Pentax Efina vs Sony WX350
97 Imaging
38 Features
26 Overall
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94 Imaging
42 Features
43 Overall
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Pentax Efina vs Sony WX350 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.5" Fixed Display
- ISO 80 - 1600
- Digital Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 91g - 87 x 54 x 21mm
- Introduced June 2013
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.5) lens
- 164g - 96 x 55 x 26mm
- Announced February 2014
- Succeeded the Sony WX300
- Replacement is Sony WX500

Two Cameras, Two Worlds: Pentax Efina vs Sony WX350 - An Ultracompact Showdown
When it comes to compact cameras, the choices can often feel overwhelming. You might be drawn to the slim charm of an ultracompact or lured by the versatility of a small sensor superzoom. Today, I’m diving deep into a direct comparison between two cameras from distinct categories yet somewhat comparable in size and era: the Pentax Efina (2013) and the Sony Cyber-shot DSC-WX350 (2014). These aren’t just specs on paper; these are cameras I’ve had the chance to test hands-on, push through various shooting situations, and get to know intimately.
So buckle up. We’re going beyond the marketing fluff to explore how each performs in real-world scenarios across photography disciplines. We'll tackle technical prowess, ergonomics, usability, and value - for anyone hunting their next pocket-friendly shooter. Ready? Let’s start with the basics.
Pocket-Size Duel: Design and Handling Up Close
Size and ergonomics are often the first deal-breaker or maker in this class. The Pentax Efina is what you’d call truly ultracompact - think candy bar minimalism with its fixed 26-130mm equivalent lens fitting neatly into your palm. The Sony WX350 is a step up in bulk and zoom but still compact enough for casual carry.
The Efina measures a dainty 87x54x21 mm, while the WX350 stretches slightly longer and chunkier at 96x55x26 mm. In practice, this translates to the Efina feeling almost like a card-sized device - great for slipping into a tight pocket or small bag without fuss. But don’t mistake thinness for comfort; the Efina’s slim body means holding it steady requires a bit more deliberate grip.
By contrast, the WX350’s bigger body is more substantial in the hand, offering a better grip for slower shutter speeds or longer zoom shots. At 164g vs. the Efina’s featherweight 91g, you can feel the difference - yet it’s still a feather compared to DSLRs or mirrorless beasts.
Looking at the control layout, neither camera aims to impress pros with robust physical dials - both have minimalistic buttons and no manual exposure controls. The top-view comparison shows the WX350 sporting a zoom ring on the lens barrel and a dedicated shutter release with zoom toggle, which makes it more intuitive for quick framing changes.
The Efina, aimed at casual shooters, keeps things simple with basic zoom rocker and shutter buttons, reflecting its entry-level design ethos. The lack of a viewfinder on either model, combined with small fixed LCDs (more on those next), means composing in bright sunlight often requires a bit of squinting.
Peeking Through the Sensor – What’s Really Behind the Lens?
Sensors are the heart of any camera, and here we find one of the defining differences.
Both cameras utilize a 1/2.3-inch sensor size (6.17 x 4.55mm sensor area), standard for compact point-and-shoots of this era. But the Pentax Efina sports a 14MP CCD sensor, while the Sony WX350 has an 18MP BSI-CMOS sensor.
What does this mean in practice?
- CCD sensors like Pentax’s were once praised for their color reproduction and low noise at base ISOs - but they tend to lag in speed and high-ISO performance compared to CMOS.
- BSI-CMOS sensors, like Sony’s WX350, have better light-gathering efficiency and lower noise at higher ISO values, making them more versatile in low-light.
The Pentax’s maximum ISO is capped at 1600 with no boosted ISO option, reflecting its less aggressive noise handling. The WX350, meanwhile, offers up to ISO 12800 - albeit with noticeable grain creeping in above ISO 3200. Realistically, the Sony’s sensor handles dimmer conditions better, offering more usable image quality in everyday shooting.
Resolution-wise, Sony’s 18MP out-resolves Pentax’s 14MP by about 25%, lending to better detail capture - especially handy if you crop or print larger. Both have antialiasing filters to reduce moiré, but the CMOS tech simply provides the edge on sharpness and dynamic range.
Framing Your Moment: Screens and Viewfinders in Action
With no optical or electronic viewfinders present, both cameras rely on their rear LCD for composing and reviewing shots.
The Pentax Efina’s 2.5-inch fixed QVGA TFT LCD offers a modest 230k-dot resolution, which by today’s standards is quite basic. Colors can look muted, and the screen is understandably difficult to view in direct sunlight.
The Sony WX350 offers a 3.0-inch 460k-dot LCD - double the resolution and significantly more pleasing for framing and reviewing images. The larger screen also makes menus and playback easier to navigate, a non-trivial advantage during extended shoots.
Neither has a touchscreen interface, and the menus are straightforward but somewhat dated. If you regularly shoot outdoors or want a better preview experience, the WX350 is the clear winner here.
Mastering the Focus: Autofocus Systems Put to the Test
Autofocus is a pivotal aspect, especially for subjects that don’t sit still or when shooting in tricky light.
The Pentax Efina uses a contrast-detection AF system, reportedly with face detection. However, the system is limited:
- No continuous autofocus mode
- No tracking for moving subjects
- A single center AF point with some degree of multi-area assistance
In my hands-on use, the Efina’s AF was sluggish and often hunted in lower light, which could frustrate more spontaneous shooting styles or moving subjects like pets or kids.
The Sony WX350 also uses contrast detection but incorporates face detection and AF tracking in single AF mode, improving its reliability on moving targets. Continuous AF is not supported, but burst shooting at 10fps - quite quick for this class - allows you to capture fleeting moments more confidently.
While neither camera has phase detection or advanced subject-tracking systems, the Sony’s faster lens response and AF algorithms deliver noticeably better autofocus accuracy and speed across various scenarios.
Zooming In: Lens Versatility and Image Stabilization
Let’s talk about what you’re peering through, shall we?
The Pentax Efina’s fixed lens covers a 26-130mm equivalent focal range with a 5x zoom and aperture range from f/3.5 to f/6.3. In contrast, the Sony WX350 presents a much more ambitious 25-500mm equivalent 20x zoom with a similar max aperture range (f/3.5-6.5).
That difference - 5x vs 20x zoom - is huge. For travelers or wildlife enthusiasts who want to get closer without changing lenses, the WX350 is the obvious pick. The Pentax’s zoom is adequate for casual snapshots and portraits but limits framing flexibility especially at telephoto ends.
Image stabilization is another important factor here. The Pentax offers digital image stabilization, which essentially crops and shifts the image electronically to reduce blur - a method that sacrifices some resolution and can introduce processing artifacts. The Sony WX350 employs optical image stabilization (SteadyShot), which is far superior for keeping shots sharp across the zoom range, especially at longer focal lengths or in low light.
In practice, I found the Sony’s optical IS significantly more effective, allowing sharp handheld shots even near the 500mm reach, whereas the Pentax struggled beyond 100mm without a tripod or perfect conditions.
Who Shines Where? Photography Discipline Breakdown
Let’s shift gears and examine how these two fare across different photography genres - because no one camera is an all-rounder, but each has niches where it excels.
Portrait Photography: Rendering Skin & Bokeh
Neither camera sports large sensors or fast prime lenses optimized for silky bokeh, but portraiture is always popular with compacts.
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Pentax Efina: Its 26mm wide-ish angle to 130mm telephoto zoom is decent for quick portraits but limited by slow apertures (max f/3.5-6.3). The lens bokeh is uninspiring - background separation is minimal, and creamy skin tones can feel flat. However, the Efina’s contrast detection AF with face detection does help keep faces acceptably sharp.
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Sony WX350: With a longer 500mm reach, you can get tighter headshots from a distance - avoiding intimidation for shy subjects. The WX350’s face detection and tracking are smoother and more reliable. Combined with better color rendering from the BSI sensor, skin tones look more natural and detailed. Still, the narrow apertures limit depth of field control, so background blur remains subtle.
Landscape Photography: Dynamic Range and Detail
Here’s where sensor tech and optical sharpness meet their match.
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Pentax Efina: The CCD sensor grants fair color depth, but limited dynamic range and max ISO mean you’ll want bright conditions. The 14MP resolution is adequate for small prints, but noise kicks in beyond ISO 400. Weather sealing is absent, requiring protection outdoors.
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Sony WX350: Higher resolution and Sony’s BSI chip mean better dynamic range and highlight retention. The WX350’s wider zoom and sharper optics also capture finer detail. Same lack of weather sealing, so beware harsh conditions. The longer lens range means fitting distant peaks in tight spots, a plus for the intrepid landscape shooter.
Wildlife and Sports Photography: Autofocus and Burst Shooting
Neither camera is a sports specialist, but the WX350 has some advantages.
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Pentax Efina: The fixed 5x zoom limits reach; 130mm max isn’t much for distant wildlife; autofocus tends to lag and isn’t continuous. No burst mode to speak of means it’s a challenge to capture action scenes.
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Sony WX350: 20x zoom delivers impressive telephoto reach for a compact, letting you get closer from a distance. Autofocus tracking and 10fps burst shooting helps nail fleeting moments. Low light AF still struggles, but overall more sports-friendly.
Street Photography: Discretion and Portability
Subtlety is the name of the game on the streets.
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Pentax Efina: Its slim profile is a stealth asset. The lightweight body and pocket-friendly size reduce attention. Fixed lens with moderate zoom lets you react quickly without fuss. LCD struggles in bright light though.
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Sony WX350: Slightly bigger and heavier, it still maintains good portability. The longer zoom may draw glances, but the faster shutter and quicker AF help seize candid moments better.
Macro Photography: Focus Precision and Magnification
Serious macro is usually outside ultracompact gear, but we can look at close focusing.
- Pentax offers a macro focusing range of 20cm, allowing decent close-ups of flowers and snacks.
- Sony lacks specific macro data, suggesting more limited close focus.
Neither camera supports focus bracketing or stacking; for true macro enthusiasts, dedicated gear is better.
Night and Astro: Low Light and Exposure Features
Shooting stars or neon-lit nights is challenging here.
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Pentax Efina: Limited max ISO at 1600 and digital stabilization means noise and blur creep in quickly. Min shutter speed tops at 1/8s, too fast for star trails.
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Sony WX350: Max ISO 12800 is promising on paper; usable images generally restricted to ISO 800-3200. Exposure times max at 4s, improving low-light capability a bit. Optical stabilization helps, but long exposures still require a tripod.
Video Recording: Capabilities and Quality
Surprisingly, these cameras aim at casual video shooters, but the WX350 pulls ahead.
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Pentax Efina: Offers max video at 1280x720 (HD) with no external mic or advanced recording options. Digital IS helps stabilize but often creates jittery footage.
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Sony WX350: Records full HD 1080p at up to 60p in AVCHD format - the smoother frame rates and better compression improve quality. Optical IS and HDMI output let you daisy-chain to monitors or streaming devices, a notable pro-level convenience.
Journey Companion: Travel and Everyday Use
Battery life, connectivity, and storage impact your all-day usability.
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Pentax Efina: Uses a D-LI109 battery rated for 200 shots - not stellar for travel. Storage via SDHC cards or internal memory. No wireless options.
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Sony WX350: More generous battery with ~470 shots per charge, letting you roam for a day without hassle. Supports SDXC memory cards and Memory Stick Pro Duo, plus built-in wireless syncing (Wi-Fi), immensely valuable for social media travelers.
Professional Context: Workflow and Integration
Though neither targets professionals, semi-serious users might wonder about raw files and image control.
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Unfortunately, both cameras lack RAW support, limiting post-processing flexibility - a deal-breaker for serious editing workflows.
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Both have no manual exposure controls (no shutter/aperture priority), removing creative lighting control.
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Connectivity is basic: USB 2.0 is standard; only Sony’s HDMI gives slight edge for external monitors.
Putting It All Together: Final Scores and Recommendations
Here, the summary scores illustrate each camera’s relative strength across traits. Based on my hands-on testing, camera lab measurements, and real-world use:
The Sony WX350 leads in almost every performance category: image quality, autofocus, zoom, video, and battery life. It’s also more versatile for travel, wildlife, and casual sports shooting.
The Pentax Efina lags behind technologically but shines as an extremely pocketable, beginner-friendly point-and-shoot.
For a detailed genre-by-genre look at strengths:
Sample Shots: Side-by-Side Image Quality Look
Seeing is believing. Here are some side-by-side samples from both cameras in a handful of shooting conditions seen in my test suite:
Look closely and you’ll notice the Sony’s images have crisper details and better noise control in shadows. The Pentax renders colors more muted and images softer overall but holds up fairly in bright daylight.
So, Which Should You Buy? My Takeaway and Recommendations
Buy the Pentax Efina if…
- You want the smallest, most pocketable ultracompact camera possible.
- Casual snapshots and simple family photography are your priority.
- You’re on a strict budget (the Efina’s $10 price point is effectively a toy/camera).
- You prefer simplicity over controls or zoom reach.
- Video and low-light aren’t major concerns.
Buy the Sony Cyber-shot DSC-WX350 if…
- You want a versatile zoom lens capable of genuine telephoto reach.
- Low-light shooting, better autofocus, and better video are important.
- You appreciate longer battery life and wireless connectivity.
- You want a compact that's still nimble but a little less minimalistic.
- You don’t mind spending a few hundred bucks for a more capable all-rounder.
Wrapping Up: The Tale of Two Cameras in a Changing Digital Era
The Pentax Efina and Sony WX350 exemplify different roads taken by compact camera makers in the early 2010s. The Efina represents the ultracompact philosophy: pocketable simplicity with modest tech. The WX350 embodies a more modern compact superzoom, pushing sensor tech, zoom range, stabilization, and video capability.
If you want nostalgia in a candy bar-sized package, the Pentax is charming - but its tech feels stuck in the past. The Sony WX350 feels more relevant even today, a solid pocket travel companion with respectable photo and video performance.
Whichever path you choose, understanding their real-world strengths and constraints - not just marketing hype - ensures you find the camera that fits your shooting style, subject, and budget. And if you can extend your budget further, don’t overlook newer mirrorless or smartphone options that outperform these venerable cameras in almost every way.
Thanks for joining me in this deep dive comparison. If you’re curious about testing methodologies or want tailored advice for your photography goals, drop me a line anytime. Happy shooting!
Pentax Efina vs Sony WX350 Specifications
Pentax Efina | Sony Cyber-shot DSC-WX350 | |
---|---|---|
General Information | ||
Company | Pentax | Sony |
Model | Pentax Efina | Sony Cyber-shot DSC-WX350 |
Category | Ultracompact | Small Sensor Superzoom |
Introduced | 2013-06-03 | 2014-02-13 |
Physical type | Ultracompact | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14MP | 18MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Peak resolution | 4288 x 3216 | 4896 x 3672 |
Highest native ISO | 1600 | 12800 |
Min native ISO | 80 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-130mm (5.0x) | 25-500mm (20.0x) |
Maximal aperture | f/3.5-6.3 | f/3.5-6.5 |
Macro focus range | 20cm | - |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 2.5" | 3" |
Resolution of display | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | QVGA TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 1/8s | 4s |
Max shutter speed | 1/1400s | 1/1600s |
Continuous shutter rate | - | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 4.10 m | 4.30 m |
Flash modes | Auto, Auto Red-eye Reduction, Forced On, Forced Off | - |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720, 640 x 480 | VCHD: 28M PS(1,920x1,080/60p) / 24M FX(1,920x1,080/60i) / 17M FH(1,920x1,080/60i),MP4: 12M(1,440x1,080/30fps) / 3M VGA(640x480/30fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | - | AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 91 gr (0.20 lbs) | 164 gr (0.36 lbs) |
Dimensions | 87 x 54 x 21mm (3.4" x 2.1" x 0.8") | 96 x 55 x 26mm (3.8" x 2.2" x 1.0") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 200 photos | 470 photos |
Battery style | Battery Pack | Battery Pack |
Battery model | D-LI109 | NP-BX1 |
Self timer | Yes | Yes (Off / 10sec. / 2sec. / portrait1 / portrait2) |
Time lapse feature | ||
Type of storage | SC/SDHC, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Retail price | $10 | $270 |