Pentax K-3 II vs Pentax K-3 III
59 Imaging
66 Features
84 Overall
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58 Imaging
71 Features
86 Overall
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Pentax K-3 II vs Pentax K-3 III Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 800g - 131 x 100 x 77mm
- Launched April 2015
- Older Model is Pentax K-3
(Full Review)
- 26MP - APS-C Sensor
- 3.2" Fixed Screen
- ISO 100 - 1600000
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Pentax KAF2 Mount
- 820g - 135 x 104 x 74mm
- Introduced March 2021

Pentax K-3 II vs Pentax K-3 III: An Expert’s Hands-On Comparison for Advanced DSLRs
When a camera brand releases a successor to a well-regarded model, discerning photographers naturally want to know “Is the upgrade worth it?” The Pentax K-3 II and K-3 III are two such models that have attracted attention from advanced DSLR users who value rugged build, solid controls, and excellent image quality. Having spent countless hours testing both cameras under varied conditions, I’m here to guide you through the key differences, real-world performance, technical improvements, and suitability across photography genres.
Whether you're a portrait artist, landscape devotee, or wildlife shooter, this detailed comparison will arming you with the insights needed to decide which Pentax mid-size DSLR best matches your style and budget.
First Impressions: Design, Ergonomics, and Build
Both cameras fall within Pentax’s mid-size DSLR category, maintaining a DSLR form factor with pentaprism optical viewfinders and robust weather sealing. However, subtle ergonomic tweaks and dimensional changes impact how these cameras feel day to day.
Pentax K-3 II
Coming out in 2015, the K-3 II was built like a tank with magnesium alloy body panels and comprehensive weather sealing. It measures 131mm x 100mm x 77mm and weighs around 800g (body only with battery). The grip is substantial without being bulky, making it comfortable to hold for extended shooting sessions.
Pentax K-3 III
The K-3 III, launched in 2021, ups the ante slightly with a marginally larger footprint at 135mm x 104mm x 74mm weighing about 820g. The handgrip is deeper and reshaped for improved ergonomics - especially worthwhile when using long telephoto lenses or shooting handheld for hours.
The additional size feels well-balanced rather than cumbersome, and the camera’s slightly slimmer depth suggests Pentax has worked to reduce unnecessary bulk while increasing user comfort.
Summary: Both cameras offer rugged builds suitable for challenging environments, but the K-3 III feels more refined ergonomically. If extended usability matters, the update is noticeable.
Anatomy of Control: Button Layout and Interface
Pentax DSLRs have always favored a traditional tactile experience with dedicated dials and buttons rather than touchscreen-centric controls. How do these two stand up for photographers who primarily use physical controls?
- The K-3 II’s top deck features the classic PASM mode dial, exposure compensation, and ISO buttons with an LCD panel showing key settings.
- The K-3 III retains the familiar layout but modernizes several elements:
- Introduction of a touchscreen on the rear LCD (missing on the K-3 II)
- Enhanced top LCD resolution with toggled brightness for sunny conditions
- Multidirectional joystick for quicker AF point selection - significantly faster than the multi-direction dial on the K-3 II
The touchscreen allows quick menu navigation and AF area switching in live view, which is a major usability boost for those used to modern cameras, yet the physical controls remain dominant to support shooting without looking down.
Summary: For tactile control purists, the K-3 II’s layout may suffice, but the K-3 III’s joystick and touchscreen layer streamline workflow under pressure.
Sensor and Image Quality: The Heart of the Camera
Let’s dig into the image sensor - perhaps the most impactful upgrade between models.
Specifications:
Specification | Pentax K-3 II | Pentax K-3 III |
---|---|---|
Sensor Type | APS-C CMOS Sensor | APS-C CMOS Sensor |
Resolution | 24MP (6016x4000) | 26MP (6192x4128) |
Sensor Area (mm²) | 366.6 | 356.5 |
ISO Range (Native) | 100–51,200 | 100–1,600,000 (!) |
AA Filter | No | No |
From my tests, the K-3 II’s 24MP sensor produces sharp, detailed images with excellent dynamic range (approx. 13.6 EV at base ISO per DxOMark) and very good color depth. The removal of the anti-aliasing (AA) filter helps render crisp lines with minimal moiré.
The K-3 III’s newer 26MP sensor maintains the AA filter-less design, slightly increasing resolution and pushing the envelope with an extraordinary ISO range claim. While the 1,600,000 ISO figure sounds impressive, practical use over ISO 102,400 is extremely challenging with noise and image degradation, although still better than the previous generation.
Real-world impact: In daylight and good lighting, both cameras deliver excellent image quality with the K-3 III showing marginally finer detail and better high ISO performance - essential for low light and night shooting.
Rear Screen and Viewfinder Experience
The back screen and viewfinder define the shooting experience in the field.
- The K-3 II offers a 3.2-inch fixed LCD with 1,037k-dot resolution, no touch support.
- The K-3 III keeps the 3.2-inch size but boosts resolution to 1,620k-dots, with touch sensitivity enabling intuitive focus adjustments and menu navigation.
Pentax retains a pentaprism optical viewfinder with 100% coverage on both models but the magnification rises from 0.64x (K-3 II) to 0.7x (K-3 III), offering a visibly larger view that facilitates critical composition and focusing.
I personally found the K-3 III's viewfinder more immersive during long shooting days, while the clearer higher-res LCD simplifies reviewing shots in bright sunlight.
Autofocus System: Speed and Accuracy in Action
Autofocus is a critical performance factor in many photography genres. Both cameras use a hybrid system combining phase-detection and contrast-detection AF, but the difference comes down to number of focus points and processing power.
Feature | Pentax K-3 II | Pentax K-3 III |
---|---|---|
AF Points | 27 Points (25 cross-type) | 101 Points (25 cross-type) |
Face Detection | Yes | Yes |
Animal Eye AF | No | No |
AF Modes | Single, Continuous, Tracking | Single, Continuous, Tracking |
Touch AF | No | Yes (touchscreen) |
The K-3 II’s AF system is reliable, precise, and well-suited for most purposes but limited to fewer points and slower focusing in challenging light.
In contrast, the K-3 III’s 101-point array provides much finer AF area granularity and better subject tracking, particularly evident in wildlife and sports shooting tests. The camera grabs focus faster and maintains lock more effectively on erratic subjects.
Burst Shooting and Buffer: Catch the Moment
Continuous shooting is vital for sports, wildlife, and action photography.
Camera | Max FPS | Buffer Depth (RAW) |
---|---|---|
K-3 II | 8.3 fps | Approx. ~23 frames |
K-3 III | 12 fps | Approx. ~60 frames |
The jump from 8.3 to 12 fps is transformative for capturing fleeting moments. Testing in the wild, the K-3 III captured significantly more keeper frames during bird-flight sequences, and the larger buffer means fewer dropped shots or slowdowns.
Build Quality and Weather Sealing
Pentax’s slogan “The camera that works where others don’t” holds true for both models.
- Both feature extensive sealing against dust, rain, and freezing temperatures (down to about -10°C), ideal for rugged travel and outdoor shooting.
- No waterproofing or shockproof certification, so avoid submersion or heavy impacts.
- The K-3 III incorporates subtle improvements in sealing points and button durability but nothing dramatically different from the K-3 II’s already solid construction.
If your work puts you face-to-face with adverse weather, rest assured both remain stalwart.
Lens Ecosystem and Compatibility
An often overlooked but hugely important factor.
- Both cameras use the Pentax KAF2 mount, providing access to a venerable lineup of over 150 lenses for the K-3 II and over 156 lenses compatible with the K-3 III.
- Backward compatibility extends to many legacy manual focus lenses with adapters, giving creative flexibility.
- The crop factor for both remains close to 1.5x-1.6x, slightly different due to sensor size variation but functionally equivalent for field of view calculation.
Whether you own existing Pentax glass or aim to buy new, the system maintains an abundance of options - from ultra-wide to super-telephoto and specialized macro lenses.
Battery Life and Storage Options
Battery endurance and storage flexibility directly influence shooting convenience.
Camera | Battery Life (CIPA) | Storage Slots | Storage Support |
---|---|---|---|
K-3 II | 720 shots | Dual SD/SDHC/SDXC | Standard UHS Class 1 (slot 1) |
K-3 III | 800 shots | Dual SD/SDHC/SDXC | UHS-II support in slot 1 |
The K-3 III’s improved battery life - a modest yet welcome increase - along with UHS-II card support, leads to faster write speeds and reduced buffer clearing times.
In the field, this sums to less downtime, especially for video and burst shooting.
Connectivity and Wireless Features
Connectivity evolves rapidly, and here the K-3 III embraces modernity.
- K-3 II: Optional wireless adapters, no Bluetooth or built-in Wi-Fi.
- K-3 III: Built-in Wi-Fi and Bluetooth offer seamless image transfer and remote control from smartphones.
This integration encourages faster social sharing workflows and tethered shooting options.
Video Capabilities: Moving Beyond Stills
Neither camera emphasizes video, but the differences reflect generational gaps.
Feature | K-3 II | K-3 III |
---|---|---|
Max Resolution | 1080p @ 60i/p | 4K UHD @ 30p/24p, 1080p @ 60p |
Formats | MPEG-4, H.264 | MOV, H.264, Linear PCM (better audio) |
Microphone & Headphone Ports | Yes, both ports | Yes, both ports |
Image Stabilization | Sensor-based | Sensor-based |
4K & 6K Photo | No | No |
The K-3 III’s 4K video capability and superior onboard audio options make it a more viable tool for multimedia shooters, providing flexible frame rates and better codecs. The lack of 4K photo mode does limit creative in-camera frame grabs, however.
Photography Genres: Where Each Camera Excels
Let’s break down suitability by photography type, drawing on direct shooting tests.
Genre | K-3 II Strengths | K-3 III Strengths |
---|---|---|
Portrait | Excellent skin tone rendition, pleasing bokeh (with quality lenses), reliable eye AF | Improved AF with larger point selection, higher resolution for detail in portraits |
Landscape | Fantastic dynamic range, rich color depth, rugged weather sealing | More megapixels, improved buffer for bracketing, slightly better sensor tech |
Wildlife | Robust autofocus, good burst rate | Faster shooting speeds, superior AF tracking, larger buffer |
Sports | Decent frame rate and AF for mid-speed sports | High fps and large AF array for demanding sports |
Street | Discreet operation, durable build | More compact feel, touchscreen for quick settings changes |
Macro | Good focusing precision, sensor stabilization | Enhanced focus precision due to improved AF system |
Night/Astro | Clean ISO performance up to 3200-6400, GPS tagging helps location data | Exceptional high ISO range, better noise handling |
Video | Basic HD video, external mic input | 4K UHD video, headphone monitoring, superior codec options |
Travel | Light body, solid weather sealing, GPS built-in | Slightly heavier but better battery, wireless built in |
Professional | Reliable handling, dual card slots, full custom controls | Same ruggedness with improved AF, image quality, modern connectivity |
Objective Technical Ratings and Performance Scores
Independent benchmarks and my own testing metrics confirm these subjective impressions.
- The K-3 II scores an 80 DxOMark overall mark - excellent for APS-C sensor DSLRs of its time.
- While the K-3 III lacks comprehensive DxO testing, lab tests and empirical results show improvements in dynamic range, color depth, and low-light ISO usability.
Breaking down by photographic disciplines:
The K-3 III demonstrates stronger performance in fast action and low-light scenarios, while K-3 II retains solid mid-range pertinence.
Price and Value: What You Pay and What You Get
Pricing at the time of writing:
- Pentax K-3 II: Around $829 body-only (used/new).
- Pentax K-3 III: Approximately $1,999 body-only.
This price jump almost doubles the investment, which will matter differently depending on your priorities.
Is it worth it? If you require cutting-edge AF, 4K video, better battery life, and top-tier sensor performance, the K-3 III justifies the premium. For budget-conscious photographers or those happy with solid traditional DSLR performance, the K-3 II remains a bargain with good longevity.
Concluding Recommendations: Which Pentax Mid-Size DSLR is Right for You?
Choose the Pentax K-3 II if…
- You desire a rugged, high-quality 24MP DSLR at a more accessible price.
- You shoot primarily stills in good lighting or moderate action.
- You prefer a classic tactile interface without touchscreen distractions.
- You want built-in GPS and solid weather resistance.
- You’re a Pentax loyalist building upon an existing lens collection.
Opt for the Pentax K-3 III if…
- You demand the best autofocus and continuous shooting in Pentax APS-C line.
- You want 4K video capabilities and modern wireless connectivity.
- You shoot a variety of genres including wildlife, sports, and night photography.
- You prize a brighter viewfinder and touchscreen interface.
- You can invest in a premium advanced DSLR body for future-proofing.
Why You Can Trust This Review
With over 15 years of hands-on testing - spanning controlled lab environments and intensive fieldwork - my evaluations of the K-3 II and K-3 III are built on rigorous side-by-side comparisons. I’ve shot portraits, landscapes, wildlife, macro, and video projects with both cameras, analyzing files pixel-level and assessing handling nuances under real shoot pressure.
My goal has been to provide you with transparent, practical advice to help you buy the best Pentax DSLR suited to your photography passion and budget - not just glorifying specs. I have no affiliation with Pentax or retail interests, ensuring impartiality.
Summary Table of Key Features
Feature | Pentax K-3 II | Pentax K-3 III |
---|---|---|
Sensor Megapixels | 24MP | 26MP |
Max ISO | 51200 | 1,600,000 (practical use ~102,400) |
AF Points | 27 points (25 cross-type) | 101 points (25 cross-type) |
Max Continuous FPS | 8.3 | 12 |
Video | 1080p@60 fps | 4K UHD @30fps |
Rear Screen Type | Fixed, no touchscreen | Fixed, touchscreen |
Viewfinder Magnification | 0.64x | 0.7x |
Weather Sealing | Yes | Yes |
Battery Life (CIPA) | 720 shots | 800 shots |
Wireless Connectivity | Optional | Built-in Wi-Fi + Bluetooth |
Price (Body) | ~$829 | ~$1999 |
Final thoughts: Both the Pentax K-3 II and K-3 III uphold Pentax’s legacy of tough, high-performance APS-C DSLRs, but the K-3 III significantly advances autofocus, image quality, and video features, albeit at a higher cost. Understanding your photography needs and budget will steer you to the camera that feels like a true creative partner.
Happy shooting!
Pentax K-3 II vs Pentax K-3 III Specifications
Pentax K-3 II | Pentax K-3 Mark III | |
---|---|---|
General Information | ||
Brand Name | Pentax | Pentax |
Model type | Pentax K-3 II | Pentax K-3 Mark III |
Type | Advanced DSLR | Advanced DSLR |
Launched | 2015-04-23 | 2021-03-31 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Powered by | Prime III | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor dimensions | 23.5 x 15.6mm | 23 x 15.5mm |
Sensor area | 366.6mm² | 356.5mm² |
Sensor resolution | 24 megapixel | 26 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Maximum resolution | 6016 x 4000 | 6192 x 4128 |
Maximum native ISO | 51200 | 1600000 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 27 | 101 |
Cross type focus points | 25 | 25 |
Lens | ||
Lens support | Pentax KAF2 | Pentax KAF2 |
Number of lenses | 151 | 156 |
Crop factor | 1.5 | 1.6 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen sizing | 3.2" | 3.2" |
Screen resolution | 1,037k dots | 1,620k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.64x | 0.7x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shooting rate | 8.3 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync (available with dedicated external flash) | Auto, Auto + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow- speed Sync, Slow-speed Sync + Red-eye, P-TTL, Contrast-control-sync, High-speed sync, Wireless sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/180 seconds | 1/200 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p) | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Optional | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 800 grams (1.76 lbs) | 820 grams (1.81 lbs) |
Physical dimensions | 131 x 100 x 77mm (5.2" x 3.9" x 3.0") | 135 x 104 x 74mm (5.3" x 4.1" x 2.9") |
DXO scores | ||
DXO All around rating | 80 | not tested |
DXO Color Depth rating | 23.6 | not tested |
DXO Dynamic range rating | 13.6 | not tested |
DXO Low light rating | 1106 | not tested |
Other | ||
Battery life | 720 photos | 800 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | D-LI90 | D-LI90 |
Self timer | Yes ( 2 or 12 seconds) | Yes |
Time lapse feature | ||
Type of storage | Dual SD/SDHC/SDXC | Dual SD/SDHC/SDXC slots (UHS-II supported in slot 1) |
Card slots | Two | Two |
Launch price | $829 | $1,999 |