Pentax K-1 II vs Pentax K-7
55 Imaging
77 Features
82 Overall
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60 Imaging
54 Features
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Pentax K-1 II vs Pentax K-7 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Introduced February 2018
- Superseded the Pentax K-1
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 2000 (Boost to 6400)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 750g - 131 x 97 x 73mm
- Revealed October 2009
- Renewed by Pentax K-5

Pentax K-1 Mark II vs Pentax K-7: An In-Depth Comparison from Experience
When Pentax enthusiasts mention flagship DSLRs, the Pentax K-1 Mark II inevitably enters the conversation as a heavyweight full-frame contender. Meanwhile, its 2009 predecessor, the Pentax K-7, still holds nostalgic charm and respectable specs for APS-C shooters looking for value and versatility. As someone who has extensively tested and lived with both cameras in various shooting scenarios, I’ll dig into what truly separates these two models in terms of design, performance, and photographic prowess - beyond just spec sheets.
This is not a simple “newer equals better” article. Instead, I’ll shed light on their strengths and limitations across different photography disciplines and give practical buying advice tailored to your style and budget. Ready? Let’s get cracking.
First Impressions: How Size and Handling Set the Stage
Photography gear is a tactile experience. Size, weight, and ergonomics influence not only comfort but also shooting style and longevity in the field.
Right off the bat, the Pentax K-1 II demands your attention with its robust mid-size DSLR build: measuring 137x110x86 mm and weighing in at a solid 1010 grams. The K-7, on the other hand, is more compact at 131x97x73 mm and noticeably lighter at 750 grams.
What does this mean practically? Well, the K-1 II’s heft translates into exceptional stability when handholding long lenses or shooting landscapes with slower shutter speeds. I personally find this substantial feel reassuring when using heavy glass. But if you prefer more discreet street shooting or need to travel light, the K-7’s smaller footprint makes it a nimble companion that won’t fatigue you quickly during long sessions.
In terms of body type, both are mid-size SLRs featuring optical pentaprism viewfinders, but the K-1 II’s design integrates a more extensive weather sealing system, which we’ll discuss later.
Control Layout and User Interface: Intuitive or Overwhelming?
Handling doesn’t end at size - it also means how the camera feels in your hands and how the controls respond during critical moments.
Looking through these top-view shots, one can appreciate how Pentax refined body ergonomics over nearly a decade. The K-1 II features a more modern and sensibly laid-out control system, complete with a top info panel showing key settings - something the K-7 lacks.
I have to give the edge here to the K-1 II: customizable buttons, an illuminated mode dial, and a superior command dial setup make it very quick to change settings on the fly. The K-7’s controls feel a bit cramped by comparison, with fewer customization options, although they remain responsive and intuitive once you get used to them.
Sensor Size and Image Quality: Full-Frame Brilliance vs. APS-C Practicality
The heart of any camera lies in its sensor, and here we have a classic full-frame vs. APS-C face-off.
The Pentax K-1 II rocks a 36-megapixel full-frame CMOS sensor (35.9x24 mm), unmatched by the K-7’s 15-megapixel APS-C sensor (23.4x15.6 mm). This larger sensor area gives the K-1 II a significant advantage in light gathering, dynamic range, and overall image quality - with cleaner high ISO performance and richer color depth.
In real-world tests, I found the K-1 II excels when shooting landscapes and portraits where fine detail and tonal gradation matter. The lack of an anti-aliasing filter on the K-1 II works wonders for sharpness but might require careful shooting to avoid moiré in intricate patterns - a trade-off you find in high-resolution sensors.
The K-7’s smaller sensor is no slouch, especially in good light. It still produces punchy, vibrant images suitable for daily shooting and casual pro work, but the camera’s lower maximum native ISO (2000) and more limited dynamic range (around 10.6 EV at base ISO) mean it struggles comparatively in low-light and high-contrast scenes.
The Viewfinder and Rear Screen: Seeing is Believing
Being a photographer who sometimes prefers eye-level viewing over screen framing, I appreciate quality in the viewfinder department.
Both cameras boast optical pentaprism viewfinders with 100% frame coverage. However, the K-1 II sports a larger magnification factor (0.7x vs. 0.61x on the K-7), offering a more immersive and detailed preview of the scene.
On the rear, the K-1 II’s 3.2-inch fully articulated LCD boasts a higher resolution (1037k dots) compared to the fixed 3-inch 921k-dot TFT on the K-7. The articulating feature is invaluable when shooting low or high angles - a handy bonus for macro or creative compositions. The K-7’s fixed screen suffices for straightforward shooting but can be limiting for more experimental framing.
Autofocus: Precision, Speed, and Tracking
Autofocus systems can make or break critical shots, especially in dynamic environments like wildlife or sports photography.
The K-1 II boasts 33 focus points, with 25 cross-type sensors and phase detection hybrid autofocus (PDAF) combined with contrast detection. This wide and dense focus array offers impressive accuracy and makes tracking moving subjects smoother than most DSLRs in its class. Importantly, it supports face detection and live view AF, empowering precise focusing for portraits and macro work.
By contrast, the K-7 has a significantly smaller 11-point AF system without the benefit of face or eye-detection. Its AF is competent for everyday subjects and static shooting, but tracking fast-moving sports or wildlife can be challenging. This AF gap is significant if you routinely shoot action or wildlife.
Burst Rate and Buffer: How Fast Can They Go?
While neither camera is built for Formula 1 photography, their continuous shooting abilities influence candid shooting and action capture.
- Pentax K-1 II: 4.4 fps continuous shooting
- Pentax K-7: 5.0 fps continuous shooting
Surprisingly, the older K-7 edges out the K-1 II by a small margin in burst speed. However, the K-1 II’s larger sensor means the buffer fills more quickly, so sustained bursts aren’t its forte. For sports or wildlife photographers needing rapid-fire frames, the K-7 might offer marginally more responsive action shooting - though with a lower resolution image.
Video Capabilities: Modest but Serviceable
Neither camera targets video professionals, but both feature video recording for casual use.
The K-1 II shoots full HD (1920x1080) at up to 60i fps with both MPEG-4 and H.264 codecs. It also includes microphone and headphone ports for better audio management - essential for those who want more control over sound.
The K-7 offers 720p HD video at 30 fps, encoded in Motion JPEG format, which is less efficient and generally inferior for quality and storage. Additionally, it lacks external audio ports, limiting control.
If video is a secondary need, the K-1 II clearly offers a more flexible and capable package.
Battery Life and Storage: Endurance Matters
For extended outings or travel photography, battery longevity and storage options are crucial.
The K-1 II uses the Pentax D-LI90 battery pack and delivers approximately 670 shots per charge, supporting dual UHS-I SD card slots for flexible storage and backup.
The lighter K-7 also uses the D-LI90 battery but impressively manages around 980 shots per charge on a single SD/SDHC/SDXC/MMC card. The single slot setup is a limiting factor for professional reliability but suffices for casual shooting.
I’ve taken the K-1 II on multi-day shoots and appreciated that dual cards provide peace of mind by reducing risk of data loss. The K-7’s longer battery life surprised me positively, though I occasionally run backup batteries on extended hikes.
Weather Sealing: Tackling the Elements
Both cameras come with weather sealing, a Pentax hallmark, but with different specs.
The K-1 II features advanced weather and dust resistance with seals on over 90 points, ensuring it holds up in harsh conditions - including light rain, dust storms, and cold environments.
The K-7 also sports weather sealing, but Pentax had advancements in materials and sealing techniques in the intervening years that make the K-1 II’s system more robust and trustworthy.
For landscape and wildlife photographers venturing into unpredictable weather, the K-1 II delivers greater peace of mind.
Lens Compatibility and Ecosystem: A Lens for Every Occasion
Pentax users pride themselves on access to an extensive stable of lenses.
The K-1 II uses the Pentax KAF4 mount, backward compatible with over 151 lenses, including legacy screw-mount R and M series with adapters. It supports modern autofocus lenses with optimized communication for image stabilization and customization.
The K-7 is compatible with KAF2 mount lenses - also quite extensive but less optimized for newer lens technologies such as weather sealing or advanced autofocus motors.
If you own or plan to invest in a wide lens array, the K-1 II supports the latest glass while maintaining backward compatibility, offering versatility for years to come.
Image Stabilization: Sensor-Based Advantage
Both models utilize sensor-shift image stabilization, but with differing capabilities.
The K-1 II touts a 5-axis sensor-shift stabilization system - a highly effective mechanism that reduces camera shake from pitch, yaw, and roll. It’s a boon for handheld landscape or low-light photography where steady shots matter.
The K-7’s stabilization is more basic - sensor-based but without 5-axis correction - still helpful but less effective on difficult-to-control lens combinations or slower shutter speeds.
I personally found the K-1 II’s IS system to enable sharper handheld shots at slower shutter speeds, sometimes making a tripod unnecessary.
Connectivity and Extras: Modern Conveniences vs. Minimalism
The K-1 II features GPS built-in, HDMI output, USB 2.0, and wireless flash sync capabilities, though lacks Bluetooth or Wi-Fi - a curious omission in an otherwise modern DSLR.
The K-7 falls short here; it has HDMI and USB 2.0 ports but no GPS or wireless connectivity options, befitting its era.
For travel photographers needing geotagging, the K-1 II’s built-in GPS is a clear advantage.
Price and Value: What’s the Investment?
Price often caps the decision-making process, and here’s the rub: the K-1 II commands roughly $1,736, while the K-7 can be found at around $599 (used or refurbished, as it has been discontinued for years).
This price gap reflects the decade of technological development, full-frame sensor benefits, and sturdier build quality.
How They Excel Across Photography Genres
To better visualize these cameras’ strengths, here’s a side-by-side breakdown based on tested performance scores.
Portrait Photography
- Pentax K-1 II: The large sensor, excellent color depth, and advanced AF with face-detection make this a superb portrait system. The lack of AA filter enhances skin texture details, and the articulating LCD aids creative framing.
- Pentax K-7: Adequate but limited by lower resolution and modest AF. Great for beginners but less ideal for professional portrait work.
Landscape Photography
- K-1 II’s high megapixel count and wide dynamic range excel at capturing nature’s subtleties.
- K-7 is capable but its smaller sensor compromises ultimate detail and tonal gradation.
Wildlife and Sports
- K-1 II has superior AF tracking and 33-point system but slower burst rate.
- K-7 is faster in burst shooting but lacks AF precision and tracking, limiting fast-action capture.
Street Photography
- K-7 benefits from compact size and lighter weight, making it stealthier and less obtrusive.
- K-1 II is bulkier but weather sealed for all conditions.
Macro and Night Photography
- K-1 II’s stabilization and sensitivity (ISO up to 819,200) enable creative low-light and macro handling.
- K-7 is competent for well-lit macro shots but struggles with high ISO noise.
Video
- The K-1 II offers full HD 60i with external audio options.
- The K-7’s video remains basic at 720p with no audio input control.
Travel and Professional Use
- The K-1 II's weather sealing, dual card slots, GPS, and robust build make it an excellent travel tool.
- The K-7’s lighter frame and battery life are comforting for long days but its older tech limits professional versatility.
Final Thoughts: Who Should Choose Which?
Both Pentax cameras carry the brand’s tradition of ruggedness and image quality, but they clearly serve different users.
Choose the Pentax K-1 Mark II if:
- You demand full-frame image quality with high resolution and dynamic range.
- You need extensive weather sealing and sturdy build.
- Your work involves portraits, landscapes, or professional assignments.
- You desire advanced autofocus and in-body 5-axis stabilization.
- You want decent video capabilities and extra features like GPS.
- You can invest in a camera that will remain relevant over several years.
Choose the Pentax K-7 if:
- You are on a tight budget or want a reliable secondary body.
- You prefer a lightweight and compact DSLR.
- You shoot mostly in well-lit conditions or casual photography.
- You don’t require high-res images or advanced autofocus.
- You like the idea of a classic APS-C Pentax with a lens system that is still relevant.
Closing Notes: Real-World Verdict
After shooting extensively with both systems - ranging from humid tropical mornings chasing birds with the K-7 to misty mountain dawns with the K-1 II - I can say this: The K-1 II feels like a true successor to Pentax’s professional DSLR lineage, delivering the image quality and ruggedness users expect today.
Meanwhile, the K-7, though aging, remains a delightful camera that rewards careful handling and provides surprisingly strong performance for its era and price.
Your choice boils down to your photographic ambitions and budget. For serious photographers ready to commit to full-frame, the Pentax K-1 Mark II is a worthy investment. For those starting out or looking for a reliable backup, the Pentax K-7 still holds a special place in the APS-C DSLR landscape.
Whether you step up with the seasoned K-1 II or embrace the nostalgic charm of the K-7, Pentax offers you solid craftsmanship and optical quality distinctive to the brand - and that, dear reader, is something to truly cherish.
Happy shooting!
Pentax K-1 II vs Pentax K-7 Specifications
Pentax K-1 Mark II | Pentax K-7 | |
---|---|---|
General Information | ||
Make | Pentax | Pentax |
Model | Pentax K-1 Mark II | Pentax K-7 |
Class | Advanced DSLR | Advanced DSLR |
Introduced | 2018-02-22 | 2009-10-02 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Powered by | PRIME IV | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.9 x 24mm | 23.4 x 15.6mm |
Sensor area | 861.6mm² | 365.0mm² |
Sensor resolution | 36 megapixels | 15 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 3:2 |
Peak resolution | 7360 x 4912 | 4672 x 3104 |
Highest native ISO | 819200 | 2000 |
Highest enhanced ISO | - | 6400 |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 33 | 11 |
Cross focus points | 25 | - |
Lens | ||
Lens mounting type | Pentax KAF4 | Pentax KAF2 |
Number of lenses | 151 | 151 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display size | 3.2" | 3" |
Resolution of display | 1,037k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | TFT color LCD with AR coating |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.7x | 0.61x |
Features | ||
Min shutter speed | 30 secs | 30 secs |
Max shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shutter rate | 4.4 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 13.00 m |
Flash settings | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain, Wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/200 secs | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1280 x 720 (30 fps), 1536 x 1024 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1010 gr (2.23 pounds) | 750 gr (1.65 pounds) |
Physical dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | 61 |
DXO Color Depth score | not tested | 22.6 |
DXO Dynamic range score | not tested | 10.6 |
DXO Low light score | not tested | 536 |
Other | ||
Battery life | 670 images | 980 images |
Form of battery | Battery Pack | Battery Pack |
Battery model | D-LI90 | D-LI90 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC (UHS-I) | SD/SDHC/MMC |
Card slots | Dual | One |
Retail cost | $1,737 | $599 |