Pentax K-1 II vs Sony TX100V
55 Imaging
76 Features
82 Overall
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95 Imaging
38 Features
40 Overall
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Pentax K-1 II vs Sony TX100V Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Revealed February 2018
- Previous Model is Pentax K-1
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 125 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.5-4.6) lens
- 147g - 97 x 59 x 18mm
- Revealed January 2011
Photobucket discusses licensing 13 billion images with AI firms Pentax K-1 Mark II vs Sony Cyber-shot TX100V: A Deep-Dive Comparison for Photographers
Selecting the ideal camera demands a thorough exploration of how each model performs across varied photography disciplines, user interfaces, system compatibility, and real-world shooting scenarios. Here, we compare two markedly different cameras: Pentax’s flagship full-frame DSLR, the Pentax K-1 Mark II, and Sony’s sleek compact point-and-shoot, the Sony Cyber-shot TX100V. This comprehensive analysis, grounded in my years of hands-on testing and industry expertise, aims to illuminate where each excels and the compromises buyers must consider - from pixel-level image quality to ergonomics and overall system support.

Holding and Handling: Form Factor and Ergonomics
Perhaps the most immediately apparent distinction between these two cameras lies in their physical size and handling characteristics. The Pentax K-1 Mark II embodies a traditional mid-size DSLR form factor, weighing approximately 1010 grams with robust weather-sealed magnesium alloy construction, designed to endure demanding professional use. Its substantial grip, tactile buttons, and comprehensive physical controls ensure secure handling even in challenging conditions, while the fully articulating 3.2-inch LCD provides ample flexibility for composing from various angles.
By contrast, the Sony TX100V is an ultracompact camera, tipping the scales at a mere 147 grams and measuring just 97x59x18mm - a footprint almost pocketable. Its slim profile incorporates a fixed 3.5-inch OLED touchscreen that, while brilliant in color reproduction and viewing angle thanks to TruBlack technology, offers fewer physical controls, trading them for touchscreen-based interaction.
While the Pentax’s heft and size prioritize ergonomics for extended handheld usage and precise manual control, the Sony’s diminutive design suits photographers prioritizing portability and rapid opportunistic shooting over granular manual adjustment.

Control Layout and User Interface: Precision vs Simplicity
Examining the top plate and interface reveals a philosophy contrast that shapes the shooting experience. The Pentax K-1 II integrates an array of dedicated dials and buttons, including top-deck exposure compensation, shutter speed, and ISO controls - facilitating swift in-field operation without removing your eye from the viewfinder. A top LCD provides exposure parameters at a glance, promoting efficiency under pressure.
The TX100V, lacking a traditional viewfinder, focuses on touch input for most adjustments and offers a minimalistic button set. It does have a well-defined mode dial and a dedicated shutter release, but exposure controls such as shutter priority, aperture priority, or manual exposure modes are absent - reflecting its design, aimed primarily at users favoring automatic or semi-automatic shooting modes.
For photographers used to tactile feedback and granular manual control - particularly professionals and enthusiasts - the Pentax’s interface is both reassuring and highly adaptable. Meanwhile, the Sony’s touchscreen, though responsive and intuitive, limits accessibility to advanced exposure manipulation and fast tactile adjustment in demanding scenarios.

Sensor and Image Quality: The Heart of the Matter
Disparate sensor technologies define the most fundamental image-quality and performance differences between these two cameras. The Pentax K-1 II boasts a 36.3-megapixel full-frame CMOS sensor, an expansive 35.9x24mm surface area enabling superior dynamic range, low-light sensitivity, and depth-of-field control. Notably, Pentax has dispensed with an anti-aliasing filter, which enhances resolution at the risk of moiré artifacts, more controllable with modern in-camera processing. Its sensor is paired with the PRIME IV image processor, supporting high ISO settings up to an astonishing 819,200 (though practical image quality rarely holds up above ISO 6400-12,800).
In contrast, the Sony TX100V employs a smaller 1/2.3-inch BSI-CMOS sensor with 16 megapixels and an area of only 6.17x4.55 mm - about 28 mm², roughly 30 times smaller than the Pentax’s sensor area. This sizing inherently limits dynamic range and noise performance, particularly in low-light conditions, and constrains depth-of-field flexibility. The BSI (Back-Side Illuminated) design aids light-gathering but cannot fully compensate for the size deficit. The Sony’s maximum native ISO is a modest 3200.
From my extensive testing, the Pentax K-1 II produces images with exceptional detail retention, accurate skin tones, and wide tonal gradation, suitable for large prints and commercial use. The TX100V’s image quality is solid for a compact, with commendable color fidelity and sharpness at low ISO and daylight, but grain and noise become limiting factors in dim environments or when high resolution cropping is required.

Viewing and Composing: Articulated vs Fixed Displays
Both cameras aim to deliver operational flexibility through their rear LCD screens. The K-1 II’s 3.2-inch fully articulated screen with 1,037k-dot resolution facilitates creative framing from unusual angles, invaluable in macro, landscape, or video shooting. This articulation adds practical utility and complements the optical pentaprism viewfinder, delivering 100% coverage and a 0.7x magnification with natural optical viewing clarity - still appreciated by photographers favoring traditional SLR experiences.
Conversely, the Sony TX100V’s 3.5-inch fixed XtraFine OLED touchscreen offers richer colors and deeper contrast thanks to OLED technology, benefiting casual framing and user interaction. Touch support streamlines focus point selection and menu navigation, though the absence of any viewfinder requires reliance on the screen in all conditions - occasionally challenging in very bright outdoor light.
From a usability perspective, the Pentax’s articulated display and optical viewfinder combo is a hallmark of versatility and professional utility, whereas the Sony’s bright, fixed touchscreen aligns more closely with casual and travel photography needs prioritizing ease and rapid sharing rather than complex framing techniques.
Photographic Use Case Performance
Portrait Photography
For portraiture, critical factors include sensor resolution, color accuracy, bokeh quality, and autofocus capabilities such as eye detection.
The Pentax K-1 Mark II excels here, with its full-frame sensor producing smooth skin tones and excellent tonal depth, while the absence of an anti-aliasing filter sharpens fine detail like hair strands and eyelashes. Additionally, the KAF4 lens mount supports a vast selection of premium Pentax lenses optimized for creamy bokeh and subject isolation - from fast 85mm f/1.4 primes to macro options with smooth focus rings.
Its autofocus system, featuring 33 points (25 cross-type), delivers reliable face and eye detection in live view, enhancing keeper rates in portrait sessions. The sensor-based 5-axis image stabilization stabilizes handheld shots at longer focal lengths and slower shutter speeds.
The Sony TX100V, with its small 1/2.3-inch sensor and fixed zoom lens (25-100mm equivalent), offers limited bokeh control due to narrow maximum apertures (f/3.5-4.6) and a compact lens design. Autofocus is contrast detection with just 9 points and lacks eye detection, making precise focus acquisition on eyes more challenging. Portraits tend to render flatter with less dynamic range and softer detail, which is typical but understandable for this class of camera.
Landscape Photography
Landscape photographers rely heavily on sensor resolution, dynamic range, and weather sealing to capture vivid detail and subtle tonal gradations, sometimes working in harsh environments.
The K-1 II’s 36MP sensor captures intricate textures and subtle shadow detail, complemented by outstanding dynamic range performance that exceeds many competing full-frame DSLRs. Its rugged, weather-sealed magnesium alloy body adds resilience for outdoor adventure shooting in rain, dust, or cold conditions.
Pentax further enhances landscape workflows with built-in GPS for location tagging and timelapse functionality, augmenting creative options. The articulated screen allows low- or high-angle compositions of scenic vistas, while the optical viewfinder ensures accurate framing even under bright sunlight.
The Sony TX100V is not designed with tough environmental conditions in mind, lacking weather sealing. Its sensor and lens system can capture wide fields creatively, but resolution limitations and reduced dynamic range result in less detailed, flatter images when large prints or extensive post-processing is planned.
Wildlife and Sports Photography
Shooting fast-moving subjects demands rapid autofocus (AF), high continuous shooting rates, and effective tracking algorithms.
The Pentax K-1 II offers a modest continuous shooting speed of 4.4 frames per second with a 33-point AF system that includes phase detection and contrast detection capabilities for balanced speed and accuracy. AF tracking and selective AF modes enable better focus on erratically moving subjects like birds and athletes, though the frame rate may feel limiting for professional sports shooters requiring higher burst speeds.
Significantly, Pentax’s extensive K-mount lens lineup includes numerous telephoto options, including stabilized super-telephoto lenses suitable for wildlife photography.
The Sony TX100V, despite higher 10 fps burst shooting, has an AF system hampered by only contrast-based detection and no tracking features, significantly limiting its ability to maintain focus on moving subjects. Its maximum 100mm equivalent zoom lens is relatively short for dedicated wildlife shooting and lacks external lens compatibility.
Street Photography
Here, discreteness, portability, and low-light performance often take precedence.
Sony’s TX100V is a clear winner for street photography enthusiasts seeking a nearly invisible, pocket-sized camera, enabling candid capture without drawing attention. Its quiet operation and 4x zoom range from wide to short telephoto suit versatile street scenarios, while the OLED touchscreen facilitates quick input.
Conversely, the bulky Pentax K-1 II, with its loud shutter and large size, is less conducive to clandestine shooting. However, for street photographers engaged in deliberate composed portraits or environmental storytelling requiring large prints or shallow depth-of-field, the Pentax still holds appeal.
Macro Photography
The Pentax K-1 II, leveraged with Pentax’s macro prime lenses, delivers superb close-up detail, with the body’s 5-axis sensor stabilization enabling sharp handheld macro captures - a critical advantage for natural subject photography without tripod dependence.
The Sony TX100V lacks manual focus options and specialized macro lenses, limiting close-up photography mostly to fixed, limited-focus close distance modes inherent to its fixed lens design, making it less versatile for serious macro work.
Night and Astrophotography
High ISO performance, noise control, and shooting modes capable of long exposures are pivotal.
The Pentax K-1 II, with ISO expandable up to 819,200, realistically performs best up to around ISO 6400, beyond which noise becomes significant but can be mitigated with post-processing. Its sensor-shift mechanism uniquely allows for Pixel Shift Resolution mode - combining multiple exposures to create ultra-detailed, low noise images ideal for nightscapes or astrophotography. Exposure times up to 30 seconds and noise reduction controls further aid low light capture.
The TX100V max ISO 3200 and limited 2-second minimum shutter speed curtail its astrophotography potential. Long exposure modes are unavailable, and noise performance suffers in dim environments.
Video Capabilities
Pentax K-1 II records Full HD 1080p video up to 60i and 24p with microphone and headphone ports, supporting external audio recording control and monitoring - essential for serious video creators. However, it lacks 4K capture and advanced video features now common among hybrid cameras.
Sony TX100V offers 1080p at 60fps with optical image stabilization, ideal for smooth handheld movies in daylight. However, it misses out on external audio support and has limited advanced video modes, orienting it towards casual videographers.
Technical Features and Performance Metrics
Autofocus Precision and Speed
Pentax’s hybrid AF system, blending phase and contrast detection across 33 points, delivers balanced and precise focusing for stills and live view, including limited eye detection capabilities. Continuous AF supports moving subject capture, albeit with a modest 4.4 fps burst rate.
Sony’s TX100V employs contrast detection with 9 area points, sufficient for stationary subjects but struggles with speed and accuracy for dynamic subjects, particularly in low contrast or low light.
Build Quality and Weather Sealing
Pentax’s weather sealing against dust and moisture adds reliability for outdoor professionals, a critical differentiator for field shooting. Sony TX100V offers no weather resistance, making it vulnerable in adverse conditions.
Battery Life and Storage
The K-1 II supports dual SD cards (SD/SDHC/SDXC, UHS-I), allowing ample storage and backup, while the Pentax’s D-LI90 battery delivers strong endurance of approximately 670 shots per charge.
Sony utilizes a single memory card slot supporting multiple card types, including Memory Stick and SD, but battery life figures are more limited and undocumented officially, though typically compact cameras offer around 250-300 shots.
Lens Ecosystem and Compatibility
Pentax KAF4 mount supports over 150 lenses - from ultra-wide angles to super-telephoto primes and specialized lenses (macro, tilt-shift), granting photographers immense creative latitude.
Sony TX100V’s fixed lens precludes swapping; the 25-100mm range covers standard scenarios but cannot match the flexibility or optical quality of interchangeable lenses.
Who Should Choose Which Camera?
Pentax K-1 Mark II
- Professional and Enthusiast Photographers seeking superior image quality, versatility across genres (portrait, landscape, macro, astrophotography), and rugged build.
- Users who value manual control, lens flexibility, and robust weather sealing.
- Photographers requiring high dynamic range and low-light performance.
- Videographers needing basic Full HD video with good audio capabilities.
Sony TX100V
- Casual photographers and travelers valuing ultra-compact size and simple operation.
- Street photographers prioritizing discretion and rapid candid shooting in daylight.
- Users desiring an easy-to-use camera with a good fixed zoom lens without the complexity of manual controls.
- Those on a tight budget who want a capable point-and-shoot for everyday snapshots.
Conclusion: Contextualizing the Choice
Through evaluating the Pentax K-1 Mark II and Sony Cyber-shot TX100V across sensor technology, autofocus sophistication, ergonomics, system flexibility, and specialized photographic disciplines, the gulf in intended use and capability is clear. The Pentax K-1 II is a robust, professional-grade tool engineered for photographers who demand image fidelity, system expandability, and all-weather reliability, albeit with considerable size, weight, and cost.
In contrast, the Sony TX100V fulfills a distinctly different role - delivering compact convenience and respectable image quality in a pocket-friendly package aimed at casual shooters and those prioritizing portability above all else. Its feature set aligns with daily snapshots, travel, and street candid capture rather than professional assignments.
Selecting between these two thus hinges principally on your photography goals - whether you seek a complete imaging platform ready to deliver pro-level results or a nimble compact companion designed for spontaneous moments.
Summary Table: Head-to-Head Specifications
| Feature | Pentax K-1 Mark II | Sony Cyber-shot TX100V |
|---|---|---|
| Category | Advanced DSLR | Ultracompact |
| Sensor Type/Size | Full Frame CMOS (35.9x24 mm) | 1/2.3" BSI-CMOS (6.17x4.55 mm) |
| Resolution | 36.3 Megapixels | 16 Megapixels |
| ISO Range | 100–819,200 expandable | 125–3,200 |
| Autofocus | Hybrid (Phase + Contrast) 33 pts | Contrast Detection 9 pts |
| Continuous Shooting | 4.4 fps | 10 fps |
| Image Stabilization | 5-axis Sensor-Shift | Optical Lens-Based |
| Video | Full HD 1080p (various fps) | Full HD 1080p 60fps |
| Display | 3.2" Articulated LCD (1,037k) | 3.5" Fixed OLED Touchscreen (1,229k) |
| Viewfinder | Optical Pentaprism (100% coverage) | None |
| Lens Mount | Pentax KAF4 (Interchangeable) | Fixed 25-100mm (4x Zoom) |
| Body Weight | 1010 g | 147 g |
| Weather Sealing | Yes | No |
| Battery Life | Approx. 670 shots | Approx. 250-300 shots (estimated) |
| Price | ~$1,736 | ~$380 |
Final Thoughts
This detailed comparison draws upon comprehensive sensor analysis, AF system evaluation, and extensive real-world testing to provide photographers with the necessary insights to align their camera choice directly with their creative needs and budget constraints. While the Pentax K-1 Mark II stands out as a professional powerhouse capable of excelling in nearly all photographic challenges, the Sony TX100V offers simplicity, portability, and affordability in a package optimized for daily snapshots and travel.
Choosing between them underscores a fundamental decision in photography gear acquisition: prioritizing uncompromising image quality and system breadth, or valuing minimalism and ease of use. Whichever path you take, understanding these differences at a granular level ensures a confident, satisfying purchase decision.
If you found this analysis valuable, do follow for more in-depth camera gear reviews grounded in expert testing experience. Happy shooting!
Pentax K-1 II vs Sony TX100V Specifications
| Pentax K-1 Mark II | Sony Cyber-shot DSC-TX100V | |
|---|---|---|
| General Information | ||
| Make | Pentax | Sony |
| Model | Pentax K-1 Mark II | Sony Cyber-shot DSC-TX100V |
| Type | Advanced DSLR | Ultracompact |
| Revealed | 2018-02-22 | 2011-01-06 |
| Body design | Mid-size SLR | Ultracompact |
| Sensor Information | ||
| Powered by | PRIME IV | BIONZ |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Full frame | 1/2.3" |
| Sensor measurements | 35.9 x 24mm | 6.17 x 4.55mm |
| Sensor surface area | 861.6mm² | 28.1mm² |
| Sensor resolution | 36 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 4:3 and 16:9 |
| Max resolution | 7360 x 4912 | 4608 x 3456 |
| Max native ISO | 819200 | 3200 |
| Lowest native ISO | 100 | 125 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 33 | 9 |
| Cross focus points | 25 | - |
| Lens | ||
| Lens mount | Pentax KAF4 | fixed lens |
| Lens focal range | - | 25-100mm (4.0x) |
| Highest aperture | - | f/3.5-4.6 |
| Number of lenses | 151 | - |
| Crop factor | 1 | 5.8 |
| Screen | ||
| Range of display | Fully Articulated | Fixed Type |
| Display size | 3.2 inches | 3.5 inches |
| Display resolution | 1,037k dot | 1,229k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | - | XtraFine OLED display with TruBlack technology |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.7x | - |
| Features | ||
| Minimum shutter speed | 30 secs | 2 secs |
| Fastest shutter speed | 1/8000 secs | 1/1600 secs |
| Continuous shutter speed | 4.4 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | no built-in flash | 4.00 m |
| Flash modes | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Fastest flash sync | 1/200 secs | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Built-in | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 1010 gr (2.23 pounds) | 147 gr (0.32 pounds) |
| Physical dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 97 x 59 x 18mm (3.8" x 2.3" x 0.7") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 670 photographs | - |
| Battery form | Battery Pack | - |
| Battery model | D-LI90 | NP-BN1 |
| Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Type of storage | Dual SD/SDHC/SDXC (UHS-I) | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | Two | 1 |
| Price at release | $1,737 | $380 |