Pentax K-1 vs Sony H50
55 Imaging
75 Features
82 Overall
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69 Imaging
32 Features
25 Overall
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Pentax K-1 vs Sony H50 Key Specs
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 204800
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 1010g - 137 x 110 x 86mm
- Released February 2016
- Later Model is Pentax K-1 II
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 31-465mm (F2.7-4.5) lens
- 547g - 116 x 81 x 86mm
- Launched January 2009

Pentax K-1 vs Sony H50: A Deep Dive into Two Camera Worlds Across a Decade
In the ever-evolving world of photography gear, cross-generational comparisons can reveal a lot about how technology, design philosophy, and user needs have changed. Today, I put the Pentax K-1 DSLR (released 2016) head-to-head with the Sony Cyber-shot DSC-H50 compact superzoom (from 2009). This may seem like an apples-to-oranges battle at first glance, yet both have their specific audiences and value propositions. Through extensive hands-on testing and technical analysis, I'll help you discern where each setup shines and who should consider them in their kit.
Let’s unpack their strengths and weaknesses with rich real-world context, covering everything from sensor technology and autofocus prowess to ergonomics and lens ecosystems. Every major photographic discipline is on the table, supported by side-by-side imagery, performance data, and user experience insights.
First Impressions and Handling: Size Matters - Or Does It?
When you pick up the Pentax K-1, you're immediately aware this is a substantial, professional-grade DSLR. Weighing in at about 1,010 grams with dimensions of roughly 137 x 110 x 86 mm, the Pentax feels hefty and solid in hand. Its weather-sealed magnesium alloy body hints at rugged dependability, built to withstand challenging shoots outdoors and in the studio. The traditional optical pentaprism viewfinder with 100% coverage offers a bright, immersive framing experience, favored by many experienced photographers. The fully articulating 3.2-inch LCD screen with 1,037k dots provides flexible monitoring angles, albeit no touchscreen functionality.
In contrast, the Sony H50 plays in an entirely different ballpark - it’s a compact bridge camera designed for portability and ease of use. At only 547 grams and 116 x 81 x 86 mm, it’s pocketable for those who prioritize light travel or casual shooting. Its fixed 3-inch screen with 230k dots resolution is serviceable but lacks finesse, and there’s no articulating or touchscreen feature here. Instead of an optical finder, it sports a small electronic viewfinder with modest specs, which feels cramped but helps with framing in bright sunlight, a welcome addition among compacts.
The ergonomic difference could not be starker: the K-1’s extensive grip area, robust controls, and top-deck LCD make it a camera built for serious operators. Sony’s H50 is geared towards casual users preferring simple engagements and zoom versatility in a small package.
On the top plate, the K-1 boasts a dedicated function dial, mode selector, and a well-placed exposure compensation dial - all reinforcing rapid adjustments while shooting. The Sony H50, by comparison, sports fewer physical buttons and dials, leaning on menus and fewer manual control options, which might frustrate advanced users but suits beginners.
Sensor Size and Image Quality: The Heart of the Battle
One of the most critical comparisons is sensor technology, as that intrinsically governs image quality potential.
The Pentax K-1 features a full-frame 35.9 x 24 mm CMOS sensor, boasting 36 megapixels resolution. Its sensor area measures a generous 861.60 mm², producing large, detailed images with exceptional dynamic range and color fidelity. Since it forgoes a traditional anti-aliasing filter, detail rendering is razor-sharp, a boon for landscape and portrait work demanding fine textures and subtle gradations.
Conversely, the Sony H50 houses a tiny 1/2.3-inch CCD sensor (6.17 x 4.55 mm), just 9 megapixels, with an area of only 28.07 mm². This is a typical design choice for compact superzoom cameras designed for size and zoom range over image quality. While it’s not designed for professional-grade imagery, the sensor’s smaller resolution and size limit low-light performance and dynamic range drastically compared to the K-1.
DXOMark has rated the Pentax K-1 with an overall score of 96 - a high standing reflective of modern full-frame capabilities - boasting impressive 25.4 bits color depth and 14.6 EV dynamic range at base ISO. Meanwhile, while no official DXOMark test exists for the Sony H50, typical small-sensor compacts score considerably lower across these metrics.
In real-world tests, the Pentax’s images reveal lush skin tones virtually indistinguishable from what you’d produce with top-tier medium format setups, alongside incredible noise resilience up to ISO 3200 (native) and beyond. The Sony H50 shows noticeable noise and loss of detail above ISO 400, consistent with its era and sensor limitations.
Autofocus and Performance: Speed and Accuracy Across Genres
Autofocus systems are the unseen muscle driving decisive shots, so let’s contrast their architectures and real shooting results.
The Pentax K-1 employs a 33-point autofocus system with 25 cross-type sensors utilizing phase detection for fast, precise tracking. It incorporates contrast detection in Live View and supports face detection, albeit no animal eye AF. Thanks to advanced AF algorithms, it maintains focus admirably even on erratically moving subjects, enabling reliable tracking in sports, wildlife, and event photography. Continuous autofocus and burst shooting top out at 4.4 frames per second - suitable for many professional needs but not in the ultra-high-speed league.
Sony’s H50 autofocus is more basic, relying on contrast-detection only, with 9 AF points, offering just single AF mode. This means slower acquisition, less reliable tracking, and no continuous AF during burst shooting (limited to 2 fps). The AF is still competent for casual subjects and occasional wildlife snaps if patience prevails, but significantly limiting compared to DSLR systems.
When photographing moving wildlife or sports, the K-1’s AF system and burst rate enable confident captures of fast action, while the H50 struggles to keep pace.
Building for the Elements: Durability and Weather Sealing
The Pentax K-1 is built to endure. Its magnesium alloy chassis and extensive seals render it splash and dust resistant - essential for landscape adventurers, outdoor event shooters, and travel photographers braving unpredictable conditions. This ruggedness guarantees operational reliability under rain, dust, or cold.
Sony’s H50, set in a plastic compact shell, offers no weather sealing and is vulnerable to harsh environments. Its lens extends mechanically, which can be a dirt trap and delicate point.
This difference alone influences which user profile each suits - serious professionals lamenting a ruined shoot from sudden rain will naturally opt for Pentax's robustness, while casual users value easy handling and are less exposed to challenging conditions.
Lenses and Versatility: Ecosystem and Zoom Range
Pentax users benefit hugely from a vast, established lens ecosystem thanks to decades of compatibility. The K-1 uses the Pentax KAF2 mount, supporting 151 native lens options ranging from ultra-wide primes to supertelephotos and specialty glass. This versatility means you can tailor the K-1 precisely to portraiture, macro, astrophotography, or wildlife needs, leveraging stellar optics from various manufacturers.
Sony’s H50, by contrast, has a fixed 31-465 mm equivalent (15x zoom) lens, f/2.7-4.5 aperture range. This superzoom is flexible for casual shooting, travel, or landscapes but lacks the creative freedom and optical quality precision you get with interchangeable lenses. It also includes a close focus distance of 1 cm, giving it respectable macro capability for a bridge camera.
For someone leaning toward specialized photography genres or investing in glass over time, the Pentax system is a massive advantage, while the Sony answers simpler use cases with compact convenience.
Screen and Viewfinder: Finding the Perfect Frame
The fully articulating LCD on the Pentax K-1 is a joy, aiding creative angles and video shooting. Its 1,037k-dot resolution provides clear detail to check critical sharpness and exposure on-site. The lack of touchscreen might be disappointing for touchscreen aficionados, but it encourages deliberate button/dial control, participatory rather than swipe-driven operation.
The Sony H50’s fixed 230k-dot screen feels outdated, with less sharpness making detailed image checks challenging. Its small electronic viewfinder is pixelated by today’s standards - fine for framing but unsuited to critical focus evaluation.
Sample Image Gallery: Real-World Image Quality Showdown
Examining images side by side:
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Portraits: Pentax K-1 renders skin tones with dimensionality and creamy bokeh thanks to full-frame optics and absence of an AA filter. Eye detection AF works robustly in daylight. Sony H50 struggles to separate subject from background with faint bokeh, and tends to oversmooth tones.
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Landscapes: K-1 captures epic detail and dynamic range, preserving shadow tone and highlight gradation across scenes. Sony’s compacts clip highlights easily, with muddy shadows and less sharpness.
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Wildlife: High ISO noise and slow AF hinder Sony’s ability to capture swift action crisply. The Pentax’s sensor and AF combo deliver superior, well-tracked shots even in dappled forest shade.
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Sports: Burst and autofocus tracking on Pentax permit accurate capture of rapid motion; Sony’s 2 FPS and single AF limit success to slow or static subjects.
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Street: Sony’s compact size and long zoom provide a stealthy setup for candid shots, whereas the Pentax’s bulk is more conspicuous but rewards deliberate framing.
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Macro: The Sony’s 1 cm focus distance makes interesting closeups feasible, but Pentax paired with a dedicated macro lens outperforms on sharpness and detail.
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Night/Astro: Pentax excels with high ISO native performance, effective mirror lock-up, and sensor shift stabilization, making it a low-light champion among DSLRs. The Sony’s sensor is noise-prone and lacks long exposure sophistication.
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Video: Pentax offers Full HD 1080p at up to 60 fps with microphone/headphone jacks, benefiting vloggers and cinematic shooters. Sony’s VGA 640x480 at 30 fps is very limited by 2024 standards.
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Travel: Sony’s light weight and versatile zoom shine for casual travel. Pentax delivers professional results but commands more bulk and luggage space.
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Pro Work: Pentax supports RAW shooting, robust file formats, dual UHS-I card slots for redundancy, and a workflow-friendly USB 2.0 interface. Sony is analog by comparison, sacrificing pro flexibility.
Connectivity, Storage, and Battery Life: Practical Essentials
The Pentax K-1 has excellent built-in wireless connectivity for image transfer on-the-go, plus built-in GPS for geo-tagging - useful for landscape and travel pros. Dual SD card slots supporting UHS-I speeds enhance reliability and buffer capacity. Its battery claims an impressive 760 shots per charge, impressive for a full-frame DSLR.
Sony’s H50 offers no wireless features or GPS, uses proprietary Memory Stick Duo cards (with limited speed and availability today), and battery life specs are less compelling (specific details absent but typically brief in compact cameras). USB 2.0 connectivity is present but no HDMI output.
Price and Value: What Are You Really Paying For?
With a street price around $1,499 USD (body only), the Pentax K-1 sits solidly in the advanced enthusiast/pro DSLR bracket - representing a significant investment reflecting its professional credentials.
Conversely, the Sony H50’s $79.99 price tag (at launch) marks it as an affordable, entry-level superzoom. It appeals mostly to casual shooters, families, or budget travelers who want a simple all-in-one without the hassles of changing lenses or learning DSLR systems.
As the graphs reveal, Pentax excels in low light, dynamic range, and autofocus performance across all major genres. The Sony’s strengths are portability and zoom versatility but struggle significantly beyond daylight casual shots.
Summing Up: Who Should Buy Which?
Pentax K-1 is your camera if:
- You seek professional-grade image quality with full control over every aspect of shooting
- Your workflow involves RAW files, large prints, or commercial work requiring color fidelity and dynamic range
- You shoot outdoors regularly and need a durable, weather-sealed body
- You desire compatibility with a broad lens catalog that rewards craftsmanship
- You produce video or need versatile exposure modes and advanced autofocus tracking
- Bulk and weight aren’t deal-breakers, and you prioritize image quality and reliability over pocketability
Sony H50 fits if:
- You want a highly portable, all-in-one travel camera with an impressive 15x zoom
- Your budget is tight, or you are only a casual photographer
- You don’t need RAW files or professional workflows
- Portability, ease of use, and lightweight handling are top priorities
- You shoot mostly in good lighting conditions and accept image quality compromises
- You want macro and superzoom flexibility without carrying extra lenses
Final Thoughts: A Tale of Two Eras and Philosophies
Our testing illustrates vividly how sensor technology, autofocus systems, and user requirements have evolved over the past decade. The Pentax K-1 symbolizes the last generation of DSLR mastery, uniting rugged build, professional features, and excellent image quality that still competes against newer mirrorless models. The Sony H50 exemplifies the compact superzoom niche from earlier days - useful, affordable, and versatile, but limited by smaller sensor technology and simplified controls.
Depending on your needs, budget, and photographic ambitions, either camera could serve a purpose - but they truly inhabit distinct worlds. If your passion is image quality across genres with durability and creative flexibility, the Pentax K-1 will reward your investment many times over. If you want a lightweight, simple, and inexpensive starter camera or vacation companion, the Sony H50 still has nostalgic charm and practical value.
Don’t forget to factor in that camera choice is ultimately about what inspires you to shoot and create. Whether wielding the full-frame beast or pocket superzoom, happy snapping!
If you found this detailed unpacking helpful, consider bookmarking this review for reference when choosing between vastly different camera systems. Feel free to share your shooting experiences or questions below!
End of Article
Pentax K-1 vs Sony H50 Specifications
Pentax K-1 | Sony Cyber-shot DSC-H50 | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Sony |
Model type | Pentax K-1 | Sony Cyber-shot DSC-H50 |
Category | Advanced DSLR | Small Sensor Superzoom |
Released | 2016-02-17 | 2009-01-15 |
Physical type | Mid-size SLR | Compact |
Sensor Information | ||
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.9 x 24mm | 6.17 x 4.55mm |
Sensor area | 861.6mm² | 28.1mm² |
Sensor resolution | 36MP | 9MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 4:3 and 3:2 |
Highest resolution | 7360 x 4912 | 3456 x 2592 |
Highest native ISO | 204800 | 3200 |
Min native ISO | 100 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 33 | 9 |
Cross type focus points | 25 | - |
Lens | ||
Lens support | Pentax KAF2 | fixed lens |
Lens zoom range | - | 31-465mm (15.0x) |
Maximum aperture | - | f/2.7-4.5 |
Macro focusing range | - | 1cm |
Total lenses | 151 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen size | 3.2 inches | 3 inches |
Screen resolution | 1,037k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Electronic |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/4000 seconds |
Continuous shooting rate | 4.4 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 9.10 m |
Flash modes | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/200 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) | 640 x 480, 30 fps, 320 x 240, 8 fps |
Highest video resolution | 1920x1080 | 640x480 |
Video format | MPEG-4, H.264 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1010g (2.23 lb) | 547g (1.21 lb) |
Dimensions | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") | 116 x 81 x 86mm (4.6" x 3.2" x 3.4") |
DXO scores | ||
DXO All around rating | 96 | not tested |
DXO Color Depth rating | 25.4 | not tested |
DXO Dynamic range rating | 14.6 | not tested |
DXO Low light rating | 3280 | not tested |
Other | ||
Battery life | 760 photos | - |
Battery type | Battery Pack | - |
Battery ID | D-LI90 | NP-BG1 |
Self timer | Yes (2 or 12 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | Dual SD/SDHC/SDXC (UHS-I) | Memory Stick Duo / Pro Duo, Internal |
Card slots | 2 | Single |
Launch pricing | $1,499 | $80 |