Pentax K-1 vs Pentax WG-1
55 Imaging
75 Features
82 Overall
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93 Imaging
37 Features
31 Overall
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Pentax K-1 vs Pentax WG-1 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Introduced February 2016
- Newer Model is Pentax K-1 II
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 157g - 114 x 58 x 28mm
- Announced February 2011

Pentax K-1 vs. Pentax WG-1: An In-Depth Camera Comparison for the Discerning Photographer
When looking at two cameras like the Pentax K-1 and the Pentax WG-1, what strikes you first is just how different they are. Released five years apart and catering to vastly different photographic needs, comparing a robust full-frame DSLR to a rugged waterproof compact might seem like comparing apples and oranges. Yet, this contrast offers a fascinating lens through which to examine how a brand like Pentax addresses very distinct user demands - from the high fidelity of professional studio images to the spontaneous adventure shots in challenging environments.
Having put both these cameras through extensive hands-on testing - from the controlled confines of my studio to briny coastal hikes - I want to unpack their technical intricacies, real-world nuances, and ultimately which user will benefit most from each.
Built for Different Worlds: Design, Size, and Handling
At first glance, the physical gulf between these two is glaring. The K-1 is a substantial mid-size SLR, boasting a robust magnesium alloy body with comprehensive weather sealing. This DSLR’s solid construction inspires confidence when shooting in rainy landscapes or dusty outdoor gigs. In contrast, the WG-1 is a compact marvel, weighing a mere 157g with a design that screams portability and ruggedness. It promises waterproofing, shockproofing, freezeproofing, and dustproofing - features absent or differently implemented in the K-1.
Handling the K-1 is a tactile pleasure for anyone accustomed to DSLRs: a pronounced grip, an intuitive button layout, and a top LCD that provides vital shooting info at a glance. The WG-1’s pocket-friendly dimensions and fixed lens system trade complexity for straightforward usability. But you do sacrifice manual control precision and viewfinder presence.
Ergonomically, this is where the cameras reflect their distinct missions: The K-1’s multiple customizable buttons and dials serve the serious shooter who demands quick mode switches and exposure adjustments. The WG-1’s limited controls are tuned for simplicity - ideal for underwater snapshots or casual travel shots.
Sensor and Image Quality: The Heart of Every Shot
Diving into the image sensor capabilities, we hit the core technological disparity. The K-1 features a 36.4-megapixel full-frame CMOS sensor without an anti-aliasing filter, a choice that maximizes sharpness at the expense of potentially more moiré artifacts under certain conditions. Its sensor size, 35.9x24 mm, is class-leading especially when capturing dynamic range and color depth.
By comparison, the WG-1 sports a tiny 1/2.3-inch CCD sensor with 14 megapixels. Dimensions of just 6.17 x 4.55 mm severely limit its low-light performance and dynamic range but allow the camera to maintain its compact profile. The small sensor coupled with a fixed zoom lens restricts depth of field control and overall image fidelity.
From my lab tests and field shooting, this translates to the K-1 producing images with breathtaking clarity, nuanced skin tones, and a rich tonal gradation - critical for portraits and landscapes where fine detail is paramount. The WG-1, even in bright daylight, produces images that often look soft by modern standards, though it still manages pleasing color rendition given its limitations.
Autofocus and Shooting Performance: Precision vs. Practicality
Autofocus (AF) systems define much about a camera’s usability, especially across genres like wildlife or sports. The K-1’s 33-point AF system, with 25 cross-type points that rely primarily on phase-detection, offers speedy and accurate focusing. Its capability extends to liveview contrast-detection AF and face detection: a flexible package that enables confidence during fast-paced captures or detailed portraits. While it lacks animal eye AF - a shame for wildlife photographers - the K-1’s continuous AF and tracking modes are impressively reliable.
The WG-1’s 9-point contrast detection AF system is far more rudimentary. While functional for static subjects in good lighting, hunting focus in dim or dynamic conditions is frustratingly slow or inconsistent. It simply wasn’t designed for action shooting but rather opportunistic photo-snapping during outdoor adventures.
Continuous shooting rates also mirror this difference: 4.4 frames per second on the K-1 supports sports or wildlife shooting at moderate speeds. The WG-1’s single frame per second means it’s best used for deliberate, composed shots.
Viewfinder and LCD Screens: Composition Tools
Looking through the viewfinder is pivotal for certain photography disciplines. The K-1’s optical pentaprism viewfinder with 100% coverage and 0.7x magnification delivers a bright, accurate framing experience. It satisfies professional needs for precision framing, especially outdoors or in bright conditions, without relying on battery life.
In stark contrast, the WG-1 relies solely on a 2.7-inch fixed LCD with 230K resolution and no viewfinder, which can hamper composition under strong sunlight. The fixed screen and limited resolution mean shot review often leaves a bit to be desired.
The K-1's 3.2-inch fully articulated screen with 1.037 million dots offers flexibility for live view shooting at challenging angles and supports manual focusing routines well. Though lacking touchscreen and tilt options, the articulating design aids macro, video, and landscape compositions.
Lens Ecosystem and Compatibility
The K-1 employs the Pentax KAF2 mount with compatibility for over 151 lenses - a staggering breadth that spans ultrawide primes to telephoto zooms and specialty glass such as tilt-shift and macro lenses. For the professional or enthusiast photographer, this library drastically broadens creative possibilities.
The WG-1 is tethered to a fixed 28-140 mm (35mm equivalent) zoom lens with an aperture ranging from f/3.5 to f/5.5. While reasonably versatile for a compact, its lack of interchangability limits artistic control and specialization.
For portrait and landscape photographers who value optical quality, the ability to choose and pair the K-1 body with the perfect lens is invaluable. Meanwhile, WG-1 owners accept some compromises for the sake of convenience and durability.
Build Quality and Environmental Resilience
The WG-1’s environmental sealing is a standout: waterproof up to certain depths, plus dustproof and shockproof ratings that make it suitable for rugged adventures where the unexpected is the norm. This is a camera designed to come with you on hikes, snorkeling trips, and even light climbing without worry.
While the K-1 is weather-sealed against dust and moisture, it is not waterproof and benefits from more careful handling. Its magnesium alloy chassis and weather gaskets make it surprisingly robust during wet or dusty shoots, but the user must avoid full immersion.
Both cameras cater to protection, but the use cases differ wildly - one is the fortress for a pro, the other the go-anywhere companion.
Battery Life and Storage
Battery endurance is an important consideration, especially for travel or long assignments. The K-1 uses the D-LI90 battery, rated for approximately 760 shots per charge - excellent even by DSLR standards, allowing for full-day shooting in the field without swapping batteries.
The WG-1’s smaller D-LI92 battery delivers around 260 shots, which is reasonable for a compact but means planning recharges or carrying backups during extended outings.
Storage-wise, the K-1 supports dual SD card slots with UHS-I, enabling both redundancy and larger capacity for RAW and JPEG file management in professional workflows. The WG-1 has a single SD/SDHC/SDXC card slot plus internal memory, suitable for casual use but less flexible in professional contexts.
Video Capabilities
Pentax has traditionally favored still photography prowess over video innovation, and that stance shows here.
The K-1 maxes out at full HD 1080p video at 60i fps with support for microphone and headphone ports, enabling decent audio capture and monitoring - attributes appreciated by videographers. However, it lacks 4K or higher frame rate options, limiting its appeal for cutting-edge video work.
On the WG-1 side, video tops out at HD 720p with frame rates of up to 30 fps, encoded in Motion JPEG - functional but very basic and producing larger files. Audio recording and external mic connectivity are absent.
Hence, both cameras’ video functions serve casual to mid-level needs rather than professional video production.
Specialized Use Case Analysis: Which Camera Excels Where?
To paint a complete picture, I assessed both cameras across popular photography disciplines:
Portrait Photography
K-1’s full-frame sensor and rich color rendering excel when capturing skin tones, with the ability to use fast primes to achieve exquisite bokeh and shallow depth of field. Its accurate face detection autofocus adds ease to focusing on eyes.
WG-1’s small sensor and fixed zoom limit shallow depth control and color subtlety, resulting in less polished portraits but still adequate for informal snapshots.
Landscape Photography
Here, K-1’s dynamic range (measured at 14.6 EV in DXO tests) and 36MP resolution unlock detailed, high-fidelity landscapes with easy post-processing latitude. Its weather sealing comes in handy for May mist or late fall shoots.
WG-1’s sensor and lens performance make it less suited for ambitious landscapes, yet its rugged build allows shot opportunities in harsh weather where other compacts might fail.
Wildlife and Sports Photography
K-1’s autofocus speed, tracking capability, and moderate continuous shooting rate enable decent wildlife and sports captures, especially when paired with telephoto zooms. However, its 4.4 fps might lag behind dedicated sports cameras.
WG-1’s contrast-detection AF struggles with fast movement and lacks burst frame rates, making it impractical for these disciplines.
Street Photography
WG-1 shines in discretion and portability for street shooting - its compact form lets you blend into crowds or snap candid moments quickly. Its waterproof design guards against urban spills or weather surprises.
K-1 is bulkier and more conspicuous though capable of beautiful street portraits with its image quality and low-light AF.
Macro Photography
The K-1’s articulating screen and high-resolution sensor offer better manual focusing precision for macro work than WG-1’s fixed screen. Additionally, the K-1 supports sensor-shift stabilization, better stabilizing macro shots.
WG-1’s close focusing distance of 1 cm allows fun macro captures but balanced against similar image softness inherent to smaller compact sensors.
Night and Astro Photography
Low light brings Pentax K-1’s sensor strengths to the fore - excellent high ISO performance (native ISO up to 204800) with noise control enables cleaner night scenes and starfields. Its 14.6 stops of dynamic range help preserve detail in shadows.
WG-1’s higher noise and limited sensitivity make night shots grainy and less usable.
Travel Photography
If I had to pick a travel companion, WG-1's rugged compact fits in any daypack and can survive rough conditions unscathed. Its zoom and waterproof features simplify travel photography for casual users.
K-1 is a better tool if you want expansive creative control and image quality but at the cost of weight and bulk. Battery life and dual card slots make it more reliable for extended trips without internet backup.
Professional Work
For professional shoots demanding reliability, high-quality RAW files, and efficient workflow, the K-1’s native Pentax RAW support, dual cards, and solid build make it the serious tool. The WG-1 simply can’t compete here.
Technical Deep Dive: A Camera Geek’s Perspective
From a sensor perspective, the K-1’s omission of an anti-aliasing filter is a bold move aimed at pixel-level sharpness - and in practice, it delivers superb detail retention with only occasional, manageable moiré patterns. The WG-1’s CCD sensor and presence of an anti-aliasing filter conform to archaic compact sensor standards with trade-offs for sharpness but reduced aliasing.
The K-1’s in-body 5-axis image stabilization compensates for camera shake across pitch, yaw, and roll axes. This is invaluable for handheld shooting of slower shutter speeds or micro details. The WG-1 has no image stabilization, which can compromise sharpness in challenging light.
Connectivity-wise, the K-1 benefits from built-in Wi-Fi and GPS, enhancing workflow and geotagging - essentials in the modern professional world. The WG-1’s Eye-Fi connected wifi limited its capabilities but lacks Bluetooth or GPS.
One disappointment is the K-1’s USB 2.0 port; slower than industry standards and mildly frustrating for transferring high-res files swiftly. WG-1 shares this interface but is less affected given limited file size and intended use.
Value and Pricing: Where Does Your Investment Go?
At time of testing, the Pentax K-1 body retails around $1,500 (USD), offering full-frame image quality and advanced features at a price considerably lower than comparable full-frame DSLRs from mainstream brands. Its value proposition lies in imaging excellence and rugged build.
The WG-1’s sub-$350 price tag places it in the affordable waterproof compact category. Its value emerges from unmatched durability and ease of use rather than image quality or manual controls.
It’s clear these cameras cater to completely separate market segments.
Wrapping Up: Who Should Pick Which?
Choose the Pentax K-1 if:
- You are a serious enthusiast or professional who demands full-frame image quality, versatile lens options, and dependable weather sealing.
- Your photography spans portraits, landscapes, macro, or even semi-professional wildlife and sports.
- You value control over autofocus, RAW image quality, and extensive customization.
- You require a camera that integrates well into a professional workflow, supporting dual cards, external audio, and GPS tagging.
- You don’t mind carrying a larger, heavier DSLR unit for creative freedom.
Choose the Pentax WG-1 if:
- You seek a rugged, compact camera for travel, water sports, hiking, or casual outdoor photography.
- Battery life and computational image quality take a back seat to durability, convenience, and lightweight design.
- You want a simple point-and-shoot camera that survives harsh environments without fuss.
- Video and manual exposure modes are secondary to capturing spontaneous moments.
- You need good JPEG snapshots without investing in lenses or a complex workflow.
The Pentax K-1 and WG-1 epitomize two ends of the camera spectrum - the former a professional-grade powerhouse, the latter a hardy adventure-ready companion. Knowing your priorities and photographic style is key to choosing the right tool. As someone who has tested thousands of cameras across genres, I can say there’s no wrong choice, only the right camera for your shooting life.
Pentax K-1 vs Pentax WG-1 Specifications
Pentax K-1 | Pentax Optio WG-1 | |
---|---|---|
General Information | ||
Make | Pentax | Pentax |
Model | Pentax K-1 | Pentax Optio WG-1 |
Type | Advanced DSLR | Waterproof |
Introduced | 2016-02-17 | 2011-02-07 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 24mm | 6.17 x 4.55mm |
Sensor surface area | 861.6mm² | 28.1mm² |
Sensor resolution | 36 megapixel | 14 megapixel |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 4:3, 3:2 and 16:9 |
Max resolution | 7360 x 4912 | 4288 x 3216 |
Max native ISO | 204800 | 6400 |
Lowest native ISO | 100 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 33 | 9 |
Cross focus points | 25 | - |
Lens | ||
Lens mount | Pentax KAF2 | fixed lens |
Lens focal range | - | 28-140mm (5.0x) |
Highest aperture | - | f/3.5-5.5 |
Macro focus range | - | 1cm |
Available lenses | 151 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen sizing | 3.2" | 2.7" |
Resolution of screen | 1,037k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | TFT color LCD with Anti-reflective coating |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Min shutter speed | 30 seconds | 4 seconds |
Max shutter speed | 1/8000 seconds | 1/1500 seconds |
Continuous shutter rate | 4.4 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 3.90 m |
Flash modes | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Auto, On, Off, Red-eye, Soft |
External flash | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1010 grams (2.23 lbs) | 157 grams (0.35 lbs) |
Dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 114 x 58 x 28mm (4.5" x 2.3" x 1.1") |
DXO scores | ||
DXO Overall score | 96 | not tested |
DXO Color Depth score | 25.4 | not tested |
DXO Dynamic range score | 14.6 | not tested |
DXO Low light score | 3280 | not tested |
Other | ||
Battery life | 760 shots | 260 shots |
Battery style | Battery Pack | Battery Pack |
Battery model | D-LI90 | D-LI92 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | Dual SD/SDHC/SDXC (UHS-I) | SD/SDHC/SDXC, Internal |
Card slots | 2 | Single |
Pricing at release | $1,499 | $350 |