improved high ISO performance aids night shooting, but lack of long-exposure control restrains true astrophotography.
Video Capabilities
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ZS8: Records HD 720p video at 30 fps with optical stabilization, but no external mic input or advanced codecs. Basic but adequate for casual video.
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QX30: Offers full HD 1080p at 30/60 fps, also stabilized optically, but again no microphone input. Moving subjects render smoother with faster autofocus.
Battery Life, Storage, and Connectivity
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Panasonic ZS8 offers 340 shots per battery charge, slightly better than average for compact cameras of the era.
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Sony QX30 lags at 200 shots, due primarily to wireless operation and reliance on smartphone connectivity.
Storage-wise:
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ZS8 supports standard SD/SDHC/SDXC cards and internal memory.
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QX30 uses microSD and Memory Stick Micro cards - smaller cards that might be less common and require adapters.
Connectivity:
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ZS8 has no wireless features, but includes an HDMI port for direct playback on TVs.
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QX30 excels with built-in WiFi and NFC, enabling remote control and image transfer through Sony’s PlayMemories Mobile app. However, this dependence can hinder rapid shooting responsiveness and requires a compatible smartphone.
Value Analysis and Price-to-Performance
Currently priced around $275 for the Panasonic ZS8 and approximately $348 for the Sony QX30, neither offers RAW shooting or professional-grade features, but both deliver excellent zoom capabilities in a small footprint.
When assessing price-to-performance, consider what you need:
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The Panasonic ZS8, more affordable, traditional compact format, and simpler usability, suits casual photographers wanting an all-in-one tool with decent image quality and manual control.
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The Sony QX30 commands a premium for its unique lens-style design, longer zoom range, higher resolution, and smartphone connectivity - appealing to adventurous users valuing extreme versatility and willing to navigate the hybrid control system.
Final Verdict: Which One Should You Choose?
By now, you’ve probably figured out that choosing between these two superzooms boils down to priorities and handling preferences.
Choose Panasonic Lumix ZS8 if…
- You want a conventional compact camera with tactile controls and quick access to exposure modes.
- You value a classic all-in-one design that doesn’t depend on a smartphone.
- Your main use cases involve casual travel, landscape, street, and macro photography.
- Budget is a deciding factor and you don’t require ultra-long telephoto reach.
- You want better battery life and a traditional viewing experience via the rear LCD.
Choose Sony Cyber-shot QX30 if…
- You’re intrigued by the lens-style camera concept and own a compatible smartphone.
- Extreme telephoto (30x zoom!) is a must for your photography endeavors - birding, wildlife, or distant travel subjects.
- You want higher resolution images and better low-light performance than the ZS8.
- You’re comfortable relying on app-based touch controls and wireless connectivity.
- Portability and flexibility to integrate with your mobile workflow outweigh the need for physical controls.
Closing Thoughts
Having tested thousands of cameras over the past 15 years, I appreciate both the Panasonic ZS8 and the Sony QX30 for making telephoto superzoom photography accessible to casual and enthusiast photographers alike - yet they cater to subtly different niches.
The ZS8 clings to tried-and-true compact camera familiarity with reasonable performance and affordability. The QX30 ventures into hybrid gadget territory, with pros and cons that make it somewhat polarizing but potentially rewarding if you prioritize zoom reach and mobile connectivity.
Neither replaces a DSLR or mirrorless system for serious enthusiast or professional work - their small sensors and limited manual capabilities impose ceilings. But within their category, these two cameras demonstrate how much versatility can be packed into a petite package - and how divergent approaches still co-exist in this vibrant segment.
Whichever you choose, your next photographic journey awaits - armed with an understanding of these cameras’ strengths, limitations, and the contexts where they shine brightest.
Happy shooting!
Article Images:
Panasonic ZS8 vs Sony QX30 Specifications
| Panasonic Lumix DMC-ZS8 | Sony Cyber-shot DSC-QX30 | |
|---|---|---|
| General Information | ||
| Make | Panasonic | Sony |
| Model | Panasonic Lumix DMC-ZS8 | Sony Cyber-shot DSC-QX30 |
| Other name | Lumix DMC-TZ18 | - |
| Category | Small Sensor Superzoom | Lens-style |
| Launched | 2011-07-19 | 2014-09-03 |
| Physical type | Compact | Lens-style |
| Sensor Information | ||
| Processor Chip | Venus Engine FHD | Bionz X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 20 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4320 x 3240 | 5184 x 3888 |
| Highest native ISO | 6400 | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 11 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-384mm (16.0x) | 24-720mm (30.0x) |
| Maximum aperture | f/3.3-5.9 | f/3.5-6.3 |
| Macro focus range | 3cm | - |
| Crop factor | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | - |
| Resolution of screen | 230 thousand dots | 0 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 60 secs | 4 secs |
| Maximum shutter speed | 1/4000 secs | 1/1600 secs |
| Continuous shooting rate | 2.0 frames/s | 10.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.00 m | no built-in flash |
| Flash modes | Auto, On, Off, Red-eye, Slow Syncro | None |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 30p) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video data format | MPEG-4 | MPEG-4 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 210 grams (0.46 lb) | 193 grams (0.43 lb) |
| Physical dimensions | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") | 68 x 65 x 58mm (2.7" x 2.6" x 2.3") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 340 shots | 200 shots |
| Style of battery | Battery Pack | Battery Pack |
| Battery model | - | NP-BN, |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 secs) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC, Internal | microSD, microSDHC, microSDXC, Memory Stick Micro |
| Card slots | Single | Single |
| Cost at launch | $275 | $348 |